אודות פרק זה
Simon finally gives in and buys more UAD plugins.
After years of questioning DSP systems and dismissing expensive plugin ecosystems, Simon and Terry explore why some analog emulations genuinely feel closer to hardware while others miss the mark.
The conversation covers circuit modelling, impulse responses, compressor behaviour, UAD vs other plugin companies, why analog gear often works better in context than in solo, and whether modern computers are slowly making hardware obsolete.
A deep dive into what actually makes plugins sound “analog” and why workflow still matters more than marketing.
אנגלית
אוֹסטְרַלִיָה
תעתיק 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
פרקים אחרים בפודקאסט הזה
Everyone online says don't worry about the technical stuff, just be creative. They're wrong. And so is the opposite camp.
In Episode 11 of KNOBS, Simon Moro and Terry Hart take on one of the loudest debates in music production: technical knowledge versus pure creativity.
Their verdict is that it i…
Perfectionism might be the thing ruining your mixes.
In Episode 7 of KNOBS, Simon Moro and Terry Hart explore why speed, instinct and creative momentum often beat endless tweaking. Along the way they dive into client feedback, fast mixing workflows, mastering frustrations, old records, dynamic EQs…
Why does your mix sound great in the studio and terrible in the car? And six more questions every producer ends up asking.
In Episode 10 of KNOBS, Simon Moro and Terry Hart run a rapid-fire round of the questions that come up again and again, with honest, road-tested answers.
They cover the car te…
Every generation of studio technology shows up the same way: a shiny new tool that promises to fix everything, gets pushed way too far, and only earns its place once we learn to hold back. Simon and Terry trace the whole arc, from wax cylinders to tape to Pro Tools, Beat Detective and quantising, …
הצהרה: הפודקאסט והגרפיקה המוטבעים בדף זה הם מ-Academy of Audio®, שהוא רכושו של בעליו ואינו קשור או מאושר על ידי Listen Notes, Inc.