Transcription complète de The Stack: Marvel Midnight, Jonah Hex, And More

five, five, five, five, five, five, five, five, five, 03:38.405 --> 03:44.549 [SPEAKER_02]: So it's definitely a lot to contain, but I'm super intrigued by all the different stratifications. 03:45.049 --> 03:53.595 [SPEAKER_02]: It upsets the basic X-Men premise of their hate and hated and feared, and they have to save themselves and save humanity. 03:54.175 --> 03:58.818 [SPEAKER_02]: Now it's like, oh, some of these vampires are bad, some of them are better. 03:59.419 --> 04:02.441 [SPEAKER_02]: Some are human non-vampire mutants. 04:03.321 --> 04:03.862 [SPEAKER_02]: Like it, it's 04:04.782 --> 04:08.766 [SPEAKER_02]: It changes things up in a good way, and this was just a bang or cyclops issue. 04:08.826 --> 04:15.031 [SPEAKER_01]: I thought He was super-douchative it from the moment you saw No, it's like a leg. 04:15.051 --> 04:17.293 [SPEAKER_02]: How can you know what you like? 04:17.914 --> 04:18.534 [SPEAKER_02]: You like this? 04:18.594 --> 04:24.480 [SPEAKER_03]: This was a badass cyclops Cyclops was so cool and this is no, it was great. 04:25.040 --> 04:25.581 [SPEAKER_01]: This is too 04:26.061 --> 04:28.803 [SPEAKER_03]: We talked about this before hand going into these titles. 04:28.843 --> 04:32.346 [SPEAKER_03]: I think somebody had a live show asked us what's looking forward to. 04:32.947 --> 04:43.276 [SPEAKER_03]: And Middite X-Men just ob the surface was the blood that I was least anticipating simply because we've seen bloodstorm, we've seen vampires with the Marvel universe and 04:43.676 --> 04:46.357 [SPEAKER_03]: very recently with the blood hunt event. 04:46.837 --> 04:57.139 [SPEAKER_03]: So just mixing vampires, the Barrel Universe, I was like, this does not seem like crazy to take, but I think Justin, you and I talked about, there's gotta be something more to it because it's Jonathan Dickbid. 04:57.339 --> 05:09.921 [SPEAKER_03]: And there is, in fact, you get a banger of an issue that feels like a natural extension of what Hickbid was setting up with Krakola, where he's exploring mutant societies and what it means to have mutants. 05:10.441 --> 05:16.406 [SPEAKER_03]: interacting with society with the addition of the level of vampires and vampire mutants. 05:16.946 --> 05:18.747 [SPEAKER_03]: Gambit is horrifying. 05:18.908 --> 05:29.516 [SPEAKER_03]: It's so psychops is so cool and even I'm a little sick at tired of the text page thing, but the text page is a really good in this. 05:29.536 --> 05:30.796 [SPEAKER_03]: So you guys read those? 05:31.277 --> 05:32.198 [SPEAKER_03]: Yes, of course. 05:32.278 --> 05:33.238 [SPEAKER_03]: I read the whole issue. 05:38.402 --> 05:48.456 [SPEAKER_03]: awesome action scenes to a really really tense conversation scene at the end was storm a night crawler Oh man, this is a fan-tast day. 05:48.476 --> 05:49.378 [SPEAKER_03]: Plus the initial. 05:49.498 --> 05:53.203 [SPEAKER_01]: That last panel of storm was just so bad at that. 05:53.423 --> 05:53.664 [SPEAKER_01]: I mean, 05:54.344 --> 05:54.925 [SPEAKER_01]: I'm sold. 05:55.105 --> 05:55.866 [SPEAKER_03]: I'm sold on this. 05:55.986 --> 05:58.208 [SPEAKER_03]: I was not as sold going in by the end. 05:58.228 --> 05:59.869 [SPEAKER_03]: I was like yeah, giving the next one. 05:59.969 --> 06:04.893 [SPEAKER_01]: Yeah, and they also give us this teaser of like a storm-biting Phoenix. 06:04.953 --> 06:15.302 [SPEAKER_03]: So that was also kind of cool plus in the Batman's like just to talk about that specifically that seems like that's probably the inciting event of this whole thing is what they were playing. 06:15.342 --> 06:16.423 [SPEAKER_03]: So that was not a teaser 06:17.023 --> 06:23.826 [SPEAKER_01]: I thought maybe it was, you know, like, to come or, you know, well, that's why Cyclops is so distraught. 06:23.926 --> 06:27.687 [SPEAKER_03]: Clearly, Storm became a vampire bit fetix. 06:27.847 --> 06:29.248 [SPEAKER_03]: Everything went horribly wrong. 06:29.328 --> 06:32.849 [SPEAKER_03]: And you see Cyclops with his visor broken screaming and horror. 06:33.969 --> 06:34.590 [SPEAKER_03]: That's it. 06:34.610 --> 06:35.150 [SPEAKER_03]: We'll see. 06:35.450 --> 06:37.171 [SPEAKER_01]: We just saw one panel and then it went away. 06:37.231 --> 06:42.535 [SPEAKER_01]: So you could sure to be the future. 06:42.575 --> 06:44.936 [SPEAKER_03]: Yeah, it could be the future. 06:44.956 --> 06:46.497 [SPEAKER_03]: It could be what they describe in the game. 06:46.517 --> 06:49.359 [SPEAKER_01]: I blame the lock because it's like you make it in a movie when you're reading the comics. 06:49.379 --> 06:50.319 [SPEAKER_01]: So that's why I do that. 06:50.420 --> 06:51.060 [SPEAKER_01]: You blame the lock. 06:51.180 --> 06:51.600 [SPEAKER_01]: Yeah, great. 06:51.620 --> 06:52.782 [SPEAKER_03]: Should we talk about the next one? 06:52.802 --> 06:54.103 [SPEAKER_03]: The midnight. 06:54.203 --> 07:01.810 [SPEAKER_01]: I want to talk about the back matter because we get a real touching letter from none other than Jordan D. White and this. 07:02.190 --> 07:05.834 [SPEAKER_01]: And I thought that was pretty exciting, pretty cool to see. 07:06.354 --> 07:09.537 [SPEAKER_01]: He's very excited as a fan of horror for this book. 07:09.657 --> 07:11.959 [SPEAKER_01]: And I guess he's editing on it. 07:12.680 --> 07:13.561 [SPEAKER_01]: It's in great hands. 07:13.601 --> 07:16.004 [SPEAKER_01]: It was nice to kind of see that in the back matter. 07:16.444 --> 07:19.187 [SPEAKER_01]: People who are working behind the scenes excited for this. 07:19.227 --> 07:20.288 [SPEAKER_01]: I thought that was a cool thing. 07:20.308 --> 07:21.069 [SPEAKER_02]: Yeah, kind of cool. 07:21.089 --> 07:22.210 [SPEAKER_02]: Jordan is a vampire. 07:22.290 --> 07:23.151 [SPEAKER_02]: So it makes a lot of sense. 07:23.171 --> 07:23.792 [SPEAKER_02]: Well, you think so? 07:23.932 --> 07:26.074 [SPEAKER_01]: Do you think all people play banjos or vampires? 07:26.095 --> 07:26.975 [SPEAKER_01]: Is that what

you're trying to say? 07:27.036 --> 07:27.596 [SPEAKER_01]: I do think. 07:27.636 --> 07:28.998 [SPEAKER_01]: How do you see that? 07:30.579 --> 07:33.342 [SPEAKER_03]: Yeah, that's a banjo playing. 07:33.763 --> 07:34.303 [SPEAKER_03]: Oh, it's a fiddle. 07:35.490 --> 07:38.492 [SPEAKER_03]: I thought, wasn't what's his name playing a banjo? 07:39.172 --> 07:42.234 [SPEAKER_02]: I think a fiddle's a neck banjo, right? 07:42.494 --> 07:43.074 [SPEAKER_02]: People say that. 07:43.094 --> 07:43.894 [SPEAKER_02]: I think people say that. 07:44.155 --> 07:44.375 [SPEAKER_02]: OK. 07:45.711 --> 07:48.994 [SPEAKER_02]: Um, I did want to next also a very apropos for this book. 07:49.414 --> 07:52.296 [SPEAKER_02]: I never thought the words blood hunt once while reading this. 07:52.436 --> 07:53.637 [SPEAKER_02]: So that's impressive. 07:53.898 --> 07:56.139 [SPEAKER_02]: We're safe to mark safe. 07:56.880 --> 08:00.002 [SPEAKER_03]: Midnight Spider-Man number one from Marvel Written by Phil Kennedy Johnson. 08:00.102 --> 08:08.889 [SPEAKER_03]: Our by say trunk this focuses on a Peter Parker who's living with a so called Ben at May is elsewhere as we explore a little bit in this issue. 08:09.470 --> 08:11.912 [SPEAKER_03]: Oscore has been experimenting with 08:12.352 --> 08:20.038 [SPEAKER_03]: horrible, different things, including growth, hormone, gamma radiation, and other things to try to do something for someone known purpose. 08:21.179 --> 08:24.542 [SPEAKER_03]: And by the end, that naturally affects Peter Parker. 08:24.662 --> 08:26.743 [SPEAKER_03]: It awful, awful ways. 08:27.384 --> 08:28.585 [SPEAKER_03]: What do you guys think about this one? 08:29.806 --> 08:31.127 [SPEAKER_02]: Just very smartly done. 08:31.167 --> 08:33.769 [SPEAKER_02]: We talked to Philip Kennedy Johnson about this book. 08:33.949 --> 08:39.734 [SPEAKER_02]: It feels like, and he said, I could do how many years he said he had planned, like, 10 years of this. 08:39.774 --> 08:40.034 [SPEAKER_02]: So, 08:40.682 --> 08:47.064 [SPEAKER_02]: He's ready to dive in, and we feel that that command of the material in this first issue. 08:47.124 --> 09:04.109 [SPEAKER_02]: So, well, if Midnight X-Men is the macro look at a society, this is such a micro look at the spider-man origin and how we can essentially fuck it up by making it even more horrifying, yet still hitting some similar beats. 09:04.887 --> 09:09.148 [SPEAKER_02]: you can, it's like a slow motion tragedy at every moment that's happening here. 09:09.528 --> 09:22.712 [SPEAKER_02]: And they are by, say, trunk, like I, I wouldn't have expected it to be this, especially given Philip K. Johnson's horror stuff, which is a little bit more sort of super hero-y horror. 09:23.212 --> 09:30.595 [SPEAKER_02]: Well, this feels a little bit more like independent, this feels like European comics or, but it man does it work in here. 09:30.695 --> 09:31.455 [SPEAKER_02]: I thought it was great. 09:31.830 --> 09:35.455 [SPEAKER_01]: Yeah, I mean, I love Philip Kennedy Johnson and these are amazing writer. 09:35.475 --> 09:39.020 [SPEAKER_01]: This is a little too scary, a little too much for me. 09:39.060 --> 09:47.110 [SPEAKER_01]: Like when it started, you know, after the smoke break, where you would talk about BAMP and I was like, Oh, what a cool name for a cat. 09:47.711 --> 10:01.832 [SPEAKER_01]: we don't even get to meet that cat and it's already grossly murdered and I was like God damn this is how we're starting it's so brutal already and you know you're seeing a peat make just 10:02.573 --> 10:04.014 [SPEAKER_01]: horrible choices. 10:04.914 --> 10:08.776 [SPEAKER_01]: And then you know, then we got to kind of go through the whole bent thing again. 10:08.816 --> 10:10.196 [SPEAKER_01]: I was just like, God damn. 10:10.696 --> 10:15.819 [SPEAKER_01]: And the power makes monsters of us all is a very powerful and cool quote. 10:16.179 --> 10:21.441 [SPEAKER_01]: But if that's going to be the theme of this, I'm like, bro, this is a little dark for my taste. 10:21.541 --> 10:26.283 [SPEAKER_01]: But you know, I ride with Phillips, you know, Phillips. 10:26.323 --> 10:28.404 [SPEAKER_01]: So I'm a keep reading this, but God 10:31.698 --> 10:37.081 [SPEAKER_02]: If you see a cat guy, Pete, have you ever puffed the fluff and realized the cat is just a spider-filled corpse? 10:37.641 --> 10:38.582 [SPEAKER_03]: No. 10:38.762 --> 10:38.982 [SPEAKER_03]: No. 10:39.582 --> 10:40.603 [SPEAKER_03]: And when do you know? 10:40.783 --> 10:41.503 [SPEAKER_03]: Not God would. 10:41.584 --> 10:43.044 [SPEAKER_03]: I have a... That has happened to me. 10:43.064 --> 10:48.227 [SPEAKER_03]: When you took a deep breath, what you're like, head to puff the fluff and a spider came into your mouth? 10:48.968 --> 10:49.168 [SPEAKER_02]: Yeah. 10:49.428 --> 10:49.608 [SPEAKER_02]: No. 10:50.015 --> 11:03.414 [SPEAKER_03]: that's uh... they say p lapage in hails nine spiders a year s s apple facted if you ever swallow a spider peat what you got to do is you got to send a bird in to get the spider and a cat out to that 11:03.983 --> 11:05.164 [SPEAKER_01]: Oh, wow. 11:05.204 --> 11:06.646 [SPEAKER_01]: That's a very loose of you. 11:06.926 --> 11:09.328 [SPEAKER_03]: It's Nature's garbage plate. 11:09.348 --> 11:11.750 [SPEAKER_03]: I couldn't believe how bloody it was. 11:12.151 --> 11:13.031 [SPEAKER_03]: Yeah. 11:13.172 --> 11:14.393 [SPEAKER_03]: It's crazy over the top. 11:14.453 --> 11:18.596 [SPEAKER_03]: It's crazy to me that like, we talk about this all the time, but Marvel has the whole red bad thing. 11:18.616 --> 11:20.758 [SPEAKER_03]: They're like, oh, don't go through the poly bad. 11:20.778 --> 11:21.579 [SPEAKER_03]: This can be gross. 11:21.599 --> 11:22.500 [SPEAKER_03]: That is played big. 11:22.620 --> 11:23.241 [SPEAKER_03]: I cut to bed. 11:23.321 --> 11:24.081 [SPEAKER_03]: Five and a half. 11:24.242 --> 11:24.702 [SPEAKER_03]: Look at this. 11:25.843 --> 11:30.028

[SPEAKER_03]: versus this is somebody literally like barfing up to the police. 11:30.648 --> 11:36.295 [SPEAKER_03]: I think the art style, and if I remember correctly, we've talked about this a little bit, seems more manga to me. 11:36.435 --> 11:43.783 [SPEAKER_03]: It doesn't quite go as far on the panel structure as, say, Nick Trigoda does with absolute Batman, which I also think is, 11:44.684 --> 11:46.184 [SPEAKER_03]: manga inspired. 11:46.425 --> 11:51.066 [SPEAKER_03]: But this definitely has the feel of that and the pacing of that. 11:52.346 --> 11:54.827 [SPEAKER_03]: And yeah, he's clearly setting up early interesting mythology. 11:54.927 --> 11:56.947 [SPEAKER_03]: I was curious to see what you guys thought of. 11:57.368 --> 12:01.469 [SPEAKER_03]: We also meet Felicia Hardy who is a VP at Oscord. 12:01.749 --> 12:06.110 [SPEAKER_03]: And we get a panel from the perspective of the POV of her boobs. 12:06.210 --> 12:06.950 [SPEAKER_03]: What do you think about that? 12:06.970 --> 12:08.691 [SPEAKER_01]: Yeah, that was crazy, right? 12:08.831 --> 12:09.251 [SPEAKER_01]: I was like, 12:11.110 --> 12:17.012 [SPEAKER_01]: boot perspective, we got it, booble, booble, booble, booble, vision, a little POV action. 12:17.032 --> 12:19.732 [SPEAKER_01]: I was just like, who is this for right now? 12:19.772 --> 12:31.255 [SPEAKER_01]: Like, what's the one thing to get that perspective for a long time, in your comics, you're like, get that, you know, I want to look over the ample breasts, I want to see what's on the other side of them. 12:31.275 --> 12:33.456 [SPEAKER_01]: Yeah, it was an interesting choice. 12:34.417 --> 12:34.617 [SPEAKER_03]: Yes. 12:35.218 --> 12:35.458 [SPEAKER_01]: Great. 12:35.618 --> 12:35.919 [SPEAKER_01]: Okay. 12:35.959 --> 12:36.359 [SPEAKER_01]: Thank you. 12:36.499 --> 12:37.621 [SPEAKER_01]: Thank you for weighing in on that. 12:37.681 --> 12:38.902 [SPEAKER_03]: What are we talking about the third one? 12:38.942 --> 12:41.185 [SPEAKER_03]: Midnight fantastic for number one from Marvel. 12:41.605 --> 12:45.069 [SPEAKER_03]: Written by Benjamin Percy are to buy Kev Walker here. 12:45.490 --> 12:54.240 [SPEAKER_03]: We mostly spent a lot of time with Reed Richards who is very HP Lovecraft style going crazy, trying to contact cosmic forces. 12:54.852 --> 13:05.001 [SPEAKER_03]: leads to a big accident with his friend, Victor Vaughn, Doom, and he ends up getting recruited by Billy in our name, Sue Storm, Storm, and our enforcer named Benton Graham. 13:05.281 --> 13:11.366 [SPEAKER_03]: They also, she also has a brother, Johnny Storm, who's a pilot, to further investigate these mysteries. 13:11.546 --> 13:13.068 [SPEAKER_03]: What'd you think about this third title? 13:14.128 --> 13:31.343 [SPEAKER_01]: Um, I, you know, we kind of start with this quote, uh, does the beast have a name, uh, cool, quote, uh, cool cover, uh, I, I felt like, you know, after the smoke break, we got into this kind of version of re-richers that

seemed very kind of gym from the office. 13:31.383 --> 13:31.984 [SPEAKER_01]: You know what I mean? 13:32.024 --> 13:38.169 [SPEAKER_01]: Like, um, you know, we saw that in the movie where they put to gym helpers as a Mr. 13:38.209 --> 13:38.890 [SPEAKER_01]: Fantastic. 13:39.190 --> 13:41.052 [SPEAKER_01]: And I felt like that's kind of who we were. 13:41.912 --> 13:44.333 [SPEAKER_01]: writing with here, but maybe the design. 13:45.173 --> 13:47.354 [SPEAKER_01]: Yeah, the look of home and the feel of home. 13:47.494 --> 13:55.597 [SPEAKER_01]: It was a little bit more kind of similar clumsy and like, gosh darn type of just from the art, it felt like. 13:55.957 --> 14:02.159 [SPEAKER_01]: But I couldn't believe, you know, what he did to doom and just like, 14:03.335 --> 14:25.863 [SPEAKER_01]: you know I keep whining at different read Richards and I never get them so this is kind of frustrating for me but like man alive what an asshole I mean he killed doom and it's hard to get over that you know it's so hard to rattle your very died in the wall opinions p because I think this is such a different read Richards 14:26.583 --> 14:27.885 [SPEAKER_02]: to great impact. 14:28.305 --> 14:32.229 [SPEAKER_03]: I'll also put a clarification he doesn't kill doom as we find down in the issue. 14:32.309 --> 14:35.513 [SPEAKER_01]: Yeah, he, you know, it's a, it was an accident. 14:36.319 --> 14:37.939 [SPEAKER_01]: Yeah, Jesus Christ, man. 14:38.159 --> 14:39.840 [SPEAKER_01]: You said you aren't peeing. 14:39.880 --> 14:40.980 [SPEAKER_01]: What are you part of a dude? 14:41.020 --> 14:42.060 [SPEAKER_01]: What do you say? 14:42.320 --> 14:48.062 [SPEAKER_01]: I'd be a fucking genius and you're doing an experiment and your boy's going up a ladder to fucking fix something. 14:48.422 --> 14:51.663 [SPEAKER_01]: Don't zone out into like, hey, it's go time to blow up your boy. 14:51.983 --> 14:53.483 [SPEAKER_01]: That's fucking bullshit, man. 14:54.103 --> 14:55.064 [SPEAKER_01]: I mean, what the fuck? 14:55.464 --> 14:57.104 [SPEAKER_01]: I've got a room for you after that. 14:57.484 --> 14:58.224 [SPEAKER_01]: You don't even need me. 14:58.264 --> 15:00.145 [SPEAKER_01]: I love to hear Justin's opinion on this book. 15:00.285 --> 15:01.085 [SPEAKER_03]: Sorry, if that's right. 15:01.205 --> 15:01.866 [SPEAKER_02]: No, it's a cop. 15:02.407 --> 15:02.728 [SPEAKER_02]: I know. 15:02.768 --> 15:08.918 [SPEAKER_02]: Come on, let's go off King and I'll remember that when we're next time we're doing some laboratory repair work. 15:09.599 --> 15:13.326 [SPEAKER_02]: Don't press the go button when Pete's fucking around with the dimensionals. 15:13.646 --> 15:14.207 [SPEAKER_02]: Exactly. 15:15.130 --> 15:17.452 [SPEAKER_02]: Um, I, I really enjoyed this as well. 15:17.812 --> 15:22.055 [SPEAKER_02]: I like to talk about all these maybe three books together as well. 15:22.155 --> 15:24.436 [SPEAKER_02]: Like they have different points. 15:24.696 --> 15:26.878 [SPEAKER_02]: Like they're very different across the board. 15:26.958 --> 15:33.062 [SPEAKER_02]: This book really has that sort of aliens, esk, sci-fi horror. 15:33.402 --> 15:37.625 [SPEAKER_02]: There's the lovecraftian stuff that's lurking in the back half of the first issue that we see. 15:38.165 --> 15:43.489 [SPEAKER_02]: But the tone of it feels very like cold alien people making mistakes. 15:44.129 --> 15:46.031 [SPEAKER_02]: and then paying for them in the future. 15:46.231 --> 15:48.113 [SPEAKER_02]: I like this read Richards. 15:48.453 --> 15:56.681 [SPEAKER_02]: This feels the most like an abscuit universe to make the comparison version of the fantastic for where read is bad. 15:57.001 --> 16:01.765 [SPEAKER_02]: He's not as good at what he does, but and everyone's a little bit harsher. 16:02.526 --> 16:08.592 [SPEAKER_02]: And then we're gonna see how that plays out once they assume, I assume they get zapped by something. 16:10.084 --> 16:16.769 [SPEAKER_03]: well let's talk about all of it then how are you feeling and then we'll move on obviously to other books but how are you feeling about the midnight line one week in? 16:18.169 --> 16:19.070 [SPEAKER_01]: I think this is cool. 16:19.150 --> 16:21.372 [SPEAKER_01]: I think I also like telling this. 16:21.592 --> 16:26.536 [SPEAKER_01]: Oh, I were still here on the fantastic for like you get this kind of blacked out cover, which is cool looking. 16:26.837 --> 16:32.442 [SPEAKER_01]: And then inside that you see the full picture, which I think is nice, because they made the style choice to kind of black it out. 16:32.602 --> 16:34.443 [SPEAKER_01]: But it's nice that they didn't like it. 16:34.464 --> 16:36.625 [SPEAKER_03]: I will tell you a little disappointed to find out. 16:36.786 --> 16:43.852 [SPEAKER_03]: I thought when they announced it that it was going to be what is an acetate, so that it was blacked out and then you open it up in the real cover was below it. 16:45.433 --> 16:49.314 [SPEAKER_03]: versus it is just two different covers, but that's all right, I'll live. 16:49.534 --> 16:55.596 [SPEAKER_02]: I thought this was going to be a tie into Taylor Swift's Midnight's album, but I guess that's disappointing to me as well. 16:56.036 --> 16:56.236 [SPEAKER_03]: Yeah. 16:56.476 --> 16:56.896 [SPEAKER_03]: Oh, man. 16:57.416 --> 16:59.116 [SPEAKER_03]: How do you feel about the whole line, Justin? 17:00.157 --> 17:00.837 [SPEAKER_02]: I think it's great. 17:01.397 --> 17:08.959 [SPEAKER_02]: We talked about this a little bit on the live show just based on sort of the previews that we got, but this doesn't feel at all like the absolute universe. 17:08.979 --> 17:13.660 [SPEAKER_02]: It feels like three sort of distinct stories that don't really touch each other. 17:14.829 --> 17:17.532 [SPEAKER_02]: that are at three different ideas of what horror is. 17:17.552 --> 17:29.205 [SPEAKER_02]: And maybe they are going to eventually, but they're so different in every way,

totally the material they're covering, the genre of horror and sci-fi that they're touching on. 17:29.505 --> 17:33.449 [SPEAKER_01]: Which, to me seems like it's a good thing that you're saying, you're saying it like a compliment, right? 17:33.489 --> 17:35.011 [SPEAKER_01]: Not like you want, you, 17:36.255 --> 17:38.096 [SPEAKER_02]: I'm just saying, yes, I think these are great. 17:38.116 --> 17:39.377 [SPEAKER_02]: I'm not knocking them at all. 17:39.457 --> 17:43.299 [SPEAKER_02]: And just as a data point, I feel like everyone's saying, like, oh, Marvel's doing their absolute. 17:43.319 --> 17:47.181 [SPEAKER_02]: I actually think it's quite different, even if the like goals are the same. 17:48.573 --> 17:49.994 [SPEAKER_03]: I really like this as well. 17:50.054 --> 17:58.357 [SPEAKER_03]: My wood little quibble or problem that I had reading Midnight X Bed first was I spent the other two books being like, well, he's nobody talking about the vampire. 17:58.377 --> 18:00.098 [SPEAKER_03]: It's not a vampire's the swirl. 18:00.118 --> 18:00.998 [SPEAKER_03]: What was I saying? 18:01.298 --> 18:01.959 [SPEAKER_03]: That's not saying. 18:02.759 --> 18:03.739 [SPEAKER_03]: But they are separate. 18:03.839 --> 18:07.921 [SPEAKER_03]: They do take place at the same continuity, but they are running on their own tracks. 18:08.161 --> 18:11.763 [SPEAKER_03]: So I'm curious to see how that all works out. 18:11.883 --> 18:12.063 [SPEAKER_03]: But 18:12.792 --> 18:14.333 [SPEAKER_03]: really good, really solid start. 18:14.493 --> 18:16.353 [SPEAKER_03]: Yeah, solid start, solid for more. 18:16.893 --> 18:18.414 [SPEAKER_03]: Let's see if there's a solid start for this one. 18:18.474 --> 18:22.395 [SPEAKER_03]: Juna Hacks in the shadow of death, number one from DC Comics by Michael Walsh. 18:22.615 --> 18:36.881 [SPEAKER_03]: We are following a seemingly older Juna Hacks at the end of his days who doesn't want to be a gunsling or anymore, unfortunately, sucked back into it thanks to a bunch of supernatural baddies as is one of the half-stop sling in guns. 18:37.121 --> 18:40.902 [SPEAKER_03]: Well, boy, Pete, you seem pretty psyched about this one, so take it away. 18:41.242 --> 18:48.724 [SPEAKER_01]: So here's the thing, I am a big Jonah Hacks fan, one of my favorite characters at DC, especially when done right. 18:49.565 --> 18:52.706 [SPEAKER_01]: So I was very excited to crack this open and read it. 18:52.786 --> 18:55.767 [SPEAKER_01]: And then I found out like, oh, this is in the Jonah Hacks. 18:55.867 --> 18:57.667 [SPEAKER_01]: I like, this is an older version. 18:57.687 --> 18:59.588 [SPEAKER_01]: Oh, that's kind of like my shitty life. 18:59.608 --> 19:00.368 [SPEAKER_01]: That kind of sucks. 19:00.768 --> 19:04.970 [SPEAKER_01]: And then I was like, please tell me because he got older and so did you. 19:06.390 --> 19:10.531 [SPEAKER_01]: Yeah, yeah, and he's like getting pushed around at the bar and like, oh, this is hard to watch. 19:10.571

--> 19:12.511 [SPEAKER_01]: You know, that's what I love about Joe de Hacks, man. 19:12.551 --> 19:15.492 [SPEAKER_03]: He keeps getting older and so do I. Yeah. 19:15.512 --> 19:16.152 [SPEAKER_01]: I don't know. 19:16.532 --> 19:18.853 [SPEAKER_01]: But by the end, there's a little hope. 19:18.953 --> 19:24.254 [SPEAKER_01]: Oh, no, no, that he's going to become the Jonah Hacks that we know and love again. 19:24.414 --> 19:28.655 [SPEAKER_01]: So hopefully he stands up for himself because it's hard to watch him get pushed around. 19:28.675 --> 19:29.315 [SPEAKER_01]: Do you know what I mean? 19:29.335 --> 19:31.295 [SPEAKER_01]: He's like, get yourself decide. 19:31.735 --> 19:33.876 [SPEAKER_01]: When you say, become the Jonah Hacks we don't love again. 19:33.896 --> 19:35.656 [SPEAKER_03]: Do you think he's going to get younger or something? 19:36.236 --> 19:41.877 [SPEAKER_01]: Or just, you know, do you think you're going to get younger some of them in the street by reading this comic maybe? 19:41.937 --> 19:42.458 [SPEAKER_02]: Yeah, maybe. 19:42.698 --> 19:43.318 [SPEAKER_02]: Yeah, yeah. 19:43.938 --> 19:46.058 [SPEAKER_02]: John Hax is your portrait of Dory and Gray. 19:46.258 --> 19:48.759 [SPEAKER_03]: Because that way you keep searching in those nostalgia baths? 19:49.259 --> 19:49.959 [SPEAKER_03]: Mm-hmm. 19:50.159 --> 19:50.799 [SPEAKER_02]: I hope it'll help. 19:50.819 --> 19:50.979 [SPEAKER_02]: Yeah. 19:51.500 --> 19:55.941 [SPEAKER_02]: And to be clear, then nostalgia bath we're talking about is Pete Sleeps in a bag of mayonnaise, I believe. 19:55.961 --> 19:57.561 [SPEAKER_02]: I keep that skin, stuff. 19:57.961 --> 20:01.622 [SPEAKER_01]: I put the GI gel figures in the tub with me, you know what I mean, that helps. 20:02.262 --> 20:03.983 [SPEAKER_02]: Yeah, may fight your aging. 20:07.264 --> 20:11.767 [SPEAKER_03]: I'm always in the tank for a bike-a-walsh book. 20:11.787 --> 20:15.791 [SPEAKER_03]: He did the silver coin, which is one of the most of the past few years. 20:15.851 --> 20:22.796 [SPEAKER_03]: He also did the Frankenstein book of the Universal Monsters, Frankenstein book for Skybound, which is excellent as well. 20:23.517 --> 20:24.297 [SPEAKER_03]: This is no different. 20:24.317 --> 20:29.021 [SPEAKER_03]: He just executed a different level with the horror stuff, with its layouts, his art, 20:29.501 --> 20:32.202 [SPEAKER_03]: I do really like the idea of an older Jonah Hacks. 20:32.302 --> 20:33.882 [SPEAKER_03]: There's some scary villains in here. 20:34.002 --> 20:35.083 [SPEAKER_03]: Interesting characters. 20:35.663 --> 20:39.624 [SPEAKER_03]: It's of the perfect October spooky Jonah Hacks book. 20:39.724 --> 20:40.204 [SPEAKER_03]: I'm thrilled. 20:41.305 --> 20:45.266 [SPEAKER_02]: Yeah, and I guess I'm not really clocking Jonah Hacks as age as much as you guys are. 20:45.546 --> 20:49.748 [SPEAKER_02]: Because I feel like he's generally sort of older and like sure set. 20:50.068 --> 20:52.288 [SPEAKER_02]: And honestly, he's not doing well. 20:52.668 --> 20:54.989 [SPEAKER_01]: So like he does take a walk from people. 20:55.029 --> 20:55.969 [SPEAKER_01]: That's what's hard, right? 20:55.989 --> 20:56.850 [SPEAKER_01]: You see, I mean, he's like, 20:57.670 --> 21:04.551 [SPEAKER_02]: He just can't stop a little crap because he doesn't want to kill people that's I found that to be okay He's like I'm trying to have a quiet drink. 21:04.571 --> 21:08.452 [SPEAKER_02]: He's like give me a gui got a fresh bottle And I was like, oh fresh whiskey. 21:08.712 --> 21:14.453 [SPEAKER_02]: You think he wants like a a small batch fresh whiskey from a local per bear Is that what he meant Pete? 21:14.874 --> 21:16.094 [SPEAKER_02]: He's looking as Brooklyn. 21:16.994 --> 21:19.835 [SPEAKER_03]: Yeah, now just looking ahead for this title. 21:19.855 --> 21:24.756 [SPEAKER_03]: Do you think he's eventually going to pop his claws or is he not going to pop You better pop them otherwise. 21:24.796 --> 21:25.856 [SPEAKER_01]: I'm not going to be around. 21:26.316 --> 21:26.476 [SPEAKER_03]: Yeah 21:27.187 --> 21:28.089 [SPEAKER_03]: He's caused her guns. 21:28.509 --> 21:29.351 [SPEAKER_03]: Yeah, that's cool. 21:29.752 --> 21:31.134 [SPEAKER_02]: That was about that with Wolverine. 21:31.214 --> 21:33.338 [SPEAKER_03]: And if his claws were just barrels of gun. 21:34.840 --> 21:38.266 [SPEAKER_03]: On the best there isn't what I do is shoot six at a time. 21:39.357 --> 21:41.399 [SPEAKER_03]: Notable it's money right this book is great. 21:41.419 --> 21:42.640 [SPEAKER_03]: Definitely pick it up next up. 21:42.680 --> 21:50.186 [SPEAKER_03]: Sabrina the teenage rich number one from Otypressor and by create a back out art by Kateau We did talk to create out about this book a couple of months back. 21:50.206 --> 21:52.428 [SPEAKER_03]: So go listen to that at the top. 21:52.848 --> 22:02.076 [SPEAKER_03]: But this is part of the honies new archie comics line We had an archie last month that we get some brena and this I thought was the perfect bix 22:02.696 --> 22:04.316 [SPEAKER_03]: of everything you'd want from the Sabrina book. 22:04.356 --> 22:11.778 [SPEAKER_03]: It doesn't issue the Archie comic style necessarily, but it also brings the horror from Chili Adventures of Sabrina. 22:12.258 --> 22:18.619 [SPEAKER_03]: Basically, it feels like, grid a through everything in a blender and came out with the perfect version of Sabrina in this book. 22:18.999 --> 22:21.460 [SPEAKER_03]: And you pair that with Kano's art. 22:21.520 --> 22:31.262 [SPEAKER_03]: Before this book came out, there's a PR guy who sold me this was like, the absolute Martial Mad Hunter of the Archie comics revamp. 22:32.667 --> 22:44.772 [SPEAKER_03]: I don't believe you and then I saw the book and I was like I kind of believe you're a little bad because the art is like it's not as dreamy But it's really clean again Really intriguing battle layouts throughout here. 22:44.852 -->

22:45.332 [SPEAKER_03]: It's fun. 22:45.432 --> 22:45.892 [SPEAKER_03]: It's funny. 22:46.313 --> 22:46.913 [SPEAKER_03]: I love this book 22:47.708 --> 22:48.628 [SPEAKER_02]: Yeah, I agree with you. 22:48.648 --> 22:52.030 [SPEAKER_02]: I just wish they would get some alternate covers or something. 22:52.270 --> 22:52.810 [SPEAKER_02]: Oh, right. 22:52.830 --> 22:54.211 [SPEAKER_02]: Not for tuna, the cells. 22:54.391 --> 22:55.812 [SPEAKER_01]: Yeah, why wouldn't they? 22:55.972 --> 22:56.632 [SPEAKER_01]: You know what I mean? 22:56.672 --> 22:59.093 [SPEAKER_01]: But just a couple, just like maybe a couple. 22:59.113 --> 22:59.893 [SPEAKER_01]: Yeah. 23:00.074 --> 23:00.674 [SPEAKER_02]: They were spoiler. 23:00.694 --> 23:02.395 [SPEAKER_02]: There are like 50 covers. 23:02.415 --> 23:03.515 [SPEAKER_02]: Yeah, there. 23:03.735 --> 23:05.016 [SPEAKER_02]: But I agree with you, Alex. 23:05.176 --> 23:09.598 [SPEAKER_02]: I thought this was just a really nice, like, somehow is able to blend in. 23:09.618 --> 23:10.358 [SPEAKER_02]: This is hard to do. 23:10.438 --> 23:12.819 [SPEAKER_02]: I think every Sabrina book struggles with this. 23:13.279 --> 23:15.620 [SPEAKER_02]: Blend the horror and darker elements 23:16.861 --> 23:23.723 [SPEAKER_02]: so many versions of Sabrina with the bright shiny riverdale verse of the comics. 23:23.883 --> 23:25.124 [SPEAKER_02]: And this book does it. 23:25.264 --> 23:32.366 [SPEAKER_02]: She feels simultaneously like someone who is willing to engage with this darkness, but who's like, hey, I have a day, I have to go. 23:32.866 --> 23:34.406 [SPEAKER_02]: And like, that's really smart. 23:35.047 --> 23:39.168 [SPEAKER_02]: I feel like it's hard to strike that balance, but at least in this first issue, they nailed it. 23:39.818 --> 23:40.559 [SPEAKER_01]: Yeah, I agree. 23:40.599 --> 23:41.900 [SPEAKER_01]: This is, they nailed this. 23:42.080 --> 23:44.242 [SPEAKER_01]: I thought this was awesome. 23:44.862 --> 23:53.350 [SPEAKER_01]: You know, my first thought reading it was like, hey, Salem, don't read Midnight Spider-Man because you're not going to like that shit. 23:53.370 --> 23:54.050 [SPEAKER_01]: It can't die. 23:54.071 --> 23:55.051 [SPEAKER_01]: They're real quick in that. 23:55.111 --> 23:59.015 [SPEAKER_02]: But do you have a lot of comic recommendations to other comic book characters? 23:59.355 --> 24:11.502 [SPEAKER_01]: always, you know, they ask you what to read all the time, some of the things we get in the comments, you know, like, hey, Marl, Peela Page, would you mind sending, um, Punisher this issue, this episode of the stack? 24:11.622 --> 24:13.543 [SPEAKER_02]: I have some choice words I want to hear. 24:13.843 --> 24:18.066 [SPEAKER_03]: Sure, Pete, and you really need to get out of the bad days bag the few days are going to your head. 24:19.366 --> 24:21.027 [SPEAKER_02]: Um, you're cholesterol's crazy. 24:22.646 --> 24:43.903 [SPEAKER_01]: uh... yeah i i just think this is great the

art of the story telling uh... uh... the kind of rats that aren't rats are interesting in unique so yeah i'm i think they did a great job in this first issue really set in some interesting stuff up for zabrina the splinters right that's what you mean when you say the rats who are at rats don't don't play with my emotions 24:44.841 --> 24:46.241 [SPEAKER_02]: There are a lot of splinters. 24:46.421 --> 24:47.402 [SPEAKER_02]: There's a lot of splinters. 24:47.982 --> 24:54.763 [SPEAKER_03]: The D-BIN number one from DC Comics by James Harron, not Jason Harron, just to be clear about that for anybody. 24:54.783 --> 24:55.924 [SPEAKER_03]: He was confused about it. 24:56.004 --> 24:56.724 [SPEAKER_03]: It's James Harron. 24:57.004 --> 24:57.944 [SPEAKER_03]: He was writing and drawing. 24:57.964 --> 25:07.347 [SPEAKER_03]: We're catching up with the Jason blood who basically is that I titter a homeless bad, traveling from place to place, tried to kill demons while not releasing his own. 25:07.607 --> 25:12.488 [SPEAKER_03]: Meanwhile, Etragan is constantly taunting him wanting to come out and play. 25:13.668 --> 25:15.449 [SPEAKER_03]: Pete, you love this book. 25:15.489 --> 25:17.009 [SPEAKER_01]: Yes, I did. 25:17.029 --> 25:17.809 [SPEAKER_01]: I do. 25:19.070 --> 25:20.230 [SPEAKER_01]: First off, scary cover. 25:20.250 --> 25:22.891 [SPEAKER_01]: I was a little worried about how scary this is going to be. 25:23.591 --> 25:29.653 [SPEAKER_01]: But then when I cracked it open, it reminds me of Sam Keith's, the Max on liquid television a little bit. 25:30.033 --> 25:31.254 [SPEAKER_01]: I love the art style. 25:31.314 --> 25:34.995 [SPEAKER_01]: I think this is a really cool take on the demon here. 25:35.015 --> 25:38.296 [SPEAKER_01]: Yeah, I really got sucked into the world. 25:41.797 --> 25:45.023 [SPEAKER_01]: creating this world and bringing you along for the ride. 25:45.063 --> 25:48.189 [SPEAKER_01]: So I really got a mercenet, it was really impressive. 25:49.231 --> 25:54.080 [SPEAKER_01]: Yeah, the demons wanted my favorite characters, so I'm excited to see kind of this take on it. 25:55.646 --> 25:56.726 [SPEAKER_02]: I love this. 25:57.126 --> 25:58.207 [SPEAKER_02]: This was so good. 25:58.227 --> 25:59.807 [SPEAKER_02]: The R is fantastic. 25:59.887 --> 26:02.028 [SPEAKER_02]: There's a lot of great ideas at play here. 26:02.428 --> 26:10.750 [SPEAKER_02]: There's just a panel of a couple of like, what look like humans, but our demons being crawled upon by some demonic cell phones. 26:11.090 --> 26:12.950 [SPEAKER_02]: That was like, this is so good. 26:13.430 --> 26:17.411 [SPEAKER_02]: There's a great, there's a meeting between Morgan Lafe and her sort of a lieutenant. 26:18.332 --> 26:19.372 [SPEAKER_02]: And just really, 26:19.952 --> 26:29.579 [SPEAKER_02]: interesting ideas about how a demons may have influenced our culture and the way that it's about Jason blood more than the demon. 26:29.599 --> 26:30.900 [SPEAKER_02]: I think

is a great starting place. 26:31.560 --> 26:32.921 [SPEAKER_02]: I just thought this was so good. 26:34.422 --> 26:36.984 [SPEAKER_03]: That was a great call out Pete with Sam Keith comparison. 26:37.004 --> 26:39.326 [SPEAKER_03]: I didn't really thought of that, but I think you're absolutely right. 26:39.406 --> 26:44.830 [SPEAKER_03]: And also reminded me of a vintage vertigo title, which I know I call out a lot here on the show, but 26:45.733 --> 26:47.054 [SPEAKER_03]: I think so. 26:47.554 --> 26:48.614 [SPEAKER_03]: It is my nostalgia bath. 26:48.674 --> 26:49.675 [SPEAKER_03]: That's appropriate here. 26:49.715 --> 26:50.955 [SPEAKER_03]: You know, it's a very different take. 26:50.975 --> 26:53.796 [SPEAKER_03]: It's a more ground level take on the demon. 26:54.056 --> 26:59.558 [SPEAKER_03]: But these characters are part of the vertigo averse or the old vertigo averse. 26:59.578 --> 27:01.919 [SPEAKER_03]: I think of them sort of on the same level there. 27:01.979 --> 27:03.360 [SPEAKER_03]: So really cool start here. 27:04.060 --> 27:09.142 [SPEAKER_03]: Something is killing the children number 50 from Boom Studios written by James Town in the forum. 27:09.222 --> 27:12.363 [SPEAKER_03]: Art by Werther Delaritora and you think after this time they really get to 27:12.483 --> 27:16.488 [SPEAKER_03]: But the bottom of whatever that is, like they've had 50 issues to figure out. 27:16.548 --> 27:17.789 [SPEAKER_03]: JT4, killin' it. 27:17.809 --> 27:19.611 [SPEAKER_02]: Don't we know what's killing the children yet? 27:20.052 --> 27:21.273 [SPEAKER_02]: Yeah, we know what's specific. 27:21.453 --> 27:22.034 [SPEAKER_01]: You know what it is? 27:22.054 --> 27:24.997 [SPEAKER_01]: A price of comic books. 27:25.037 --> 27:26.419 [SPEAKER_01]: Oh, I'm riding the line at 299. 27:26.439 --> 27:27.080 [SPEAKER_01]: Yeah, this is... 27:29.162 --> 27:32.024 [SPEAKER_01]: Can I can I just lay out with this book as about before you get it to it. 27:32.044 --> 27:45.495 [SPEAKER_03]: Yeah, this is finally picking up in the quote unquote present with Eric a slaughter who has been on a journey of the soul off for a good long while while things are going down to the house of slaughter over the fall of house of slaughter many series. 27:46.002 --> 27:48.383 [SPEAKER_03]: where there's been a big shakeout behind the scenes. 27:49.864 --> 27:56.426 [SPEAKER_03]: And yeah, we've been focusing around the past now, her past finally catches up to her in this issue. 27:56.847 --> 27:57.747 [SPEAKER_03]: Pete, take it away. 27:58.247 --> 27:59.908 [SPEAKER_01]: Yeah, a first off cool cover. 27:59.928 --> 28:01.529 [SPEAKER_01]: I really love this comic. 28:01.549 --> 28:03.890 [SPEAKER_01]: There's another great issue, amazing art. 28:03.930 --> 28:05.290 [SPEAKER_01]: That is so fantastic. 28:05.610 --> 28:06.911 [SPEAKER_01]: And we have this touching story. 28:06.931 --> 28:13.354 [SPEAKER_01]: We get this long-laws friend, man, that kind of last panel really

did a great job 28:14.414 --> 28:18.157 [SPEAKER_01]: a teasing stuff, man, what a great first 50. 28:18.257 --> 28:20.359 [SPEAKER_01]: I can't wait to read the next 50. 28:20.900 --> 28:21.720 [SPEAKER_01]: I love this world. 28:21.780 --> 28:26.524 [SPEAKER_01]: I love this character and yeah, I'm I'm riding with this. 28:26.684 --> 28:27.445 [SPEAKER_01]: This is fantastic. 28:28.700 --> 28:48.269 [SPEAKER_02]: My criticism of this book is often like it's there's the art's great the story is interesting but the books are very light on actual content or action and for the first 15 pages this I felt the same thing but it really does pick up and in the back half I like the relationship between Erica and her friend 28:49.229 --> 28:55.270 [SPEAKER_02]: And it builds toward sort of a two-part finale that I think I thought was really great. 28:56.051 --> 29:03.112 [SPEAKER_02]: And setting up for maybe a really strong overall direction for the book and Erica going forward. 29:03.852 --> 29:08.313 [SPEAKER_03]: And Pete, I know you were being kind of glib about it, but they've already said that they are doing at least 29:18.108 --> 29:22.992 [SPEAKER_03]: Dinner day number one for ignition press written by Joanne Starrer art by Kari Randolph. 29:23.032 --> 29:32.900 [SPEAKER_03]: This is about a woman who is driving around at a lift, Uber type situation, picks up another woman starts flirting with her and that's when the bodies start falling. 29:33.621 --> 29:41.227 [SPEAKER_03]: That's too much of a surprise you can figure it out for the cover, but this is a vampire book, even though there's not a whole lot of it in this first issue. 29:41.347 --> 29:43.149 [SPEAKER_03]: I thought this was delightful. 29:43.249 --> 29:44.210 [SPEAKER_03]: What about you guys? 29:44.822 --> 29:45.862 [SPEAKER_01]: Yeah, I agree. 29:45.942 --> 29:50.324 [SPEAKER_01]: I think this is fun, you know, cool, but scary cover here. 29:50.344 --> 29:52.505 [SPEAKER_01]: Yeah, I like this. 29:52.565 --> 29:55.246 [SPEAKER_01]: I like the joke of, you know, dudes of the worst. 29:55.887 --> 29:57.947 [SPEAKER_01]: So, great art, fun premise. 29:59.088 --> 30:00.689 [SPEAKER_01]: Vampire kills douchebags. 30:01.109 --> 30:02.069 [SPEAKER_01]: Sounds awesome. 30:02.649 --> 30:03.790 [SPEAKER_01]: Yeah, I'm on board. 30:04.967 --> 30:07.290 [SPEAKER_02]: The Cari Randolph R is excellent here. 30:08.070 --> 30:10.493 [SPEAKER_02]: The surprise of what's happening. 30:10.513 --> 30:12.095 [SPEAKER_02]: I thought was well laid out. 30:13.056 --> 30:15.679 [SPEAKER_02]: It's great to see New York here. 30:16.199 --> 30:20.765 [SPEAKER_02]: The Guadalins Canal is a little bit more fucked up than it is now. 30:20.805 --> 30:23.227 [SPEAKER_02]: But it did remind me of the Guadalins Canal. 30:23.247 --> 30:25.390 [SPEAKER_01]: What are you saying Guadalins Canal got better? 30:26.738 --> 30:42.827 [SPEAKER_02]: uh... just went swimming there just the other deal we're doing we call it our old swimming home no way it's like outer back full of man's but it's a whole uh... but we're splashing each other uh... i'm like taking water my mouth and like spraying it you have to turn it immune soon 30:43.715 --> 30:44.876 [SPEAKER_02]: Yeah, you are dream. 30:45.257 --> 30:53.585 [SPEAKER_01]: He won't you feel like if we became teenage and injured turtles and you just I would hop on a train and head to the Guadass and jump in if you guys got powers. 30:54.045 --> 31:00.231 [SPEAKER_03]: Yeah, but if you Pete if you want if you want to get a feeling of the Guadass cut out at all when Justin I ever go through the other day. 31:00.271 --> 31:02.734 [SPEAKER_03]: I found all these like weird log balloons floating in there. 31:02.754 --> 31:03.855 [SPEAKER_03]: Do you want me to send them to you? 31:04.015 --> 31:04.515 [SPEAKER_02]: Oh, please. 31:04.556 --> 31:04.716 [SPEAKER_02]: Yeah 31:05.707 --> 31:11.930 [SPEAKER_02]: Yeah, we blew them up and like that threw them at each other and yeah, for some sort of candy inside we tasted. 31:12.090 --> 31:12.730 [SPEAKER_02]: I love candy. 31:12.750 --> 31:13.510 [SPEAKER_02]: Yeah, like some fun. 31:13.530 --> 31:13.730 [SPEAKER_02]: Yep. 31:14.250 --> 31:16.551 [SPEAKER_02]: Yeah, that was definitely a fun dip. 31:16.892 --> 31:21.093 [SPEAKER_03]: Anyway, great book definitely picked this up. 31:21.373 --> 31:26.675 [SPEAKER_03]: Next up, absolutely super bad number 24 from DC comics written by Jason Erad, art by Juan Ferreira. 31:27.136 --> 31:32.258 [SPEAKER_03]: This issue, Superman is still on the trail of Brainiac trying to track him down through various 31:33.118 --> 31:37.012 [SPEAKER_03]: And to do so, he has recruited the help of John Henry Irons. 31:37.695 --> 32:04.755 [SPEAKER_03]: who is revealed to you're not going to believe this as steel at the end of the issue uh... even though there are multiple villains here the focus very much is on john henry irons and superman's friendship throughout the issue just in your big fan of the series what you think about this that just by number two uh... ranked book in the absolute line as decided on our live show that we just did uh... last night please check it out of you so long 32:05.676 --> 32:06.376 [SPEAKER_02]: So long ago. 32:06.776 --> 32:08.357 [SPEAKER_02]: The, um, yeah, this is fun. 32:08.497 --> 32:11.438 [SPEAKER_02]: I like that Superman is making a friend. 32:12.258 --> 32:17.380 [SPEAKER_02]: Superman feels pretty sad and depressed, essentially for most of the series. 32:17.420 --> 32:25.203 [SPEAKER_02]: So this is a really nice sort of bright shiny issue in the midst, especially in the midst of a long hard journey for him. 32:25.563 --> 32:30.225 [SPEAKER_02]: And on the heels of the truly horrifying Toy Man issues that we just, um, read. 32:30.945 --> 32:34.389 [SPEAKER_01]: Yeah, I think this is a super sweet issue. 32:34.409 --> 32:37.412 [SPEAKER_01]: You got a steal in soups, becoming friends hanging out. 32:37.993

--> 32:38.714 [SPEAKER_01]: I liked that. 32:38.734 --> 32:42.878 [SPEAKER_01]: I thought it was a touching issue, great art. 32:43.238 --> 32:45.821 [SPEAKER_01]: Yeah, I thought this was very enjoyable. 32:47.143 --> 32:49.065 [SPEAKER_01]: And doesn't change my rankings at all. 32:50.003 --> 32:50.623 [SPEAKER_01]: interesting. 32:51.464 --> 33:05.450 [SPEAKER_03]: Next up, beneath the trees where nobody sees Halloween special number one from IDW written by Patrick Horvath, Jay Grayson, Tony Fleesh, Jared Colom and James Tyden, the fourth, Art by Patrick Horvath, Matt Eman's Dave Walker, Jared Colom and Tyler Boss. 33:05.910 --> 33:16.034 [SPEAKER_03]: This takes place after the right of spring series and finds a bunch of animal characters from Woodbrook, Woodbrook, Woodbrook, Woodbrook, Woodbrook, Woodbrook. 33:18.215 --> 33:21.701 [SPEAKER_03]: It's not Woodbury because I thought it was Woodbury's screen. 33:22.882 --> 33:26.067 [SPEAKER_03]: Woodbury's the mall place north of the city. 33:27.065 --> 33:27.745 [SPEAKER_03]: whatever it is. 33:28.246 --> 33:37.371 [SPEAKER_03]: Anyway, they are outside on Halloween telescary stories of the woods, mostly about Savs Strongly, Syria Killer Barre, who is central to the series. 33:37.691 --> 33:43.455 [SPEAKER_03]: This is the first time the Patrick has given over his series to other people, and it's interesting to see the interpret it. 33:43.935 --> 33:47.797 [SPEAKER_03]: Justin, I know you're looking this up right now, but what was your take on this? 33:47.857 --> 33:49.218 [SPEAKER_03]: I do you're excited for this issue. 33:50.491 --> 33:51.532 [SPEAKER_02]: I love this. 33:51.912 --> 33:54.314 [SPEAKER_02]: It this goes so hard. 33:54.555 --> 33:56.837 [SPEAKER_02]: Pete scared to even talk about it. 33:57.077 --> 33:59.780 [SPEAKER_02]: So that's what we're about to hear from him. 34:00.641 --> 34:01.942 [SPEAKER_02]: This book goes really hard. 34:02.082 --> 34:07.628 [SPEAKER_02]: I love the positioning of this being in a place after right of spring where 34:08.689 --> 34:13.654 [SPEAKER_02]: everything has been turned upside down our main characters on the run. 34:14.235 --> 34:25.889 [SPEAKER_02]: We don't know what's going to happen there setting up the final arc of the series, which is the winter and fall or is it or summer and fall, right? 34:27.180 --> 34:29.421 [SPEAKER_03]: I yeah, it's the fall of something. 34:29.601 --> 34:29.901 [SPEAKER_03]: I don't know. 34:29.961 --> 34:30.781 [SPEAKER_03]: I'll look it up as well. 34:31.682 --> 34:33.202 [SPEAKER_03]: But yeah, I thought this was great as well. 34:33.302 --> 34:40.445 [SPEAKER_03]: I was really surprised because It could and no, all of these can act all these actors. 34:40.565 --> 34:43.146 [SPEAKER_03]: Oh my god, all these creators are really good, but 34:44.366 --> 34:53.390 [SPEAKER_03]: It could have gone wrong having other people other than Patrick or about taking on, but they all know like this all fit right in They're all scary stories of their own right. 34:53.470 --> 34:55.651 [SPEAKER_03]: I love the conceit of the book as well. 34:55.791 --> 34:58.012 [SPEAKER_03]: Gorgeous art throughout just great stuff 34:58.602 --> 35:09.172 [SPEAKER_02]: And very different stories, I feel like the ending was like perfectly horrifying, right, which you want to see, it is Woodbrook Vermont and it is the summer and the fall. 35:09.972 --> 35:13.956 [SPEAKER_02]: So we were crushing it in our knowing of things. 35:15.838 --> 35:18.560 [SPEAKER_02]: But the legend of Sam grows throughout this issue. 35:19.661 --> 35:27.923 [SPEAKER_01]: Uh, yeah, this, comic law's made the cover of the blood on the thing is just, it's too much in this art world. 35:27.963 --> 35:34.065 [SPEAKER_01]: They're seeing the cute bears, uh, it hurts too much to see this kind of violence. 35:34.425 --> 35:36.446 [SPEAKER_01]: And I said, okay, this is too scary. 35:36.486 --> 35:38.406 [SPEAKER_01]: I don't want to read this and then I open it up. 35:38.786 --> 35:42.187 [SPEAKER_01]: And of course, there's to do getting like buzz sawed in half of it. 35:42.207 --> 35:43.788 [SPEAKER_01]: I was like, you fuckers, man. 35:44.168 --> 35:47.089 [SPEAKER_01]: This is, uh, yeah, this, uh, 35:47.829 --> 35:53.170 [SPEAKER_01]: This is too fucking scary for me, man, this book is, uh, it's, uh, it's painful. 35:53.390 --> 35:55.331 [SPEAKER_02]: And did I hear you say you're not going to check or treating that? 35:55.351 --> 35:59.912 [SPEAKER_01]: Because, yeah, this, yeah, this really hurts a part of my childhood, you know what I mean? 35:59.932 --> 36:02.032 [SPEAKER_01]: That's really hard to, uh, to practice. 36:02.072 --> 36:14.055 [SPEAKER_01]: And what we're gonna dress up as Pete, uh, nice bear, a nice bear, a non-violent bear, a racial bear, who's happy to see people, you know? 36:14.958 --> 36:27.643 [SPEAKER_02]: Yeah, and what are you supposed to be a 40 or sorry 50-year-old nice bear here's your candy Yeah, interesting you might want to go see there's another place you bought when I go to as a 50-year-old nice bear, but 36:30.972 --> 36:46.563 [SPEAKER_03]: Chia Jo, a real American hero, two-brainer number one from image comics written by Kyle Higgins, art by Alayda Casa Grande, and this is doing what the title says and said, Lara Croft, an omission with the Jo's, and of course they run into Cobra. 36:46.964 --> 36:48.605 [SPEAKER_03]: Pete, I'll let you take this run. 36:48.745 --> 36:50.086 [SPEAKER_01]: Yeah, this was awesome. 36:50.206 --> 36:55.049 [SPEAKER_01]: It was kind of fun to see Tomb Raider hang out with shipwreck. 36:55.089 --> 36:56.690 [SPEAKER_01]: I thought that was a fun pairing. 36:57.831 --> 37:04.056 [SPEAKER_01]: Also, crazy reveal at the end that Destro and the Baroness both had no Tomb Raider. 37:04.096 --> 37:05.937 [SPEAKER_01]: I thought that was a cool choice. 37:06.777 --> 37:08.058 [SPEAKER_01]: What a dream, Cross-O. 37:08.318 --> 37:08.839

[SPEAKER_01]: Oh, man. 37:09.239 --> 37:12.461 [SPEAKER_01]: Yeah, I thought this was hilarious and cool and fun. 37:12.902 --> 37:15.764 [SPEAKER_01]: So yeah, I very much enjoyed this Cross-OVER. 37:16.880 --> 37:17.401 [SPEAKER_02]: This was good. 37:17.481 --> 37:20.303 [SPEAKER_02]: I would like to just read a piece of a panel. 37:20.483 --> 37:22.604 [SPEAKER_01]: Oh, a dramatic reading, right? 37:22.864 --> 37:24.566 [SPEAKER_02]: Oh, by class of trained actors. 37:24.586 --> 37:25.606 [SPEAKER_02]: This is going to be awesome. 37:26.127 --> 37:38.296 [SPEAKER_02]: A conversation as the Joe's are planning to go into the island where Destro has gone and trying to take Laura Croft's missing friends artifact. 37:40.317 --> 37:47.060 [SPEAKER_02]: someone says mine betters clone has joined forces with the AI hive mind hold up in the casino to the north. 37:48.581 --> 37:51.542 [SPEAKER_02]: That's some tough marching orders from a Joe perspective, right, Pete? 37:52.323 --> 37:53.263 [SPEAKER_02]: Dude, what are you talking about? 37:53.303 --> 37:55.844 [SPEAKER_02]: That's just all information that you need, do you know what I mean? 37:56.405 --> 38:01.307 [SPEAKER_02]: How do you approach a mission like that with the clone having joined forces with a hive mind in a casino? 38:01.634 --> 38:06.915 [SPEAKER_01]: I just think it's interesting that an AI hive mind would choose the casino to hide out it. 38:06.975 --> 38:07.736 [SPEAKER_01]: You know what I mean? 38:07.756 --> 38:08.916 [SPEAKER_01]: Like what's that saying, you know? 38:09.136 --> 38:10.096 [SPEAKER_01]: Yeah, a lot of information. 38:10.356 --> 38:12.477 [SPEAKER_03]: The thing is the chose need to know about that, right? 38:12.517 --> 38:14.577 [SPEAKER_03]: And at that point, that's half the battle, I would say. 38:15.417 --> 38:18.138 [SPEAKER_02]: Yes, I guess they sort of called it quits after that. 38:18.798 --> 38:19.398 [SPEAKER_02]: I don't know what. 38:19.418 --> 38:20.299 [SPEAKER_02]: They're like a Tomb Raider. 38:20.339 --> 38:23.479 [SPEAKER_01]: You take the other half the battle, we're done. 38:23.499 --> 38:25.200 [SPEAKER_01]: So I was like a job for Tomb Raider to me. 38:26.400 --> 38:29.681 [SPEAKER_03]: are they ready to use the need to be ready to turn over. 38:30.161 --> 38:31.281 [SPEAKER_03]: She's basically a G.I. 38:31.301 --> 38:31.862 [SPEAKER_03]: Joe, right? 38:31.922 --> 38:33.262 [SPEAKER_03]: Like, I, yeah, she is. 38:33.282 --> 38:37.043 [SPEAKER_01]: I also like, like, the show Dustrow rating to them. 38:37.103 --> 38:38.903 [SPEAKER_01]: And I was like, hey, Dustrow, you can't be ready to. 38:38.923 --> 38:40.064 [SPEAKER_03]: Also, I thought you were going to read. 38:40.144 --> 38:41.364 [SPEAKER_03]: I wish I'd written this down. 38:41.384 --> 38:42.964 [SPEAKER_03]: There's one Joe name they mentioned. 38:42.984 --> 38:44.985 [SPEAKER_03]: There was like, did Justin and I make that up. 38:45.185 --> 38:48.506 [SPEAKER_03]: I feel like

we made up that own Joe name because they're crazy. 38:49.706 --> 38:50.246 [SPEAKER_03]: It is crazy. 38:50.306 --> 38:52.327 [SPEAKER_03]: Tomb Raider could easily be a Joe. 38:52.687 --> 38:53.067 [SPEAKER_03]: Oh, yeah. 38:54.218 --> 39:12.308 [SPEAKER_03]: There we go, establish that Batman number 14 and kick it off on bad seeds block from DC coming by bad to the seeds written by Matt Fraction and Dan Waters, art by Matteo Sclerra and Scott Hepburn and the front story Batman is going after Mr. 39:12.408 --> 39:14.729 [SPEAKER_03]: Freeze to help with the plant infection. 39:15.109 --> 39:17.571 [SPEAKER_03]: Let's take it over Gotham City while Verity Pennyworth. 39:18.311 --> 39:21.813 [SPEAKER_03]: Homalone style fights off a home and he didn't have any worth batter. 39:22.653 --> 39:28.717 [SPEAKER_03]: Meanwhile, the backup story, we get another story of this new character that was a contest winner who is going to end up in. 39:29.631 --> 39:34.292 [SPEAKER_03]: Lego Batman Legend of the Dark Knight after rolling out in a bunch of comic books. 39:34.873 --> 39:38.634 [SPEAKER_03]: What you guys think about this issue, Justin, you shouted it out on the show. 39:39.534 --> 39:45.816 [SPEAKER_02]: I just love this Batman run, and this is another great, like bad seeds continues to be good. 39:46.296 --> 39:54.299 [SPEAKER_02]: Yeah, I like to say, because this is, I love the dual of fronts that we have here, Batman and Verity fighting their own battles. 39:55.279 --> 39:58.180 [SPEAKER_02]: Batman is like, Verity, help all these, 39:59.060 --> 39:59.280 [SPEAKER_02]: Mr. 39:59.300 --> 40:19.129 [SPEAKER_02]: Freeze, it's crazy down here and she's said nothing while she's fighting off a bunch of people trying to rob The hideout, so she really I love getting to know her as a character This was a great issue to really establish her and it feels like she's someone I want to keep around here in the bat family for quite some time. 40:19.209 --> 40:21.470 [SPEAKER_01]: Oh, that's interesting because I read this and I was like 40:22.137 --> 40:28.642 [SPEAKER_01]: You know, she's kicking ass, but there's something that they're drawn her or there's a tone that's like, we can't trust her, yeah, you know what I mean? 40:28.662 --> 40:30.863 [SPEAKER_01]: Like it's keeping it said arms to like that feel like. 40:31.704 --> 40:33.725 [SPEAKER_01]: Like, yeah, but, you know. 40:33.826 --> 40:36.027 [SPEAKER_03]: Interesting, I definitely feel the opposite. 40:36.127 --> 40:45.014 [SPEAKER_03]: I feel like they're putting in Matt practice really, very heavily and purposefully putting in the work to let us know that Verity is not evil. 40:45.094 --> 40:46.395 [SPEAKER_03]: She is part of the cast. 40:46.435 --> 40:47.696 [SPEAKER_03]: She is here to stay. 40:48.236 --> 40:49.117 [SPEAKER_03]: At she's here to help. 40:49.617 --> 41:13.320 [SPEAKER_01]: will see I do think that this was a very kind of interesting revelation here in the bad sea drama of all the kind of foliage taking over Gotham this plan here that Batman is forming where he's like I will use the freeze technology to kind of freeze out all the plants yeah we'll just 41:14.173 --> 41:19.683 [SPEAKER_01]: uh... frees got themselves like oh that's a fun plan Batman helping frees frees got them like this 41:20.765 --> 41:25.427 [SPEAKER_02]: I really liked just the full page of Under Gotham, the Kingdom of Cold. 41:25.487 --> 41:29.269 [SPEAKER_02]: I was like, of course, let's have this be a thing. 41:29.569 --> 41:29.849 [SPEAKER_02]: Yeah. 41:30.569 --> 41:37.713 [SPEAKER_03]: And let's talk about the other issue from this week, Bad Girl, number 24 from DC Comics, written by Tate Bromble, Art by DeKeshie Miyazawa. 41:37.733 --> 41:39.453 [SPEAKER_03]: This is the second part of the crossover here. 41:39.914 --> 41:47.077 [SPEAKER_03]: As Bad Girl tries to fight her way across the city, to the very hurt girl to Gotham, general. 41:47.097 --> 41:49.438 [SPEAKER_03]: A couple of other things going on back in the home front. 41:49.839 --> 41:51.440 [SPEAKER_03]: with her brother and others. 41:51.600 --> 41:52.980 [SPEAKER_03]: But what do you guys think about this? 41:53.781 --> 41:54.961 [SPEAKER_01]: I really love this issue. 41:55.001 --> 42:00.303 [SPEAKER_01]: I thought this was such a cool kind of spoiler back or a whole issue where she's on a mission. 42:00.964 --> 42:02.264 [SPEAKER_01]: And she's very focused, man. 42:02.544 --> 42:08.307 [SPEAKER_01]: Like she even sees, you know, like Nightwing a Robin and she's just kind of like, hey, what's up? 42:08.407 --> 42:09.627 [SPEAKER_01]: And they're like, hey, you're shot. 42:09.647 --> 42:10.988 [SPEAKER_01]: And she's like, yeah, don't worry about it. 42:11.048 --> 42:12.829 [SPEAKER_01]: I was like, we're pretty worried. 42:12.909 --> 42:15.290 [SPEAKER_01]: They keep showing panels that you bleeding out. 42:15.750 --> 42:23.952 [SPEAKER_01]: So the fact that your dime planning is really making me worried about you being kind of overconfident of this injury. 42:24.033 --> 42:26.073 [SPEAKER_01]: So yeah, I love the tension of this. 42:26.153 --> 42:31.475 [SPEAKER_01]: I love the kind of like the adventure of like can she get this done on time? 42:31.575 --> 42:35.496 [SPEAKER_01]: And yeah, I really thought the art and everything was fantastic. 42:36.790 --> 42:38.130 [SPEAKER_02]: Yeah, this was fun too. 42:38.210 --> 42:40.791 [SPEAKER_02]: Man, back girl is a determined character. 42:40.851 --> 42:41.891 [SPEAKER_02]: We really did a see that. 42:41.991 --> 42:53.454 [SPEAKER_02]: I like the back and forth between her series of fights and the fight going back at the restaurant with her brother teaming up with bunch of random people who are just trying to live their lives. 42:54.514 --> 42:56.955 [SPEAKER_02]: I read the checklist in the back for October 7. 42:57.255 --> 42:58.675 [SPEAKER_02]: There's another issue listed. 42:58.695 --> 43:00.836 [SPEAKER_02]: Batman bad

seed streets of Gotham, number one. 43:01.296 --> 43:02.496 [SPEAKER_02]: And we didn't get that this week. 43:02.736 --> 43:05.857 [SPEAKER_02]: And I'm only referencing this because I want more bad seeds 43:06.817 --> 43:07.258 [SPEAKER_02]: Yeah. 43:07.778 --> 43:08.459 [SPEAKER_02]: Yeah. 43:08.499 --> 43:09.560 [SPEAKER_03]: That's great. 43:09.921 --> 43:10.161 [SPEAKER_03]: Yeah. 43:10.181 --> 43:10.902 [SPEAKER_03]: More scenes. 43:11.082 --> 43:13.745 [SPEAKER_03]: I always say what I walk into the plant store. 43:14.045 --> 43:14.566 [SPEAKER_03]: Next up. 43:14.726 --> 43:18.090 [SPEAKER_03]: The toxic Avenger versus the noxious offender. 43:18.110 --> 43:18.430 [SPEAKER_03]: She's me. 43:18.871 --> 43:22.715 [SPEAKER_03]: Number one from a holy comics written by Matt Bores art by Felipe Sobrero. 43:23.075 --> 43:34.659 [SPEAKER_03]: We talked about boards about this book a little bit, that's of the podcast feed, but like the title says, Toxie is coming to face to face with his evil opposite for an altered dimension. 43:34.959 --> 43:45.743 [SPEAKER_03]: But what this book is really about is Toxie is about to be a father, so he is presented with an evil version of himself, as well as the return of his dead-be-dad, and that does to him. 43:46.284 --> 43:47.204 [SPEAKER_03]: What you guys think about this? 43:50.570 --> 43:54.114 [SPEAKER_02]: I like this. 43:54.134 --> 43:59.680 [SPEAKER_02]: I mean, we got to check out the first like six or eight pages in the preview and we talked to Matt. 44:01.401 --> 44:08.249 [SPEAKER_02]: And those are the ones that are deal with some of the heavier ideas here, and then we get into the drama of Toxie and his dad. 44:08.942 --> 44:11.704 [SPEAKER_02]: and then the, and then Noxie is introduced. 44:13.286 --> 44:18.550 [SPEAKER_02]: I feel like this issue is sort of getting us getting us on the table with all of the stuff that's happening. 44:19.471 --> 44:21.853 [SPEAKER_02]: But what's there is really fun. 44:21.993 --> 44:26.216 [SPEAKER_02]: Like Noxie feels like a Toxie who like knows how to do stuff. 44:27.017 --> 44:33.162 [SPEAKER_02]: And having, I thought it was just a genius move to have the dad be with Noxie. 44:33.222 --> 44:36.525 [SPEAKER_02]: Was really smart way to just position everybody 44:39.169 --> 44:40.810 [SPEAKER_01]: Yeah, I thought of J.T. 44:40.850 --> 44:47.254 [SPEAKER_01]: Sizzle because they kind of had Toxie and then Noxie just kind of had his hat backwards, you know? 44:47.514 --> 44:51.497 [SPEAKER_01]: And, you know, as we all know, that's a cool dude move, you know what I mean? 44:51.577 --> 44:55.039 [SPEAKER_01]: So, a fun take on the Toxie adventure. 44:55.059 --> 44:57.580 [SPEAKER_01]: I like the art, I like the story, like what they're doing here. 44:58.221 --> 44:59.361 [SPEAKER_01]: I agree with the J.T. 44:59.382 --> 45:01.483 [SPEAKER_01]: Sizzle really doing a good job of setting things up. 45:02.838 --> 45:07.602 [SPEAKER_03]: Concrete stars over sand

number four from dark horse comics by Paul Chadwick. 45:07.682 --> 45:09.884 [SPEAKER_03]: We ended with a bunch of big cliffhangers. 45:09.944 --> 45:10.784 [SPEAKER_03]: The last issue. 45:10.864 --> 45:12.526 [SPEAKER_03]: Concrete has lost his memory. 45:13.126 --> 45:16.409 [SPEAKER_03]: Get after getting hit by lightning and was attacking people. 45:17.149 --> 45:23.214 [SPEAKER_03]: His friend was hiking up the mountain to go see him and concrete was ready to hit him with a rock and. 45:23.675 --> 45:27.658 [SPEAKER_03]: Moreen is lady love was about to crash in a helicopter. 45:28.579 --> 45:36.530 [SPEAKER_03]: a spoiler here, but they're all okay kind of, but sort of also traumatized by it and constantly messed up. 45:36.790 --> 45:39.995 [SPEAKER_03]: He has lost wisdom as a memory and is trying to get it back. 45:40.295 --> 45:41.316 [SPEAKER_03]: It's our new old guys. 45:42.532 --> 45:50.918 [SPEAKER_03]: Yeah, I said this last issue, but it is such a gift to be getting more of this book at such a high and consistent level. 45:51.378 --> 46:03.367 [SPEAKER_03]: What I loved about this one is concrete re-learning his history, let's us revisit that history as well, and it makes it all the more sad that he is not up to stuff. 46:04.164 --> 46:12.626 [SPEAKER_03]: There's one more issue to go and it just feels like some other shoe is gonna drop but that's also not what the series is ever about so we'll see 46:13.649 --> 46:15.589 [SPEAKER_02]: Yeah, I mean, it's, it's really good. 46:16.090 --> 46:22.671 [SPEAKER_02]: The more in helicopter sequence from last issue in this issue, was one of the most stressful things I've written up in the last time. 46:23.551 --> 46:24.731 [SPEAKER_02]: It's so intense. 46:24.911 --> 46:29.953 [SPEAKER_02]: And this issue is, it's high action in this very thoughtful book. 46:30.733 --> 46:32.113 [SPEAKER_02]: So like, that was really cool. 46:33.453 --> 46:36.714 [SPEAKER_02]: I rarely feel real threat to a character. 46:36.914 --> 46:40.615 [SPEAKER_02]: And I feel like this issue, I was like, ah, is this not gonna work out? 46:41.893 --> 46:44.157 [SPEAKER_02]: Like I don't know what's gonna happen and the next issue. 46:44.217 --> 46:51.749 [SPEAKER_02]: I'm like if that baby concrete doesn't wake up I'm starting to get really fast because that's been boiling underneath this whole series I like get that baby going 46:53.347 --> 46:55.228 [SPEAKER_01]: look at you, looking out for the baby. 46:55.608 --> 47:00.111 [SPEAKER_01]: Yeah, this continues to just be amazing on rock daddy in my court. 47:00.491 --> 47:01.172 [SPEAKER_01]: Oh, fun. 47:02.773 --> 47:06.735 [SPEAKER_01]: Yeah, I just, I kind of, it's hard Alex, you said everything. 47:06.755 --> 47:08.036 [SPEAKER_01]: I'm just so happy is back. 47:08.116 --> 47:09.537 [SPEAKER_01]: It's, it's so well done. 47:09.957 --> 47:11.178 [SPEAKER_01]: Art is fantastic. 47:11.758 --> 47:13.579 [SPEAKER_01]: It's nice to be in this world again. 47:13.699

--> 47:16.481 [SPEAKER_01]: And yeah, it's stressful, but I'm enjoying it. 47:16.541 --> 47:18.002 [SPEAKER_01]: So, please more. 47:19.454 --> 47:35.368 [SPEAKER_03]: absolute green lantern number 18 from DC Comics from Biogua, art by Janoi Lindsey now as we mentioned earlier go check out our absolute rankings that we did on the live show this week to find out where absolute green lantern sits in there for all of us. 47:35.569 --> 47:42.595 [SPEAKER_03]: But big stuff going down on this issue has we flash back in time and get the origin of the absolute task force. 47:42.975 --> 47:50.257 [SPEAKER_03]: X as well as all of the man hunter legends moved together and how that ties into what's going on to the present. 47:50.598 --> 47:52.498 [SPEAKER_03]: You seem like you have some questions, Justin. 47:52.978 --> 48:04.402 [SPEAKER_02]: Yeah, I was just I'm looking forward to hearing in the recap like how the the yellow aliens weigh in here, how to task for X, like sort of what they've been up to for a lot of the history here. 48:04.987 --> 48:09.109 [SPEAKER_02]: What the time traveling agent means for the future of this series. 48:09.129 --> 48:09.350 [SPEAKER_00]: Right. 48:09.390 --> 48:09.650 [SPEAKER_00]: Right. 48:09.690 --> 48:10.390 [SPEAKER_02]: Right. 48:10.510 --> 48:17.754 [SPEAKER_02]: Where Hal Jordan is in general and all the other characters we met at the beginning of this series. 48:17.774 --> 48:20.556 [SPEAKER_02]: Just generally, just sorry, you know up to your recap, go ahead and finish up. 48:21.036 --> 48:22.197 [SPEAKER_03]: Yeah, no questions in my mind. 48:22.257 --> 48:23.838 [SPEAKER_03]: No, I think you covered it pretty well. 48:23.918 --> 48:29.241 [SPEAKER_03]: So the aliens are concerned with sin astro and of course the black zero. 48:29.933 --> 48:53.238 [SPEAKER_03]: uh... which is also mogo i believe who is also baby band hunters uh... but eye i understand what you're getting at there is a lot of confusing stuff in here but i actually felt like this was one of the more straightforward issues in terms of lay out the continuity of man hunters they have the same names as all of the man hunters for the main continuity but are laid out in chronological order 48:53.958 --> 49:09.810 [SPEAKER_03]: leading up to today, and it's all just a reveal of Task Force X is this secret cadre of super humans who have been working in the background, led by no surprise to anybody with the first time we saw in the absolute universe, Amanda Waller. 49:10.978 --> 49:11.778 [SPEAKER_03]: And that's cool. 49:12.318 --> 49:16.500 [SPEAKER_02]: And what's not this we get the setup of Uncle Sam. 49:17.480 --> 49:27.603 [SPEAKER_01]: All right, we're a crazy that was not cool, dude, I think the on kill turns into Uncle Sam. 49:27.703 --> 49:29.684 [SPEAKER_01]: I was like, bro, you missed me on that. 49:30.064 --> 49:30.684 [SPEAKER_01]: No, then. 49:30.924 --> 49:33.667 [SPEAKER_01]: Pete, you have a couple of, uh, diffusidies is right. 49:33.727 --> 49:35.588 [SPEAKER_01]: You're there on kill. 49:35.849 --> 49:36.369 [SPEAKER_01]: I know. 49:36.429 --> 49:36.829 [SPEAKER_01]: I'm not. 49:36.849 --> 49:38.371 [SPEAKER_01]: I'm not going to kill them calling you. 49:38.531 --> 49:39.512 [SPEAKER_01]: I. I love them. 49:39.612 --> 49:41.814 [SPEAKER_01]: I'm going to support them always. 49:42.314 --> 49:43.876 [SPEAKER_01]: No, I mean, I, we say you're crazy. 49:43.916 --> 49:44.256 [SPEAKER_01]: I love that. 49:44.316 --> 49:45.517 [SPEAKER_01]: I'm going to attack them. 49:45.697 --> 49:45.898 [SPEAKER_01]: All right. 49:45.978 --> 49:46.238 [SPEAKER_01]: All right. 49:46.718 --> 49:49.039 [SPEAKER_02]: Let's back a little bit something is mean you're unkilling it. 49:49.119 --> 49:49.739 [SPEAKER_02]: You're too detailed. 49:49.799 --> 49:50.379 [SPEAKER_02]: Do you take care? 49:50.419 --> 49:55.201 [SPEAKER_01]: So unkilling this this is one of the reasons This is so low on my list of absolute. 49:55.261 --> 49:55.581 [SPEAKER_01]: Okay. 49:56.041 --> 50:14.487 [SPEAKER_01]: I love the art style the use of yellow for the aliens was really fantastic It was very kind of bold and cool, but then you got this kind of meta like bad idea number zero Like what the fuck you doing like I you know like that missed me and it got I don't like zero shoes So whatever, but then like 50:16.407 --> 50:34.154 [SPEAKER_01]: You know, this idea that I really liked and this is the thing that like if there's cool ideas in all this madness like the uncool Unkill was a reach and I was like I rolled my eyes out of but this idea that earth is a game preserve for souls. 50:34.354 --> 50:36.234 [SPEAKER_01]: Well, that is a crazy idea. 50:36.254 --> 50:37.755 [SPEAKER_01]: I believe that 50:38.395 --> 50:40.135 [SPEAKER_01]: Oh, wow, but yeah, it's a lot. 50:40.255 --> 50:44.556 [SPEAKER_01]: But then you're going to give me a last panel reveal and it's just old ass Amanda Waller. 50:44.596 --> 50:45.717 [SPEAKER_01]: I was like fuck this man. 50:46.057 --> 50:47.717 [SPEAKER_01]: I don't care about Amanda Waller. 50:47.737 --> 50:48.577 [SPEAKER_01]: She's a villain. 50:49.397 --> 50:50.197 [SPEAKER_01]: She's the worst. 50:50.217 --> 50:52.438 [SPEAKER_01]: I don't want her in my comic book. 50:52.498 --> 50:55.158 [SPEAKER_02]: So she's got a heavy pour of wine in her hand. 50:55.579 --> 50:57.819 [SPEAKER_02]: Yeah, I'm here for that. 50:57.879 --> 50:59.619 [SPEAKER_03]: I did like the detail that she had. 50:59.759 --> 51:02.460 [SPEAKER_03]: It's wine a clock on the side behind her. 51:03.244 --> 51:12.216 [SPEAKER_02]: Yeah, and she handled his life wise to review people have wine that's a bit of a if you see So I'm going to someone's house and they have that sign. 51:12.477 --> 51:13.518 [SPEAKER_02]: You're going to check them. 51:13.778 --> 51:15.981 [SPEAKER_03]: They're there They're in the way 51:22.187 --> 51:32.042 [SPEAKER_02]: Um, here's the thing though, like I'm complaining about

this a little bit, but like I like a lot of what happened here and the last page where mental waters like tell Kyle Reiner, he's back on task for sex. 51:32.082 --> 51:32.843 [SPEAKER_02]: I'm like hell. 51:32.883 --> 51:33.283 [SPEAKER_02]: Yeah. 51:33.504 --> 51:34.245 [SPEAKER_02]: I want that. 51:34.485 --> 51:34.846 [SPEAKER_02]: No. 51:35.427 --> 51:35.647 [SPEAKER_02]: Yeah. 51:37.483 --> 51:38.304 [SPEAKER_03]: No, I don't know. 51:38.484 --> 51:39.105 [SPEAKER_03]: What could I say? 51:39.125 --> 51:39.965 [SPEAKER_03]: It's still good. 51:40.406 --> 51:41.327 [SPEAKER_03]: Kill all Immortals. 51:41.407 --> 51:44.910 [SPEAKER_03]: Three number one from Dark Horse Comics written by Zach Kaplan, Art by Fr. 51:44.950 --> 51:45.951 [SPEAKER_03]: Chesco, Mordorito. 51:46.031 --> 51:47.112 [SPEAKER_03]: This is per the name. 51:47.132 --> 51:50.856 [SPEAKER_03]: The third in a series about a bunch of Norse Immortals. 51:51.376 --> 51:55.420 [SPEAKER_03]: We're trying to kill all the other Immortals before they are killed themselves. 51:56.261 --> 52:02.567 [SPEAKER_03]: They have regained their immortality as of the last series that are now going for the final bunch of Immortals. 52:03.047 --> 52:15.252 [SPEAKER_03]: leading to a showdown that if you were thinking of one immortal who would be the final boss of all the mortals who would that be, well if I doubt it this issue, it is not a huge surprise, but it is a fun one. 52:15.272 --> 52:17.513 [SPEAKER_03]: What do you guys think about this kickoff here? 52:18.149 --> 52:36.899 [SPEAKER_01]: yeah i mean this series is great i love it's very action violent forward and it's fun it's over the top and all the right ways so yeah i continue to enjoy this cool last panel yeah i felt like this is just as good as the others have been so yeah i enjoyed this 52:37.923 --> 52:41.004 [SPEAKER_02]: When I'm describing why and I often use the words violent forward. 52:41.244 --> 52:41.624 [SPEAKER_02]: Mm-hmm. 52:41.724 --> 52:42.344 [SPEAKER_02]: Was that a joke? 52:43.164 --> 52:49.686 [SPEAKER_03]: I was, and then I thought, I was wondering if Pete, maybe what he opens this comic books, if he gives himself a little whopped, he's like, huh? 52:49.746 --> 52:52.086 [SPEAKER_03]: It's what is very violent forward, yeah. 52:52.206 --> 52:54.027 [SPEAKER_02]: SIGARBOX, violent forward. 52:54.327 --> 52:54.607 [SPEAKER_02]: Yeah. 52:54.627 --> 52:57.447 [SPEAKER_03]: There's a little gore on the nose. 52:57.547 --> 52:59.668 [SPEAKER_03]: I'm getting you getting that. 53:00.883 --> 53:01.483 [SPEAKER_02]: I'm getting it. 53:01.844 --> 53:07.788 [SPEAKER_02]: I mean, I do agree with you that this book is, the violence is baked into this book. 53:08.008 --> 53:14.612 [SPEAKER_02]: We've seen two previous versions of this, but I do like the conversations that this family's have. 53:14.672 --> 53:16.734 [SPEAKER_02]: I'm just in on like I like they're like, 53:17.954 --> 53:20.715 [SPEAKER_02]: But before this, they were like, we have to give up being immortal. 53:20.775 --> 53:21.615 [SPEAKER_02]: It's bad for us. 53:21.675 --> 53:22.276 [SPEAKER_02]: They give it up. 53:22.796 --> 53:24.817 [SPEAKER_02]: And then this is like, they got to get this back. 53:24.957 --> 53:26.497 [SPEAKER_02]: We're all going to die on those. 53:26.597 --> 53:29.138 [SPEAKER_02]: Like, I'm just in on all these conversations. 53:29.758 --> 53:34.140 [SPEAKER_02]: And I like that we're setting up a major boss battle at the end of this series. 53:34.540 --> 53:34.700 [SPEAKER_03]: Yeah. 53:35.716 --> 53:41.881 [SPEAKER_03]: Minor Arcana number 19 for boobs to do as written by Jeff LeMier, art by Jeff LeMier and Sean Kerr and narrow. 53:42.481 --> 53:46.364 [SPEAKER_03]: You know, I think we missed a couple of title issues of this title. 53:46.445 --> 53:48.846 [SPEAKER_03]: I couldn't do it, maybe it's coming out sporadically. 53:48.866 --> 53:52.629 [SPEAKER_03]: I'm not 100% sure, but whatever it is, this is a key issue. 53:52.689 --> 54:03.238 [SPEAKER_03]: So I'm glad we jumped back in here as we focus on the grandfather of our main character show why the fortune telling shop that he set up in the small town is so important. 54:03.798 --> 54:10.082 [SPEAKER_03]: and who the bad guys are that are coming for him as well as his granddaughter who is the main character of the series. 54:10.803 --> 54:11.783 [SPEAKER_03]: So I thought this was great. 54:11.843 --> 54:14.725 [SPEAKER_03]: You're gorgeous art from Jeff Lemira and Sean Kronero. 54:16.086 --> 54:18.568 [SPEAKER_03]: Really explains a lot of what's been going on here. 54:18.848 --> 54:19.788 [SPEAKER_03]: I dug this quite a bit. 54:20.269 --> 54:21.349 [SPEAKER_03]: I dug it and I dig it. 54:23.843 --> 54:25.645 [SPEAKER_01]: Yeah, I agree. 54:25.845 --> 54:28.989 [SPEAKER_01]: The artist's fantastic cool vibes. 54:29.609 --> 54:31.351 [SPEAKER_01]: I love the map. 54:31.651 --> 54:39.339 [SPEAKER_01]: You know, I saw the kind of like the milk man made me think of ice cream man, which I was like, oh man, what's that about? 54:39.400 --> 54:40.581 [SPEAKER_01]: I'm so kind of like 54:41.662 --> 54:55.417 [SPEAKER_01]: uh, you know, a pro-grammed who I was like, oh god, guys in all way to scary, but I was like, hey, relax, this is a different book, but yeah, the pregrors, the last panel reveal was fun, so yeah, I thought this was pretty good. 54:56.598 --> 55:22.770 [SPEAKER_02]: Yeah, I'm so building in a lot of the backstory I'm getting is to the basically the beginning of the title I think is really cool especially Like I I still don't know what the overarching mystery here We've gotten a little bit of sense of dread over to the last you know 10 issues about this secret society Well, I just don't know anything about them yet So this backstory is really good and it feels like it's gonna propel us forward into the next big thing 55:23.872 --> 55:46.016 [SPEAKER_03]: The dead man, number five from DC Comics, written

by W Maxwell Prince, art by Martin Morazo, after heading to Hell and then heaven, now dead man has been sent to the future, where everything is tech, including swamp thing, who is now wires thing, and they are fighting their way through this future tech world. 55:46.076 --> 55:49.237 [SPEAKER_03]: So the dead man could find out about what exactly cost it. 55:50.855 --> 56:04.255 [SPEAKER_03]: cause the problems they're having so he can take it back to the present and hopefully stop this future uh... this title is great i love this team i love everything about this it is one of the most creative books of the stand it is a pleasure to read every month 56:04.929 --> 56:05.569 [SPEAKER_02]: Fantastic. 56:05.949 --> 56:06.450 [SPEAKER_02]: So good. 56:06.630 --> 56:11.031 [SPEAKER_02]: I especially love it when we get touch on other aspects of the DC universe. 56:11.472 --> 56:17.954 [SPEAKER_02]: We get to see a take on the Phantom Stranger here on Green Arrow on Miss Terrific. 56:18.434 --> 56:24.137 [SPEAKER_02]: Like all that stuff is so nice to just get the WMAXwell Prince turn on it. 56:24.297 --> 56:24.977 [SPEAKER_02]: It's so good. 56:25.057 --> 56:28.398 [SPEAKER_02]: And the Martin Marzo Art is just continues to be fantastic. 56:28.839 --> 56:30.499 [SPEAKER_02]: It's a singular book on the stands. 56:30.639 --> 56:32.360 [SPEAKER_02]: I would recommend picking it up. 56:33.359 --> 56:34.824 [SPEAKER_02]: It's dance but fantastic. 56:35.445 --> 56:47.512 [SPEAKER_01]: Yeah, it's hard to give it more praise because it is just so so epic and every issue and and such a cool unique creative way very art for which is great. 56:48.873 --> 56:49.974 [SPEAKER_01]: Yeah, this is just fun. 56:49.994 --> 56:54.096 [SPEAKER_01]: I just every time I'm about to crack this open, I get excited. 56:54.116 --> 56:59.540 [SPEAKER_01]: It's just cool story, great use of character. 56:59.680 --> 57:02.061 [SPEAKER_01]: So just great last panel. 57:02.101 --> 57:03.422 [SPEAKER_01]: I'm joining the shit out of this. 57:04.309 --> 57:13.754 [SPEAKER_03]: Hmm, and next up, the Kaiju of Oz, number one, for by DW, by my costa, and Tom Shioly, art by Brian Brown, and Tom Shioly. 57:14.074 --> 57:14.955 [SPEAKER_03]: That's not titled this. 57:14.975 --> 57:18.357 [SPEAKER_03]: This is essentially another monster piece theater thing. 57:18.777 --> 57:21.238 [SPEAKER_03]: Feature of Godzilla in the story of Wizard of Oz. 57:21.278 --> 57:25.541 [SPEAKER_03]: The big thing that it changes is that Dorothy thinks Godzilla is Toto. 57:26.161 --> 57:40.515 [SPEAKER_03]: So the wicked witch of the Wes ends up going down the yellow brick road and gathering some friends or in her case, minions of her own, these things are just so silly and I continue to love them and I hope they do them forever. 57:40.656 --> 57:45.160 [SPEAKER_03]: Just this is a great series of one shots for I-DW. 57:45.280 --> 57:45.841 [SPEAKER_03]: They're very fun. 57:47.374 --> 57:51.940 [SPEAKER_02]: Yeah, this one of all of them, this would feel actually pretty straightforward compared to the rest. 57:51.960 --> 57:58.848 [SPEAKER_02]: Like, it really just does the entire Wizard of Oz story in a fucked up Godzilla way throughout. 57:59.289 --> 58:06.057 [SPEAKER_02]: So that's fun and the art continues to be a nice, different and specific to this series. 58:06.840 --> 58:09.201 [SPEAKER_01]: Yeah, I really enjoyed the choices being made here. 58:09.261 --> 58:11.543 [SPEAKER_01]: It wasn't just like Godzilla kills us. 58:11.643 --> 58:13.484 [SPEAKER_01]: Like they were really doing some fun stuff. 58:13.504 --> 58:21.609 [SPEAKER_01]: And it was cool to see the week which of the West go down the yellow brick road and collect all the characters we know and love from this world. 58:21.649 --> 58:25.951 [SPEAKER_01]: So, yeah, just fun twist, fun Dorothy, ride non-Godzilla. 58:26.031 --> 58:28.933 [SPEAKER_01]: Yeah, I just, I agree with you, Zelben. 58:29.233 --> 58:32.395 [SPEAKER_01]: I do not get sick of these Godzilla books. 58:32.475 --> 58:33.075 [SPEAKER_01]: It's really fun. 58:33.616 --> 58:35.477 [SPEAKER_02]: How'd you feel about Godzilla meeting Robin Hood 58:37.603 --> 58:38.604 [SPEAKER_03]: Yeah, come on. 58:40.125 --> 58:40.906 [SPEAKER_03]: I felt good about that. 58:40.926 --> 58:46.471 [SPEAKER_03]: That's been something that's been running throughout the back up in all of these books and very fun. 58:46.831 --> 58:47.432 [SPEAKER_02]: Godzilla. 58:48.112 --> 58:48.813 [SPEAKER_01]: Right, first. 58:49.273 --> 58:50.274 [SPEAKER_02]: Yeah, I took a real hell. 58:51.175 --> 58:56.820 [SPEAKER_01]: I took me a second because I first thought Justin said, would you think of Godzilla, mean Robin Williams in the back? 58:56.840 --> 58:57.300 [SPEAKER_01]: Oh, so what? 58:58.942 --> 58:59.663 [SPEAKER_01]: That would be awesome. 58:59.683 --> 59:01.985 [SPEAKER_03]: What would, to be a fly on that wall? 59:03.871 --> 59:06.752 [SPEAKER_03]: I just want to give a quick shout out to Ryan Brown's art. 59:06.792 --> 59:13.435 [SPEAKER_03]: We normally see him working with trolls, soul, on bucks, but yes, nobody does sound effects like him. 59:13.455 --> 59:22.178 [SPEAKER_03]: I don't want to maybe buy constip to put them in the script, but this is such a ride brown thing to like build the very funny and ridiculous sound effects into the art itself. 59:22.218 --> 59:23.779 [SPEAKER_02]: Yeah, that plays the right book. 59:24.125 --> 59:24.585 [SPEAKER_03]: very fun. 59:24.785 --> 59:25.786 [SPEAKER_03]: And it's an extra layer. 59:25.886 --> 59:27.866 [SPEAKER_03]: Let's you read for a while longer. 59:27.986 --> 59:28.547 [SPEAKER_03]: It's good stuff. 59:29.367 --> 59:36.050 [SPEAKER_03]: Kingdom of Earth, number three from Dark Horse Comics, written by David Desmolciad, and Leah Co. Patrick, art by Sue Lee. 59:36.370 --> 59:39.711 [SPEAKER_03]: This takes place in a post-apocalyptic world that's been taken over by monsters.

59:40.111 --> 59:45.153 [SPEAKER_03]: Essentially, I thought it was about one human who is surviving there with the help of the big Harry monster. 59:45.633 --> 59:47.934 [SPEAKER_03]: It's not really what we get in this issue. 59:48.094 --> 59:48.314 [SPEAKER_02]: Yeah. 59:48.454 --> 59:50.395 [SPEAKER_02]: This book is monster bureaucracy. 59:51.696 --> 01:00:01.022 [SPEAKER_02]: So much of the action in this book, and this book like the key on this book from the cover of the post-avocative world with the Girl Raph in the American Flag ever was like, what's that? 01:00:01.042 --> 01:00:01.862 [SPEAKER_02]: I want to read that. 01:00:02.303 --> 01:00:07.946 [SPEAKER_02]: And it's just crazy that this book is actually about like monsters being like, how are we going to get the trains to run? 01:00:08.807 --> 01:00:10.548 [SPEAKER_01]: Oh my god. 01:00:10.588 --> 01:00:12.189 [SPEAKER_01]: We need more power, guys. 01:00:12.229 --> 01:00:12.389 [SPEAKER_01]: Yeah. 01:00:14.601 --> 01:00:15.081 [SPEAKER_01]: It's funny. 01:00:15.481 --> 01:00:16.242 [SPEAKER_01]: Yeah, it's fun. 01:00:16.362 --> 01:00:17.322 [SPEAKER_01]: It's a great idea. 01:00:17.342 --> 01:00:24.645 [SPEAKER_01]: I also like the human kind of team up with that one Harry monster, so excited about that. 01:00:25.125 --> 01:00:26.766 [SPEAKER_01]: Yeah, also what's great about this. 01:00:27.558 --> 01:00:29.438 [SPEAKER_01]: not many words in this issue. 01:00:29.778 --> 01:00:34.559 [SPEAKER_01]: It really just lets the eyes complement for people that the art shine baby. 01:00:34.579 --> 01:00:34.959 [SPEAKER_03]: Come on. 01:00:34.999 --> 01:00:38.940 [SPEAKER_03]: We don't need to read gorgeous art from Suley in this issue. 01:00:38.960 --> 01:00:41.141 [SPEAKER_03]: Just I love the monster designs in particular. 01:00:41.221 --> 01:00:47.762 [SPEAKER_03]: We talked to her a while back for one of the other books, but talked about this a little bit and it's just great stuff. 01:00:48.482 --> 01:00:51.203 [SPEAKER_02]: I believe it suits quote on that was I don't know. 01:00:51.223 --> 01:00:52.283 [SPEAKER_02]: I just do what I want. 01:00:54.304 --> 01:01:08.060 [SPEAKER_02]: And it does feel that way because her art is very different across different books and this feels to Pete's point Very of this title the little guys who aren't human but are just like wrecked throughout this entire issue are very funny 01:01:09.630 --> 01:01:30.672 [SPEAKER_03]: Superman, the stranger number two from DC Comics by Wes Craig, we also had Wes on the show to talk about this a couple of months back, so check that out in the feed, but this is going back to the original action comic story featuring Superman, picking up right after that first issue and following a very young Superman who doesn't really even have his full job at the Daily Planet yet. 01:01:31.215 --> 01:01:44.509 [SPEAKER_03]: And interestingly, which I was not expecting, first issue in second issue, the first half is about Superman, and the second half is about Lex Luther and following them in the supposing paths as presumably they come together by the end. 01:01:45.150 --> 01:01:48.794 [SPEAKER_03]: Speaking of coming together, Pete, I was curious to go to you first. 01:01:49.515 --> 01:01:53.239 [SPEAKER_03]: What did you think about Clark almost sleeping with a woman who isn't low as? 01:01:53.579 --> 01:01:55.180 [SPEAKER_01]: Yeah, didn't, not the fan. 01:01:55.600 --> 01:01:56.060 [SPEAKER_03]: I knew it. 01:01:56.260 --> 01:01:56.640 [SPEAKER_01]: Yeah. 01:01:56.680 --> 01:01:58.681 [SPEAKER_01]: Come on, he gled in, fuck around. 01:01:59.081 --> 01:02:00.082 [SPEAKER_01]: No way, man. 01:02:00.142 --> 01:02:00.642 [SPEAKER_01]: He's new. 01:02:00.982 --> 01:02:04.323 [SPEAKER_03]: When she's like, you've done this before, and he's like, of course, obviously. 01:02:04.403 --> 01:02:05.704 [SPEAKER_03]: He definitely has it, right? 01:02:06.144 --> 01:02:07.324 [SPEAKER_02]: Yeah, exactly. 01:02:07.504 --> 01:02:12.626 [SPEAKER_02]: I thought that was, and I loved that they didn't call it out, but like, they just let it hang there. 01:02:12.646 --> 01:02:16.548 [SPEAKER_02]: And I was like, no way has this dude been having sex with him. 01:02:17.378 --> 01:02:18.859 [SPEAKER_01]: Yeah, first off a cool cover. 01:02:18.899 --> 01:02:19.900 [SPEAKER_01]: We got Lex here. 01:02:20.801 --> 01:02:22.382 [SPEAKER_01]: I really love this art style. 01:02:22.442 --> 01:02:28.027 [SPEAKER_01]: It brings such a great vibe suit Superman and such a kind of unique take on it. 01:02:28.247 --> 01:02:31.891 [SPEAKER_01]: It takes things down on that's what I which I really like. 01:02:33.212 --> 01:02:39.618 [SPEAKER_01]: Yeah, but you know, we get Lex really kind of being more villain than we've seen in the past here. 01:02:39.678 --> 01:02:42.981 [SPEAKER_01]: So he's getting his hands dirty, you know, so I'm scared. 01:02:45.260 --> 01:02:46.021 [SPEAKER_02]: I agree. 01:02:46.201 --> 01:02:47.061 [SPEAKER_02]: I really enjoy this. 01:02:47.201 --> 01:02:54.803 [SPEAKER_02]: I think the Lex that has been created here is really fucked up like he's a good bad Lex. 01:02:55.343 --> 01:02:58.004 [SPEAKER_02]: Yeah, so West Craig great job there the artist fantastic. 01:02:58.424 --> 01:03:07.127 [SPEAKER_02]: I really like the sequence where Clark sort of like wants to take this girl this woman home and then distracted by a petty crime. 01:03:07.487 --> 01:03:10.129 [SPEAKER_02]: And she's like, you're weird, I'm out of here. 01:03:10.550 --> 01:03:15.414 [SPEAKER_02]: Like, I thought that sequence was really nice and felt so organically done. 01:03:15.854 --> 01:03:29.046 [SPEAKER_03]: There's also a great panel in here of Superman hanging out of building, waiting for a presumed millionaire, given the time period, but maybe billionaire, who has done some wrong, that is so cool. 01:03:29.106 --> 01:03:30.567 [SPEAKER_03]: The art is great throughout here. 01:03:31.548 -->

01:03:44.032 [SPEAKER_03]: It's Westcrack very much has an own style, and I think he's really pushing it hard in the series, but this feels in line with Prime, Jeff Loeb, Tim Sal, stuff that they were doing. 01:03:44.072 --> 01:03:51.994 [SPEAKER_03]: Like, if you would tell me 20, 30 years ago that they were following up, Batman, Long Halloween, with something like this, I would not have been surprised. 01:03:52.074 --> 01:03:55.955 [SPEAKER_03]: So if you like that stuff, definitely pick up Superman, the stranger. 01:03:56.096 --> 01:04:00.137 [SPEAKER_02]: With an edge to it, this has like a nice, nice size of an issue based edge to it. 01:04:01.057 --> 01:04:07.741 [SPEAKER_03]: Flex House presents, never want, for voting press, written by Matt Kin, art by Allison Samson, Brian Hurt, David Lappin, and Matt Kint. 01:04:07.761 --> 01:04:10.862 [SPEAKER_03]: This is an anthology of a bunch of different tales. 01:04:10.922 --> 01:04:12.943 [SPEAKER_03]: Some of which will continue in Flex House present. 01:04:13.064 --> 01:04:18.146 [SPEAKER_03]: Others that will pick up in other titles that Matt Kin is doing on his Flex House label. 01:04:18.206 --> 01:04:22.709 [SPEAKER_03]: And as he talks to the back matter, he talks about how he loved anthologies back in the day. 01:04:22.729 --> 01:04:26.131 [SPEAKER_03]: It was something he felt you can only do this way in comics. 01:04:26.471 --> 01:04:28.252 [SPEAKER_03]: And he wants to bring that excitement back. 01:04:31.155 --> 01:04:31.936 [SPEAKER_02]: huge success. 01:04:32.216 --> 01:04:39.920 [SPEAKER_02]: I thought this was a great, a great piece of the Fort Psycho legend, and it really reading this story here. 01:04:40.060 --> 01:04:42.121 [SPEAKER_02]: I was like, oh man, Fort Psycho is so good. 01:04:42.142 --> 01:04:43.042 [SPEAKER_02]: It's such a good idea. 01:04:43.402 --> 01:04:44.483 [SPEAKER_02]: It's so well handled. 01:04:45.423 --> 01:04:47.585 [SPEAKER_02]: I'm super excited to just keep reading that. 01:04:47.625 --> 01:04:51.967 [SPEAKER_02]: So I was very much in the tank for that already, but this only brought up my excitement. 01:04:52.368 --> 01:04:59.292 [SPEAKER_02]: The second story, Room 101, great little horror thing here, and this is just a lead into a series coming soon. 01:05:00.187 --> 01:05:22.618 [SPEAKER_02]: really great and then we get this other story spark that is big long story not a lot of words shots to pee yeah but something that is going to be continuing on in this anthology so really well chosen tales i thought yeah i agree i was really impressed with the package here i felt like they did a great job of giving you some really amazing stories um 01:05:23.795 --> 01:05:46.738 [SPEAKER_01]: first story really freaked me out with that bloody face kid, but yeah, the assassins with that dude in the suitcase was kind of crazy, but the art really impressive, especially with that one story that was like green, that were for a lot of it, and then kind of had like

highlights of red, which was really cool reminded me of that horror story with that dude with the red 01:05:47.038 --> 01:05:50.839 [SPEAKER_01]: Grimmed glasses who we thought was like a werewolf old time. 01:05:51.359 --> 01:05:53.140 [SPEAKER_01]: So yeah, just leapsleep. 01:05:53.440 --> 01:05:53.760 [SPEAKER_01]: Sleep. 01:05:53.820 --> 01:05:54.240 [SPEAKER_01]: Thank you. 01:05:54.300 --> 01:05:55.640 [SPEAKER_01]: Yeah, this is a sleep. 01:05:55.920 --> 01:05:56.621 [SPEAKER_01]: Sleep. 01:05:56.641 --> 01:05:57.261 [SPEAKER_02]: Sleep. 01:05:57.361 --> 01:05:57.641 [SPEAKER_02]: Sleep. 01:05:57.661 --> 01:05:57.901 [SPEAKER_02]: Sleep. 01:05:58.201 --> 01:05:59.381 [SPEAKER_02]: Well, we're all. 01:05:59.481 --> 01:06:06.283 [SPEAKER_01]: Yeah, I just I feel like they did such a great job of curating all these stories. 01:06:06.943 --> 01:06:08.904 [SPEAKER_01]: I felt like this was a great package. 01:06:10.047 --> 01:06:15.833 [SPEAKER_03]: Hellboy and Hell, nothing but blood, number one from Dark Horse Comics, written by Mike Manuela Art by Cyril Pomis. 01:06:16.073 --> 01:06:20.818 [SPEAKER_03]: This is a continuation of the time when Hellboy, Perth title, was in Hell. 01:06:21.799 --> 01:06:29.306 [SPEAKER_03]: And here there are some bad things that are coming for him, even in Hell, as well as a potential ally at the same time. 01:06:30.768 --> 01:06:31.388 [SPEAKER_03]: Would you guys think? 01:06:31.609 --> 01:06:32.890 [SPEAKER_03]: Another Hellboy book. 01:06:33.627 --> 01:06:40.590 [SPEAKER_01]: Yeah, I mean, I want to help you back really bad and work in kind of tease with this, but this was awesome. 01:06:41.470 --> 01:06:46.272 [SPEAKER_01]: I was kind of cool to be chillin with them here, Liddy helps him out. 01:06:46.612 --> 01:06:49.233 [SPEAKER_01]: But yeah, I, you know, who's evil? 01:06:49.293 --> 01:06:49.953 [SPEAKER_01]: Who's not? 01:06:50.334 --> 01:06:51.234 [SPEAKER_01]: Who do you trust? 01:06:51.614 --> 01:06:53.015 [SPEAKER_01]: Great art, great action. 01:06:53.035 --> 01:06:54.075 [SPEAKER_01]: This was a blast. 01:06:55.103 --> 01:06:55.924 [SPEAKER_02]: really nice art. 01:06:56.104 --> 01:06:58.765 [SPEAKER_02]: It does feel closer to the old school hellboy stuff. 01:06:59.066 --> 01:07:02.708 [SPEAKER_02]: I do still feel like not enough happens in this story. 01:07:02.788 --> 01:07:03.388 [SPEAKER_02]: Like I want. 01:07:03.728 --> 01:07:08.171 [SPEAKER_02]: Hellboy in a lot of the stories feels a little bit like in a similar way like huh? 01:07:08.431 --> 01:07:09.072 [SPEAKER_02]: What is this? 01:07:09.332 --> 01:07:10.132 [SPEAKER_02]: What is going on? 01:07:10.213 --> 01:07:13.475 [SPEAKER_02]: I'm like, I'm like, I'll get a get on board guys. 01:07:13.775 --> 01:07:21.940 [SPEAKER_02]: Like your hellboy be figured out a little bit and it just feels like that's the stasis point for hellboy where 01:07:22.872 --> 01:07:24.513 [SPEAKER_02]: where it this whole universe is. 01:07:25.174 --> 01:07:34.602 [SPEAKER_01]: But yeah, it's a tough choice how boys in like he had one person guiding him and then this other kind of monster was like, no, no, she's bad. 01:07:34.642 --> 01:07:37.645 [SPEAKER_01]: And then it's like, well, who do you trust, you know what I mean? 01:07:37.685 --> 01:07:39.987 [SPEAKER_01]: So it's, it's, it's, it's interesting to see how it gets out of this. 01:07:41.343 --> 01:07:53.698 [SPEAKER_03]: Tells of wonder, number two, from Image Comics by Steve Scroche, this is a zone to you guys who are definitely not Jack Kirby and Stan Lee, who invented an Avengers style team back in the day, except they didn't at all. 01:07:54.158 --> 01:07:58.524 [SPEAKER_03]: They actually met them during World War II and then just wrote down their adventures. 01:07:58.984 --> 01:08:01.387 [SPEAKER_03]: before the heroes were taken out of the world. 01:08:01.447 --> 01:08:10.598 [SPEAKER_03]: Now years later, they are bitter old enemies who have been made young again and are told that the fate of the world depends on them helping out this team. 01:08:11.098 --> 01:08:18.327 [SPEAKER_03]: Except, most of this issue, that team is really concerned with marketing and license rights and writing in public books. 01:08:18.847 --> 01:08:24.014 [SPEAKER_03]: So, it's very satirical, in case you could tell, I really enjoyed the first issue. 01:08:24.074 --> 01:08:27.799 [SPEAKER_03]: I had fun reading this one as well, and I love Steve Scrochee's art style. 01:08:27.819 --> 01:08:29.802 [SPEAKER_03]: It's just one I love seeing his stuff. 01:08:30.343 --> 01:08:31.124 [SPEAKER_03]: But what did you guys think? 01:08:31.364 --> 01:08:33.387 [SPEAKER_03]: I think we're all pretty positive about the first issue. 01:08:33.747 --> 01:08:35.530 [SPEAKER_03]: Do you think it held up in the issue too? 01:08:36.427 --> 01:08:58.701 [SPEAKER_02]: yes i think it did i feel similar to what you said like it's it follows up on that keeping the satire going uh... doing a little some inside baseball stuff about the world of comic books and the history of comics and that's cool but also just some roasting of how we treat uh... ip in general now while still having some good superhero action and i like the cliffhanger at the end 01:08:59.320 --> 01:09:02.383 [SPEAKER_01]: Yeah, just a gentle roasting of the nuts, you know what I mean? 01:09:03.004 --> 01:09:04.345 [SPEAKER_01]: Um, yeah, I agree. 01:09:04.385 --> 01:09:11.453 [SPEAKER_01]: This is, this is really fun, um, you know, characters that kind of go between worlds here and what's real type of thing. 01:09:11.513 --> 01:09:15.998 [SPEAKER_01]: So, uh, this very cool, solid, art fun characters. 01:09:16.138 --> 01:09:18.120 [SPEAKER_01]: Yeah, I, I thought this was enjoyable. 01:09:18.280 --> 01:09:20.263 [SPEAKER_01]: The Scroach, man, love to work. 01:09:21.365 --> 01:09:28.468 [SPEAKER_03]: Witness point, number three, from Dark Horse Comics written by Heath Corson, who is going to be at our live

show next week or five weeks again. 01:09:28.488 --> 01:09:30.989 [SPEAKER_03]: Look at the timing, look at the timing. 01:09:31.409 --> 01:09:36.951 [SPEAKER_03]: This is about a town which is full of people who are in witness protection. 01:09:37.331 --> 01:09:40.473 [SPEAKER_03]: There's been a murder that they are trying to track down who done it. 01:09:40.973 --> 01:09:45.535 [SPEAKER_03]: Meanwhile, there's also, and this is true for this town that I'm liking on the name of right now. 01:09:45.555 --> 01:09:48.416 [SPEAKER_03]: I believe it's Woodbrook or Woodberry, something like that. 01:09:48.956 --> 01:09:50.377 [SPEAKER_02]: Well, it's called Woodrow Point. 01:09:50.978 --> 01:09:51.939 [SPEAKER_02]: It's called the witness point. 01:09:54.060 --> 01:10:04.508 [SPEAKER_03]: Anyway, in this town, there actually is a whole population of circus people who live there as well, which we avoided in the second, barely mentioned the first issue. 01:10:04.628 --> 01:10:09.532 [SPEAKER_03]: Avoid it in the second issue, but dive deep into this issue at a very fun way. 01:10:09.692 --> 01:10:11.033 [SPEAKER_03]: Well, let's talk about this. 01:10:11.694 --> 01:10:13.155 [SPEAKER_02]: Check off circus town. 01:10:13.375 --> 01:10:13.915 [SPEAKER_02]: It's again. 01:10:14.216 --> 01:10:16.838 [SPEAKER_02]: You got to open up the circus. 01:10:18.253 --> 01:10:34.163 [SPEAKER_01]: Yeah, I like the fact that we kind of, you know, we dealt with a circus folks here, but it wasn't all negative, like I thought the moment where they appreciated how adorable elephants are was really kind of a sweet moment and all the madness. 01:10:34.643 --> 01:10:43.789 [SPEAKER_01]: So, you know, because a lot of times people just like shit on circuses or clowns or whatever, and I think this kind of, you know, also we got to see the other side of that a little bit. 01:10:44.029 --> 01:10:46.371 [SPEAKER_01]: And yeah, I thought this was really cool. 01:10:47.672 --> 01:10:49.494 [SPEAKER_02]: I always ride for circus folk. 01:10:49.894 --> 01:10:51.656 [SPEAKER_01]: No, I don't as album does. 01:10:52.277 --> 01:10:52.677 [SPEAKER_01]: Of course. 01:10:53.058 --> 01:11:00.346 [SPEAKER_03]: I was just hoping for that we theorize that our main character was probably in witness protection himself and spoiler. 01:11:00.707 --> 01:11:01.147 [SPEAKER_03]: He is. 01:11:01.648 --> 01:11:02.889 [SPEAKER_03]: But I liked how they did it. 01:11:02.929 --> 01:11:07.555 [SPEAKER_03]: They gave it a nice twist that I wasn't necessarily expecting that fits really well with the character. 01:11:08.035 --> 01:11:09.236 [SPEAKER_03]: So good stuff. 01:11:09.256 --> 01:11:18.622 [SPEAKER_02]: Yes, it has this smart construction that is almost lost in the way we flash back in a very specific way on a lot of our characters. 01:11:19.183 --> 01:11:35.714 [SPEAKER_02]: It's a fun mechanic that really works, I think, it never feels, I'm just excited to get to the crime flashback for each character and that's just smart construction and it does feel like the next issue is when things are going to really open up and get weird from a circus point of view. 01:11:36.900 --> 01:11:58.025 [SPEAKER_03]: Crowbound number two from image comics written by Jeff LeMira art by Dustin when lots to dig into here but this takes place in a strange world where it seems like there were many humans are all inside of a giant factory outside as big flesh thing and the men of the world take girls when they are of age or of not. 01:11:58.685 --> 01:12:03.126 [SPEAKER_03]: A daughter is taken the mother chased after her seemingly died and now 01:12:05.487 --> 01:12:10.895 [SPEAKER_03]: as a vengeful spirit by something to get back her daughter and bring that vengeance. 01:12:11.716 --> 01:12:19.288 [SPEAKER_03]: To this world, so as usual with this team, lots of mysteries, lots of strangeness going on here, what you guys think about issue number two. 01:12:20.462 --> 01:12:27.948 [SPEAKER_01]: Well, yeah, I love a nice revenge, you know, nice going on a murder spree here, vengeful spree. 01:12:27.968 --> 01:12:36.495 [SPEAKER_01]: Yeah, I mean, the art's unbelievable, just really, I'm a sucker for watercolors and this just kind of hits that in such a cool way. 01:12:36.515 --> 01:12:39.797 [SPEAKER_01]: Yeah, the monsters are fantastic looking. 01:12:39.817 --> 01:12:43.880 [SPEAKER_01]: Yeah, this is a crazy tail and it's in great hand. 01:12:43.960 --> 01:12:47.003 [SPEAKER_01]: So, yeah, I'm very much enjoying this and looking forward to more. 01:12:48.869 --> 01:12:49.731 [SPEAKER_02]: Yeah, I enjoy this. 01:12:49.771 --> 01:12:52.158 [SPEAKER_02]: I mean, it's crazy for a series called Crowbound. 01:12:52.218 --> 01:12:53.763 [SPEAKER_02]: I haven't seen any crows yet. 01:12:55.435 --> 01:12:56.516 [SPEAKER_02]: Well, you're crowed. 01:12:56.556 --> 01:12:57.756 [SPEAKER_02]: You're not cool. 01:12:57.817 --> 01:12:58.277 [SPEAKER_02]: Yeah. 01:12:58.317 --> 01:12:58.537 [SPEAKER_02]: Yeah. 01:12:58.557 --> 01:12:59.277 [SPEAKER_02]: Oh, fair. 01:12:59.297 --> 01:12:59.398 [SPEAKER_02]: Yeah. 01:12:59.438 --> 01:13:00.658 [SPEAKER_02]: Now it's the pros. 01:13:00.778 --> 01:13:02.139 [SPEAKER_02]: Yeah. 01:13:02.179 --> 01:13:04.121 [SPEAKER_01]: Coming soon. 01:13:04.161 --> 01:13:04.501 [SPEAKER_01]: Yeah. 01:13:04.521 --> 01:13:04.901 [SPEAKER_01]: Yeah. 01:13:05.601 --> 01:13:06.962 [SPEAKER_02]: I know it's a classic surf Dracula. 01:13:07.423 --> 01:13:09.444 [SPEAKER_02]: It's a classic surf Dracula. 01:13:09.524 --> 01:13:11.125 [SPEAKER_02]: Oh. 01:13:11.265 --> 01:13:11.525 [SPEAKER_02]: Oh. 01:13:11.585 --> 01:13:12.186 [SPEAKER_03]: Oh. 01:13:12.506 --> 01:13:12.726 [SPEAKER_03]: No. 01:13:12.746 --> 01:13:14.307 [SPEAKER_03]: I think it's more of a turf Dracula. 01:13:14.367 --> 01:13:14.987 [SPEAKER_03]: Yeah. 01:13:15.008 --> 01:13:15.508 [SPEAKER_02]: You think so? 01:13:15.688 --> 01:13:16.589 [SPEAKER_01]: Yeah. 01:13:17.249 -->

01:13:17.429 [SPEAKER_01]: Yeah. 01:13:17.449 --> 01:13:17.589 [SPEAKER_01]: Yeah. 01:13:21.992 --> 01:13:44.051 [SPEAKER_02]: The I really do like these characters it's a tragic like we're really in on the tragedy of what's happening here just this is the second issue and it's like deeply upsetting so we are very much behind the righteous revenge that Pete was mentioning that happens in the issue and looking forward to more and the 01:13:45.330 --> 01:13:56.664 [SPEAKER_02]: mystery underneath like this team is great at building a very long status fine mystery and I don't know if that's the exact plan for this series but I certainly hope so. 01:13:58.607 --> 01:14:24.962 [SPEAKER_03]: only the savager left number four from dark horse comics written by Zach Kaplan art by Stefano Raphael this takes place in a post of hock electric world where people are being turned into monsters and the only way not to turn into a monster is kill somebody else class being turned into a monster before they turn into a monster if I remember the rules correctly we're mostly following one guy and his girlfriend who have been split apart by this world um... what do you guys think about this issue? 01:14:25.827 --> 01:14:40.585 [SPEAKER_01]: Yeah, I mean, we get the crosswalk shield guy here and a monster hand team and up so yeah some crazy fight sequences here and doesn't go I think it's going to go but great art tons of action. 01:14:40.605 --> 01:14:43.348 [SPEAKER_01]: Yeah, this continues to be enjoyable. 01:14:44.644 --> 01:14:48.831 [SPEAKER_01]: Roadside would you want to be your sort of sigil in a post-apocalyptic battle? 01:14:48.852 --> 01:14:53.519 [SPEAKER_01]: Well, that's a tough thing because when you're, you know, in a giant battle, you know what I mean? 01:14:53.560 --> 01:14:56.224 [SPEAKER_01]: Like does the brighter colors help you or hurt you? 01:14:56.384 --> 01:14:57.126 [SPEAKER_01]: You know what I mean? 01:14:57.206 --> 01:14:57.887 [SPEAKER_01]: So it's like... 01:14:58.477 --> 01:15:01.218 [SPEAKER_01]: Would you, or is the shape more important? 01:15:01.238 --> 01:15:01.719 [SPEAKER_01]: You know what I mean? 01:15:01.779 --> 01:15:05.801 [SPEAKER_01]: Is the stop side because it's got more coverage versus like the dry gold or you. 01:15:05.881 --> 01:15:07.902 [SPEAKER_02]: I would think you wouldn't want a one way for that reason. 01:15:08.402 --> 01:15:09.382 [SPEAKER_01]: Oh, yeah, it's a good point. 01:15:09.483 --> 01:15:14.445 [SPEAKER_01]: But one way you could almost use as a sword because it is thinner, you know what I mean? 01:15:14.485 --> 01:15:16.766 [SPEAKER_01]: So, but not as much as the shield. 01:15:16.886 --> 01:15:19.748 [SPEAKER_01]: I would go with yield, go with yield. 01:15:20.738 --> 01:15:26.663 [SPEAKER_03]: I would love one of those duck crossing signs because I feel like people will be like, oh, are the ducks of the night ducks? 01:15:26.723 --> 01:15:28.965 [SPEAKER_01]: I want to get them in the structure to

bam in the face. 01:15:28.985 --> 01:15:32.968 [SPEAKER_01]: Those skids, you know, I'll be like, oh, remember skids, you know, that's a fun sign. 01:15:33.712 --> 01:15:35.414 [SPEAKER_02]: You mean the clothing brand skids? 01:15:35.434 --> 01:15:36.235 [SPEAKER_01]: Yeah, exactly. 01:15:36.255 --> 01:15:36.855 [SPEAKER_01]: Remember Skids? 01:15:37.516 --> 01:15:42.201 [SPEAKER_02]: See, in a middle of a poster back with the battle, your strategy would be to hit him with a nostalgia bag. 01:15:42.241 --> 01:15:45.384 [SPEAKER_01]: Yeah, exactly, distract them, distract those monsters. 01:15:45.704 --> 01:15:50.489 [SPEAKER_02]: And you say of all the things in culture, skids is the thing that you really want to eat. 01:15:50.509 --> 01:15:51.530 [SPEAKER_02]: We're talking about science. 01:15:51.630 --> 01:15:52.531 [SPEAKER_01]: We're talking about science. 01:15:52.611 --> 01:15:55.374 [SPEAKER_01]: It comes to the science of most culture thing is Skids. 01:15:56.635 --> 01:16:05.323 [SPEAKER_03]: I got to tell you, if we're in a post-apocalyptic world, not to get too far away from skids, but you know, Pete's plan is to hit with a nostalgia bath as we establish that is a bag of mayonnaise. 01:16:05.803 --> 01:16:07.564 [SPEAKER_03]: That's bad mayonnaise at this point. 01:16:07.705 --> 01:16:10.427 [SPEAKER_03]: So if you're growing bad mayonnaise and people, that's going to work. 01:16:11.147 --> 01:16:13.770 [SPEAKER_02]: Just one of the biggest things that he's going to be worse bad. 01:16:13.790 --> 01:16:16.672 [SPEAKER_02]: One of the things I'm worried about in the apocalypse is how quickly the 01:16:22.941 --> 01:16:27.185 [SPEAKER_02]: I love mayonnaise and love tartar sauce, which is mayonnaise plus plus pickles. 01:16:27.566 --> 01:16:28.106 [SPEAKER_02]: Oh, man. 01:16:28.547 --> 01:16:33.852 [SPEAKER_03]: I actually think mayonnaise is a very good metaphor for nostalgia because it does not get better with time. 01:16:36.140 --> 01:16:55.339 [SPEAKER_02]: I like this book, I want to just highlight the format a little bit, telling the story of the couple who are split up and in this life on the line battle, seeing that story while we're flashing back to them having their first romance before the apocalypse is really smart. 01:16:55.399 --> 01:16:58.041 [SPEAKER_02]: I haven't seen that before and it does, it works really well here. 01:16:59.639 --> 01:17:11.182 [SPEAKER_03]: Last but not least, of the earth, number six from the image comics written by Chris Condon and Andrew Eric, art by Charlie Adlard, I believe this is the last issue of this title about a little monster that is attacking a woman. 01:17:11.902 --> 01:17:22.365 [SPEAKER_03]: She had a killer grandmother last issue, which really I'm sure bummed Pete out, but now she is on the run from the oil monster and boy oh boy, that oil monster will not leave her alone. 01:17:22.945 --> 01:17:26.986 [SPEAKER_02]: The only way for this grandma to live is if a codcaster dates her. 01:17:29.879 --> 01:17:32.800 [SPEAKER_02]: who could we get for this man of the following. 01:17:32.820 --> 01:17:33.580 [SPEAKER_02]: There was somebody. 01:17:34.341 --> 01:17:35.421 [SPEAKER_01]: Yeah, I enjoyed this. 01:17:35.461 --> 01:17:36.782 [SPEAKER_01]: The arts fantastic. 01:17:36.942 --> 01:17:39.423 [SPEAKER_01]: The kind of oil monsters unique and cool. 01:17:39.763 --> 01:17:40.983 [SPEAKER_01]: I mean, this is high tension. 01:17:41.023 --> 01:17:46.185 [SPEAKER_01]: This is at your seat, non-stop kind of a roller coaster issue, man. 01:17:46.245 --> 01:17:48.806 [SPEAKER_01]: So yeah, I very much enjoyed it. 01:17:50.195 --> 01:17:55.862 [SPEAKER_02]: Um, yeah, I mean, I was bummed out how quickly our oil company guy was dispatched last issue. 01:17:56.602 --> 01:18:00.307 [SPEAKER_02]: I wish we got a little bit more time with him because he felt like a nice character. 01:18:01.208 --> 01:18:05.833 [SPEAKER_02]: We get the sort of pull back to the corporate malfeasance behind all of this. 01:18:05.913 --> 01:18:08.256 [SPEAKER_02]: I like that ending for it. 01:18:10.659 --> 01:18:14.985 [SPEAKER_02]: I'm not saying, I don't know if we'll revisit this story if Chris wants to come back. 01:18:15.426 --> 01:18:19.511 [SPEAKER_02]: Chris and Andrew want to come back and make more of this, but I want to know more about what's happening here. 01:18:19.571 --> 01:18:25.540 [SPEAKER_03]: It feels like there's a big, deeper, longer mystery here, so I don't know if we will, but I would like to. 01:18:26.875 --> 01:18:29.097 [SPEAKER_03]: And that is it for the stack before you wrap up. 01:18:29.158 --> 01:18:31.340 [SPEAKER_03]: Let's talk about what our pick is. 01:18:31.420 --> 01:18:41.050 [SPEAKER_03]: If you add five bucks to go into a comic book shop and pick up one title of everything in the stack, everything that we talked about today, what would it be? 01:18:41.210 --> 01:18:42.271 [SPEAKER_03]: This is hard. 01:18:42.351 --> 01:18:43.593 [SPEAKER_03]: This is a hard decision. 01:18:43.633 --> 01:18:44.754 [SPEAKER_03]: Yeah, hard to stack. 01:18:45.294 --> 01:18:50.898 [SPEAKER_01]: I'm going to go with, because Alex, you did a great job curating, such a great stack. 01:18:51.358 --> 01:18:51.699 [SPEAKER_01]: Thank you. 01:18:51.919 --> 01:19:12.293 [SPEAKER_01]: All of these choices would be awesome if you went to a store, but I would go with back at a number 24 just because it was just such a fun, like in the middle of this kind of bad seed, like just focus on spoiler and her determination, and I'd really like her as a character, so I'm glad she's getting a little shine, you know? 01:19:13.612 --> 01:19:14.172 [SPEAKER_02]: That's really nice. 01:19:14.292 --> 01:19:22.697 [SPEAKER_02]: I'm happy to hear you say that because I didn't want you to take my pick, which is the demon number one Was my fave of the league man. 01:19:22.757 --> 01:19:27.379 [SPEAKER_02]: What a pleasant surprise the James Heron One man banned

on this. 01:19:27.440 --> 01:19:31.642 [SPEAKER_02]: I thought was excellent and I'm really really good issue this week 01:19:33.049 --> 01:19:38.652 [SPEAKER_02]: And this is tough, but I'm going to go for a Sabrina the Teenage Witch number one for Woody Press. 01:19:38.812 --> 01:19:39.613 [SPEAKER_03]: I just got that. 01:19:39.713 --> 01:19:46.316 [SPEAKER_03]: I mean, you know, I'm all in on the Archie comic stuff anyway, but I just thought they knocked this one out of the park. 01:19:46.396 --> 01:19:50.058 [SPEAKER_03]: I liked what they did with Archie number one last month, but this. 01:19:50.899 --> 01:19:53.901 [SPEAKER_03]: For all the reasons that we talked about earlier, just absolutely crushed it. 01:19:54.141 --> 01:19:58.303 [SPEAKER_03]: And it's also just a great intro to the world of Sabrina. 01:19:58.864 --> 01:20:00.645 [SPEAKER_03]: A beautiful art really loved that. 01:20:00.785 --> 01:20:14.635 [SPEAKER_01]: I mean, I know we don't get a second one, but if we did I would definitely say something is killing the children in number 50 No, but you wouldn't we don't you imagine having ten dollars to go into a comic book shop That would be crazy glorious. 01:20:15.036 --> 01:20:22.061 [SPEAKER_03]: Yeah, we next week will do what if you had five thousand dollars to go into a comic book shop Oh, man, I'll quickly would you spend it? 01:20:23.001 --> 01:20:24.943 [SPEAKER_02]: I'm someone for their job and their security batch 01:20:25.324 --> 01:20:26.529 [SPEAKER_03]: I just thought it was an amazing idea. 01:20:26.629 --> 01:20:28.939 [SPEAKER_03]: Supermarket suite, but for a comic workshop. 01:20:30.661 --> 01:20:32.681 [SPEAKER_01]: Wait, not playing with a kid, Greg. 01:20:32.701 --> 01:20:34.962 [SPEAKER_01]: Let's get the security guy to look the other ways. 01:20:35.022 --> 01:20:36.622 [SPEAKER_01]: You can steal all the comics? 01:20:36.922 --> 01:20:40.203 [SPEAKER_02]: No, not steal to come back there and work there and live there. 01:20:42.524 --> 01:20:43.564 [SPEAKER_02]: Get it, whenever it works. 01:20:43.604 --> 01:20:44.684 [SPEAKER_02]: Five thousand dollars. 01:20:44.784 --> 01:20:45.604 [SPEAKER_02]: Let me apply. 01:20:45.644 --> 01:20:48.825 [SPEAKER_02]: Let me just hang out and read all your comics. 01:20:48.845 --> 01:20:51.006 [SPEAKER_02]: Can just read that. 01:20:51.126 --> 01:20:53.026 [SPEAKER_03]: There's actually whatever I got in midtown comics. 01:20:53.046 --> 01:20:53.946 [SPEAKER_03]: This is a guy outside. 01:20:53.986 --> 01:20:55.127 [SPEAKER_03]: I give five thousand dollars. 01:20:55.187 --> 01:20:56.447 [SPEAKER_03]: And he lets me write up the stories. 01:20:56.887 --> 01:20:58.768 [SPEAKER_03]: Wow, amazing, you've got to do that. 01:20:58.788 --> 01:20:59.709 [SPEAKER_02]: I'm really sure I knew that. 01:21:01.310 --> 01:21:01.850 [SPEAKER_03]: Yeah. 01:21:02.230 --> 01:21:06.633 [SPEAKER_03]: Anyway, patreon.com slash comic book club to support the show and all the shows. 01:21:06.693 --> 01:21:09.895 [SPEAKER_03]: We do comic bookloblive.com for this podcast many more. 01:21:09.935 --> 01:21:12.536 [SPEAKER_03]: Until next time, we'll see you at the comic book club. 01:21:13.117 --> 01:21:15.838 [SPEAKER_02]: Something is manazing the peeling. 01:21:16.178 --> 01:21:17.539 [SPEAKER_02]: That's the comic I want. 01:21:17.679 --> 01:21:19.400 [SPEAKER_03]: Well, find out, people issues to go. 01:21:19.420 --> 01:21:21.221 [SPEAKER_01]: It's manazing when bad. 01:21:31.462 --> 01:21:51.338 [SPEAKER_00]: Just turn back to number one There is you and I get it I want to be Don't don't mind We think of it as it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's it's 01:21:59.893 --> 01:22:12.930 [SPEAKER_00]: They sit on crappy couches and they let us see what we can And he's just a monkey, they're like fast, they're so messy So grab your ring, hammer, don't relay, or it'll fail