Transcription complète de Hallowe'en Party by Agatha Christie

there's things like that. 05:10.359 --> 05:13.601 [SPEAKER_01]: But yeah, my mom would also have some great back-to-school stuff for you. 05:14.322 --> 05:14.542 [SPEAKER_00]: Yes. 05:15.122 --> 05:15.283 [SPEAKER_00]: Okay. 05:15.303 --> 05:21.828 [SPEAKER_00]: I'm going to have to have her email me anything she has, so I can... And my mom would absolutely have it digitally. 05:21.868 --> 05:22.748 [SPEAKER_01]: Yes, she would. 05:23.189 --> 05:25.270 [SPEAKER_00]: So. 05:25.611 --> 05:26.912 [SPEAKER_00]: But anyway, that's been my stressor. 05:26.932 --> 05:33.957 [SPEAKER_00]: So, as soon as we get off here, I have to go figure all that out, so I can order it and hope that it comes in five days. 05:35.058 --> 05:36.639 [SPEAKER_00]: So I can have it for the first day school. 05:37.660 --> 05:38.281 [SPEAKER_00]: That's stressful. 05:39.181 --> 05:45.185 [SPEAKER_01]: Me, I'm going to get off here and either watch a movie for us or Ted Lasso and cross-ditch. 05:45.625 --> 05:47.666 [SPEAKER_01]: So, yeah, that's fun. 05:49.027 --> 05:52.549 [SPEAKER_01]: Yet I really thought I didn't have to work tomorrow and I'm kind of sad about that. 05:54.370 --> 05:55.771 [SPEAKER_01]: I'll deal with that tomorrow morning. 05:56.011 --> 05:57.352 [SPEAKER_01]: My alarm goes off. 05:57.372 --> 05:57.692 [SPEAKER_01]: Right? 05:58.873 --> 05:59.333 [SPEAKER_01]: Oh, man. 05:59.874 --> 06:00.514 [SPEAKER_00]: All right, cool. 06:01.535 --> 06:05.117 [SPEAKER_00]: I guess our trigger warning is it's a murder mystery, so someone 06:06.558 --> 06:12.133 [SPEAKER_00]: Actually, we should also say that in the book, it's a child that dies in the book, you're right. 06:12.835 --> 06:13.938 [SPEAKER_01]: Okay. 06:15.431 --> 06:36.548 [SPEAKER_00]: Arsonopsis during a Halloween gathering in a small community a murder mystery unfolds after a young girl claims she wants this is the book once witnessed a real crime But no one believes her at the time years later when she was found dead detectives or maybe it's not it's a mix Years later when she was found dead detective hercules 06:45.233 --> 06:55.717 [SPEAKER_00]: Okay, haunting investigation where hidden secret superstitions and suspicion blur the line between reality and the supernatural as per Roe digs deeper. 06:55.817 --> 07:00.439 [SPEAKER_00]: He uncommerced tightly woven web of motives behind the seemingly impossible crime. 07:01.220 --> 07:04.001 [SPEAKER_01]: That's Larry, it does start off his book and then it goes straight to movie. 07:04.598 --> 07:04.818 [SPEAKER_00]: Yes. 07:05.178 --> 07:09.859 [SPEAKER_00]: Well, because I guess the only difference is it's not years later in the book. 07:10.359 --> 07:10.679 [SPEAKER_00]: It is. 07:10.719 --> 07:10.939 [SPEAKER_00]: Yeah. 07:11.820 --> 07:12.260 [SPEAKER_00]: It's all right. 07:12.280 --> 07:12.720 [SPEAKER_00]: Then in there. 07:13.160 --> 07:14.520 [SPEAKER_00]: Then day later. 07:15.440 --> 07:21.822 [SPEAKER_00]: So, um, but as for that, that's the only difference in the, the, the thing I guess. 07:22.202 --> 07:22.382 [SPEAKER_01]: Yeah. 07:23.382 --> 07:23.562 [SPEAKER_01]: Okay. 07:31.305 --> 07:33.466 [SPEAKER_01]: Brenna, sorry, my dog barked. 07:34.107 --> 07:36.068 [SPEAKER_01]: It's Korean, but you're better than I thought you were going to kill. 07:37.389 --> 07:38.069 [SPEAKER_01]: Uh-huh. 07:38.089 --> 07:38.590 [SPEAKER_01]: Okay. 07:38.810 --> 07:39.690 [SPEAKER_01]: Gilder Roy Lockhart. 07:40.251 --> 07:40.531 [SPEAKER_00]: Yes. 07:40.751 --> 07:41.031 [SPEAKER_00]: It is. 07:41.171 --> 07:45.134 [SPEAKER_00]: I know I almost said last episode that's really next episode. 07:45.914 --> 07:46.194 [SPEAKER_00]: So. 07:46.255 --> 07:54.500 [SPEAKER_00]: Hey, look, and then we're doing next week, and it'll be another fun part, but I was like, good thing I didn't do that, because it's the week before. 07:58.781 --> 08:05.443 [SPEAKER_00]: Um, but came out November, 1969, but came out September 15th, 2023. 08:05.503 --> 08:06.564 [SPEAKER_00]: That's 54 year difference. 08:07.504 --> 08:08.524 [SPEAKER_00]: Oh, what did you do first? 08:09.945 --> 08:10.765 [SPEAKER_01]: I watched it first. 08:12.185 --> 08:14.166 [SPEAKER_00]: I must have read it first. 08:15.366 --> 08:15.947 [SPEAKER_01]: Yes, you did. 08:17.887 --> 08:18.187 [SPEAKER_00]: Good now. 08:18.987 --> 08:19.148 [SPEAKER_00]: Okay. 08:20.888 --> 08:21.428 [SPEAKER_00]: Um, okay. 08:21.608 --> 08:23.609 [SPEAKER_00]: What are our initial thoughts? 08:26.630 --> 08:27.591 [SPEAKER_00]: it was okay. 08:29.071 --> 08:29.432 [SPEAKER_00]: Both of us. 08:29.692 --> 08:32.493 [SPEAKER_01]: I had high expectations because everyone loves it. 08:32.513 --> 08:33.274 [SPEAKER_01]: I guess her crusty. 08:34.154 --> 08:37.016 [SPEAKER_01]: And so I was kind of sad. 08:38.297 --> 08:39.217 [SPEAKER_01]: I'll just say that right now. 08:40.058 --> 08:40.418 [SPEAKER_00]: Yeah. 08:41.078 --> 08:41.338 [SPEAKER_00]: Yeah. 08:42.879 --> 08:43.059 [SPEAKER_01]: Yeah. 08:43.620 --> 08:46.301 [SPEAKER_01]: Let's move on. 08:47.942 --> 08:48.922 [SPEAKER_01]: Why did we pick it? 08:50.885 --> 08:58.087 [SPEAKER_01]: Uh, because I have never read a negative acoustic book and I've been wanting to and I knew that this one was kind of short. 08:58.187 --> 09:02.569 [SPEAKER_01]: So I didn't want to get us into one that was like massive or anything. 09:02.669 --> 09:03.269 [SPEAKER_01]: So I knew. 09:03.289 --> 09:05.170 [SPEAKER_01]: Okay, this one would be good. 09:05.310 --> 09:08.250 [SPEAKER_01]: And I remember when I watched the movie, I was like, dang, that was really good. 09:09.631 --> 09:11.892 [SPEAKER_01]: And then I wanted to read the book. 09:12.192 --> 09:15.653 [SPEAKER_01]: So I scheduled it for us years later. 09:16.593 --> 09:18.417 [SPEAKER_00]: All right, we got some super fun facts. 09:19.018 --> 09:27.295 [SPEAKER_00]: The screenplay is inspired by Dame Aguette the Christie's 1969 novel Halloween party with a setting

change from UK to watch it. 09:30.100 --> 09:31.721 [SPEAKER_01]: I'm just taking our job away right here. 09:32.281 --> 09:56.249 [SPEAKER_00]: Yeah, not the first time that Halloween party was adapted into a film in July 2011, ITV Studios and WHWGBH released an 89-minute feature-length film adaptation Halloween party 2010, starring Davis, David Schoot, as perio, perio, perio, as poirro, playro. 09:58.577 --> 09:59.177 [SPEAKER_00]: So there's another one. 09:59.197 --> 09:59.618 [SPEAKER_00]: That's crazy. 09:59.658 --> 10:00.238 [SPEAKER_01]: I didn't know that. 10:00.298 --> 10:00.458 [SPEAKER_01]: Yeah. 10:00.478 --> 10:02.160 [SPEAKER_01]: We'll have to do a mini-sode. 10:03.501 --> 10:05.622 [SPEAKER_00]: That list keeps growing and we haven't done it. 10:05.642 --> 10:06.043 [SPEAKER_00]: It's nothing. 10:06.063 --> 10:07.984 [SPEAKER_01]: What's even better? 10:09.005 --> 10:11.807 [SPEAKER_01]: Do we even actually have a list that has all these on it? 10:12.567 --> 10:17.571 [SPEAKER_00]: I do, but I stopped adding to it when we kept getting it. 10:17.591 --> 10:18.452 [SPEAKER_00]: That's ridiculous. 10:19.653 --> 10:20.493 [SPEAKER_00]: Awesome. 10:22.235 --> 10:23.676 [SPEAKER_00]: We should make another Google. 10:24.676 --> 10:25.397 [SPEAKER_01]: Actually we should. 10:25.978 --> 10:26.739 [SPEAKER_01]: That's a good idea. 10:27.399 --> 10:27.579 [SPEAKER_01]: Okay. 10:27.599 --> 10:28.460 [SPEAKER_01]: I'm going to bark to get out. 10:28.660 --> 10:40.168 [SPEAKER_00]: That's just it was released on September 15th, 2023 on the 133th anniversary of Dean Agatha Christie's birth. 10:41.109 --> 10:42.110 [SPEAKER_01]: That's actually pretty cool. 10:42.650 --> 10:42.850 [UNKNOWN]: Yeah. 10:44.211 --> 10:49.475 [SPEAKER_00]: It received a little to no promotion from because it was released during the 10:56.929 --> 11:18.215 [SPEAKER_00]: that yeah sucks yeah and so okay yeah so and most films release during the strike were light on the director's promotion but that wasn't possible because our director is also an actor so yeah and if you want to lose his job he could promote it but yeah so that sucks 11:20.799 --> 11:23.001 [SPEAKER_01]: Oh, that blows chunks. 11:23.421 --> 11:26.585 [SPEAKER_01]: I wondered when my aunt asked if I wanted to go see it with her. 11:26.885 --> 11:29.307 [SPEAKER_00]: She was like, I was really surprised to see that it was out. 11:29.428 --> 11:30.729 [SPEAKER_00]: I didn't even know they were making a movie. 11:30.809 --> 11:32.751 [SPEAKER_00]: I was like, I didn't even let's go. 11:33.452 --> 11:33.892 [SPEAKER_00]: That's why. 11:37.716 --> 11:47.824 [SPEAKER_00]: Despite the film's dark theme, Jamie Doran explained that working on the shoot was a fun and joyous experience for him. 11:48.965 --> 11:49.365 [SPEAKER_00]: That's cool. 11:49.906 --> 11:50.046 [SPEAKER_00]: Yep. 11:50.466 --> 11:57.231 [SPEAKER_00]: And even though I had no promotion and clinched number one opening weekend in the UK, Spain

and Italy, but not in the US. 11:58.252 --> 11:58.733 [SPEAKER_01]: I think it's because 12:06.310 --> 12:07.613 [SPEAKER_00]: Okey dokey are we ready? 12:08.795 --> 12:09.016 [SPEAKER_01]: Yes. 12:09.998 --> 12:12.763 [SPEAKER_00]: Guy, kick off our main character. 12:13.135 --> 12:24.680 [SPEAKER_01]: And we should start with me, because it really starts with her cool poirro, trying to avoid people asking him for help with his detective stuff. 12:25.560 --> 12:27.981 [SPEAKER_01]: And he is trying away from everyone, trying to stay away. 12:28.061 --> 12:33.183 [SPEAKER_01]: And then his friend comes and is like, oh, you must come to it as sayons. 12:33.643 --> 12:35.084 [SPEAKER_01]: So there's our biggest difference there. 12:35.724 --> 12:38.465 [SPEAKER_01]: You have a lot of hearty, it's a sayons. 12:39.085 --> 12:40.466 [SPEAKER_01]: And he was there. 12:43.207 --> 12:49.510 [SPEAKER_00]: Whereas the book kicks off or main character, whatever her name was, uh, Ariani. 12:51.851 --> 12:52.251 [SPEAKER_00]: Sure. 12:52.611 --> 12:56.192 [SPEAKER_00]: Start with an O. I was going by last name. 12:56.733 --> 12:58.233 [SPEAKER_00]: So last name. 12:58.393 --> 13:00.514 [SPEAKER_00]: Oliver Otis Oliver Otis. 13:00.654 --> 13:01.014 [SPEAKER_00]: What's old? 13:01.194 --> 13:01.675 [SPEAKER_00]: No, it's Oliver. 13:01.695 --> 13:03.255 [SPEAKER_00]: Okay, this is Oliver. 13:03.275 --> 13:09.978 [SPEAKER_00]: I'm just a party planner, but she was like super heavily involved in planning this party for some reason. 13:11.728 --> 13:15.632 [SPEAKER_01]: I think she was like a caregiver and I think she was children's caregiver or something. 13:17.494 --> 13:18.756 [SPEAKER_00]: But she didn't know the kids. 13:20.117 --> 13:20.598 [SPEAKER_00]: Oh, yeah. 13:22.400 --> 13:23.481 [SPEAKER_00]: She's just a famous author. 13:24.582 --> 13:26.404 [SPEAKER_00]: So I don't know why she took her involved. 13:27.208 --> 13:28.549 [SPEAKER_01]: I don't remember why either. 13:28.769 --> 13:32.030 [SPEAKER_00]: Okay, she was bringing them apples for the party. 13:32.090 --> 13:33.131 [SPEAKER_00]: That was what it was. 13:33.171 --> 13:34.851 [SPEAKER_00]: So did she just drop them off? 13:34.911 --> 13:36.932 [SPEAKER_01]: She loves, no, she loves apples. 13:36.952 --> 13:38.913 [SPEAKER_01]: That was the biggest thing in the book. 13:38.973 --> 13:39.633 [SPEAKER_01]: She loves apples. 13:40.154 --> 13:40.714 [SPEAKER_01]: Right, so much. 13:40.794 --> 13:43.055 [SPEAKER_00]: But so she brought them for bobbing for apples. 13:44.255 --> 13:46.796 [SPEAKER_00]: But is that why she did they're in talk so long? 13:46.896 --> 13:49.298 [SPEAKER_00]: Just because she was dropping off apples, I thought she was worried about that. 13:49.318 --> 13:49.938 [SPEAKER_01]: I think so. 13:49.958 --> 13:52.339 [SPEAKER_01]: I also, I think she knew some of the adults at the party. 13:52.999 --> 13:54.560 [SPEAKER_01]: So she was like chatting with the adults. 13:55.299 --> 14:23.148 [SPEAKER_00]: Okay, okay, so she came to this place and there's going to Halloween party for like 11 to 18 year olds and they're getting place all set up They're doing bobbing for apples and the library and they're gonna do fortune telling where you can see your future husband and like Do all this other like spooky Halloween stuff and they're getting ready in a couple of kids recognized Mrs. Oliver because she is a famous author and she's written murder mysteries before and um 14:24.998 --> 14:37.284 [SPEAKER_00]: She, the kids are like, are you going to write another one, blah, blah, blah, blah, is they're going to be a murder mystery like here, blah, blah, blah, like can you make whatever, and she's like, no, I'll never do that again because they ended up horrible and like we're just not doing that. 14:37.904 --> 14:47.149 [SPEAKER_00]: And the kids are talking about their favorite book of hers and then it's a little neat girl named Joyce said, I've seen a murder once and everyone gives her a hard time saying, no, you didn't. 14:47.209 --> 14:50.891 [SPEAKER_00]: And then the party begins and it goes great and everyone's having a blast. 14:52.255 --> 14:54.097 [SPEAKER_01]: And here's another big difference. 14:54.657 --> 14:57.920 [SPEAKER_01]: Joyce is not a child in the movie. 14:58.560 --> 15:00.642 [SPEAKER_01]: Joyce is the person holding the sounds. 15:01.062 --> 15:03.724 [SPEAKER_01]: She is the medium. 15:04.825 --> 15:05.026 [SPEAKER_01]: Yep. 15:05.466 --> 15:07.387 [SPEAKER_01]: That everyone thinks is full of shit. 15:07.448 --> 15:08.929 [SPEAKER_01]: So, Arianne wants. 15:09.569 --> 15:11.891 [SPEAKER_01]: Poirot come and prove her wrong. 15:12.912 --> 15:13.693 [SPEAKER_01]: Yep. 15:14.273 --> 15:16.995 [SPEAKER_01]: I almost said something that was full of stuff. 15:23.160 --> 15:29.942 [SPEAKER_00]: We do that all the time, so I don't really matter, but that's true, but that's what felt like I should stop. 15:29.962 --> 15:30.662 [SPEAKER_01]: Well, I'll say it. 15:31.243 --> 15:36.304 [SPEAKER_00]: So Miss Oliver goes to meets with whatever his name is. 15:37.205 --> 15:39.205 [SPEAKER_00]: Her cute, her cute, her cute, her cute. 15:39.605 --> 15:40.686 [SPEAKER_01]: Her cute, her pretty real. 15:41.446 --> 15:43.066 [SPEAKER_00]: I'm gonna call him her Achilles, because that's just easier. 15:45.927 --> 15:47.408 [SPEAKER_00]: Prairie, prairie, real. 15:48.997 --> 16:10.040 [SPEAKER_00]: I'm afraid I don't, I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm

afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid I'm afraid 16:12.040 --> 16:12.700 [SPEAKER_01]: Well, no wait. 16:12.760 --> 16:15.541 [SPEAKER_01]: He seems to play, no, hold on, hold on, hold on. 16:15.561 --> 16:16.161 [SPEAKER_01]: Okay. 16:17.022 --> 16:19.663 [SPEAKER_01]: So you know how to spell Koi, like Koi fish. 16:20.623 --> 16:21.303 [SPEAKER_00]: Like a Koi fish? 16:21.963 --> 16:22.183 [SPEAKER_00]: Yeah. 16:22.403 --> 16:22.624 [SPEAKER_01]: Yeah. 16:23.584 --> 16:28.265 [SPEAKER_01]: That's pretty much the start of his name, but with a P. So just think that so Poi. 16:29.286 --> 16:35.948 [SPEAKER_01]: And then instead of a rot, because the rot is the last part, but it's French, right? 16:35.968 --> 16:39.569 [SPEAKER_01]: So you have to leave off that T. So it's Poi row. 16:40.269 --> 16:40.670 [SPEAKER_00]: Play row. 16:42.831 --> 16:45.653 [SPEAKER_00]: Like, Pyro, firework guy, but it's quite wrong. 16:45.673 --> 16:47.655 [SPEAKER_01]: Yes, yes, there you go. 16:47.815 --> 16:50.617 [SPEAKER_01]: Okay, he's a pyro, fire guy, pyro. 16:51.518 --> 16:52.698 [SPEAKER_00]: Okay. 16:53.919 --> 16:58.103 [SPEAKER_00]: All right, so she used to be friends with him, but he's annoyed. 16:58.123 --> 17:04.587 [SPEAKER_00]: He's like, I don't want to meet anyone, but then he gets a phone call from, oh no, no, no, I'm sorry, I skipped a part. 17:04.948 --> 17:08.050 [SPEAKER_00]: He's supposed to have lunch with his friends, but they like dip. 17:08.550 --> 17:11.052 [SPEAKER_00]: And so then he's super annoyed and he's like, at home. 17:11.953 --> 17:17.715 [SPEAKER_00]: He gets phone call from Mrs Oliver and she's like, I need to meet with you. 17:17.775 --> 17:19.335 [SPEAKER_00]: Oh my gosh, from all about it, it's so important. 17:19.915 --> 17:25.417 [SPEAKER_00]: So she comes over and she tells him this is a long-winded story of how Joyce was murdered at this party. 17:26.097 --> 17:33.239 [SPEAKER_01]: Yeah, that doesn't happen because the start of the movie starts and she's telling him why he needs to go because the chicks are proud. 17:36.003 --> 17:41.830 [SPEAKER_01]: Oh, also we found out that choice was also just in prison, which is even more a reason why they think she's a prod. 17:42.891 --> 17:43.291 [SPEAKER_00]: Got it. 17:44.513 --> 17:51.841 [SPEAKER_00]: So our detective spoke to another guy, another detective sheriff or whatever he was, play real spoke to this guy. 17:52.782 --> 17:53.063 [SPEAKER_00]: And the. 17:54.748 --> 18:20.220 [SPEAKER_00]: Law enforcement guys retired and he didn't want to really deal with this case anymore or like just stuff in general, but he agreed to help him out as much as he could with as much information as he could so pretty much this all This doesn't happen either because so At the sense that her kill gets invited to buy area any You find out that there was a murder earlier 18:22.085 --> 18:25.610 [SPEAKER_01]: Okay, not earlier, a few years prior of a girl. 18:26.310 --> 18:33.620 [SPEAKER_01]: That was Mrs. Reynolds's daughter, which you'll find out about Mrs. Reynolds in the book. 18:33.640 --> 18:36.283 [SPEAKER_01]: And so the sayons was to talk to the daughter. 18:38.523 --> 18:59.650 [SPEAKER_01]: and some shit came up and people weren't happy that the sand was happening and so then Joyce got killed and so from then on her kill walked everyone in the building where the sand was happening because he's like the murderer is one of us and we're not leaving until we figure out who 19:09.613 --> 19:13.115 [SPEAKER_00]: got so in the book, he's out there walking everywhere talking to everybody. 19:14.275 --> 19:15.816 [UNKNOWN]: I was so sorry. 19:16.396 --> 19:23.599 [SPEAKER_01]: I literally, as I was reading and I was like, am I remembering this movie so incredibly wrong? 19:23.619 --> 19:30.062 [SPEAKER_01]: And I kept getting hung up on those like, it's a children's party and it's a child that died. 19:30.763 --> 19:31.603 [SPEAKER_01]: I don't, I don't. 19:32.023 --> 19:36.445 [SPEAKER_01]: I looked on IMDB like three different times to be like, was there a child that 19:38.965 --> 19:40.729 [SPEAKER_01]: No, choice is predisposed by a woman. 19:40.749 --> 19:41.591 [SPEAKER_00]: I know. 19:41.711 --> 19:43.175 [SPEAKER_00]: Okay. 19:44.989 --> 19:49.312 [SPEAKER_00]: So he goes back and he talks this detective again about like all things. 19:49.332 --> 20:00.080 [SPEAKER_00]: They're just chatting and the detective sister is there I think and she flat out says the Joyce is a liar And she's definitely lying about this and she did not see a murder. 20:00.120 --> 20:11.788 [SPEAKER_00]: There's no way and our Poirou guy is like I'm going to go check it out anyways even if you said it's not true because 20:12.508 --> 20:34.190 [SPEAKER_00]: It's a lead and so the other shares gave him a list of everybody that was at the party and then another list of everyone that's been killed off in the last few years and they go through the list and pyro learns all the how all these people died and some of them could have been like framed and like so he's kind of piecing this puzzle together. 20:35.130 --> 20:40.556 [SPEAKER_00]: And there was an opair that fled very quickly after her mistress died, so that's suspicious. 20:41.037 --> 20:51.208 [SPEAKER_00]: Then there's another one where this teacher is strangled by her ex, so he decides to go and start figuring things out. 20:51.862 --> 21:05.525 [SPEAKER_01]: So at the sayons, we have the mom of the person who is murdered, the ex-fiance of the person who is murdered, the old caretaker of the person who is murdered. 21:07.677 --> 21:16.422 [SPEAKER_01]: The doctor who took care of her before she was murdered, I feel like I'm forgetting some others. 21:16.662

--> 21:28.169 [SPEAKER_01]: And then there was Ariane and oh yeah, there were two people there that were helping the joists, the person holding the sands, the medium. 21:28.929 --> 21:33.512 [SPEAKER_01]: So they were there and then Poyro and I think that's it. 21:36.968 --> 21:43.573 [SPEAKER_01]: and pretty much all of them have reason to be there and to also be the one to murder twice. 21:44.214 --> 21:48.256 [SPEAKER_00]: No one wants to murder this poor little girl other than the person who murdered her in the story. 21:48.777 --> 21:53.900 [SPEAKER_00]: So he goes to the school and he talks with the headmistress and 21:54.921 --> 22:23.147 [SPEAKER_00]: They're talking about joys and everything and the he brings up how she said she saw someone murdered and then he talks about the teacher and She turns to another teacher to like turns him to another teacher to go talk to and he spoke with this other teacher and she said She saw The head mistress Standing in maybe it was that mistress maybe wasn't that mistress 22:23.961 --> 22:27.284 [SPEAKER_00]: And the library, don't bite. 22:27.784 --> 22:28.925 [SPEAKER_00]: Okay, continue, sorry. 22:28.985 --> 22:30.627 [SPEAKER_00]: So he saw this, uh, 22:32.237 --> 22:34.079 [SPEAKER_00]: The teachers are this person. 22:34.259 --> 22:36.000 [SPEAKER_00]: I think it's the headmistress, but maybe it's wrong. 22:36.100 --> 22:36.561 [SPEAKER_00]: Maybe I'm wrong. 22:37.121 --> 22:43.546 [SPEAKER_00]: Holding the like a vase, a broken vase and looking, no, it was Joyce's mom. 22:44.167 --> 22:54.315 [SPEAKER_00]: Joyce's mom, okay, looking scared and when she's looking into library which is where Joyce was discovered, too scared and dropped this vase. 22:55.417 --> 23:09.957 [SPEAKER_01]: Here's where it gets confusing because like in the movie we're investigating a whole different murder and we're not even really talking about the actual murder that the book follows because the book kind of kind of follows. 23:10.709 --> 23:17.575 [SPEAKER_01]: the murder of Joyce's or not Joyce's of Mrs. Reynolds' daughter. 23:18.336 --> 23:24.722 [SPEAKER_01]: Kind of not really because the ex fiancee is very much involved in the storyline there. 23:25.863 --> 23:29.766 [SPEAKER_01]: But so that part doesn't happen obviously. 23:29.926 --> 23:34.551 [SPEAKER_01]: There's also no school teacher for them to talk to because it wasn't a Halloween party they were at. 23:34.631 --> 23:35.391 [SPEAKER_01]: It was a say on this. 23:36.272 --> 23:55.080 [SPEAKER_01]: And so pretty much in the movie, Poirot was just basically investigating and my favorite is all the scenes with him like taking everyone and investigating them and in their own separate rooms and they each like are pointing to the other person and then we quickly go back and forth between all the different people. 23:55.921 --> 24:00.403 [SPEAKER_01]: They're like, but this person is the person and no, this person is the person. 24:01.185 --> 24:17.965 [SPEAKER_01]: Yep, so Poirot went and he went to this little garden and there was a what I also realized there's a big difference, I shouldn't say okay have y'all noticed how Poirot is very much a one person investigator in the book. 24:19.902 --> 24:36.369 [SPEAKER_01]: In the movie, the first person he investigates is Ariadne because she was also there so she is also a suspect so he has to investigate her at first to then get her cleared and then he's like okay well you help me on this and just takes her along. 24:38.430 --> 24:44.292 [SPEAKER_01]: Also, I guess I should also say that the start of the movie when Poirou was not helping people 24:48.719 --> 24:49.039 [SPEAKER_00]: All right. 24:49.219 --> 24:50.761 [SPEAKER_00]: Well, he goes into this little garden. 24:51.741 --> 25:00.948 [SPEAKER_00]: And this is where the, the, the, can, oh pairs, girl, lady, she died. 25:01.008 --> 25:01.728 [SPEAKER_00]: That's her garden. 25:02.269 --> 25:06.552 [SPEAKER_00]: And so he spoke to the gardener about his vision, because he could think that's so beautiful. 25:06.652 --> 25:13.737 [SPEAKER_00]: And he's very blunt and just kind of like, so then what I wanted, but the person that paid for it is happy. 25:13.777 --> 25:14.538 [SPEAKER_00]: So whatever, 25:15.298 --> 25:33.060 [SPEAKER_00]: and then he followed this little girl who was friends with Joyce and he spoke with her and her mother about Miss Oliver and then they went and spoke to the person who is in control of the will and the states of the lady that died for the opair because we're we're trying to figure out where the heck she is 25:33.900 --> 25:46.722 [SPEAKER_00]: And apparently, the thought is that the old pair forged the will, because she was like, the lady said that she's going to leave her everything. 25:47.922 --> 25:50.043 [SPEAKER_00]: And all of it, she just died suddenly. 25:50.383 --> 25:55.504 [SPEAKER_00]: And they're like, she's never said that to anyone else, because she has a niece and nephew that she was going to give all the money to. 25:56.424 --> 26:02.485 [SPEAKER_00]: And so she had just kind of dip out because people thought she was forging the will. 26:03.557 --> 26:08.959 [SPEAKER_00]: and he ended up talking to um so he kind of goes back. 26:08.999 --> 26:13.481 [SPEAKER_00]: He's like he's like trying to figure out three murders I once basically live on. 26:14.221 --> 26:17.202 [SPEAKER_00]: And everybody's like, why? 26:17.222 --> 26:17.822 [SPEAKER_00]: Why does the matter? 26:17.842 --> 26:19.002 [SPEAKER_00]: You need figure out Joyce's murder. 26:19.022 --> 26:20.823 [SPEAKER_00]: He's like, well, Joyce saw a murder. 26:20.843 --> 26:26.065 [SPEAKER_00]: We have to figure out who murdered who so that we know that they would want her dead so that she can't spill the beans. 26:26.785 --> 26:29.246 [SPEAKER_00]: And so um yeah, 26:30.431 --> 26:43.835 [SPEAKER_01]: There ends up being three murders that he does try to investigate because the doctor later

on ends up dying to you, and it's like pretty much right when her kill is like, oh, I'm on the tracks. 26:43.895 --> 26:45.295 [SPEAKER_01]: I know exactly what's going on. 26:45.475 --> 26:47.756 [SPEAKER_01]: So that it. 26:48.696 --> 26:56.098 [SPEAKER_01]: So he was on the trail and someone was trying to throw him off the trail by killing the doctor, but the doctor also died. 26:57.478 --> 26:59.419 [SPEAKER_01]: when he was locked in a room by himself. 26:59.739 --> 27:02.861 [SPEAKER_01]: So everyone's like, it must have been him. 27:02.941 --> 27:06.383 [SPEAKER_01]: He's so stressed and fraught he killed himself. 27:06.983 --> 27:08.464 [SPEAKER_01]: Oh, he had a kid. 27:08.744 --> 27:09.804 [SPEAKER_01]: That's the other person that's there. 27:10.205 --> 27:12.246 [SPEAKER_01]: The doctor had a kid. 27:13.246 --> 27:24.132 [SPEAKER_01]: And essentially, those sayons, the person who died and they're talking to in the sayons is basically the storyline of the O'Pare pretty much. 27:25.453 --> 27:34.198 [SPEAKER_01]: Except for it's with her ex fiancé where she was madly in love with him, but then her mom was not fond of him. 27:34.218 --> 27:36.780 [SPEAKER_00]: So Poirogos and talks to 27:38.609 --> 27:43.754 [SPEAKER_00]: Joyce's mom and she brings up that the teacher said she saw you drop a vase. 27:44.554 --> 27:45.675 [SPEAKER_00]: She's like, oh, I don't know. 27:45.715 --> 27:48.237 [SPEAKER_00]: Maybe she saw something because I didn't see anything. 27:48.297 --> 27:48.978 [SPEAKER_00]: Like, I don't know. 27:49.098 --> 27:51.080 [SPEAKER_00]: I I don't know. 27:51.700 --> 27:55.604 [SPEAKER_00]: And the text and felt like she was trying to cover up for someone like she didn't want the kids. 27:56.545 --> 28:00.428 [SPEAKER_00]: She saw a kid get do the murder and she didn't want them to get in trouble. 28:02.418 --> 28:03.521 [SPEAKER_00]: That's why it's the headmistress. 28:03.761 --> 28:06.508 [SPEAKER_00]: Why would a mom want to cover up her daughter's murder? 28:07.089 --> 28:08.954 [SPEAKER_00]: And it's the headmistress he wouldn't saw. 28:10.693 --> 28:11.434 [SPEAKER_00]: the drop the thing. 28:12.414 --> 28:15.037 [SPEAKER_01]: No, you're forgetting one key aspect of that. 28:15.097 --> 28:16.378 [SPEAKER_00]: It was the mom that dropped it. 28:17.098 --> 28:20.341 [SPEAKER_00]: I know, but why would he think she's trying to cover up for it? 28:20.841 --> 28:21.782 [SPEAKER_00]: That makes no sense. 28:23.083 --> 28:25.425 [SPEAKER_00]: Because he doesn't, it's not fully clicked yet. 28:26.326 --> 28:28.528 [SPEAKER_00]: Well, he says a bad detective. 28:30.309 --> 28:33.232 [SPEAKER_00]: I would never be like, the mom is so distraught. 28:33.272 --> 28:34.853 [SPEAKER_00]: She wants me to figure out the murderer. 28:35.694 --> 28:38.536 [SPEAKER_00]: She knows the murderer, but she's not going to tell me the murderer. 28:39.558 --> 28:41.019 [SPEAKER_01]: He made it make sense in the book. 28:41.039 --> 28:43.741 [SPEAKER_01]: You just didn't, I don't think it's the same person. 28:43.761 --> 28:45.242 [SPEAKER_00]: I don't think it's the same person. 28:46.983 --> 29:02.053 [SPEAKER_01]: It is, it is because, yeah, yeah, that part doesn't happen, yeah, yeah, okay, so although the mom in the movie acts very distraught all the time. 29:03.670 --> 29:20.943 [SPEAKER_00]: Okay, so what's the name went and spoke to the two boys who were in charge of the looking glass activity that like read your future thing and they mentioned this guy who's super dressed up as a witch for the party and that's where he went to next and she's talking about like 29:22.223 --> 29:32.150 [SPEAKER_00]: If you're evil older, if you're evil younger as well, or do grow into being evil and like she's free and crazy. 29:34.251 --> 29:36.012 [SPEAKER_01]: This part does not happen in the movie. 29:36.552 --> 29:36.873 [UNKNOWN]: Okay. 29:37.593 --> 29:44.576 [SPEAKER_00]: So the old pair, there's this worker at the old pair house and she's like, Mrs. Oliver, I need to talk to you. 29:45.336 --> 29:52.459 [SPEAKER_00]: And she told her about this piece of paper that the old lady 29:54.132 --> 29:59.239 [SPEAKER_00]: had what's her name sign, though, pair, saying she's leaving everything to her. 29:59.319 --> 30:00.480 [SPEAKER_00]: So it's all legit. 30:00.981 --> 30:04.205 [SPEAKER_00]: She went to clean the room and she sneaked a peek at it and she said, oh my gosh, it's true. 30:04.586 --> 30:05.747 [SPEAKER_00]: But she didn't say anything. 30:05.787 --> 30:09.953 [SPEAKER_00]: So now she scared too say anything because she doesn't want to get in trouble in the movie. 30:10.724 --> 30:18.493 [SPEAKER_01]: misses all of her, basically, uh, a hood-winked play-row into coming to the sounds. 30:19.034 --> 30:24.200 [SPEAKER_01]: And basically, everything was a setup except for the murders. 30:24.780 --> 30:28.765 [SPEAKER_01]: And so, uh, oh, that's one thing that I have forgot to say. 30:28.785 --> 30:29.426 [SPEAKER_01]: That's kind of a big- 30:29.806 --> 30:30.066 [SPEAKER_01]: thing. 30:30.306 --> 30:37.930 [SPEAKER_01]: Ariana miss author is looking for the next subject of her book and she wants to find it here at the seance. 30:38.291 --> 30:45.174 [SPEAKER_01]: And so that's why she had Poirro come because she wanted Poirro to be there so that she could write her book about him. 30:46.875 --> 30:49.877 [SPEAKER_01]: And to then later on, 30:52.268 --> 31:14.240 [SPEAKER_01]: Basically, while all the murderers are coming to light for Poirro, he uncovers that area, and someone else duped him into coming like made it so that I would happen so that they could get Poirro to the place to be there to prove that she was a fake because she 31:20.897 --> 31:43.846 [SPEAKER_00]: Like everything that happened in the movie like the bunny got moved to that was the daughter's bunny and like things like that happened because of area but So we have Poirot and Miss Oliver are talking and he lets

her know that like kind of an update of what he's figured out and 31:46.047 --> 31:53.692 [SPEAKER_00]: He's like, do you ever include people you know in your stories and she's like, no, I might include people I see like on a bus or something, but never like people I know. 31:54.633 --> 31:59.456 [SPEAKER_00]: So he asks her if she has a room in London apartment because he's worried about another murder might happen today. 31:59.976 --> 32:02.838 [SPEAKER_00]: She didn't tell him about the repair. 32:04.715 --> 32:05.155 [SPEAKER_00]: don't know why. 32:05.616 --> 32:10.559 [SPEAKER_00]: But then he spoke to the gardener and he's planning on leaving to take a job somewhere else. 32:10.619 --> 32:19.346 [SPEAKER_00]: The gardener is and he's painting part of his garden to remember and the little girl that sits in the tree that he spoke to earlier is sitting there. 32:20.006 --> 32:24.089 [SPEAKER_00]: So she will always remember like he just choose once you remember that garden. 32:26.042 --> 32:27.383 [SPEAKER_01]: to randomly click for me. 32:27.463 --> 32:30.887 [SPEAKER_01]: It's because she's they think that she's trying to cover for her son. 32:33.810 --> 32:37.674 [SPEAKER_01]: Because he thinks that the son was seen in the room. 32:39.315 --> 32:42.278 [SPEAKER_01]: Oh, got it. 32:42.979 --> 32:46.743 [SPEAKER_01]: That whole part does not happen. 32:47.804 --> 32:50.046 [SPEAKER_00]: So the detectives start talking to someone about wishing well. 32:51.102 --> 33:20.258 [SPEAKER_01]: I'm pretty sure the gardener, he talks to the gardener about the wishing well, um, and this doesn't happen, but it just randomly made me remember that I should say that before Joyce was killed in the movie, we row had a hood and cloak on that looks very much like Joyce's cloak and he went and was trying to bob for apples when someone came and tried to drown him in the water and then he was knocked unconscious. 33:21.620 --> 33:22.860 [SPEAKER_00]: Oh, his security guard. 33:22.880 --> 33:26.381 [SPEAKER_00]: That's who Ariadne was working with in the movie. 33:27.061 --> 33:27.361 [SPEAKER_01]: Okay. 33:28.781 --> 33:29.721 [SPEAKER_01]: I forgot where we were. 33:29.841 --> 33:31.022 [SPEAKER_01]: Also had a security guard. 33:31.902 --> 33:32.222 [SPEAKER_00]: Got it. 33:32.842 --> 33:33.082 [SPEAKER_00]: Okay. 33:33.102 --> 33:36.563 [SPEAKER_00]: So the mom came and it's like Joyce's brother died. 33:36.583 --> 33:37.543 [SPEAKER_00]: So we're now her son died. 33:37.603 --> 33:38.723 [SPEAKER_00]: Someone drowned him in the creek. 33:40.263 --> 33:40.483 [SPEAKER_00]: Right? 33:40.583 --> 33:41.903 [SPEAKER_00]: The mom not the headmistress. 33:44.084 --> 33:44.364 [SPEAKER_00]: Yeah. 33:44.664 --> 33:45.104 [SPEAKER_00]: Yeah. 33:45.824 --> 33:46.944 [SPEAKER_01]: That's just now her kid. 33:47.224 --> 33:48.365 [SPEAKER_00]: Her other kid is dead. 33:49.165 --> 33:49.385 [SPEAKER_01]: Yeah. 33:49.585 --> 33:50.925 [SPEAKER_01]: Her other child is now dead. 33:51.384 --> 33:51.544 [SPEAKER_00]: Yeah. 33:52.384 --> 33:55.146 [SPEAKER_01]: In the movie she only had one child and she would that. 33:55.706 --> 33:55.906 [SPEAKER_01]: Yeah. 33:55.946 --> 34:13.193 [SPEAKER_00]: So the detective goes and writes down three words for or he writes down with some words and he says that I believe I know who did it and he's like, do you agree with any of these words? 34:14.133 --> 34:16.274 [SPEAKER_00]: And she's like, I agree with two of these words. 34:17.733 --> 34:19.214 [SPEAKER_00]: And he's like, that's enough for me. 34:19.954 --> 34:20.895 [SPEAKER_00]: It was like, what the heck? 34:20.935 --> 34:21.555 [SPEAKER_00]: Stupid book. 34:21.595 --> 34:22.696 [SPEAKER_00]: Just tell me what the words were. 34:24.137 --> 34:24.417 [SPEAKER_00]: I know. 34:24.897 --> 34:29.300 [SPEAKER_01]: I was so mad because I wanted to like, I wanted to be able to piece it together. 34:30.021 --> 34:32.983 [SPEAKER_01]: Everything felt so convoluted and so like. 34:34.096 --> 34:36.537 [SPEAKER_01]: hidden deep within all the conversations that he was having. 34:37.338 --> 34:40.699 [SPEAKER_01]: So I felt like I didn't have a chance to put it together. 34:41.200 --> 34:44.681 [SPEAKER_01]: Although, I also did not have a chance to put together in the movie either. 34:44.861 --> 34:52.565 [SPEAKER_00]: But hey, so Mrs. Oliver and her friends, daughter, and all of them were at the apartment. 34:53.406 --> 34:55.827 [SPEAKER_00]: And she gets telegram saying, hey, you got to come to London now. 34:56.127 --> 34:58.248 [SPEAKER_00]: So the daughter said she needs to say goodbye. 34:58.268 --> 35:01.570 [SPEAKER_00]: This is the little girl that was in the trees. 35:02.070 --> 35:08.573 [SPEAKER_00]: She's like, I got to go say goodbye to some friends and she did miss all of her and her like the mom or pack and things up she's like I'm hungry. 35:08.633 --> 35:14.556 [SPEAKER_00]: So they stopped for lunch and she's like I need to call my friend to let her know that I won't be able to see the movie with her today. 35:15.056 --> 35:16.256 [SPEAKER_00]: And so they're like, I'll show her up. 35:16.336 --> 35:16.797 [SPEAKER_00]: Just come on. 35:16.817 --> 35:17.197 [SPEAKER_00]: We got to go. 35:17.837 --> 35:19.598 [SPEAKER_01]: This does not happen in the movie. 35:22.279 --> 35:26.881 [SPEAKER_00]: No, so our detectives in London with the police and he's like, I know who did it. 35:26.901 --> 35:28.542 [SPEAKER_00]: We're just waiting for our eyewitnesses. 35:29.452 --> 35:32.095 [SPEAKER_01]: Again, this does not happen in the movie. 35:32.456 --> 35:34.078 [SPEAKER_01]: Poirou just knows, and then arrest them. 35:36.143 --> 35:53.954 [SPEAKER_00]: At lunch, the girl gets up and leaves to go to the bathroom and she gets in the car with someone and off they go on the way, she's brought to like this park or something and he's going to kill her by poisoning her, but At least, poiros like I know what's happening and he

was able to stop the whole thing. 35:56.376 --> 35:59.398 [SPEAKER_01]: Poiros figured the shit out in the 36:00.016 --> 36:08.541 [SPEAKER_01]: in the book or movie, like he figured it out in the book to you, but he figured it out in the movie, but he didn't have to run and save a girl from getting killed. 36:09.361 --> 36:12.223 [SPEAKER_01]: And instead he did not save the doctor. 36:15.344 --> 36:20.027 [SPEAKER_00]: So it turns out the mom and the gardener are in love with each other and they killed the 36:31.495 --> 36:34.509 [SPEAKER_00]: Is it the gardeners, Joyce's dad, too, or the gardener? 36:35.092 --> 36:35.413 [SPEAKER_01]: Yeah. 36:35.815 --> 36:36.117 [SPEAKER_01]: Mm-hmm. 36:37.533 --> 36:56.623 [SPEAKER_01]: which I also, one thing, Ali like skimmed over, and didn't make mention of is when you first see when you're first talking to a gardener, they talk about how the girl had an affinity for him and was like, crushing on him. 36:57.283 --> 36:59.204 [SPEAKER_01]: And he was letting her crush on him. 36:59.844 --> 37:02.186 [SPEAKER_01]: And I'm like, you knew that that was your child. 37:02.706 --> 37:04.567 [SPEAKER_00]: Like, what was the gross thought? 37:04.747 --> 37:20.725 [SPEAKER_01]: Yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, I was like, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah 37:22.289 --> 37:28.497 [SPEAKER_01]: She didn't like the exfiance and the daughter left him, but then didn't want to leave him. 37:28.517 --> 37:37.168 [SPEAKER_01]: I was going to take him back and she's like, oh no, I have to kill her because she's making bad decisions with her life because obviously that's how you rectify a bad decision you killed person. 37:38.305 --> 37:38.625 [SPEAKER_01]: easy. 37:38.645 --> 37:41.007 [SPEAKER_00]: No more bad decisions can be made now. 37:41.027 --> 37:46.209 [SPEAKER_01]: So then once the doctor's kid found out, he started blackmailing Mrs. Reynolds saying that he knew 38:01.392 --> 38:22.796 [SPEAKER_01]: that she had really killed her kid and this like the timing of everything led her to believe that it was Joyce who was the medium black milling her so the second she got her in her house she was like I'm gonna kill this bitch because she's black milling me and when you find out it was the kid 38:28.787 --> 38:32.132 [SPEAKER_01]: This isn't your fault, like she should have been a good person and not killed people. 38:32.212 --> 38:35.397

[SPEAKER_01]: Like I don't need to blame for this. 38:35.697 --> 38:41.907 [SPEAKER_01]: And then the kid gets to go and stay with the, like, I guess the opair that's in the movie. 38:44.190 --> 38:57.864 [SPEAKER_01]: And then this is the thing that lights hercules a little investigating heart back on fire and he was like, he gets back to his long line of people way in his door and he's like, come on up. 38:58.405 --> 38:59.686 [SPEAKER_01]: It is your sister in law. 39:04.852 --> 39:05.472 [SPEAKER_00]: And that's it. 39:06.573 --> 39:06.813 [SPEAKER_00]: Mm-hmm. 39:07.694 --> 39:08.174 [SPEAKER_00]: Thumbs up. 39:08.274 --> 39:08.974 [SPEAKER_00]: He didn't wait. 39:08.994 --> 39:10.615 [SPEAKER_00]: I think goodness. 39:12.876 --> 39:13.377 [SPEAKER_00]: We have. 39:14.778 --> 39:15.718 [SPEAKER_00]: What is it, Brian? 39:16.038 --> 39:16.458 [SPEAKER_01]: Brenna. 39:17.119 --> 39:17.479 [SPEAKER_00]: Brenna. 39:17.699 --> 39:18.079 [SPEAKER_01]: Brenna. 39:18.820 --> 39:19.440 [SPEAKER_00]: Played. 39:20.261 --> 39:20.741 [SPEAKER_00]: Perio. 39:22.302 --> 39:22.842 [SPEAKER_00]: Playro. 39:23.765 --> 39:31.772 [SPEAKER_01]: There we go. 39:32.052 --> 39:35.835 [SPEAKER_01]: I love seeing him in roles that are not lock-art. 39:36.756 --> 39:43.502 [SPEAKER_01]: It's so crazy to me when he plays someone that's like a good guy and actually knows his shit. 39:43.842 --> 39:45.524 [SPEAKER_01]: I'm always waiting for him to be a dummy. 39:51.343 --> 40:04.471 [SPEAKER_01]: We need to do Ricardo Somarshio, okay Ricardo Somarshio, what have you played the Tal Part Folglio, he was Poiros Security Guard. 40:06.477 --> 40:15.603 [SPEAKER_01]: I, both times I've watched this movie, I am always shocked to find out that he's involved in Ariana's plan. 40:16.464 --> 40:24.950 [SPEAKER_01]: I'm like, what, why it is, like, closest confidante, turn out to be a dick, but he did really get it. 40:25.990 --> 40:26.671 [SPEAKER_00]: Oh my gosh. 40:27.451 --> 40:30.354 [SPEAKER_00]: And then we got to do Michelle, yo, play Joyce. 40:30.614 --> 40:32.375 [SPEAKER_01]: Yeah, yeah, she was great. 40:32.756 --> 40:33.496 [SPEAKER_01]: She didn't really good. 40:33.957 --> 40:40.422 [SPEAKER_00]: I watched this right after I watched Wicked and she's in Wicked, and I know you haven't seen it yet, but she's not good. 40:42.304 --> 40:42.984 [SPEAKER_01]: Oh, funny. 40:43.244 --> 40:52.392 [SPEAKER_01]: So, I just know her from, I mean, I haven't even seen this maybe, but I know that I need to, but she's very famous because she was in everything everywhere all at once. 40:53.234 --> 40:53.434 [SPEAKER_00]: All right. 40:53.554 --> 40:54.495 [SPEAKER_00]: I'm on IMDB. 40:54.815 --> 40:54.995 [SPEAKER_00]: Oh, yeah. 40:55.015 --> 40:56.416 [SPEAKER_00]: There was Tina Fey was in it. 40:56.496 --> 40:56.736 [SPEAKER_01]: Yeah. 40:57.277 --> 40:57.937 [SPEAKER_01]: That's the next one. 40:57.977 --> 40:59.218 [SPEAKER_01]: I was going to tell you we need to. 40:59.258 -->

40:59.819 [SPEAKER_00]: Mrs. Oliver. 41:01.079 --> 41:01.480 [SPEAKER_01]: Yeah. 41:01.540 --> 41:03.581 [SPEAKER_01]: She was great as Mrs. Oliver. 41:04.802 --> 41:05.463 [SPEAKER_01]: Oh, she was lyrs. 41:06.663 --> 41:09.645 [SPEAKER_01]: Oh, where we in a Drake not Mrs. Reynolds. 41:10.886 --> 41:11.807 [SPEAKER_01]: There's a difference. 41:14.149 --> 41:14.409 [SPEAKER_00]: Oh, the 41:19.926 --> 41:22.067 [SPEAKER_00]: Kelly right not like either of this. 41:22.287 --> 41:26.408 [SPEAKER_00]: So I my attention was not anywhere about the lyrics. 41:26.568 --> 41:31.389 [SPEAKER_00]: If you could not tell I'm like I get your tongue stuff that happened in the movie. 41:31.409 --> 41:33.890 [SPEAKER_00]: I'm like, okay, does that happen? 41:34.070 --> 41:35.030 [SPEAKER_00]: That happened. 41:35.670 --> 41:37.011 [SPEAKER_00]: I'm like over here. 41:38.211 --> 41:38.951 [SPEAKER_00]: Oh gosh. 41:41.572 --> 41:42.352 [SPEAKER_01]: She did really good. 41:42.592 --> 41:43.033 [SPEAKER_01]: She was good. 41:43.053 --> 41:43.293 [SPEAKER_00]: Okay. 41:43.613 --> 41:44.133 [SPEAKER_00]: I believe you. 41:48.604 --> 41:50.225 [SPEAKER_01]: What's Jamie Dornin's character's name? 41:50.906 --> 41:53.928 [SPEAKER_00]: Dr. Leslie Ferrer. 41:54.348 --> 41:56.550 [SPEAKER_01]: He was really good in this too. 41:57.130 --> 41:57.391 [SPEAKER_00]: Okay. 41:58.191 --> 42:02.434 [SPEAKER_01]: As like a down on his luck, dad trying to do what's right for his kid. 42:02.955 --> 42:03.275 [SPEAKER_00]: Cool. 42:03.515 --> 42:09.840 [SPEAKER_01]: And then Jude Hill played Leo Pold, Ferrier, which was the Dr. Skid, and he was a sweet little kid I loved him. 42:10.220 --> 42:14.623 [SPEAKER_01]: Especially Puyro, investigates him at one point, and it's just hilarious. 42:17.787 --> 42:19.348 [SPEAKER_00]: All right, can we do it? 42:19.549 --> 42:26.413 [SPEAKER_00]: I forgot to say that IMDB credited 29 people for this. 42:27.674 --> 42:30.236 [SPEAKER_01]: So it's actually a lot more than I would have expected. 42:31.537 --> 42:31.717 [SPEAKER_00]: Yeah. 42:33.459 --> 42:35.140 [SPEAKER_00]: Well, the theme of the book and movie the same. 42:36.089 --> 42:37.770 [SPEAKER_00]: Murder most part. 42:37.790 --> 42:38.170 [SPEAKER_01]: Yeah. 42:39.091 --> 42:39.471 [SPEAKER_01]: Mm-hmm. 42:40.811 --> 42:44.853 [SPEAKER_01]: Again, I keep wanting to say like story, not theme. 42:45.614 --> 42:46.334 [SPEAKER_01]: Oh, like story. 42:46.494 --> 42:47.395 [SPEAKER_01]: Absolutely dumb. 42:48.055 --> 42:48.375 [SPEAKER_01]: Theme? 42:48.695 --> 42:48.895 [SPEAKER_01]: Yes. 42:49.136 --> 42:49.336 [SPEAKER_00]: Yes. 42:49.956 --> 42:51.237 [SPEAKER_00]: Do the characters stay true? 42:51.857 --> 42:52.017 [SPEAKER_00]: No. 42:53.238 --> 42:53.478 [SPEAKER_01]: No. 42:53.858 --> 42:54.058 [SPEAKER_01]: No. 42:55.059 --> 42:57.400 [SPEAKER_01]: I mean, Poirrow kind of, but everyone else. 42:57.460 --> 42:57.600 [SPEAKER_01]: No. 42:58.120 --> 42:58.240 [SPEAKER_00]: Yeah. 42:58.940 --> 42:59.501 [SPEAKER_00]: What do you prefer? 42:59.521 --> 43:02.322 [SPEAKER_01]: Although Poirrow is Mr. Like, I want to be retired. 43:02.402 --> 43:04.003 [SPEAKER_01]: So absolutely not actually. 43:04.747 --> 43:06.929 [SPEAKER_00]: Well, I got that feeling in the book too that he did, too. 43:07.710 --> 43:08.170 [SPEAKER_01]: Oh, you did. 43:08.470 --> 43:08.730 [SPEAKER_01]: Okay. 43:08.750 --> 43:14.555 [SPEAKER_01]: Well, then I'll take it if you weren't paying attention to that. 43:14.575 --> 43:21.601 [SPEAKER_01]: Oh, there's I prefer the the movie 100. 43:21.762 --> 43:23.403 [SPEAKER_00]: I do too, but I didn't like it. 43:24.184 --> 43:28.988 [SPEAKER_00]: I mean, I feel like I need to rewatch it and like No, I don't want to rewatch it, but 43:30.494 --> 43:31.074 [SPEAKER_00]: I don't know. 43:31.094 --> 43:36.237 [SPEAKER_00]: I don't know if I went in, like, not really caring about the story. 43:36.537 --> 43:37.477 [SPEAKER_00]: So I was like, what is it? 43:37.497 --> 43:41.719 [SPEAKER_01]: Well, you probably, if you didn't like the book, you probably were like, God, this is going to suck. 43:42.540 --> 43:49.243 [SPEAKER_00]: So you went into it thinking that rather than my attention was just not on it to tell us it was true, not that it's actually. 43:51.284 --> 43:51.824 [SPEAKER_00]: That's weird. 43:51.844 --> 43:52.904 [SPEAKER_00]: Oh my gosh. 43:53.485 --> 43:56.706 [SPEAKER_00]: So, but yeah, I do, we, we, I guess, I had to. 43:56.726 --> 43:56.926 [SPEAKER_00]: Yeah. 43:57.667 --> 43:57.827 [SPEAKER_01]: Yeah. 43:59.307 --> 44:00.808 [SPEAKER_01]: So, I know your answer to this one. 44:00.828 --> 44:03.369 [SPEAKER_01]: Would you recommend it to a friend? 44:03.389 --> 44:05.169 [SPEAKER_00]: No, I wouldn't. 44:06.110 --> 44:10.371 [SPEAKER_00]: It's like, it's not, well, I don't know because it's not bad. 44:10.451 --> 44:15.493 [SPEAKER_00]: It's just not my, I was not hooked, but I, I can tell. 44:15.513 --> 44:25.137 [SPEAKER_01]: I thoroughly confused because everyone loves I get their Christy because she's such a good murderer, mystery writer, but to me. 44:26.404 --> 44:37.970 [SPEAKER_01]: It was to all over the place to convoluted so much so that I couldn't figure out who did it and you know me, I could figure out the end of a movie. 44:38.828 --> 44:41.030 [SPEAKER_01]: like, way before the end of the movie. 44:41.611 --> 44:47.377 [SPEAKER_01]: And I couldn't even tell you, I have thinking it was one person, then no, it would be this other person. 44:47.797 --> 44:50.400 [SPEAKER_01]: And normally people like that because it's not predictable, right? 44:50.840 --> 44:55.105 [SPEAKER_01]: But in this sense, it wasn't because it wasn't predictable. 44:55.305 --> 44:58.629 [SPEAKER_01]: It's because there would be like a chunk of information. 44:59.269 --> 45:15.558 [SPEAKER_01]: and then like a break and then a bigger chunk of information and then a break and then we'd get back into it and I

was like oh my yeah I mean just keep with it rather and take me out of it it was to me the movie you're just in it all the time I get that they had to uh 45:16.909 --> 45:24.656 [SPEAKER_00]: figure out the other murder so that they knew the witness is that wanted to kill this girl, but at the same time, the murder mystery is this girl. 45:24.976 --> 45:26.418 [SPEAKER_00]: Like, why are they so murdered? 45:26.438 --> 45:28.039 [SPEAKER_01]: I kept getting confused with that, too. 45:28.980 --> 45:36.487 [SPEAKER_01]: No, I kept getting confused with she gets told it's a girl's murder, and he goes to figure out what murder she saw. 45:38.097 --> 45:38.337 [SPEAKER_00]: Right. 45:39.538 --> 45:41.520 [SPEAKER_01]: And like, that's the thing too that we didn't say. 45:41.901 --> 45:43.963 [SPEAKER_01]: She never actually saw the murder. 45:44.043 --> 45:47.986 [SPEAKER_01]: She had overheard a different kid having seen the murder. 45:49.488 --> 45:55.173 [SPEAKER_01]: And unfortunately, the mom didn't realize it wasn't that kid. 45:55.233 --> 45:56.554 [SPEAKER_01]: So she just killed that kid. 45:57.415 --> 45:58.036 [SPEAKER_01]: Um, yeah. 46:00.027 --> 46:04.589 [SPEAKER_01]: So I forget where my tangent was going, but yeah, that's yeah. 46:04.949 --> 46:05.949 [SPEAKER_01]: Oh, no, I remember. 46:06.189 --> 46:11.031 [SPEAKER_01]: And so then I was like, it doesn't make sense to be in besking that murder. 46:11.191 --> 46:16.513 [SPEAKER_01]: But then it kind of once I realized why he was doing it, I was like, okay, that makes sense. 46:17.193 --> 46:20.254 [SPEAKER_01]: But then I was too far in the book where I was like, dude, wrong murder. 46:20.914 --> 46:21.955 [SPEAKER_00]: Yeah, I'm like, I just don't care. 46:22.915 --> 46:23.535 [SPEAKER_01]: Yeah. 46:24.295 --> 46:25.496 [SPEAKER_01]: Oh, I would recommend it. 46:25.796 --> 46:26.836 [SPEAKER_01]: I wouldn't recommend the book. 46:27.376 --> 46:28.257 [SPEAKER_01]: I would recommend the movie. 46:29.540 --> 46:33.804 [SPEAKER_01]: I do not want to write egg if they're crispy off completely as an author. 46:33.824 --> 46:38.748 [SPEAKER_01]: I don't enjoy because it's not like the book was written badly. 46:38.928 --> 46:43.712 [SPEAKER_01]: I just think I felt like it was a bit too much information. 46:43.732 --> 46:46.154 [SPEAKER_01]: She has a jolly depth movie that we're going to cover at some point. 46:46.294 --> 46:50.277 [SPEAKER_01]: But hopefully that one's better. 46:59.357 --> 47:01.704 [SPEAKER_01]: This website went off script.com. 47:03.121 --> 47:05.803 [SPEAKER_00]: Yeah, you can rate subscribe review there. 47:05.823 --> 47:07.244 [SPEAKER_00]: Hold on. 47:07.264 --> 47:15.549 [SPEAKER_01]: You can sign up to drop off a little, I almost had a little bookmarks bookmarks to little free libraries for us. 47:16.150 --> 47:17.811 [SPEAKER_00]: Yes, very fun. 47:17.851 --> 47:20.352 [SPEAKER_00]: We just did that a bunch on our way to Westport. 47:20.372 --> 47:20.793 [SPEAKER_01]: Yeah, we did. 47:21.433 --> 47:22.414 [SPEAKER_01]: It was super fun. 47:24.255 --> 47:27.937 [SPEAKER_00]: Um, Wednesday, we might have him in his own for you who knows. 47:28.498 --> 47:28.778 [SPEAKER_01]: Mm-hmm. 47:29.018 --> 47:31.159 [SPEAKER_01]: We're recording him has been hard, so we'll see. 47:31.840 --> 47:32.060 [SPEAKER_00]: Yes. 47:33.193 --> 47:35.615 [SPEAKER_01]: And on Monday, we have the legend of sleepy hollow. 47:35.675 --> 47:39.998 [SPEAKER_01]: We just recorded no one and yes, we did that's a nice short one for you. 47:40.438 --> 47:41.218 [SPEAKER_01]: You want to know that. 47:41.278 --> 47:41.518 [SPEAKER_00]: Yes. 47:42.099 --> 47:42.319 [SPEAKER_01]: Yeah. 47:43.540 --> 47:43.760 [SPEAKER_00]: Yeah. 47:44.000 --> 47:48.743 [SPEAKER_01]: And with that, a hunting in Venice went off script. 47:50.404 --> 47:50.524 [SPEAKER_01]: Bye. 47:54.562 --> 47:55.543 [SPEAKER_01]: Thanks for sticking with us. 47:56.003 --> 47:56.924 [SPEAKER_01]: We hope you enjoyed it. 47:57.304 --> 47:59.366 [SPEAKER_00]: If you did, we would greatly appreciate it. 47:59.566 --> 48:02.749 [SPEAKER_00]: If you gave us five beautiful stars, reviewed and subscribed. 48:03.269 --> 48:12.737 [SPEAKER_01]: You can also follow us on Facebook at Offscrapped on Instagram at Offscrapped podcast 21 and on TikTok at Offscrapped underscore pod. 48:13.277 --> 48:25.434 [SPEAKER_00]: Shout out to Madamashan creations for our adorable logo art and Adam Daniel for our incredible theme song and to create us in a file Productions for producing our podcast see you next time