Transcription complète de "Event Horizon: Unveiling the Cosmic Horror" | Code Flix Season 2 Episode 5

00:03:13.599 One by one, the crew members start falling victim to eerie, terrifying forces. 00:03:14.099 --> 00:03:17.999 It turns out that Dr. Weir, the scientist behind Event Horizon, 00:03:18.599 --> 00:03:21.899 wasn't entirely honest about the ship's true nature. 00:03:21.899 --> 00:03:29.019 As the story unfolds, he becomes possessed by an entity that feeds and cruises 00:03:29.019 --> 00:03:32.239 deepest fears and traumatic memories. 00:03:33.319 --> 00:03:40.659 What follows is a psychological and supernatural horror that keeps you on edge, 00:03:41.219 --> 00:03:48.239 proving that sometimes scariest things aren't just in space, but in the mind as well. 00:03:55.159 --> 00:04:01.119 Event Horizon is a 1997 science fiction horror film directed by Paul Anderson 00:04:01.119 --> 00:04:02.739 and written by Philip Eisner. 00:04:03.259 --> 00:04:08.119 It stars Laurence Fishburne, Sam Neill, Kathleen Quinlan, and Jolie Richardson. 00:04:08.879 --> 00:04:15.379 Set in 2047, it follows a crew of astronauts sent on a rescue mission after a missing spaceship. 00:04:15.679 --> 00:04:19.599 The Event Horizon spontaneously appears in orbit around Neptune, 00:04:19.599 --> 00:04:23.059 only to discover that a sinister force has come back with it. 00:04:23.399 --> 00:04:28.279 The film had a troubled production, with filming and editing rushed by Paramount 00:04:28.279 --> 00:04:32.519 Pictures when it became clear that Titanic would not meet its projected release. 00:04:32.819 --> 00:04:38.559 The original 130-minute cut of the film was heavily edited by the studio's demand 00:04:38.559 --> 00:04:40.459 to Anderson's consternation. 00:04:40.999 --> 00:04:48.419 Released in the United States on August 15, 1997, and in the United Kingdom on August 22, 2nd. 00:04:48.499 --> 00:04:54.059 Event Horizon was a commercial and critical failure, grossing $42 million on 00:04:54.059 --> 00:04:56.219 a $60 million production budget. 00:04:57.203 --> 00:05:02.443 However, it began to sell well on home video. Its initial DVD release sold so 00:05:02.443 --> 00:05:06.683 well that Paramount contacted Anderson to begin working on a restoration of 00:05:06.683 --> 00:05:09.983 the deleted footage, but it had been either lost or destroyed. 00:05:10.403 --> 00:05:15.003 In the years since, the film has developed a cult following and is referenced 00:05:15.003 --> 00:05:16.883 in other works of popular culture. 00:05:23.603 --> 00:05:27.963 In 2047, a distress signal is received from the Event Horizon, 00:05:28.283 --> 00:05:33.243 a starship that disappeared during its maiden voyage to Proxima Centauri seven years earlier. 00:05:33.663 --> 00:05:38.543 The ship mysteriously reappears in orbit around Neptune, and a rescue vessel 00:05:38.543 --> 00:05:41.223 Lewis and Clark is dispatched to investigate. 00:05:42.203 --> 00:05:45.863 Its crew, Captain Miller, Second-in-Command Lieutenant Stark, 00:05:46.203 --> 00:05:50.923 Pilot Smith, Medical Technician Peters, Engineer Ensign Justin, Dr. 00:05:51.063 --> 00:05:54.723 DJ, and Rescue Technician Cooper, is joined by Dr. 00:05:54.943 --> 00:05:57.243 William Weir, the Event Horizons designer. 00:05:57.683 --> 00:06:02.063 He briefs them on the ship's experimental gravity drive with a simple visualization 00:06:02.063 --> 00:06:03.743 of how it folds spacetime. 00:06:04.083 --> 00:06:07.983 The distress signal consists of a series of screams and howls, 00:06:08.203 --> 00:06:12.263 but DJ believes he hears the Latin phrase, liberate me, save me. 00:06:12.823 --> 00:06:16.883 Upon boarding the event horizon, the crew finds evidence of a massacre. 00:06:17.343 --> 00:06:21.923 As they search for survivors, the ship's gravity drive activates and briefly 00:06:21.923 --> 00:06:26.983 pulls Justin into a portal while also causing a shockwave that damages the Lewis and Clark. 00:06:27.623 --> 00:06:32.683 The crew are forced to board the event horizon while Justin emerges in a catatonic state. 00:06:33.283 --> 00:06:37.703 Smith and Cooper are sent on a spacewalk to repair the hull of the Lewis and Clark. 00:06:38.704 --> 00:06:43.384 The crew begins experiencing hallucinations corresponding to their fears and regrets. 00:06:44.004 --> 00:06:47.704 Miller sees a subordinate he was forced to abandon to his death, 00:06:48.024 --> 00:06:52.584 Peter sees her son with his legs covered in bloody lesions, where sees an eyeless 00:06:52.584 --> 00:06:55.104 vision of his late wife urging him to join her. 00:06:56.004 --> 00:06:59.824 Justin attempts suicide by decompression, but he is saved by Miller. 00:07:00.324 --> 00:07:02.684 The crew places Justin in stasis. 00:07:03.204 --> 00:07:07.544 They discover a video log of the Event Horizon's crew brutalizing each other 00:07:07.544 --> 00:07:10.204 shortly after first engaging the gravity drive. 00:07:10.744 --> 00:07:15.244 The log ends with a shot of the Event Horizon's captain, holding his own eyes 00:07:15.244 --> 00:07:19.704 gouged from their sockets and speaking the Latin phrase from the earlier distress call. 00:07:20.484 --> 00:07:24.724 DJ translates the complete phrase as Libera T. Tupmed Eximferis, 00:07:24.884 --> 00:07:26.184 save yourself from hell. 00:07:27.064 --> 00:07:30.604 Weir explains that the ship's drive opened a gateway to a hellish dimension 00:07:30.604 --> 00:07:36.244 outside the known universe, implied to be hell, and that the Event Horizon has attained sentience. 00:07:37.124 --> 00:07:42.044 Miller decides to destroy it. He orders an evacuation while Peters is lured 00:07:42.044 --> 00:07:44.424 to her death by a hallucination of her son. 00:07:45.004 --> 00:07:49.424 Weir, who is gouged out his own eyes and is corrupted by the evil presence, 00:07:49.644 --> 00:07:54.224 uses an explosive device to destroy the Lewis and Clark which kills Smith and 00:07:54.224 --> 00:07:55.824 blasts Cooper into space. 00:07:56.344 --> 00:08:00.404 Weir kills DJ by vivisecting him in corner Stark on

the bridge. 00:08:01.304 --> 00:08:05.484 Miller confronts Weir, who overpowers him and initiates a 10-minute countdown 00:08:05.484 --> 00:08:08.804 to activate the gravity drive and return to the other dimension. 00:08:09.444 --> 00:08:13.944 Cooper uses his space suit's oxygen supply to propel himself back to the ship 00:08:13.944 --> 00:08:15.444 and appears at the bridge window. 00:08:15.924 --> 00:08:21.504 Weir shoots at him, shattering the window, causing Weir to be blown into space by the decompression. 00:08:22.304 --> 00:08:26.584 Miller, Stark, and Cooper survive and manage to seal off the ship's bridge. 00:08:27.444 --> 00:08:31.664 With their own ship destroyed, Miller plans to split the event horizon in two 00:08:31.664 --> 00:08:35.004 with explosives and use its forward section as a lifeboat. 00:08:35.504 --> 00:08:40.884 He is attacked by hallucinations which turn out to be the resurrected and further mutilated Weir. 00:08:41.384 --> 00:08:45.864 Miller fights him off and detonates the explosives, sacrificing himself. 00:08:46.404 --> 00:08:51.044 The gravity drive activates, pulling the ship's stern section into a black hole. 00:08:51.864 --> 00:08:56.344 Stark and Cooper enter stasis beside a comatose Justin and wait to be rescued. 00:08:57.164 --> 00:09:02.024 72 days later, the wreckage of the event Horizon is boarded by a rescue party 00:09:02.024 --> 00:09:04.224 who discover the survivors in stasis. 00:09:05.144 --> 00:09:08.584 Stark sees reposing as one of the rescuers and screams in terror, 00:09:08.864 --> 00:09:11.524 but she awakens and realizes that it was a nightmare. 00:09:12.364 --> 00:09:16.584 Cooper and the rescue team try to calm the terrified Stark as the doors close. 00:09:24.562 --> 00:09:30.822 Here are some key themes and symbols in Event Horizon. Themes The unknown and cosmic horror. 00:09:31.242 --> 00:09:35.802 The film explores the fear of the unknown, drawing on Lovecraftian horror to 00:09:35.802 --> 00:09:40.342 depict a dimension beyond human comprehension, one that brings madness and terror. 00:09:40.702 --> 00:09:43.342 The corruption of technology and science. 00:09:43.742 --> 00:09:47.902 The Event Horizon spaceship represents how scientific advancements, 00:09:48.102 --> 00:09:53.262 when unchecked, can lead to catastrophic consequences. The pursuit of knowledge 00:09:53.262 --> 00:09:55.882 can sometimes open doors best left closed. 00:09:56.442 --> 00:10:01.442 Hell and Damnation The ship's journey into another dimension and its return 00:10:01.442 --> 00:10:05.442 suggest a literal descent into hell, reinforcing themes of sin, 00:10:05.702 --> 00:10:07.622 punishment, and eternal suffering. 00:10:08.162 --> 00:10:13.522 Madness and Psychological Horror The crew experiences hallucinations fueled 00:10:13.522 --> 00:10:17.902 by their deepest fears and regrets, emphasizing the fragile nature of the human 00:10:17.902 --> 00:10:19.682 mind under extreme conditions. 00:10:20.562 --> 00:10:26.002 Isolation and Desperation Trapped in deep space, the characters must face both 00:10:26.002 --> 00:10:29.002 the external horror of the ship and their own internal demons, 00:10:29.342 --> 00:10:32.182 highlighting the psychological effects of isolation. 00:10:32.962 --> 00:10:38.762 Symbols The Event Horizon Ship A symbol of forbidden knowledge in Pandora's 00:10:38.762 --> 00:10:44.082 box, representing humanity's reckless pursuit of power without understanding the consequences. 00:10:44.742 --> 00:10:50.282 The Gravity Drive acts as a gateway to another dimension, symbolizing the thin 00:10:50.282 --> 00:10:53.002 boundary between science and supernatural horror. 00:10:53.342 --> 00:10:58.682 It also represents the human tendency to push beyond limits without foreseeing the risks. 00:10:59.522 --> 00:11:03.982 The Visions and Hallucinations Manifestations of guilt, trauma, 00:11:04.242 --> 00:11:06.142 and the ship's corrupting influence, 00:11:06.322 --> 00:11:09.862 showing how personal fears can be weaponized against individuals. 00:11:10.822 --> 00:11:15.862 The Gateway to Hell implies a place beyond time and space where suffering is eternal. 00:11:16.122 --> 00:11:19.902 Reinforcing the film's mix of science fiction and religious horror. 00:11:20.222 --> 00:11:25.502 Blood and Gore The mutilations and grotesque imagery symbolize the physical 00:11:25.502 --> 00:11:29.062 and psychological torment inflicted by the ship's influence, 00:11:29.342 --> 00:11:31.242 emphasizing suffering beyond death. 00:11:31.902 --> 00:11:38.182 Conclusion Event Horizon, 1997, is a blend of science fiction and horror, 00:11:38.442 --> 00:11:43.422 using cosmic terror and psychological themes to explore humanity's fear of the unknown. 00:11:43.422 --> 00:11:48.702 Through its chilling symbols and disturbing imagery, the film serves as a cautionary 00:11:48.702 --> 00:11:53.062 tale about the dangers of unchecked ambition, the fragility of the human mind, 00:11:53.202 --> 00:11:56.702 and the horrors that may lie beyond the boundaries of space and time. 00:11:57.122 --> 00:12:02.302 Its lasting impact stems from its ability to fuse sci-fi spectacle with supernatural 00:12:02.302 --> 00:12:05.342 dread, creating a truly unsettling experience. 00:12:06.480 --> 00:12:13.040 00:12:14.191 --> 00:12:18.691 Here is a character analysis of the main figures in Event Horizon, 1997. 00:12:19.551 --> 00:12:22.831 Dr. William Weir, Sam Neill. Dr. 00:12:22.951 --> 00:12:27.271 Weir is the designer of the Event Horizon, a spaceship equipped with an experimental 00:12:27.271 --> 00:12:30.871 gravity drive capable of creating artificial black holes. 00:12:31.711 --> 00:12:36.291 Initially portrayed as a logical scientist, Weir's descent into madness mirrors 00:12:36.291 --> 00:12:37.671 the ship's own transformation. 00:12:38.191 --> 00:12:42.891 His grief over his deceased wife, combined with the ship's malevolent influence, 00:12:42.891 --> 00:12:47.531 causes

him to become an antagonist, embracing the horrors he helped unleash. 00:12:48.091 --> 00:12:53.511 Captain Miller, Lawrence Fishburne. Captain Miller is the pragmatic and disciplined 00:12:53.511 --> 00:12:58.431 leader of the Lewis and Clark, the rescue vessel sent to investigate the event horizon. 00:12:59.331 --> 00:13:03.671 He prioritizes the safety of his crew and remains skeptical of Weir's assurances. 00:13:04.231 --> 00:13:09.231 As the horrors unfold, his inner demons, particularly the guilt over a past 00:13:09.231 --> 00:13:12.511 decision that led to a crew member's death, are exploited. 00:13:13.231 --> 00:13:17.291 Ultimately, he sacrifices himself to protect the surviving crew. 00:13:17.831 --> 00:13:20.071 Lieutenant Stark, Jolie Richardson. 00:13:20.731 --> 00:13:22.731 Stark is the second in command of 00:13:22.731 --> 00:13:26.151 the Lewis and Clark and one of the more level-headed members of the crew. 00:13:26.571 --> 00:13:32.091 She is among the few survivors, maintaining a rational approach amidst the growing chaos. 00:13:32.631 --> 00:13:34.591 Cooper, Richard T. Jones. 00:13:35.151 --> 00:13:38.871 Cooper provides comic relief and optimism throughout the film, 00:13:39.271 --> 00:13:41.571 serving as a contrast to the dark atmosphere. 00:13:42.191 --> 00:13:46.251 Despite his humorous nature, he proves to be a competent crew member, 00:13:46.691 --> 00:13:50.011 surviving the ship's horrors and actively working to escape. 00:13:50.591 --> 00:13:53.051 Dr. DJ, Jason Isaacs. 00:13:53.351 --> 00:13:54.051 Dr. 00:13:54.211 --> 00:13:57.811 DJ is the ship's medical officer with a background in trauma. 00:13:58.311 --> 00:14:03.171 He is analytical and cautious, but becomes another victim of the ship's supernatural 00:14:03.171 --> 00:14:06.011 influence, eventually meeting a gruesome fate. 00:14:06.631 --> 00:14:12.151 Peters, Kathleen Quinlan. Peters is a med tech officer who is haunted by visions 00:14:12.151 --> 00:14:14.271 of her son while on the event horizon. 00:14:14.651 --> 00:14:19.391 Her maternal instincts and emotional vulnerability are exploited by the ship, 00:14:19.751 --> 00:14:21.171 leading to her tragic demise. 00:14:21.851 --> 00:14:27.431 Justin, Jack Noseworthy. Justin, or Baby Bear, is the youngest crew member. 00:14:27.851 --> 00:14:32.411 He is the first to experience the horrors of the ship, nearly being pulled into 00:14:32.411 --> 00:14:34.591 the void created by the gravity drive. 00:14:34.991 --> 00:14:39.451 His suffering sets the tone for the crew's realization that the event horizon 00:14:39.451 --> 00:14:41.691 has been to a dimension of pure chaos. 00:14:42.271 --> 00:14:47.091 Smitty, Sean Pertwee. Smitty is the ship's pilot and engineer. 00:14:47.531 --> 00:14:52.331 His practical mindset and loyalty to the crew are evident, but he ultimately 00:14:52.331 --> 00:14:54.971 falls victim to the ship's escalating violence. 00:14:55.431 --> 00:14:59.631 Each character in event horizon represents different aspects of fear, 00:14:59.711 --> 00:15:02.731 trauma, and guilt, which the ship exploits. 00:15:03.011 --> 00:15:07.831 The film blends psychological horror with cosmic terror, using its characters' 00:15:07.991 --> 00:15:10.831 vulnerabilities to intensify the unfolding nightmare. 00:15:21.070 --> 00:15:24.370 Here is a detailed overview of the production and design of the movie. 00:15:25.010 --> 00:15:31.450 Production 1. Development The film was written by Philip Eisner and originally 00:15:31.450 --> 00:15:34.410 envisioned as a Lovecraftian horror story in space. 00:15:35.270 --> 00:15:39.730 Influences included H.P. Lovecraft's The Call of Cthulhu, The Shining, 00:15:39.910 --> 00:15:44.530 1980, and 2001, A Space Odyssey, 1968. 00:15:45.130 --> 00:15:49.510 The studio, Paramount Pictures, wanted a film to rival Alien, 00:15:49.510 --> 00:15:55.090 1979, and pressured the filmmakers to cut production time, leading to a rushed 00:15:55.090 --> 00:15:56.590 post-production process. 00:15:57.090 --> 00:16:02.650 2. Filming and Locations The movie was shot at Pinewood Studios in England, 00:16:02.950 --> 00:16:04.770 using large-scale practical sets. 00:16:05.250 --> 00:16:10.490 Some exteriors and ship miniatures were enhanced with CGI, but most interiors 00:16:10.490 --> 00:16:12.670 were built as full-scale physical sets. 00:16:13.110 --> 00:16:16.370 Many of the gruesome hell visions were practical effects, 00:16:16.550 --> 00:16:20.610 enhanced by fast-cut editing design one 00:16:20.610 --> 00:16:23.810 production design production designer 00:16:23.810 --> 00:16:29.470 joseph bennett alien versus predator gladiator the design of the event horizon 00:16:29.470 --> 00:16:34.970 ship was a fusion of gothic cathedral elements inspired by notre dame de paris 00:16:34.970 --> 00:16:41.970 industrial aesthetics with metallic corridors and dim lighting religious and occult symbolism, 00:16:42.370 --> 00:16:45.110 reinforcing the film's themes of supernatural horror. 00:16:45.630 --> 00:16:49.150 Key set designs. The event horizon ship. 00:16:49.570 --> 00:16:55.570 The ship's long, cross-shaped design was inspired by cathedrals and religious iconography. 00:16:56.130 --> 00:17:00.050 Dark, rusted interiors made it feel abandoned and haunted. 00:17:00.530 --> 00:17:04.090 The corridors were designed with a ribbed, spine-like structure, 00:17:04.450 --> 00:17:06.370 creating a claustrophobic effect. 00:17:07.413 --> 00:17:13.653 Gravity drive room. The most iconic set, featuring a rotating black sphere with interlocking rings. 00:17:14.433 --> 00:17:18.373 The design was inspired by gyroscopes and medieval torture devices. 00:17:19.093 --> 00:17:23.473 Runic symbols were etched into the walls, reinforcing the idea that the ship 00:17:23.473 --> 00:17:25.553 had been touched by an infernal force. 00:17:26.053 --> 00:17:30.533 The medical bay and crew quarters featured blood-stained walls, 00:17:30.793 --> 00:17:35.213

flickering lights, and floating debris, emphasizing the ship's history of terror. 00:17:35.653 --> 00:17:39.693 The cold, sterile design was gradually overtaken by organic, 00:17:39.973 --> 00:17:43.553 disturbing elements, reflecting the ship's descent into madness. 00:17:44.093 --> 00:17:51.053 2. Costume Design Costume Designer, John Mallow, Star Wars, A New Hope, Alien. 00:17:51.593 --> 00:17:56.593 The cruise uniforms were practical, military-style jumpsuits, with mission patches. 00:17:57.293 --> 00:18:02.213 Dr. Weir's transformation, played by Sam Neill, was enhanced with prosthetic 00:18:02.213 --> 00:18:07.393 effects, creating a scarred, demonic look by the film's climax. 3. 00:18:08.013 --> 00:18:14.253 Cinematography and Lighting Cinematographer, Adrian Biddle, Aliens, The Princess Bride. 00:18:14.493 --> 00:18:19.933 The ship's lighting was low-key and shadow-heavy, with flickering effects to create unease. 00:18:20.453 --> 00:18:24.473 Red emergency lighting and strobe effects heightened the sense of dread. 00:18:24.933 --> 00:18:29.173 The film used distorted, handheld shots for hallucination sequences, 00:18:29.673 --> 00:18:32.173 increasing their chaotic, nightmarish quality. 00:18:32.513 --> 00:18:35.393 4. Visual effects and CGI. 00:18:35.973 --> 00:18:41.993 The film blended practical effects, miniatures, and CGI to create its horrific imagery. 00:18:42.353 --> 00:18:47.253 The ship's exterior was a detailed miniature, filmed with motion control cameras. 00:18:47.513 --> 00:18:51.753 The Hell Visions were mostly practical effects with prosthetics, 00:18:51.993 --> 00:18:56.793 fake blood, and makeup, but enhanced with digital effects. 5. 00:18:57.153 --> 00:19:02.913 Sound and Music Composer, Michael Kamen, with electronic elements by Orbital. 00:19:03.293 --> 00:19:07.673 The score mixed orchestral horror themes with techno-industrial beats, 00:19:08.053 --> 00:19:11.133 reinforcing the film's fusion of sci-fi and horror. 00:19:11.993 --> 00:19:15.953 The ship's ambient sounds, metal groaning, whispers, and heartbeats, 00:19:16.253 --> 00:19:18.113 created an unsettling atmosphere. 00:19:18.653 --> 00:19:23.873 Legacy Event Horizon was initially a critical and commercial failure, 00:19:23.873 --> 00:19:27.773 but later gained cult status due to its unique horror aesthetic. 00:19:28.873 --> 00:19:33.253 The film has influenced other works, including Dead Space, The Expanse, 00:19:33.353 --> 00:19:35.893 and Warhammer 40ks Warp Mythology. 00:19:36.240 --> 00:19:42.960 00:19:45.583 --> 00:19:52.963 Free audio post-production by Alphonic.com So here are my personal insights 00:19:52.963 --> 00:19:56.063 and interpretations of Event Horizon, 00:19:56.603 --> 00:20:00.963 including some of my favorite moments and the characters. 00:20:01.683 --> 00:20:10.943 So this movie actually would have been longer, but it has been cut down in several ways, right? 00:20:11.823 --> 00:20:18.803 The opening theme music was so haunting you know i'm saying that's you know so such an 00:20:19.983 --> 00:20:23.943 Eerie sound you know and you 00:20:23.943 --> 00:20:26.963 might have heard it sampled in the intro to the podcast as 00:20:26.963 --> 00:20:30.103 well so we get to 00:20:30.103 --> 00:20:33.983 see the ship right i mean 2047 that's 00:20:33.983 --> 00:20:37.903 when this is set and there's 00:20:37.903 --> 00:20:40.703 a distract signal that comes from 00:20:40.703 --> 00:20:43.723 the event horizon and it's a ship that 00:20:43.723 --> 00:20:47.463 has been vanished for seven years right 00:20:47.463 --> 00:20:50.563 near neptune so the lewis 00:20:50.563 --> 00:20:53.903 and clark they're a rescue vessel right 00:20:53.903 --> 00:20:56.683 and they're led by a captain 00:20:56.683 --> 00:21:00.063 miller who is laurence fishburne 00:21:00.063 --> 00:21:03.103 one of my favorite actors finding out 00:21:03.103 --> 00:21:06.523 here and basically they're 00:21:06.523 --> 00:21:11.003 on the journey to investigate right i 00:21:11.003 --> 00:21:14.623 like how he portrays the 00:21:14.623 --> 00:21:17.763 emotional range of a 00:21:17.763 --> 00:21:25.243 captain here and perhaps this might have been what would have given him enough 00:21:25.243 --> 00:21:31.703 props to be able to take on being the captain of the nebuchadnezzar in the matrix 00:21:31.703 --> 00:21:36.723 which is even you know cooler but But, yeah, 00:21:37.003 --> 00:21:42.423 you know, in those early days, you could see a young Larry Fishburne, basically, you know. 00:21:43.863 --> 00:21:50.163 So, we are introduced to members of the crew and Dr. 00:21:50.443 --> 00:21:52.283 William Ware. Yeah. 00:21:52.883 --> 00:21:57.003 He's the ship's designer, right? He would have been the person who designed 00:21:57.003 --> 00:22:04.783 the Event Horizon and him figure out the experimental gravity drive that would 00:22:04.783 --> 00:22:11.543 have transported the ship through different parts of space. 00:22:13.400 --> 00:22:17.860 So he's there as basically like a consultant, right? Or should be there as a consultant. 00:22:19.380 --> 00:22:25.200 When the crew happens upon the event horizon, I mean, you know, 00:22:25.240 --> 00:22:28.620 imagine seven years they've been looking for this ship, right? 00:22:28.800 --> 00:22:33.620 And it is near to Neptune, but they didn't know exactly where. 00:22:34.000 --> 00:22:38.880 But I mean, think about it this way too. It's space, space is big and vast. 00:22:39.120 --> 00:22:43.760 So it could be that, you know, it does take that long for them to, 00:22:43.760 --> 00:22:47.220 you know, finally get at finding it, right? 00:22:47.760 --> 00:22:55.240 Yes, they might have ships that can do warp speed or, you know, so, but, yeah. 00:22:56.400 --> 00:23:01.520 Anyways, so they find that it is drifting in space, 00:23:02.140 --> 00:23:02.520 Right? 00:23:02.520 --> 00:23:05.560 And so they dock with a ship. 00:23:05.900 --> 00:23:13.000 You know, there's nothing too scary

yet, right? When they go aboard the ship, 00:23:13.480 --> 00:23:17.380 there's no life science, right? 00:23:17.600 --> 00:23:27.380 And it just seems to have a lot of floating debris because the gravity device that, you know, 00:23:27.620 --> 00:23:31.620 artificial gravity, generous artificial gravity inside of a spaceship like those, 00:23:31.840 --> 00:23:33.420 it doesn't seem to be active. 00:23:33.420 --> 00:23:39.080 So there's some blood that is floating around, around them and everything. 00:23:39.520 --> 00:23:45.080 That was fucking horrific, just looking at it, right? 00:23:46.660 --> 00:23:53.080 Eventually, get to the ship's logs and it shows a garbled distress message. 00:23:53.080 --> 00:24:00.020 You know, it's always one of those things, one of those tropes in these movies that, you know, 00:24:00.220 --> 00:24:08.680 shit's going to get real fucked up is you're going to have some message or something 00:24:08.680 --> 00:24:14.020 that isn't fully understandable in the moment. 00:24:14.020 --> 00:24:20.040 And then later on down, it becomes very important to the central plot. 00:24:20.540 --> 00:24:27.200 Yeah, this is that device right here. the garbled distress message with a Latin 00:24:27.200 --> 00:24:31.960 phrase that says, liberate me, basically, that's what it sounds like, 00:24:32.140 --> 00:24:34.940 which would translate to save me. 00:24:35.340 --> 00:24:41.500 So they're like, okay, that makes sense. So let's go save, you know, how 00:24:41.500 --> 00:24:42.160 We're going to save 00:24:42.160 --> 00:24:45.840 People, because they look at them dead anyways, you know, because it'd be a 00:24:45.840 --> 00:24:49.620 blood die all over the place. So not long after that, 00:24:51.309 --> 00:25:00.029 of the ship's crew, the engineer, Justin, he is exploring the gravity drive room, right? 00:25:00.249 --> 00:25:07.569 And it's this massive spherical core that basically is the device that Dr. 00:25:07.669 --> 00:25:13.609 Weir would have conceptualized and used, and the Event Horizon works, 00:25:13.629 --> 00:25:15.009 you know, like their engine. 00:25:15.209 --> 00:25:20.209 Instead of them having like a warp generator that would you know, 00:25:20.329 --> 00:25:26.489 or If you know what I'm talking about, it's like an engine that basically allows 00:25:26.489 --> 00:25:30.029 them to be able to move and travel through space. 00:25:30.429 --> 00:25:36.329 But the way how it does it is not necessarily in the same way that other things work. 00:25:36.609 --> 00:25:41.009 So this one is apparently supposed to be able to take you through. 00:25:42.269 --> 00:25:47.249 I don't remember exactly how they describe it, but it takes you through space 00:25:47.249 --> 00:25:50.829 in such a way that you don't end up. 00:25:51.569 --> 00:25:54.429 Moving necessarily but you're just almost like you 00:25:54.429 --> 00:25:57.469 are here now and then you reappear there in 00:25:57.469 --> 00:26:00.149 an instant so you you know

00:26:00.149 --> 00:26:03.229 move from point a to point b really really 00:26:03.229 --> 00:26:06.229 fast so yeah it would have seemed like but 00:26:06.229 --> 00:26:09.109 what would have happened is that you would 00:26:09.109 --> 00:26:12.469 have traveled through a dimension or you 00:26:12.469 --> 00:26:15.389 know you would have went out of the universe 00:26:15.389 --> 00:26:22.129 and then come back into it in that sense yeah it's kind of wibbly wobbly yeah 00:26:22.129 --> 00:26:26.949 I definitely need to do doctor who because doctor who goes into some of these 00:26:26.949 --> 00:26:34.009 things in a way that you can get a better understanding at least but yeah 00:26:35.762 --> 00:26:45.342 So the drive seemingly activates while he's there and Justin gets pulled inside and gets sucked inside, 00:26:46.162 --> 00:26:50.842 you know, unlike if somebody's phone number gets sucked into somebody's phone 00:26:50.842 --> 00:26:55.362 and into group chat that he's not supposed to be in. 00:26:55.722 --> 00:27:01.442 I'm just saying, not that kind of thing, right? It was this man getting sucked 00:27:01.442 --> 00:27:05.662 into a thing that actually is gravity. 00:27:05.842 --> 00:27:09.482 So, you know, you can imagine a gravity drive pulling you into it, right? 00:27:09.902 --> 00:27:15.842 And at first I'm thinking because of the way how the show name anyway is Event 00:27:15.842 --> 00:27:23.222 Horizon, it gives you the idea that, hey, some kind of generating of black hole. 00:27:23.522 --> 00:27:28.482 And so, you know, using that probably to harness that, you know? 00:27:28.842 --> 00:27:40.762 But, yeah, anyways, he emerges in shock and mumbling and, you know, 00:27:40.922 --> 00:27:43.062 he just seems very out of it. 00:27:43.782 --> 00:27:46.522 The man just, you know. 00:27:47.262 --> 00:27:54.162 Then other strange occurrences are noticed by other crew members who experience 00:27:54.162 --> 00:27:59.902 some hallucinations. and it seems to be of their worst fears. 00:28:00.882 --> 00:28:08.802 So Captain Miller would have seen a burning man, which would have been his former 00:28:08.802 --> 00:28:11.742 crewmate who he failed to save. 00:28:12.062 --> 00:28:20.722 He keeps seeing him in front of him as if he's literally there when he knows he's dead. 00:28:20.722 --> 00:28:29.502 Stark, one of the crew members, she continually sees hallucination of Justin 00:28:29.502 --> 00:28:34.722 or at least something moving around the place. 00:28:36.195 --> 00:28:39.095 Her just being in shock about what is going on 00:28:39.095 --> 00:28:42.495 there's you know where dr 00:28:42.495 --> 00:28:46.055 weir hears his dead wife voice right 00:28:46.055 --> 00:28:49.175 and you know eventually he 00:28:49.175 --> 00:28:57.015 would have seen with no eyes eyes both eyes plucked out looking at him which 00:28:57.015 --> 00:29:06.595 was fucking weird yeah so at this point of course everybody's like what the fuck is going on 00:29:07.115 -->

00:29:11.315 Captain Miller is like yo you need to tell me what I'm going Dr. 00:29:11.455 --> 00:29:15.455 Weir something is going on because everybody I said I must say certain things 00:29:15.455 --> 00:29:19.895 and he's trying to deny it he's trying to kind of hold on you know the fort 00:29:19.895 --> 00:29:25.215 like he must say yo no you know you know we gotta be this we gotta be skeptical 00:29:25.215 --> 00:29:29.315 about this and that you know we're like nigga 00:29:30.315 --> 00:29:34.875 People are complaining about certain things right and you're going to talk about 00:29:34.875 --> 00:29:42.175 the fact that certain things can't be happening or we need to do other things 00:29:42.175 --> 00:29:45.075 and you're not paying attention to these things. 00:29:45.535 --> 00:29:51.575 Mind you, they all could be literally just hallucinating just so. 00:29:51.835 --> 00:29:53.395 It could just all be in their mind. 00:29:53.915 --> 00:29:59.815 But the fact that you're going to have people that say, we can't continue to 00:29:59.815 --> 00:30:02.615 do what we have on our mission. 00:30:03.155 --> 00:30:09.775 We need to get our asses out of here and figure out another way. 00:30:10.215 --> 00:30:15.215 We can't continue, but he's pushing ahead. He wants to push ahead with things. 00:30:17.675 --> 00:30:23.575 We'll be right back after these messages. This episode contains discussions 00:30:23.575 --> 00:30:27.515 of violence that may not be suitable for all listeners. 00:30:27.955 --> 00:30:29.655 Please listen with caution. 00:30:30.355 --> 00:30:33.135 If you're into this podcast and want to see it 00:30:33.135 --> 00:30:36.155 grow without us getting sucked into a creepy event 00:30:36.155 --> 00:30:39.315 horizon style void share it 00:30:39.315 --> 00:30:45.815 with a fellow sci-fi lover and leave a comment it's not monetized just fueled 00:30:45.815 --> 00:30:52.055 by passion curiosity and a hint of madness every listen follow and share helps 00:30:52.055 --> 00:30:59.235 keep the ship from drifting into deep space so suit up captain we've got galaxies to explore Bye-bye. 00:31:02.815 --> 00:31:10.255 So, eventually, they're able to clean up that previous transmission, 00:31:10.735 --> 00:31:22.495 the distorted distress call, which now reveals to say liberate tuteme ex inferis. 00:31:22.835 --> 00:31:29.975 And I'm not casting a spell here, guys. It's just Latin, which means save yourself from hell. 00:31:29.975 --> 00:31:36.195 So imagine you dip on a spaceship you have a mission for going to see if some 00:31:36.195 --> 00:31:39.915 people and you go there and you find some shit happening you have 00:31:41.195 --> 00:31:45.975 hallucinations happening around you right everybody else have hallucinations 00:31:45.975 --> 00:31:50.275 some people have denied some people haven't said that I'm having hallucinations 00:31:50.275 --> 00:31:53.375 right one of the guys he's having an hallucination but he didn't say anything 00:31:53.995 --> 00:32:01.255 and you know he was getting increasingly violent too but anyways And then you 00:32:01.255 --> 00:32:09.375 see a distorted distress message that has been cleaned up enough for you to hear clearly. 00:32:09.615 --> 00:32:13.915 So it's not that it's distorted and you're hearing something freaky. 00:32:14.075 --> 00:32:17.275 You're hearing something freaky from something that's clean. 00:32:18.255 --> 00:32:18.715 You know what I'm saying? 00:32:21.071 --> 00:32:24.651 Want to get the hell out of Dodge, right? You want to get out of there because 00:32:24.651 --> 00:32:26.451 you're not steering in this. 00:32:26.951 --> 00:32:30.631 But that's not the case, of course. Yeah. 00:32:31.731 --> 00:32:35.731 So they start asking questions about the gravity drive because, 00:32:35.731 --> 00:32:42.691 you know, I must say, we're wondering, is it actually supposed to be doing what, 00:32:42.911 --> 00:32:44.791 you know, and can it be activated? 00:32:45.031 --> 00:32:48.431 And he's like, no, it can't be activated. you 00:32:48.431 --> 00:32:51.591 know it's like that it has to be this that 00:32:51.591 --> 00:32:54.331 that and really it's like you know 00:32:54.331 --> 00:32:58.051 dr where we really believe say it 00:32:58.051 --> 00:33:02.211 never just create a wormhole right it 00:33:02.211 --> 00:33:05.651 opened up a gateway to a dimension of 00:33:05.651 --> 00:33:09.571 chaos and torment it seems and then 00:33:09.571 --> 00:33:12.491 the ship itself is reacting as if 00:33:12.491 --> 00:33:16.331 it is alive right and 00:33:16.331 --> 00:33:20.551 you know it's trying to repel the 00:33:20.551 --> 00:33:30.351 foreign bodies so justin who was out you know almost cold for a little while 00:33:30.351 --> 00:33:37.411 he now has been tormented by what he has been seeing traumatized 00:33:38.831 --> 00:33:48.271 He locks himself in the airlock and vents himself into space which causes his 00:33:48.271 --> 00:33:55.551 eyes to pop out of his head I don't know why the rest of his body wasn't experiencing 00:33:55.551 --> 00:33:58.191 anything else but then again, 00:33:58.451 --> 00:34:01.931 it was made in 1997 so they 00:34:01.931 --> 00:34:04.911 would have been just concerned about just 00:34:04.911 --> 00:34:08.011 showing that particular thing to say oh your blood 00:34:08.011 --> 00:34:13.111 will boil and your eyes will just pop out but yeah there was a time that he 00:34:13.111 --> 00:34:18.111 spent in space you know other stuff should have been happening to him too skin 00:34:18.111 --> 00:34:27.831 and everything yeah anyways so things get even more freaky more hauntings 00:34:27.831 --> 00:34:29.311 Things just get 00:34:29.311 --> 00:34:37.511 Really off the rocker and you know the crew members continue to be tarmented 00:34:37.511 --> 00:34:42.311 you know in more ways than one for some of them 00:34:43.721 --> 00:34:54.781 So we're having seen his wife, his dead wife, with no eyes in her head and

telling him to join her. 00:34:55.101 --> 00:35:00.721 She's almost naked, right? So, yeah, I have to mention that part, right? 00:35:01.461 --> 00:35:11.301 She's almost naked. She just lives on, like, marina-looking thing and a panty. 00:35:11.301 --> 00:35:14.681 And yeah she was learning 00:35:14.681 --> 00:35:17.661 i guess because you know you haven't seen your wife 00:35:17.661 --> 00:35:20.501 you know the last time you saw her was that and 00:35:20.501 --> 00:35:23.341 so you you know you just give up you as a scientist you 00:35:23.341 --> 00:35:26.041 just forget that you're on a 00:35:26.041 --> 00:35:29.441 mission you forget that you came there to 00:35:29.441 --> 00:35:32.681 do science or 00:35:32.681 --> 00:35:35.641 perhaps that wasn't your goal probably you were 00:35:35.641 --> 00:35:40.461 just motivated by pure unadulterated 00:35:40.461 --> 00:35:48.201 wanting to be with your wife so now you are there you gladly accept the invitation 00:35:48.201 --> 00:35:55.821 to join her wherever she she is so yeah Dr. 00:35:55.961 --> 00:36:03.861 Weir gouged out him yied him one yied and you know him claim saying how the 00:36:03.861 --> 00:36:06.201 ship has shown him the truth 00:36:07.161 --> 00:36:11.281 fucking hell you talking about what you talking about 00:36:12.761 --> 00:36:22.081 So Weir murders several crew members you know and by this time when they realized 00:36:22.081 --> 00:36:24.801 I say they're being picked off one by one. 00:36:25.901 --> 00:36:31.321 Captain Miller would have tried to find a way to get them all off because they 00:36:31.321 --> 00:36:33.621 were like, all right, we're getting out of Dodge. 00:36:33.861 --> 00:36:39.121 We'll leave Dr. Weir because Dr. Weir just now cooperating at this point. 00:36:39.981 --> 00:36:43.481 He was supposed to be at a part of the plan. He was supposed to be doing something, 00:36:43.521 --> 00:36:45.041 but he just isn't doing it. 00:36:45.181 --> 00:36:48.781 So they were getting out of Dodge, which is a smart move in that moment. 00:36:48.781 --> 00:36:52.501 But it was a little too late because Dr. 00:36:52.641 --> 00:37:00.841 Weir now has been converted, as you say, and he's murdering people, right? 00:37:01.501 --> 00:37:10.821 And then they set a booby trap and put it on Lewis and Clark and destroyed Lewis 00:37:10.821 --> 00:37:16.241 and Clark with one of the crew members that was there. 00:37:16.701 --> 00:37:20.001 I'm discovered late, you know, that the bomb was there. 00:37:21.513 --> 00:37:24.973 Then he activates the gravity drive, which, 00:37:25.553 --> 00:37:32.073 you know, he's basically going to send the ship to the place that it came from, 00:37:32.073 --> 00:37:37.393 where it was all these years, so that he can probably join his wife, 00:37:37.473 --> 00:37:38.413 apparently, I don't know. 00:37:38.933 --> 00:37:44.373 Yeah, of course, you know, Captain Miller never got to have it that way. 00:37:44.513 --> 00:37:47.793 He have to stand up there and fight, right? 00:37:48.153 --> 00:37:51.093 Literally, right? Brutal confrontation. 00:37:51.513 --> 00:37:57.433 And Dr. Weir has the upper hand because apparently he is possessed by this entity 00:37:57.433 --> 00:38:00.813 that gives him supernatural abilities now. 00:38:00.973 --> 00:38:06.633 So he's flinging Captain Miller all over the place, mashing him up and thing. 00:38:06.793 --> 00:38:10.293 And Captain Miller even go through him thing and I see stuff too. 00:38:10.433 --> 00:38:12.193 So at the same time, all of that happened. 00:38:13.813 --> 00:38:20.053 The other members of the crew they would have been trying to ensure that them find a way if they 00:38:20.953 --> 00:38:26.033 detach the event horizon forgot to mention that they had that plan to detach 00:38:26.033 --> 00:38:32.653 the front part and the back part so the part we have in the gravity drive from 00:38:32.653 --> 00:38:38.173 the other part so that them can and basically survive, right? 00:38:38.633 --> 00:38:48.653 So Milo was trying to do his part and he ended up in a situation where he just 00:38:48.653 --> 00:38:51.113 couldn't find himself out of it anyway. 00:38:51.113 --> 00:38:57.653 So he sacrificed himself by blowing up the part of the ship, right? 00:38:58.153 --> 00:39:05.213 So that it prevents them from being taken into the dimension, 00:39:05.453 --> 00:39:07.833 the other dimension, right? And it even stops the... 00:39:09.558 --> 00:39:14.938 Right out so the 00:39:14.938 --> 00:39:18.038 remaining survivors now they end up 00:39:18.038 --> 00:39:21.098 that Stark and Cooper they would 00:39:21.098 --> 00:39:30.798 escape into the ship's forward section and they end up going into stasis of 00:39:30.798 --> 00:39:38.978 course you know and the class of that they are discovered by a rescue team and as their rescue 00:39:40.058 --> 00:39:47.398 stark has a vision of where is that we're come back you know and you know and 00:39:47.398 --> 00:39:51.918 you feel like say yo this is gonna be it is that i'm gonna done the show right 00:39:51.918 --> 00:39:56.718 so they might cut the show and make it seem like this need a part two but no 00:39:56.718 --> 00:39:59.998 they realize say she was just solely dreaming 00:40:00.578 --> 00:40:03.358 and then you know the the 00:40:03.358 --> 00:40:06.918 film ends on a very abrupt note you know 00:40:06.918 --> 00:40:09.698 basically giving you all thing for Seboa you 00:40:09.698 --> 00:40:13.158 know what happened is said 00:40:13.158 --> 00:40:16.298 that the entity was destroyed because the 00:40:16.298 --> 00:40:21.958 last time that we thought where was going at time when he got ejected out of 00:40:21.958 --> 00:40:30.898 the ship and now we are wondering if him actually dead dead or is it that he 00:40:30.898 --> 00:40:35.478 is just floating somewhere in space only to be picked up by some 00:40:36.938 --> 00:40:39.658 Unsuspecting thing and what would he 00:40:39.658 --> 00:40:43.078 do without

the gravity drive in his 00:40:43.078 --> 00:40:45.918 state because he's possessed now so is it 00:40:45.918 --> 00:40:53.118 that the entity will use his mind to create another ship is it I don't know 00:40:53.118 --> 00:40:59.518 can it do anything other than to give him superhuman strength and to make him 00:40:59.518 --> 00:41:04.838 be able to see even though he now have no eye ball can tear out in eye ball him 00:41:06.458 --> 00:41:08.158 These are some good questions, right? 00:41:09.612 --> 00:41:21.392 Yeah, so this movie was a crazy mix of sci-fi and horror. 00:41:21.912 --> 00:41:28.712 And you can tell from the terror and the gruesome imagery, they weren't afraid 00:41:28.712 --> 00:41:33.532 to show you some shit in this thing, right? This is why I'm swearing so much. 00:41:33.992 --> 00:41:39.012 This film, as I'll just say, you have some things in the universe. 00:41:39.612 --> 00:41:48.192 That might necessarily be best left unexplored and that, you know, 00:41:48.972 --> 00:41:57.232 maybe some of the things that we want to do, you know, we want to go to those 00:41:57.232 --> 00:42:02.892 frontiers of science and want to go to that undiscovered country. 00:42:03.352 --> 00:42:08.732 Maybe it's best to leave those countries undiscovered. Yeah. 00:42:09.612 --> 00:42:14.432 Well, that's my analysis and interpretation of the film. 00:42:21.112 --> 00:42:28.752 So here are my theories about unresolved mysteries and some plot points. 00:42:30.412 --> 00:42:39.372 So one of the things that came out directly was the fact that Event Horizon 00:42:39.372 --> 00:42:49.712 didn't shy away from talking about hell and the nature of what that hell dimension could be. 00:42:49.712 --> 00:42:53.292 So it could 00:42:53.292 --> 00:42:56.532 be that we see that 00:42:56.532 --> 00:42:59.492 kind of grotesque violence as being 00:42:59.492 --> 00:43:02.672 the ship basically and 00:43:02.672 --> 00:43:05.912 the fact that when they boarded the ship there 00:43:05.912 --> 00:43:08.972 was blood everywhere and we saw on 00:43:08.972 --> 00:43:17.252 the video that the crew basically killed one another and it gave that idea that 00:43:17.252 --> 00:43:27.012 in hell being in hell is this violent grotesque 00:43:28.617 --> 00:43:32.397 Place tormenting because 00:43:32.397 --> 00:43:35.597 everybody was tormented by something that they felt guilty 00:43:35.597 --> 00:43:39.537 about is almost like your sins yeah 00:43:39.537 --> 00:43:43.317 that just be pulled 00:43:43.317 --> 00:43:47.037 out if you want to put it that way and then 00:43:47.037 --> 00:43:50.797 we get the idea of the ship 00:43:50.797 --> 00:43:58.937 itself becoming sentient and that it takes on an evil sentience after being 00:43:58.937 --> 00:44:07.077 exposed to that dimension and even acting like a malevolent force that torments 00:44:07.077 --> 00:44:10.417 its occupants and manipulates them. 00:44:10.417 --> 00:44:13.557 And on the topic of 00:44:13.557 --> 00:44:16.557 the

ship's sentience I think 00:44:16.557 --> 00:44:25.637 about the event horizon That in many sci-fi It has been hinted at that there 00:44:25.637 --> 00:44:34.357 are some ways That a ship can basically be sentient Outside of being AI, can literally be alive 00:44:36.757 --> 00:44:42.837 And the ship's ability to manipulate its electronics as if, you know, 00:44:42.897 --> 00:44:45.697 it's moving an arm or a leg, right? 00:44:45.997 --> 00:44:53.957 And to create these hallucinations that are tailored to the fool's deepest fears 00:44:53.957 --> 00:44:58.017 or regrets, the things that keep some of them up at night. 00:44:58.837 --> 00:45:03.917 And then, you know, through that extension, Dr. 00:45:04.077 --> 00:45:13.877 Weir gets possessed, right? and carrying out the evil will of this malevolent entity. 00:45:15.057 --> 00:45:20.137 And then you wonder if he's actually gone. Is he actually dead? 00:45:22.252 --> 00:45:25.292 The ending kind of 00:45:25.292 --> 00:45:29.772 leaves it open too because even 00:45:29.772 --> 00:45:39.772 though Stark had that little vision and seemingly woke up is it that this evil 00:45:39.772 --> 00:45:47.992 that has been unleashed because of this could it be lingering In some ways, 00:45:48.372 --> 00:45:57.292 it could be that Stark is having that nightmare because she's still trapped 00:45:57.292 --> 00:46:00.892 or the evil lingers with her now. 00:46:00.892 --> 00:46:04.592 Maybe it's going to find a new 00:46:04.592 --> 00:46:06.212 Home with their 00:46:06.212 --> 00:46:15.152 Crew And then those rescuers will end up becoming rescued too Or having to be 00:46:15.152 --> 00:46:20.812 rescued too because of this Because it seems like, you know, when they say 00:46:21.672 --> 00:46:28.752 I don't want to totally wipe out everything I want to leave people who can be an audience 00:46:29.492 --> 00:46:40.092 you want the evil wants to be worshipped and adored in that way so it tends 00:46:40.092 --> 00:46:48.132 to keep those alive enough alive so it will kill others and torment for tormenting 00:46:48.132 --> 00:46:52.232 The the ones that are living as long as you live you're 00:46:52.232 --> 00:46:57.392 Tormented right if you're dead you can't be tormented anymore because you won't 00:46:57.392 --> 00:46:59.052 be aware of anything that's happening. 00:47:00.272 --> 00:47:05.932 So that's why that option is left open, I think. 00:47:07.032 --> 00:47:15.712 And then it could just be the fact that she's been through this psychological trauma and in a way, 00:47:15.992 --> 00:47:21.852 she might be the most sensitive out of everybody because she was the very first 00:47:21.852 --> 00:47:26.772 one, the very first one to start having these experiences, 00:47:27.112 --> 00:47:28.452 these hallucinations. 00:47:29.352 --> 00:47:37.292 So probably her psychological trauma is being manifested in that supernatural 00:47:37.292 --> 00:47:38.932 way, so maybe she's connected. 00:47:39.692 --> 00:47:46.352 Maybe it's

because of her that this thing, these entire things started anyways. 00:47:49.152 --> 00:47:56.032 And there are some alternate endings that you know came out of early drafts 00:47:57.792 --> 00:48:01.372 so it could be you know that her 00:48:01.372 --> 00:48:06.912 role would have been different if they didn't edit it out or probably you know 00:48:06.912 --> 00:48:15.912 if they added it in the first place so a big question that comes up is what 00:48:15.912 --> 00:48:21.052 happened to the ship after its disappearance for several years right 00:48:23.513 --> 00:48:28.293 One of the things I can consider is that the government might have covered up 00:48:28.293 --> 00:48:31.493 the ship's true mission, right? Perhaps. 00:48:32.893 --> 00:48:37.393 And that's why they would have said that it was self-destructed. 00:48:38.033 --> 00:48:43.333 And that's why that's why we already come and tell them why it wasn't destroyed. 00:48:44.153 --> 00:48:51.133 They covered it up. you know it's to keep you know the 00:48:51.933 --> 00:48:57.793 technology the experimental technology secret and the nature of the mission 00:48:57.793 --> 00:49:02.433 you know probably the nature of the mission was for something else entirely 00:49:03.873 --> 00:49:07.553 And as I mentioned before it could be that 00:49:08.593 --> 00:49:14.133 when it went it was traveling to 00:49:15.113 --> 00:49:24.153 the other dimension when it went there it might have been like a few seconds 00:49:24.973 --> 00:49:32.773 but for the universe around it it might have been 7 years so it might have been 00:49:32.773 --> 00:49:40.013 jumping to the future so it could have been not a spaceship but a time ship 00:49:40.013 --> 00:49:44.673 that's one of those lingering theories out there. 00:49:45.453 --> 00:49:51.433 One of the other things is that it's obviously because of the fact that it was 00:49:51.433 --> 00:49:53.353 so heavily edited and there was 00:49:54.173 --> 00:49:56.833 some lost context based on probably, 00:49:56.873 --> 00:50:02.693 you know, the way how the story was originally crafted to go, that it 00:50:04.973 --> 00:50:08.373 They left it open in that way they edited 00:50:08.373 --> 00:50:12.053 it that way so that they could have gotten the 00:50:12.053 --> 00:50:15.193 go-ahead or the green light to do another movie 00:50:15.193 --> 00:50:18.153 or probably a series or whatever they were 00:50:18.153 --> 00:50:21.193 planning but perhaps it never panned out you 00:50:21.193 --> 00:50:24.313 know at that time it could still happen you know 00:50:24.313 --> 00:50:27.193 and it only takes money you know 00:50:27.193 --> 00:50:30.333 to be put into certain projects i mean i've seen worse 00:50:30.333 --> 00:50:34.513 movies and tv shows being out there so why 00:50:34.513 --> 00:50:37.373 wouldn't this one be right so this is one of those that i 00:50:37.373 --> 00:50:40.393 would definitely recommend it gets like 00:50:40.393 --> 00:50:49.093 a follow-up because you know i think it has been enough time for perhaps it 00:50:49.093 --> 00:50:56.653 to gain that following from the fact that its initial flop but now it has gained 00:50:56.653 --> 00:50:58.933 the following years afterwards, 00:50:59.433 --> 00:51:03.453 you know, and have its time like many others, it could be revisited. 00:51:03.753 --> 00:51:10.273 Maybe it could be retold a different way. It could be a, you know, reboot if they want. 00:51:10.713 --> 00:51:13.973 But at least if you're going to go that direction, 00:51:15.013 --> 00:51:20.013 You know, add the context in, the added context that was left out in the original 00:51:20.013 --> 00:51:26.533 so that it's a little bit more fluid and it feels like this is what it was meant to be. 00:51:26.653 --> 00:51:29.593 Each of the crew members They 00:51:29.593 --> 00:51:33.573 experience some hallucinations That 00:51:33.573 --> 00:51:37.453 were tied to their personal traumas 00:51:37.453 --> 00:51:48.233 Right And so as I mentioned before It's almost like For each man Hell is something 00:51:48.233 --> 00:51:56.673 different Right Their own experience Right It's just like for everybody's religion. 00:51:58.233 --> 00:52:03.513 For them, certain things mean different things to them. 00:52:03.833 --> 00:52:07.053 And to other persons, it might not be the same. 00:52:08.073 --> 00:52:11.933 Because it's psychological in that way. 00:52:12.633 --> 00:52:17.333 Because Miller would have encountered an issue. 00:52:18.393 --> 00:52:21.733 He couldn't save the man who was burning. 00:52:22.433 --> 00:52:28.213 And it's almost like he mutting about it like what should I do what I could have done 00:52:29.313 --> 00:52:36.053 so you know you've created this torment for yourself you've created that hell 00:52:36.053 --> 00:52:42.513 for yourself you know and many times that's what we do when we won't let go 00:52:42.513 --> 00:52:48.193 or won't forgive ourselves for some of the things that happen, 00:52:48.553 --> 00:52:54.353 especially things that are not fully in our control. Right? 00:52:56.768 --> 00:52:58.108 Fact that Dr. 00:52:58.308 --> 00:53:05.188 Weir, he would have, you can imagine, a scientist, him design something and 00:53:05.188 --> 00:53:12.768 his wife would have been one of the persons who would have been a guinea pig to it. 00:53:13.948 --> 00:53:18.468 And because of that, she got lost, right? 00:53:19.468 --> 00:53:26.148 It's kind of probably the same thing that Jonas Salk would have gone through 00:53:26.148 --> 00:53:34.208 when he was developing a vaccine for polio and him tested it upon his very own family. 00:53:35.368 --> 00:53:41.628 He wasn't a mad scientist. He was just an armed person who was trying to find 00:53:41.628 --> 00:53:50.728 a way to save lives and he felt like he didn't have any other option at the 00:53:50.728 --> 00:53:54.928 time and he did what he thought was the best thing at that time. 00:53:56.268 --> 00:54:02.268 And luckily, it worked out at

that time, but it could have not worked out or 00:54:02.268 --> 00:54:06.208 it could have caused some serious problems for them all. 00:54:06.628 --> 00:54:08.448 So those are my theories. 00:54:28.816 --> 00:54:38.276 So in this episode, we looked at Event Horizon, a descent into the horrors of deep space. 00:54:39.536 --> 00:54:49.876 And as I said before, watching over this movie really from start to finish and 00:54:49.876 --> 00:54:54.196 actually getting the context of everything. 00:54:54.596 --> 00:54:57.716 I have to say it's fucking unreal. 00:54:58.816 --> 00:55:03.216 What can be the horrors of deep space? Right? 00:55:04.056 --> 00:55:11.696 Yeah? I like the idea that things we have not discovered, we are uncovering 00:55:11.696 --> 00:55:13.196 and we are figuring out things. 00:55:13.196 --> 00:55:26.896 But I don't want it to be a case where we surrender the costs of our psyche to the elements, 00:55:26.896 --> 00:55:30.076 to any outside influence. 00:55:30.076 --> 00:55:33.136 And that's why I do these 00:55:33.136 --> 00:55:36.416 podcasts because I'm about 00:55:36.416 --> 00:55:39.656 trying to make sense of 00:55:39.656 --> 00:55:43.736 the reality in which we live in and there's 00:55:43.736 --> 00:55:50.716 so much out there it's almost like a universe of things in the world itself 00:55:50.716 --> 00:55:59.456 so you can imagine how vast space is what lies out there there could be so many 00:55:59.456 --> 00:56:02.156 different permutations. 00:56:02.816 --> 00:56:11.196 There could be different earths out there with other voices sounding different, 00:56:12.336 --> 00:56:17.016 Sounding the same, looking different, looking the same. 00:56:18.176 --> 00:56:24.376 And that's just what it is about. That everyone is able to 00:56:26.322 --> 00:56:29.262 Their part give their opinion 00:56:29.262 --> 00:56:32.422 no one is looking to say hey 00:56:32.422 --> 00:56:35.862 this is the only way or the the 00:56:35.862 --> 00:56:40.162 only thing that can happen right and 00:56:40.162 --> 00:56:44.882 just because we want 00:56:44.882 --> 00:56:48.482 to believe that things can be 00:56:48.482 --> 00:56:51.202 awesome and fantastic and we 00:56:51.202 --> 00:56:57.482 can go there and find these things we can go to different worlds We could fly 00:56:57.482 --> 00:57:06.382 to Mars and we could find a world that we could shape and form into something 00:57:06.382 --> 00:57:08.762 that could be our home someday. 00:57:09.162 --> 00:57:13.602 It doesn't mean that we're going to forget our origins, where we're coming from. 00:57:14.422 --> 00:57:25.742 And we're not changing the way how we do things to fit what everyone else is saying. that is what 00:57:25.742 --> 00:57:31.702 This is all about the freedom to express what we 00:57:37.362 --> 00:57:42.402 Us out and say hey you know you were wrong about this, you were right about 00:57:42.402 --> 00:57:46.382 this this is how it works, this is how it doesn't work 00:57:47.802 --> 00:57:53.002 because if we just sat down and thought that we knew everything, 00:57:53.022 --> 00:57:58.702 then there would be nothing else that we could discover as a human race. 00:57:59.262 --> 00:58:04.222 There's nowhere would go because we would know exactly what's there. 00:58:04.342 --> 00:58:07.362 So we don't need to go and discover it. We don't need to find it. 00:58:07.562 --> 00:58:13.522 We don't need to seek it because knowledge would just be something that we just know. 00:58:13.702 --> 00:58:16.822 It's there, but it doesn't work that way. 00:58:17.402 --> 00:58:20.622 So we have to go and seek it. We have to go and discover it. 00:58:20.962 --> 00:58:22.402 We have to try. 00:58:23.382 --> 00:58:28.342 Not saying that we can't have guardrails, we can't have things in place because 00:58:28.342 --> 00:58:30.982 we learn from experience. 00:58:31.942 --> 00:58:38.062 When you first hopped on that bicycle, you didn't immediately start riding perfectly. 00:58:38.522 --> 00:58:46.142 No, you You topple over the bicycle, you drop, but you learn how to not drop. 00:58:46.522 --> 00:58:51.802 You learn from falling how to not fall. 00:58:52.982 --> 00:58:58.062 And that is just what it is. And that's why we continue this. 00:58:59.440 --> 00:59:40.080 00:59:40.213 --> 00:59:45.793 And there you have it, another chilling chapter in our voyage to the universe of sci-fi television. 00:59:46.553 --> 00:59:51.053 We've hit 700 downloads. Thank you for your amazing support. 00:59:52.293 --> 00:59:55.853 Now we continue to journey towards 1000. 00:59:57.193 --> 01:00:02.753 Every bit of engagement counts, so follow, commend, and share your thoughts. 01:00:03.073 --> 01:00:06.513 Until we meet again, keep exploring the unknown. 01:00:10.000 --> 01:00:28.305