Transcription complète de S4 Ep36: Micro Horror: Autonomous – Kyle Valle & Erin Áine

--> 00:04:56.879 Yeah, how'd you do it? 00:04:57.680 --> 00:05:16.000 Well, I I put on my contortionist hat and uh you know mimicked my favorite Circus LA performers and bent my body backwards into every hole of that car, which I'm really seeing like how it's easier for Tom Cruise to make movies coming in at like 6'2, like you know, above 250. 00:05:16.160 --> 00:05:30.160 I'm not the smallest of person, so finding holes to kind of navigate in was difficult, but uh ultimately because we were able to obviously use the entire front cab of the car because there is no driver, right? 00:05:30.240 --> 00:05:40.720 So we're just filming you know front to back, it did give us a lot of angles, and then we just married it up with uh you know 16 millimeter 4mm lines, give us giving us a wider look. 00:05:41.199 --> 00:05:42.160 Uh, but yeah. 00:05:42.240 --> 00:05:47.759 Um but now hold on, your camera equipment is not exactly small, and you have the boom mic in there too, right? 00:05:47.839 --> 00:05:49.040 Like, am I wrong? 00:05:49.199 --> 00:06:06.240 That's luckily we did in a we did uh roll the sunroof back, so the boom mic was above and kind of booming through the sunroof, and then we had all each actor lobbed up, and then we had about like four lobs set within the interior of the car in like different places. 00:06:06.480 --> 00:06:29.600 So we were getting fantastic audio with very little work from our audio department, like when we're actually excuse me, uh shooting, but camera-wise, it was yeah, the camera was an RE 34 or 35 rather, and it probably weighed about uh 27-30 pounds, and the whole setup, right? 00:06:29.680 --> 00:06:34.000 It it's it's a good foot, maybe foot and a couple inches. 00:06:34.319 --> 00:06:39.519 So that just had to get pressed into every kind of hole that we could fit fit it into. 00:06:39.920 --> 00:06:42.959 Um, but it definitely didn't make it easy. 00:06:43.120 --> 00:06:49.040 Like these new GoPro cameras that just came out with where you can actually put lenses on the GoPro cameras, right? 00:06:51.920 --> 00:06:55.519 We could have just like put them all around the car and been like, okay, go. 00:06:56.560 --> 00:06:56.800 Right. 00:06:56.879 --> 00:07:07.199 Well, I was thinking it's like I do my filming mostly with my Google Pixel because it'll do 4K, but it's like, you know, I mean that's there's some sacrifices that come with that too, you know, at the same time. 00:07:07.360 --> 00:07:10.399 But I'm like, it makes it easy to have something so small. 00:07:10.560 --> 00:07:15.839 But I was like, man, that is a lot, not a lot of space for a lot of equipment. 00:07:16.000 --> 00:07:27.120 And I actually it reminds me when I was little, I used to before seatbelt walls, I used to climb up in the back window of our car and lay up on that little shelf thing they had in the big uh sedans back in the day. 00:07:27.279 --> 00:07:33.199 I was like, I can just picture you like kind of across like this with your legs up

in the window curled up. 00:07:33.360 --> 00:07:39.600 Like, my my thing is like once the shot's over, though, how many times did you have to go, okay, unfold me, unfold me now? 00:07:39.920 --> 00:07:46.160 That was literally almost every single time we would get done with the take, and we and our actors were fantastic. 00:07:46.319 --> 00:07:50.720 We filmed this very much like a more uh a theater play, right? 00:07:50.800 --> 00:07:53.839 So it was a total of you know 24 to 30 pages. 00:07:54.000 --> 00:07:56.560 It got cut down in the edit to be a little bit shorter. 00:07:56.720 --> 00:08:12.720 Uh, but when we were filming it and going through it, because you do have breaks in the actual script, uh, but you know, those breaks aren't it's not like when you end a movie and it's like, oh, okay, you know, you're we're restarting the next chapter of the movie, right? 00:08:12.959 --> 00:08:15.439 They're they fluidly flow into the next one. 00:08:15.759 --> 00:08:21.439 So when we're in one position with our actors, we're not changing locations, there's not a lot of movement. 00:08:21.600 --> 00:08:37.120 It was easier and it felt more natural to just kind of blow through 15 pages at a time until we started having elements from outside of the car interacting with them, or we needed to actually have the actors reacting to an eyeline that we had to actually move outside of the vehicle. 00:08:37.440 --> 00:08:41.440 And we were blessed because they were both fantastic. 00:08:41.679 --> 00:08:49.360 Aaron and Dominic uh handled going through 15 pages of dialogue like nothing multiple times from every single angle. 00:08:49.519 --> 00:09:00.080 Uh, the trade-off load, like you were saying, I was stuck there for 15 to 20 minutes at a time, and at the end of each take, I someone please take the camera. 00:09:01.759 --> 00:09:09.039 Like Jerry, and I have a bad back too, or at least I've been working on it, it's been getting better, but it was it was pretty bad at the time. 00:09:09.360 --> 00:09:11.360 This is not exactly rehab practice. 00:09:13.440 --> 00:09:16.639 I feel like I was living my best golem life ever. 00:09:16.879 --> 00:09:28.000 Oh no, it's funny because I'm sure we keep hearing how claustrophobic, thank god, that for other people watching it it feels when you're in the car with this couple arguing and things are on down. 00:09:28.240 --> 00:09:36.080 I can tell you that it was not just me and Dominic playing Derek that are actor, it was the three of us always in that car. 00:09:36.960 --> 00:09:41.519 I mean, I can imagine than you feel when watching it for sure. 00:09:41.679 --> 00:09:50.720 But all that we could see from back seat, regardless of his position, my camera, and his screen with my hat logo, because he was just like crunched in. 00:09:52.000 --> 00:09:54.799 I can imagine the chiropatrick bills now. 00:09:54.960 --> 00:10:02.480 I mean uh jazz says hi to Famarille, loved y'all in ZombieCon. 00:10:02.960 --> 00:10:04.080 Oh, thank you so much. 00:10:04.799 --> 00:10:08.480 And super hubby says, Hey y'all, hey super hubby. 00:10:08.960 --> 00:10:11.200 So you got lots of love coming in. 00:10:13.120 --> 00:10:16.799 Oh, and we still have the magic on the new streaming that we do now. 00:10:16.960 --> 00:10:21.519 So well, she does, it's awesome. 00:10:22.879 --> 00:10:24.960 Nice, I love the fireworks, beautiful. 00:10:25.120 --> 00:10:26.480 Oh, yeah, we got all sorts of cool stuff. 00:10:27.039 --> 00:10:29.200 Some Disney like universal magic right there. 00:10:29.279 --> 00:10:29.840 Oh my god. 00:10:32.399 --> 00:10:34.480 Yeah, sorts of fun, yeah. 00:10:34.559 --> 00:10:35.600 Uh yeah. 00:10:36.080 --> 00:10:50.799 Um, I mean, I really do appreciate you guys joining us again though, because last time with the echo, I wanted to get the information out there because it's such a cool project, but it's it was very tacting to like sit there and hear ourselves echo chamber throughout the whole podcast. 00:10:50.879 --> 00:10:51.919 So we really appreciate it. 00:10:52.240 --> 00:10:54.879 And see, he was thinking that it was a total bonus. 00:10:54.960 --> 00:10:56.639 I just gotta hear myself speak more. 00:10:56.720 --> 00:11:02.720 And it was like, it's all good. 00:11:03.279 --> 00:11:08.240 Uh Joy said her internet went out just when Aaron was starting to tell what micro horror was. 00:11:08.320 --> 00:11:11.600 She had to watch the beginning live so she could find out what it was. 00:11:11.919 --> 00:11:12.399 Oh no. 00:11:23.519 --> 00:11:23.919 There you go. 00:11:24.000 --> 00:11:24.480 Quick recap. 00:11:25.039 --> 00:11:26.320 I was trying to think of the word cliff notes. 00:11:26.399 --> 00:11:27.039 What did I think? 00:11:27.440 --> 00:11:27.840 Quick version. 00:11:30.879 --> 00:11:32.320 Oh my god, yes, I got those. 00:11:34.480 --> 00:11:36.639 It's like anything is exactly. 00:11:36.720 --> 00:11:39.120 That was actually pre-AI summaries. 00:11:39.279 --> 00:11:44.879 Uh so hold on, before we get too deep into uh some of it, um, can y'all explain what Screamify is? 00:11:44.960 --> 00:11:51.840 Because Screamify is the app that this is actually on, and uh a lot of people may not have heard of it because it's fairly new, but it's really cool. 00:11:52.159 --> 00:11:59.919 But before I answer that, um can you connect that with a question that I have as to how this started? 00:12:00.320 --> 00:12:02.960 Because those two answers actually connect to each other. 00:12:03.279 --> 00:12:03.840 Absolutely. 00:12:04.000 --> 00:12:16.080 So Screamify is an awesome independent streaming platform, it's kind of like the new shutter, but it's for independent or it only started about a year or so ago, and yet they've just been expanding and growing. 00:12:16.159 --> 00:12:17.679 They're basically all continents. 00:12:18.159 --> 00:12:28.000 The library grows by the day, it's not just or just an app or um, but definitely check them out to their website and

download it on any app store. 00:12:28.399 --> 00:12:33.679 However, we became connected with them a year ago when we launched our feature film volume one. 00:12:37.039 --> 00:12:45.120 Um our first feature film got picked up by them for streaming, and cool enough, the founder, Sean Overbeat, wanted to set up a call with us. 00:12:45.279 --> 00:12:52.720 And during the call, we got along fabulously and chatting about this thing with all the micro wars we're doing. 00:12:52.799 --> 00:13:02.000 And vertical micro wars, you know, binge wash and on your phone, short episodes, and yet two word production, we had an idea and took a product one. 00:13:02.720 --> 00:13:06.240 Fast forward to the next day, we've got script in our inbox, we love it. 00:13:06.399 --> 00:13:15.440 We're saying we're in as a production company, and the contracts are being signed, and so the whole thing happened really, really fast. 00:13:15.600 --> 00:13:16.720 But they brought us on. 00:13:33.759 --> 00:13:37.120 So it happened as fast as a micro tour. 00:13:37.519 --> 00:13:40.320 Yes, yes, yes, indeed. 00:13:41.200 --> 00:13:46.240 It was the quickest pre-production that we've ever experienced where it was just like, okay, are you interested? 00:13:46.559 --> 00:14:02.159 And being able to obviously make any narrative film is fantastic, but being able to do something that was you know, it was touchable from our reality, but it was also this element of science fiction growing up in the 90s, right? 00:14:02.320 --> 00:14:04.960 Self-driving cars, that's it's crazy. 00:14:05.120 --> 00:14:08.159 Like, I know that they exist now, but it's still crazy that they exist. 00:14:09.039 --> 00:14:11.039 And they're on the road and they're just kind of rolling out. 00:14:11.200 --> 00:14:22.080 I'm like, how many times in my life am I gonna be like, hey, there's a piece of civilian technology that's brand new that you can get in today that you can make a story about? 00:14:22.240 --> 00:14:24.559 And it's like that's not gonna come around very often. 00:14:24.639 --> 00:14:28.320 So we jumped all over it, and it was a fantastic experience. 00:14:28.480 --> 00:14:32.799 Honestly, horrifying to do the research on it because I had to get in them. 00:14:32.960 --> 00:14:34.000 Um my gosh. 00:14:34.159 --> 00:14:37.279 Yeah, I if you're did you learn a lot about them before y'all did this? 00:14:37.519 --> 00:14:39.360 Yeah, no, I went down the rabbit hole. 00:14:39.440 --> 00:14:51.519 I found I like all again, the information has like quadrupled in the amount of time since when we started making this to today, and their rollout has quadrupled because just everything is happening so quickly. 00:14:51.759 --> 00:14:53.360 And I say back then, right? 00:14:53.519 --> 00:14:58.080 Six months ago, seven months ago, there wasn't that much information. 00:14:58.159 --> 00:15:04.720 I think there was like one subreddit thread that I could find that had information about these things in Atlanta.

00:15:05.039 --> 00:15:07.840 So by the way, why isn't always Reddit? 00:15:08.000 --> 00:15:09.120 Like bless Reddit. 00:15:09.360 --> 00:15:13.440 There's always some random thread for the ridiculously specific thing that you need. 00:15:13.600 --> 00:15:13.759 Right. 00:15:13.919 --> 00:15:16.879 There's lots of information on it, and that's the only place you can find it. 00:15:17.200 --> 00:15:25.679 The internet experts, but I remember back one of the Wolverine movies had it where they had the semis that were autonomous. 00:15:26.320 --> 00:15:30.639 Yeah, so they've been, I mean, they've been portrayed in motion pictures, right? 00:15:30.720 --> 00:15:33.200 Even if you think back to minority report, right? 00:15:33.279 --> 00:15:38.399 They're all scene with Tom Cruise like kind of riding in, he gets locked in the car. 00:15:38.639 --> 00:15:41.600 So that's been a mainstay in science fiction, which is so interesting. 00:15:41.679 --> 00:15:46.080 That we were doing a science fiction movie that was science fiction. 00:15:46.240 --> 00:15:49.360 It was like, no, these are right here. 00:15:49.519 --> 00:15:52.159 Well, yeah, and they never end well. 00:15:52.320 --> 00:15:54.080 So why are they doing this? 00:15:54.960 --> 00:15:57.360 Wasn't that the idea's great? 00:15:57.440 --> 00:16:00.000 It's just the Skynet part that gets bad. 00:16:00.240 --> 00:16:04.480 Wasn't that movie Eagle Eye with Charles LaBeouf sort of like that? 00:16:04.720 --> 00:16:08.399 Yeah, uh, it was an AI, AI was the villain. 00:16:08.960 --> 00:16:16.639 Yeah, that was another great one, and it very much riffed right off a minority report where it kind of orchestrated the whole thing in the background. 00:16:16.799 --> 00:16:21.039 And there was one with uh the guy who starred in Guardians of the Galaxy. 00:16:21.120 --> 00:16:22.159 I'm blanking on his name. 00:16:22.399 --> 00:16:22.879 Chris Pratt. 00:16:23.120 --> 00:16:25.679 Chris Pratt that came out uh recently. 00:16:26.399 --> 00:16:34.639 It was it was great, and like the AI plays like basically uh Chris Pratt and Millie Brown, Millie Bobby Brown. 00:16:34.960 --> 00:16:45.120 It was it was very good, but again, all these things explore these dystopian futures that we're yeah, hopefully we're not headed towards a dystopian version of the future. 00:16:45.360 --> 00:16:50.799 No, we sky net turns out to be the electric state illnesses, the electric state, you know. 00:16:51.039 --> 00:16:53.519 The electric state that was a good one. 00:16:53.759 --> 00:16:56.639 Oh, that was the one he was talking about with Chris Pratt. 00:16:57.039 --> 00:17:06.640 Oh, yeah, electric state, yeah, and it's like okay, people make fun of us, you know, as cakes and stuff, but it's like um we can tell you stop it. 00:17:09.039 --> 00:17:19.279 Yeah, the fun is made up until they want an answer to a question we only have that we've already seen and told you it's not gonna work, and then they're like, but how do we fix it?

00:17:19.359 --> 00:17:21.440 And we're like, well, we could have told you it wasn't gonna work. 00:17:21.519 --> 00:17:25.440 Um, you might want to just break it because it's already broken. 00:17:26.960 --> 00:17:29.519 Hey, so not all sci-fi goes bad, okay? 00:17:29.759 --> 00:17:31.119 Not all sci-fi goes true. 00:17:31.519 --> 00:17:33.200 Nine out of ten times. 00:17:33.519 --> 00:17:39.920 Yeah, well, Star Trek has has has uh AI in like the the ships and stuff, it doesn't go bad. 00:17:41.680 --> 00:17:48.079 Give me all of it uh and his brother okay, granted, but like what about the ships themselves? 00:17:48.319 --> 00:17:58.319 You know, the food replicators, the same replicators when the replicators went bad in Star Wars, Star Trek, they they have gone bad. 00:17:58.880 --> 00:18:02.079 Yes, but there's good robots out there, like my job. 00:18:02.240 --> 00:18:13.839 And and replicators depends upon which star which sci-fi show you're watching, because replicators in Stargate and replicators in Star Wars are two different sites of replicators. 00:18:14.480 --> 00:18:15.359 Okay, okay. 00:18:15.519 --> 00:18:21.759 Let me step back into Screamify and add the sci-fi for just saying you're talking to Sci-Fi Geek. 00:18:21.920 --> 00:18:22.559 I can go this off. 00:18:22.960 --> 00:18:29.839 I actually I actually found Screamify, like they were being suggested in my feed on social media, and that's where I first found them. 00:18:30.000 --> 00:18:32.400 And their price is really great too, guys. 00:18:32.480 --> 00:18:43.200 So, like if you're looking for a truly greatly priced, uh solely supporting an independent creators uh you know project, that is the one to stream. 00:18:43.359 --> 00:18:51.839 I believe right now, or I believe when I first got it, it was a dollar or$2.99, and I don't know that they'll ever change that price from what I understand, which is great. 00:18:51.920 --> 00:18:52.960 I'm sorry about my voice, guys. 00:18:53.039 --> 00:18:59.920 I just got over some stuff, so I'm still a little squeaky, but yeah, like it is such a great uh streaming app. 00:19:00.079 --> 00:19:01.279 I highly recommend it. 00:19:01.440 --> 00:19:04.160 I don't get anything out of that, I just think it's great. 00:19:04.319 --> 00:19:10.799 And also, I did suggest to them that they should put ZombieCon in their catalog at one point before it was in there. 00:19:10.960 --> 00:19:16.319 So hopefully that gave them kind of a direction to head towards you guys, and I'm glad that they did. 00:19:16.720 --> 00:19:25.920 Uh, they also you also have like a behind-the-scenes thing on or behind the screens, I think is what they call it, for autonomous that's on there too. 00:19:26.000 --> 00:19:29.839 So you kind of see a little bit of what was happening with that in that one, right? 00:19:30.160 --> 00:19:38.160 We were in the middle of production, like a couple days in, and we were chatting with Sean, you know, on the phone and said, Oh, I've got an

idea, you know, just throwing this out there. 00:19:38.240 --> 00:19:47.680 What do you think about if I hired a reality crew to call you guys tomorrow and document your day of shooting for a behind-the-screens whole episode that you could do on the show? 00:19:48.480 --> 00:19:49.839 Um yes. 00:19:52.160 --> 00:19:54.720 We're in, uh, what are the negatives and we don't even want to know? 00:19:54.880 --> 00:19:55.519 Let's do it. 00:19:55.839 --> 00:19:57.680 It was it was amazing. 00:19:57.920 --> 00:20:10.079 They showed up the next day, it was a really talented crew, and they had us narrating different things and just filming all the different areas kind of where we were behind the scenes and in the shoot, and following Kyle, following me. 00:20:10.240 --> 00:20:12.000 And Kyle has said it best as well. 00:20:12.160 --> 00:20:22.319 It was very surreal when they were lobbing up our sound guy and lobbing up Kyle and lobbing up, you know, everyone that we were already lobbing up, they were then lobbing up lobbing up. 00:20:22.640 --> 00:20:30.160 I'm watching right the sound guy lob up the actors as the sound guy is lobbed up by their crew, like followed by someone else. 00:20:30.240 --> 00:20:39.519 And it was just and our behind the scenes guy is following the documentary, documenting us, like documenting the documentary guys. 00:20:40.000 --> 00:20:42.319 It was kind of like an echo of the video. 00:20:42.880 --> 00:20:57.839 Yeah, it's like endless content slash perspectives that you can you know what that reminds me of following the leader, that little song from um um um Peter Pan when they're all just following the leader. 00:20:59.359 --> 00:21:06.400 I can't wait for the thing because you've never become obsessed with just a little bit of Peter Pan, just one and a half, from some stickers that are in her book. 00:21:06.480 --> 00:21:10.559 And so I have now been listening to you can buy, you can fly, you can buy. 00:21:11.279 --> 00:21:18.400 Oh yeah, I think my favorite part about having little ones was getting to go back and rewatch all the stuff like that. 00:21:18.960 --> 00:21:20.160 From a new perspective, too. 00:21:20.319 --> 00:21:32.079 Like the things they get obsessed with are like really like she really likes the five-second little piece there where Peter talks to Wendy and he's like, Look, right there, Wendy, it's the second star, like all it home. 00:21:32.319 --> 00:21:37.119 And she just played it a little bit over and over, and she'd be Peter, talk, talk, talk. 00:21:37.279 --> 00:21:37.839 Oh my gosh. 00:21:39.440 --> 00:21:40.160 It's so cool. 00:21:40.799 --> 00:21:47.279 So how long did it take you from like day one shooting to end shooting? 00:21:48.240 --> 00:21:53.119 Uh well, we had an initial basically shooting schedule of one week. 00:21:53.440 --> 00:21:55.440 And then I got in the editing booth. 00:21:55.519 --> 00:21:59.519 I re like we had we had a winter storm that happened in the middle of shooting. 00:22:00.319 --> 00:22:01.759 made it impossible to get a laymo. 00:22:01.920 --> 00:22:03.680 They we think that they pulled the lamo's. 00:22:03.759 --> 00:22:11.759 There was no official documentation on this, but we we had already scoped out the spots where they usually pick people up because they're geo-locked in the city of Atlanta. 00:22:11.839 --> 00:22:14.319 So they'll only show up in these specific areas. 00:22:14.559 --> 00:22:19.440 And I had tracked them, I had marked out locations on a map, got everyone together. 00:22:19.680 --> 00:22:20.640 They never showed up. 00:22:20.720 --> 00:22:26.960 So that was a desert so we ended up coming back for another like three or so days. 00:22:27.200 --> 00:24:00.079 So total uh shooting wise we're about 10 days in and then the real work came in uh post-production with the VFX we had a a lot of VFX to do for poor man's process so we did shoot in actual lamos uh but we also shot a lot inside basically a self-made soundstage in a garage on blue screen and that was just a lot of pulling and Erin's hair is very very difficult to pull off of a blue screen um then is nightmare fuel for all I'm not talking about your hair talk about the whistle try trying to keep it yeah I've I've done some editing with like footage before so I know what you're talking about because trying to like keep all those little strands I'm like you know do I really need that little strand that can just go away and our our makeup artist who is fantastic Nicole Macaulay who also played Mama Bear in ZombieCon uh she styled Erin's makeup and hair and I think she did a a beautiful job but she what we're talking about initially she's like I want her to have a little bit of a disheveled look right this is like a rough dinner I I thought it felt very like it felt very real for the character in that moment so the hair wasn't like perfectly like sleek down matted back it it had a little bit of fizz and like you know volume to it I didn't think about post production wise that volume and that hair kind of like tendrils off of it. 00:24:00.319 --> 00:24:57.200 Oh I wasn't really thinking about how hard it was going to be to basically pull off of that and then re-add it if need be but ultimately it turned out great just took a lot of elbow grease on my end uh and I think the look really worked fantastic although if I ever shoot her on a blue screen or green screen again uh we're going it's like back yeah very long you know what just like pull it all back like no hair control put a hat on there too that's just the extra safe so how long was your post production then uh I'd say that post production probably was two two months two months two months oh wow yeah oh well a lot of that render time shock could take 12 hours to render so you know if something goes wrong you could look at maybe spending 54 hours of render time on a single shot and that's just where it eats away at your timeline. 00:24:57.519 --> 00:26:00.400 Okay so comparative to

zombie con how long did it take you to shoot zombie con now that we know the micro horror one it was about a 20 day shoot yeah it was under a month and then post production was oh post production on zombie con was nine years so we we blew this one out of the we were fantastic when I'm not talking this on an epic journey a saga it was you know frodo going all the way like that took its own whole journey this was like a very planned out executed we knew what we were doing we had all the equipment Kyle had already like gained every every skill that he needed to do it ahead of time just it was a totally different space that we were in and project yeah zombie cunt was like making a movie plus film school so those like they got married together on that one so I think it was the learning curve was high yeah especially trying the audio for a feature film trying to like do Adobe Atlas mix. 00:26:00.799 --> 00:26:12.160 Um yeah I my brain was broken by the time I got to that so I suffered a little bit of like a a meltdown that probably cost us two years because I just couldn't shove any more information into my head. 00:26:12.720 --> 00:27:37.519 And when you get to like a jaw editor and you're looking at you know a thousand different lines of audio from everything you know dialogue to you know filled like fill sounds like uh foley sounds atmosphere sounds like all the way down the list and there's just so many and you're I'm like trying to make it super professional so everything is like so layered up and yeah it was and just getting the speakers into a correct configuration is like a whole process in and of itself it's yeah I don't want to relive that ever again I'm happy I don't but I really wish someone just tapped me on the shoulder and was like hey we love this movie here's a million dollars to go get it finished and like right I that was now I think do you think I learned enough that the next one will be a lot faster then yeah so we had we had done a feature film in between uh zombie con and autonomous called it's watching and literally we blasted through that in probably six months uh and it's the tail end of post-production and it just keeps getting put off now because we keep having more projects come through the front door and that's kind of a passion project and you know it doesn't it it stars mainly me so I'm probably dragging my feet on it a little bit more because I don't know maybe I'm better suited to behind the camera so you know we'll see what happens with it. 00:27:37.759 --> 00:28:43.759 And we're not just gonna like shoot something out there and then move on to the next thing we're gonna take our time and talk about it and reach out to people and like actually put a release uh so it's we need a couple more strokes on it and to have you know the right timing and the right plan for it as well but it's just we have a we have a few comments uh joy says original total recall had autonomous cabs uh trev says so glad you switched platforms he says yakko monsters were not welcomed oh that would be a good topic for one of your episodes have the pixies attacking um yeah yeah no absolutely so I feel like I can't the uh I can't call with the streamer um there was a movie that came out recently with a podcaster that was fantastic it was a great harm with it a little bottle film um I'm so sorry I told you Undertone that's the name yes yeah it's it's great it there's no echoes but there's something possibly worse. 00:28:45.359 --> 00:28:55.759 Do we I can't remember I asked I can't remember what the answer was do do you would you mind giving us a hint into what's next for you or you're not allowed. 00:28:56.160 --> 00:29:03.759 The feature that we just said in post production at some point it's watching is going to come out but then we also got like three different features that are circling right now. 00:29:03.839 --> 00:29:09.680 It just depends on the financing coming together and which one all come together first they're very different. 00:29:09.920 --> 00:29:30.319 They could be in a horror or a darkly comedic type of film it it just depends but yeah there's so we're working yeah I can't really say too much about it but I can say that we're partnered with a very big YouTube channel and we're developing that into a feature film. 00:29:30.480 --> 00:29:39.119 And it comes to the vibe of a feature film and that's like one of the near term projects that's coming down the pipeline very soon. 00:29:39.440 --> 00:29:40.160 Okay cool. 00:29:40.319 --> 00:31:36.400 Well reach out to us let us know when it is um in the meantime uh everybody needs to get your ones to ready make sure to keep your eyes on big squid films Instagram that's B-I-G S Q U I D F L I M S thank you guys for giving us a second shot we appreciate it I'm glad we're able to get through without any pixie strikes oh we pleasure having y'all anytime you would like to have us back we're always down for we love being like I said next time you have something out reach out and make sure and let us know we love having guys out um so mommy gonna take us out all right uh what do we have next week cj oh we have Cricut Lee V A voice actress for May is there yes yes May from Avatar the Last Airbender yes oh my gosh I just so excited and till next time make sure that y'all smash that thumbs up and share this out because a lot of people need to hear about this and especially now that we have no echoes in this episode and get the word out um till next time make sure you're following CJ Peterson Mombiroah uh Juju the cosplayer on Instagram Facebook YouTube and all the things and of course Magic Making Myship on Facebook so till next time oh did we have their link because I know it's not scrolling did you already go through that scrolling and scrolling oh I'm not seeing things oh my screen doesn't show the whole thing yes okay yes that's what she just said and I've already known the following screamify yes and screamify go stream it you won't regret it if you are a horror fan at all that is their big thing but also they have other stuff coming in too and they're adding to their catalog all the time including classics so check it out chill then guys get your wands up because it is mischief managed