WEBVTT
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you Thanks for joining the Screaming Podcast
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Network. And we have a special guest today. And
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on last day, hello. This is Ryan Cavalini from
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Legend Hunter Films. I appreciate you having
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me on the podcast today. Definitely. I'm glad
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to have you on. Any particular films? Darbel
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Film, a micro -budget film making. I can go on
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for hours about our films. That's no problem.
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So That's definitely man Yeah, absolutely, absolutely,
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so I mean We can hit the old stuff to the new
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stuff and filmmaking in general whatever you'd
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like to talk about This year alone release two
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films One called haunted America, which is a
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documentary film, which I was working on for
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like Almost 10 years and we finally finished
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that and then we also released the myths and
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mutants part two, which is a Grindhouse double
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feature kind of in style Quentin Tarantino Tino
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Grindhouse film like a double feature and That
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we just released It's kind of streaming and it's
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not fully out streaming, but a lot of our stuff
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you can see on 2b or blood screened tv that's
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a free app which is really cool of course uh
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you know the hard copies are available off our
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website so those are the two films we just released
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this year and currently we're working on 13 steps
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to hell which is a horror anthology film kind
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of in style creepshow which is something i always
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wanted to do and uh years ago i i that's how
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i started filmmaking was anthology films and
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i had all these short films i'm like you know
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we should just reshoot these and make them new
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and fresh again so um we dove into that in february
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and we're still shooting shorts i don't know
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what the problem is that we were originally only
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going to do five shorts and ended up up to 13
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and we still have like five more we want to shoot
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so it might just end up being two films at this
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point so but uh It's it's been a fun this year.
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I love I love anthologies Like one of my favorite
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show show. Oh god. Yeah creep show one or two
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of the other ones they tried but But they're
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so nice to film because like you can set them
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up like in a day or two and have most of it shot
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so It's so much easier than a complete feature,
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which you're you try to shoot, you know Eight
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days or five or how many days you need in a row
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with the short films you could do like a weekend
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and have one done which is nice. So I'm what
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got you started? Oh The love of film since she
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since I was a kid, you know, it's tour movies
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and action films and adventure films and I didn't
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really start filmmaking until I was like in high
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school and My parents were cool enough and bought
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me a VHS camera That's how old I am and other
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VHS cameras around and we start making these
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backyard horror films and back then a lot of
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the universities didn't have much for like filmmaking
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but I went to Edinburgh University, which is
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up near Penn or Erie, Pennsylvania and they had
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a film program and I went through most of that
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and I Didn't graduate with a Film degree only
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because at the time that was when like you had
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the Kevin Smiths and the Robert Rodriguez's were
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Independent filmmakers saying you don't need
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film school. You can do it yourself. So I just
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kept kind of making movies on the side and We
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just kept making them and I never really thought
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of myself as a filmmaker until we got distribution
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and then we thought yeah, now we're big time
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We have a movie and distribution, you know skies
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of the lemon now and that wasn't the case but
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you know We just we were happy to have a movie
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and distribution at that point. That's pretty
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cool Yeah, it's been around May make a decision
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to do like the first film you ever made at the
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time I really bugged a lot of distribution companies
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and I was always asking them questions like you
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know what's selling right now what would work
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well and every one of them back this was like
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probably 2000 1999 they all said the same thing
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was you know lots of blood and lots of nudity
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and you'll be fine so we went off and made this
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shitty little film called serial killer which
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was as cheap as possible as basic as possible
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but we just amped up the blood and nudity and
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it basically got us our first distribution deal
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and after that I made a promise to myself and
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everyone involved is that any money we make off
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these films they would just get recycled into
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the next film and we made a little bit of money
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off serial killer enough to go make the next
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film which was Demon Slaughter which was an evil
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dead rip off and we just kept at it and I've
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been blessed enough and lucky enough that 26
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years later we're still making films off of or
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making money off of films we made years ago and
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it's just been recycled money and I've never
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really put a lot of my own money into it it's
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just been building over the years that you know
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we're micro budget we don't have thousands and
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thousands of dollars but we have enough to be
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like hey we can go make another film so it's
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been it's been a really blessed ride You know
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to say at least I mean we're not making many
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other movies, but enough that you know, we got
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a little following and people kind of digger
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or micro -budget stuff. So That's how we started.
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Oh, wow. Oh, that's pretty cool. Um, um, what
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what what app did you guys first start getting
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your movies? The first few films were actually
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went through brain damage films, which is I think
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still in business. I don't know that was years
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ago. That was the Yeah, that was that was the
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first guys that ever picked us up Darren had
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brain damage and You know we made enough money
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off of it to go make another movie and then we
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did a few movies with SRS cinema and then We
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did quite a few films with wild eye releasing
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and then recently over the last few years I've
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kind of just kind of went rogue and kind of did
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our own distribution since I mean you can do
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it yourself and it's just another It's like almost
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running another business is you know getting
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your movies into distribution and doing it yourself
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but It's easier to kind of do it that way because
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you're cutting out that middleman and kind of
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doing it yourself But it's still a full -time
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job and it's still very difficult I really haven't
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had a problem with it. It's it's the waiting
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I mean you're playing by their rules and their
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wait times and They might license a movie, but
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they might sit on it for eight months before
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they put it on the channel and then you got to
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wait for X amount of months to see any money
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off of it, so it's Really important to have as
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many films going as possible And I think that's
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where we kind of lucked out is that we have a
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decent catalog of films out there that You know
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These ones are making us some money in there
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We're just waiting on these next ones to come
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out to kind of add to the pile Not that you're
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gonna make a huge amount of money But I mean
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like I said it was enough to keep us keep the
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wheels on the bus going here for over the years
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What inspires you? What inspires you the most?
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You know back Back when I was a kid and watching
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horror movies. I mean Are those horror movies
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back then like the The the the characters the
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Jason's phrase and pinheads a lot of faces of
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those people were like my superheroes You know,
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I do cares about Marvel comics these people these
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these horror comics or characters were always
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my inspiration and I just You know fell in love
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with the macabre and that was always the inspiration
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to kind of fall in the footsteps of Filmmakers
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that were making stuff like that, but during
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the time when I was at college I've followed
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a lot of indie filmmakers and their stories like
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Eric Stanzi and the Todd sheets I mean those
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guys were icons to me because they were out there
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making indie films on Very low budgets and getting
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their films out there. So I idolized like a lot
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of indie filmmakers from back in the day So,
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you know, they were big inspiration to me back
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then it's still to this day. I mean it's it's
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I mean filmmaking is kind of growing so much
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and everyone with the camera is making a movie
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but the old school guys it really came from nothing
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making these movies and getting them out there
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that was just a huge inspiration right there.
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Oh yeah those are my favorite movies. Absolutely
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they don't they don't make them like that anymore
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do they? No not at all. No not at all. No no
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even Yeah, I mean we shot a lot of horror movies
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over the years, but like round I want to say
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like 2009 2010 I kind of took a break from horror
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movies and got into documentary filmmaking And
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but it was still horror related with me when
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we did a few bigfoot films and we did one on
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exorcisms and and we even continued to make some
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documentaries like about ghosts investigating
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what have you so My always my two cents the filmmakers
00:11:07.559 --> 00:11:10.679
is to try to have as many projects going as once
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at once because you might find that you like
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doing one more than the other you know and uh
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one might pay out better than the other so you
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know always have an open mind of you know doing
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different projects don't put yourself in that
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box yeah so tell me more about the um the big
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club and uh and the haunting movies and the haunting
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movies you uh it was about she's 2000 2010 around
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there. Like I said, I was getting burnt out doing
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horror movies and I'm like, it just seemed like
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everything had been done under the sun and I'm
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like, let's try something else. So I was really
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interested in documentary stuff. So I was doing
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research on the internet one night about Bigfoot.
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And I always thought Bigfoot was this West Coast
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phenomena or a thing that happened. But here
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in Pennsylvania, there was Bigfoot sightings.
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So I got really into it and I contacted all these
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bigfoot groups in the area and met with a few
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and got to know everyone and to this day I'm
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good friends with a lot of them and I spent almost
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two years with them kind of going out in the
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woods and squatching and doing all these bigfoot
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investigations and I'm like this is a great story
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right here about these people doing it and then
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there was a couple of stories I came along that
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were very intriguing so um I ended up making
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Mountain Devil which took about three years to
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make that and It did really well. I mean they
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did extremely well in streaming for us So I ended
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up making two more Mountain Devil movies which
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were based on different stories and other Bigfoot
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investigators and That's a really great avenue
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for other if you're a filmmaker I mean if you
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don't have a lot of money I mean documentary
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filmmaking is pretty cheap all you need is a
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camera and someone to interview you can fill
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in the other spots later, but I really like enjoyed
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doing it was just a different type of filmmaking
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So after we finished kind of some of the Mountain
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Devil stuff A few of us were just really into
00:13:04.649 --> 00:13:06.549
ghost hunting so I'm like well we should shoot
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it and dock and enter it and That one took a
00:13:09.730 --> 00:13:11.649
lot longer for some reason I would work on it
00:13:11.649 --> 00:13:14.710
when we had time or had a really cool Investigation
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because a lot of times you go on ghost hunts
00:13:16.230 --> 00:13:18.769
and nothing happens So it was just like do we
00:13:18.769 --> 00:13:20.450
have enough material to make a dock and entery
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so that took almost Almost 10 years really make
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because it was like on and off and Finally last
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year. I was just kind of fed up I'm like we got
00:13:27.740 --> 00:13:29.879
to finish this movie and put it out because I'm
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tired of dealing with it and We finally got it
00:13:33.159 --> 00:13:34.860
done and the funny part is you know as soon as
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we were done with it everyone's like are we gonna
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make a part two? So we've actually been shooting
00:13:39.460 --> 00:13:42.600
part two here pretty quickly this past year But
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like I said, like I think you know the macabre
00:13:45.360 --> 00:13:49.019
and weird stuff or great material one of our
00:13:49.019 --> 00:13:51.159
other films myths and mutants is kind of like
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a documentary slash mockumentary it's about folklore
00:13:55.740 --> 00:13:58.659
in Pennsylvania but then you know we tell what
00:13:58.659 --> 00:14:00.600
the folklore is and then we twist it into this
00:14:00.600 --> 00:14:03.679
little fictional story which is kind of fun and
00:14:03.679 --> 00:14:05.799
that's what even myths and means too was it's
00:14:05.799 --> 00:14:08.919
just these mythical stories out of Pennsylvania
00:14:08.919 --> 00:14:12.600
and New York and we just you know tell the story
00:14:12.600 --> 00:14:14.159
of what they are and then just twist them into
00:14:14.159 --> 00:14:16.360
this fun horror movie for a little bit. Wow that
00:14:16.360 --> 00:14:19.559
sounds cool. Wow that sounds cool. We stay busy.
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Oh, yeah, it sounds like it Yeah, I started following
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Yeah, we really that's something I've learned
00:14:33.350 --> 00:14:35.669
over is the marketing part of things especially
00:14:35.669 --> 00:14:37.850
with micro budget stuff It's almost like another
00:14:37.850 --> 00:14:40.350
full -time job. You got to constantly put in
00:14:40.350 --> 00:14:42.710
material out so people are following or interested
00:14:42.710 --> 00:14:47.000
and just I mean, we really don't have much of
00:14:47.000 --> 00:14:48.960
a budget once the film is done is like how do
00:14:48.960 --> 00:14:50.820
we let people know what's out there and social
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media is the only way to go and you really have
00:14:53.480 --> 00:14:55.320
to pound the pavement with it and constantly
00:14:55.320 --> 00:14:58.220
be updating and putting stuff out there just
00:14:58.220 --> 00:15:00.799
to hopefully someone sees it or watches it or
00:15:00.799 --> 00:15:02.779
remembers that movie when they're surfing through
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tube or something. Oh, yeah. Do you think um,
00:15:07.639 --> 00:15:10.539
do you think um, Christmas 4th floor or Holland
00:15:10.539 --> 00:15:16.509
football is more terrifying? Christmas is dark,
00:15:16.669 --> 00:15:18.909
man. If you look into some of the folklore of
00:15:18.909 --> 00:15:22.490
Christmas, there's some really crazy stories
00:15:22.490 --> 00:15:24.850
out there. I mean, I fell in love with the Hans
00:15:24.850 --> 00:15:28.230
Trap story. That's just creepy as hell with the
00:15:28.230 --> 00:15:31.909
whole scarecrow and eating kids. But there's
00:15:31.909 --> 00:15:34.450
other folklore from Christmas. It's deeper than
00:15:34.450 --> 00:15:36.909
Krampus. There's some really worse stuff than
00:15:36.909 --> 00:15:39.090
Krampus out there, but everyone knows what Krampus
00:15:39.090 --> 00:15:42.730
is. But yeah, you could you could do all kinds
00:15:42.730 --> 00:15:45.350
of films on Christmas folklore. It's it's a never
00:15:45.350 --> 00:15:48.769
-ending rabbit hole really. Yeah. Yeah, I definitely
00:15:48.769 --> 00:15:57.669
definitely. Yeah. Yeah. What is your model? Be
00:15:57.669 --> 00:16:05.610
grateful You know, I made these movies on on
00:16:05.610 --> 00:16:09.549
very little budgets to love people's time energy
00:16:10.080 --> 00:16:15.960
Vision listen to me all day and I have a great
00:16:15.960 --> 00:16:18.820
crew that works really well together and with
00:16:18.820 --> 00:16:22.899
me and so Anytime you're doing something where
00:16:22.899 --> 00:16:25.240
you're barely paying people anything or they're
00:16:25.240 --> 00:16:28.620
just volunteering their time and be extremely
00:16:28.620 --> 00:16:33.860
humble and grateful always because These people
00:16:33.860 --> 00:16:37.840
are here for you for the day. So just just be
00:16:37.840 --> 00:16:40.120
grateful to the film gods that they that they
00:16:40.120 --> 00:16:42.059
give you this opportunity I believe in the film
00:16:42.059 --> 00:16:45.779
gods it's a very it's a real thing I believe
00:16:45.779 --> 00:16:49.200
I think they look down upon us and watch how
00:16:49.200 --> 00:16:51.639
you're making a movie and they'll guide you through
00:16:51.639 --> 00:16:55.919
it and the crazy thing is you know people in
00:16:55.919 --> 00:16:58.240
our group here will make fun of me because I
00:16:58.240 --> 00:17:01.080
always say about film gods but literally a week
00:17:01.080 --> 00:17:04.279
ago we were shooting in Pittsburgh and an actor
00:17:04.279 --> 00:17:07.259
I had that was coming fell through like that
00:17:07.259 --> 00:17:09.660
day so we still went to the location which was
00:17:09.660 --> 00:17:12.579
this uh creepy house with a lot of oddities and
00:17:12.579 --> 00:17:14.940
weird stuff and the people that ran the place
00:17:14.940 --> 00:17:18.579
or run the place were very care they were very
00:17:18.579 --> 00:17:21.099
characters themselves and we ended up using them
00:17:21.099 --> 00:17:23.539
as like a host part for this other for the part
00:17:23.539 --> 00:17:25.180
of this document or part of this movie we're
00:17:25.180 --> 00:17:28.279
shooting so in that moment i sit to myself the
00:17:28.279 --> 00:17:32.359
film gods have answered us so one door closes
00:17:32.359 --> 00:17:35.250
another opens and the film gods will tell you
00:17:35.250 --> 00:17:38.390
how this is going to play out. So be grateful
00:17:38.390 --> 00:17:42.309
with the film gods. Yeah, very interesting. Yeah,
00:17:42.549 --> 00:17:45.029
I mean, things fall through all the time, but
00:17:45.029 --> 00:17:46.730
there's a reason, you know, especially the micro
00:17:46.730 --> 00:17:49.529
budget. I mean, it's just, you don't know how
00:17:49.529 --> 00:17:52.029
the day is going to go. Just because you know,
00:17:52.289 --> 00:17:53.690
a lot of people aren't getting paid. They're
00:17:53.690 --> 00:17:56.210
just there because they want to be there. But
00:17:56.210 --> 00:17:58.049
life happens, you know, things happen all the
00:17:58.049 --> 00:18:01.109
time. So, so be grateful. Just be humble and
00:18:01.109 --> 00:18:03.690
grateful as much as you can be. Is there anything
00:18:03.690 --> 00:18:05.789
else you want to talk about like in particular?
00:18:07.289 --> 00:18:10.549
You know, I've been filmmaking for a long time
00:18:10.549 --> 00:18:13.390
and it's changed so much over the years. I mean,
00:18:13.430 --> 00:18:19.650
I started off on VHS tape and film and the scenery
00:18:19.650 --> 00:18:22.490
of the independent film world has just evolved
00:18:22.490 --> 00:18:25.569
so much over the years. And I wish I could go
00:18:25.569 --> 00:18:28.190
back to be a younger Ryan at this point in life
00:18:28.190 --> 00:18:30.920
with the Everything that these filmmakers have
00:18:30.920 --> 00:18:33.119
their access they have such an access to you
00:18:33.119 --> 00:18:35.039
can make a movie on your phone I mean that's
00:18:35.039 --> 00:18:38.279
just crazy to me, but I think There's a lot of
00:18:38.279 --> 00:18:42.140
hate out there for like AI and there's I just
00:18:42.140 --> 00:18:44.400
don't think filmmakers understand how good they
00:18:44.400 --> 00:18:48.799
have it I Mean even using AI now I'm not a big
00:18:48.799 --> 00:18:51.759
huge fan of a whole AI movie, but I think AI
00:18:51.759 --> 00:18:55.109
has its place to manipulate and make your make
00:18:55.109 --> 00:18:57.410
your vision. I mean, I've used AI just for certain
00:18:57.410 --> 00:19:02.170
shots, but I just think filmmakers should be,
00:19:02.509 --> 00:19:04.529
they just don't understand. I wish like a new
00:19:04.529 --> 00:19:06.049
filmmaker, like you give them an eight millimeter
00:19:06.049 --> 00:19:09.829
camera and be like, go make a short. They would
00:19:09.829 --> 00:19:12.569
be so grateful after that, you know, and I talked
00:19:12.569 --> 00:19:14.490
to a lot of young filmmakers that are doing stuff.
00:19:14.490 --> 00:19:16.029
And you know, they'll ask me, you know, what,
00:19:16.190 --> 00:19:19.029
what do you think? My biggest motto to them is
00:19:19.029 --> 00:19:21.170
tell me your story, you know, come up with something
00:19:21.170 --> 00:19:23.650
new, something I had never heard of or something
00:19:24.710 --> 00:19:28.470
Just different it just seems like a lot of Filmmakers
00:19:28.470 --> 00:19:32.750
will want to reshoot stuff or Make a fan base
00:19:32.750 --> 00:19:34.690
film, which I don't understand that stuff one
00:19:34.690 --> 00:19:38.029
bit and Like I always tell them just tell me
00:19:38.029 --> 00:19:41.009
your story You know horrors the most macabre
00:19:41.009 --> 00:19:43.509
thing you can go anywhere with it You know what
00:19:43.509 --> 00:19:45.809
what do you have to say? You know show me something
00:19:45.809 --> 00:19:47.789
or tell me something now granted I'm a victim
00:19:47.789 --> 00:19:51.150
of that too like I a lot of my stuff is You could
00:19:51.150 --> 00:19:54.250
probably you know Look back and say you were
00:19:54.250 --> 00:19:56.210
influenced by Evil Dead or Texas Chainsaw. Well,
00:19:56.250 --> 00:19:58.430
yeah, they're the films I grew up on but you
00:19:58.430 --> 00:20:00.509
know, this is me telling my version of it or
00:20:00.509 --> 00:20:03.349
a story and maybe no one's heard and I think
00:20:03.349 --> 00:20:06.920
with the Legend Hunter films the whole idea is
00:20:06.920 --> 00:20:10.079
to tell myths and legends and folklore that are
00:20:10.079 --> 00:20:13.799
in in our state or local states and things people
00:20:13.799 --> 00:20:15.799
never really heard of and I think that's fresh
00:20:15.799 --> 00:20:18.099
and new and that's what I really pinpoint to
00:20:18.099 --> 00:20:20.420
a lot of younger filmmakers is you know tell
00:20:20.420 --> 00:20:22.619
me your story find something fresh new something
00:20:22.619 --> 00:20:25.799
no one's ever heard of and uh you know do your
00:20:25.799 --> 00:20:27.700
best you know you don't need a million dollars
00:20:27.700 --> 00:20:31.660
to go make a movie that'd be nice but you know
00:20:32.659 --> 00:20:35.900
take what you can and do your best and you know
00:20:35.900 --> 00:20:37.880
it's gonna suck so you're gonna make the next
00:20:37.880 --> 00:20:40.180
one do a little better learn from it I mean every
00:20:40.180 --> 00:20:42.140
every film we make I learn something new I'm
00:20:42.140 --> 00:20:44.640
far from perfect and it's you know lack of budget
00:20:44.640 --> 00:20:47.740
lack of you know we're a crew but you know do
00:20:47.740 --> 00:20:50.180
your best and be grateful to the film gods right
00:21:03.279 --> 00:21:05.720
I've been around a block for a while and you
00:21:05.720 --> 00:21:09.339
know it's the things are They're easier for filmmakers,
00:21:09.400 --> 00:21:13.339
but it's also very difficult I mean you can make
00:21:13.339 --> 00:21:15.200
a horror film and they could get lost in the
00:21:15.200 --> 00:21:17.839
sea of horror movies that are out there You know,
00:21:17.839 --> 00:21:20.460
how do you make your movie stand out? You just
00:21:20.460 --> 00:21:22.920
got to get creative and tell me something I've
00:21:22.920 --> 00:21:32.789
never heard You know, maybe other people are
00:21:32.789 --> 00:21:37.230
afraid to do. Sure. You just gotta believe in
00:21:37.230 --> 00:21:40.430
the podcast gods and they'll direct you in the
00:21:40.430 --> 00:21:45.210
right way. Yes, I can. But yeah, that's my two
00:21:45.210 --> 00:21:51.009
cents on filmmaking. You wanna stay your socials
00:21:51.009 --> 00:21:54.329
and stuff like that? That way people can go check
00:21:54.329 --> 00:21:57.569
out your paid. Sure, I mean, you know, of course
00:21:57.569 --> 00:21:59.990
to the old Facebook, you know, it's all Ryan
00:21:59.990 --> 00:22:03.829
Cavalini or legendary films We have a website,
00:22:04.009 --> 00:22:06.329
which is legendary films .com. We're on Instagram
00:22:06.329 --> 00:22:10.069
Jesus, where else are we all most are most all
00:22:10.069 --> 00:22:14.170
the movies are streaming somewhere to be Amazon
00:22:14.170 --> 00:22:17.329
them are the two hotspots, of course. Oh boy
00:22:17.329 --> 00:22:23.190
blood screen TV Paraplex Uh, you know, just if
00:22:23.190 --> 00:22:25.509
there's a film we have that you want to see just,
00:22:25.589 --> 00:22:28.170
you know, Google it on him and you should find
00:22:28.170 --> 00:22:30.609
it on streaming somewhere. Um, we're out there.
00:22:30.690 --> 00:22:32.650
It's just, you know, put our name and buzzer
00:22:32.650 --> 00:22:35.329
in our films and you should find us. Also be
00:22:35.329 --> 00:22:40.329
listing all your socials and people on the podcast.
00:22:41.650 --> 00:22:43.730
Sweet, sweet. I appreciate it. All right, so
00:22:43.730 --> 00:22:46.869
unless you have anything else to say, it might
00:22:46.869 --> 00:22:52.329
work. I'm good if you're good unless you're something
00:22:52.329 --> 00:22:54.849
you want to talk about specific and I don't know
00:22:54.849 --> 00:22:56.930
how long you usually run your shows here. I don't
00:22:56.930 --> 00:23:00.289
know usually roughly 20 minutes. Yeah, yeah,
00:23:00.309 --> 00:23:03.170
we hit 23. That's pretty good. Yeah, that's pretty
00:23:03.170 --> 00:23:08.029
good. It's pretty good. It's my first one since
00:23:08.029 --> 00:23:12.009
a year or so. Oh, okay. It's been a while. Yeah,
00:23:12.329 --> 00:23:15.170
because I was sick like a year ago. So I took
00:23:15.170 --> 00:23:17.970
a little bit of a vacation. You know, absolutely.
00:23:18.519 --> 00:23:20.920
it can uh stuff can wear you down absolutely
00:23:20.920 --> 00:23:24.579
but uh all right all i hope you have a great
00:23:24.579 --> 00:23:29.619
day or night or night absolutely i appreciate
00:23:29.619 --> 00:23:31.660
a thousand thank yous for having me on and uh
00:23:31.660 --> 00:23:33.579
just you know send me the goodies when they're
00:23:33.579 --> 00:23:35.960
when you have it ready and i'll post on my end
00:23:35.960 --> 00:23:40.740
and definitely won't absolutely a thousand thank
00:23:40.740 --> 00:23:42.660
yous you're welcome you're welcome
00:00:07.039 --> 00:01:19.500
you Thanks for joining the Screaming Podcast
00:01:19.500 --> 00:01:26.340
Network. And we have a special guest today. And
00:01:26.340 --> 00:01:31.280
on last day, hello. This is Ryan Cavalini from
00:01:31.280 --> 00:01:33.140
Legend Hunter Films. I appreciate you having
00:01:33.140 --> 00:01:36.319
me on the podcast today. Definitely. I'm glad
00:01:36.319 --> 00:01:42.060
to have you on. Any particular films? Darbel
00:01:42.060 --> 00:01:46.480
Film, a micro -budget film making. I can go on
00:01:46.480 --> 00:01:48.180
for hours about our films. That's no problem.
00:01:48.459 --> 00:01:56.079
So That's definitely man Yeah, absolutely, absolutely,
00:01:56.079 --> 00:02:00.579
so I mean We can hit the old stuff to the new
00:02:00.579 --> 00:02:03.079
stuff and filmmaking in general whatever you'd
00:02:03.079 --> 00:02:13.939
like to talk about This year alone release two
00:02:13.939 --> 00:02:17.569
films One called haunted America, which is a
00:02:17.569 --> 00:02:20.270
documentary film, which I was working on for
00:02:20.270 --> 00:02:23.729
like Almost 10 years and we finally finished
00:02:23.729 --> 00:02:27.469
that and then we also released the myths and
00:02:27.469 --> 00:02:30.430
mutants part two, which is a Grindhouse double
00:02:30.430 --> 00:02:33.629
feature kind of in style Quentin Tarantino Tino
00:02:33.629 --> 00:02:37.110
Grindhouse film like a double feature and That
00:02:37.110 --> 00:02:40.330
we just released It's kind of streaming and it's
00:02:40.330 --> 00:02:42.650
not fully out streaming, but a lot of our stuff
00:02:42.650 --> 00:02:48.259
you can see on 2b or blood screened tv that's
00:02:48.259 --> 00:02:51.939
a free app which is really cool of course uh
00:02:51.939 --> 00:02:53.780
you know the hard copies are available off our
00:02:53.780 --> 00:02:57.460
website so those are the two films we just released
00:02:57.460 --> 00:03:00.840
this year and currently we're working on 13 steps
00:03:00.840 --> 00:03:03.300
to hell which is a horror anthology film kind
00:03:03.300 --> 00:03:05.439
of in style creepshow which is something i always
00:03:05.439 --> 00:03:08.740
wanted to do and uh years ago i i that's how
00:03:08.740 --> 00:03:11.060
i started filmmaking was anthology films and
00:03:11.060 --> 00:03:13.080
i had all these short films i'm like you know
00:03:13.080 --> 00:03:16.199
we should just reshoot these and make them new
00:03:16.199 --> 00:03:20.560
and fresh again so um we dove into that in february
00:03:20.560 --> 00:03:22.939
and we're still shooting shorts i don't know
00:03:22.939 --> 00:03:25.340
what the problem is that we were originally only
00:03:25.340 --> 00:03:28.000
going to do five shorts and ended up up to 13
00:03:28.000 --> 00:03:29.979
and we still have like five more we want to shoot
00:03:29.979 --> 00:03:33.199
so it might just end up being two films at this
00:03:33.199 --> 00:03:37.069
point so but uh It's it's been a fun this year.
00:03:38.030 --> 00:03:42.129
I love I love anthologies Like one of my favorite
00:03:42.129 --> 00:03:46.509
show show. Oh god. Yeah creep show one or two
00:03:46.509 --> 00:03:52.610
of the other ones they tried but But they're
00:03:52.610 --> 00:03:54.710
so nice to film because like you can set them
00:03:54.710 --> 00:03:56.810
up like in a day or two and have most of it shot
00:03:56.810 --> 00:04:00.169
so It's so much easier than a complete feature,
00:04:00.229 --> 00:04:03.750
which you're you try to shoot, you know Eight
00:04:03.750 --> 00:04:06.210
days or five or how many days you need in a row
00:04:06.210 --> 00:04:08.770
with the short films you could do like a weekend
00:04:08.770 --> 00:04:11.610
and have one done which is nice. So I'm what
00:04:11.610 --> 00:04:18.389
got you started? Oh The love of film since she
00:04:18.389 --> 00:04:20.689
since I was a kid, you know, it's tour movies
00:04:20.689 --> 00:04:25.819
and action films and adventure films and I didn't
00:04:25.819 --> 00:04:27.639
really start filmmaking until I was like in high
00:04:27.639 --> 00:04:31.500
school and My parents were cool enough and bought
00:04:31.500 --> 00:04:34.259
me a VHS camera That's how old I am and other
00:04:34.259 --> 00:04:37.819
VHS cameras around and we start making these
00:04:37.819 --> 00:04:40.720
backyard horror films and back then a lot of
00:04:40.720 --> 00:04:42.740
the universities didn't have much for like filmmaking
00:04:42.740 --> 00:04:45.500
but I went to Edinburgh University, which is
00:04:45.500 --> 00:04:47.759
up near Penn or Erie, Pennsylvania and they had
00:04:47.759 --> 00:04:50.360
a film program and I went through most of that
00:04:50.360 --> 00:04:54.870
and I Didn't graduate with a Film degree only
00:04:54.870 --> 00:04:57.629
because at the time that was when like you had
00:04:57.629 --> 00:05:00.730
the Kevin Smiths and the Robert Rodriguez's were
00:05:00.730 --> 00:05:03.069
Independent filmmakers saying you don't need
00:05:03.069 --> 00:05:07.310
film school. You can do it yourself. So I just
00:05:07.310 --> 00:05:11.709
kept kind of making movies on the side and We
00:05:11.709 --> 00:05:14.939
just kept making them and I never really thought
00:05:14.939 --> 00:05:17.199
of myself as a filmmaker until we got distribution
00:05:17.199 --> 00:05:19.000
and then we thought yeah, now we're big time
00:05:19.000 --> 00:05:21.740
We have a movie and distribution, you know skies
00:05:21.740 --> 00:05:24.360
of the lemon now and that wasn't the case but
00:05:24.360 --> 00:05:27.720
you know We just we were happy to have a movie
00:05:27.720 --> 00:05:29.420
and distribution at that point. That's pretty
00:05:29.420 --> 00:05:35.800
cool Yeah, it's been around May make a decision
00:05:35.800 --> 00:05:40.980
to do like the first film you ever made at the
00:05:40.980 --> 00:05:44.220
time I really bugged a lot of distribution companies
00:05:44.220 --> 00:05:46.439
and I was always asking them questions like you
00:05:46.439 --> 00:05:48.100
know what's selling right now what would work
00:05:48.100 --> 00:05:50.519
well and every one of them back this was like
00:05:50.519 --> 00:05:55.139
probably 2000 1999 they all said the same thing
00:05:55.139 --> 00:05:57.439
was you know lots of blood and lots of nudity
00:05:57.439 --> 00:05:59.860
and you'll be fine so we went off and made this
00:05:59.860 --> 00:06:02.180
shitty little film called serial killer which
00:06:02.180 --> 00:06:05.620
was as cheap as possible as basic as possible
00:06:05.620 --> 00:06:09.379
but we just amped up the blood and nudity and
00:06:09.379 --> 00:06:12.259
it basically got us our first distribution deal
00:06:12.259 --> 00:06:15.759
and after that I made a promise to myself and
00:06:15.759 --> 00:06:18.399
everyone involved is that any money we make off
00:06:18.399 --> 00:06:20.839
these films they would just get recycled into
00:06:20.839 --> 00:06:23.079
the next film and we made a little bit of money
00:06:23.079 --> 00:06:25.040
off serial killer enough to go make the next
00:06:25.040 --> 00:06:27.399
film which was Demon Slaughter which was an evil
00:06:27.399 --> 00:06:32.240
dead rip off and we just kept at it and I've
00:06:32.240 --> 00:06:36.050
been blessed enough and lucky enough that 26
00:06:36.050 --> 00:06:39.529
years later we're still making films off of or
00:06:39.529 --> 00:06:42.189
making money off of films we made years ago and
00:06:42.189 --> 00:06:45.670
it's just been recycled money and I've never
00:06:45.670 --> 00:06:47.470
really put a lot of my own money into it it's
00:06:47.470 --> 00:06:49.350
just been building over the years that you know
00:06:49.350 --> 00:06:52.509
we're micro budget we don't have thousands and
00:06:52.509 --> 00:06:54.149
thousands of dollars but we have enough to be
00:06:54.149 --> 00:06:57.470
like hey we can go make another film so it's
00:06:57.470 --> 00:07:00.399
been it's been a really blessed ride You know
00:07:00.399 --> 00:07:02.040
to say at least I mean we're not making many
00:07:02.040 --> 00:07:04.779
other movies, but enough that you know, we got
00:07:04.779 --> 00:07:07.279
a little following and people kind of digger
00:07:07.279 --> 00:07:11.240
or micro -budget stuff. So That's how we started.
00:07:12.180 --> 00:07:17.000
Oh, wow. Oh, that's pretty cool. Um, um, what
00:07:17.000 --> 00:07:21.699
what what app did you guys first start getting
00:07:21.699 --> 00:07:27.180
your movies? The first few films were actually
00:07:27.180 --> 00:07:30.339
went through brain damage films, which is I think
00:07:30.339 --> 00:07:33.100
still in business. I don't know that was years
00:07:33.100 --> 00:07:38.920
ago. That was the Yeah, that was that was the
00:07:38.920 --> 00:07:41.079
first guys that ever picked us up Darren had
00:07:41.079 --> 00:07:44.579
brain damage and You know we made enough money
00:07:44.579 --> 00:07:48.060
off of it to go make another movie and then we
00:07:48.060 --> 00:07:52.959
did a few movies with SRS cinema and then We
00:07:52.959 --> 00:07:55.019
did quite a few films with wild eye releasing
00:07:55.019 --> 00:07:58.000
and then recently over the last few years I've
00:07:58.000 --> 00:08:00.560
kind of just kind of went rogue and kind of did
00:08:00.560 --> 00:08:03.399
our own distribution since I mean you can do
00:08:03.399 --> 00:08:06.680
it yourself and it's just another It's like almost
00:08:06.680 --> 00:08:09.720
running another business is you know getting
00:08:09.720 --> 00:08:12.019
your movies into distribution and doing it yourself
00:08:12.019 --> 00:08:14.819
but It's easier to kind of do it that way because
00:08:14.819 --> 00:08:16.480
you're cutting out that middleman and kind of
00:08:16.480 --> 00:08:18.540
doing it yourself But it's still a full -time
00:08:18.540 --> 00:08:30.199
job and it's still very difficult I really haven't
00:08:30.199 --> 00:08:32.360
had a problem with it. It's it's the waiting
00:08:32.360 --> 00:08:35.580
I mean you're playing by their rules and their
00:08:35.580 --> 00:08:38.399
wait times and They might license a movie, but
00:08:38.399 --> 00:08:40.000
they might sit on it for eight months before
00:08:40.000 --> 00:08:42.559
they put it on the channel and then you got to
00:08:42.559 --> 00:08:45.480
wait for X amount of months to see any money
00:08:45.480 --> 00:08:48.519
off of it, so it's Really important to have as
00:08:48.519 --> 00:08:50.879
many films going as possible And I think that's
00:08:50.879 --> 00:08:52.279
where we kind of lucked out is that we have a
00:08:52.279 --> 00:08:56.419
decent catalog of films out there that You know
00:08:56.419 --> 00:08:58.799
These ones are making us some money in there
00:08:58.799 --> 00:09:00.220
We're just waiting on these next ones to come
00:09:00.220 --> 00:09:02.299
out to kind of add to the pile Not that you're
00:09:02.299 --> 00:09:03.899
gonna make a huge amount of money But I mean
00:09:03.899 --> 00:09:06.779
like I said it was enough to keep us keep the
00:09:06.779 --> 00:09:08.580
wheels on the bus going here for over the years
00:09:08.580 --> 00:09:12.240
What inspires you? What inspires you the most?
00:09:14.519 --> 00:09:18.559
You know back Back when I was a kid and watching
00:09:18.559 --> 00:09:22.399
horror movies. I mean Are those horror movies
00:09:22.399 --> 00:09:26.539
back then like the The the the characters the
00:09:26.539 --> 00:09:28.700
Jason's phrase and pinheads a lot of faces of
00:09:28.700 --> 00:09:32.259
those people were like my superheroes You know,
00:09:32.259 --> 00:09:35.360
I do cares about Marvel comics these people these
00:09:35.360 --> 00:09:38.200
these horror comics or characters were always
00:09:38.200 --> 00:09:41.740
my inspiration and I just You know fell in love
00:09:41.740 --> 00:09:45.600
with the macabre and that was always the inspiration
00:09:45.600 --> 00:09:49.460
to kind of fall in the footsteps of Filmmakers
00:09:49.460 --> 00:09:51.460
that were making stuff like that, but during
00:09:51.460 --> 00:09:53.159
the time when I was at college I've followed
00:09:53.159 --> 00:09:55.700
a lot of indie filmmakers and their stories like
00:09:55.700 --> 00:09:59.039
Eric Stanzi and the Todd sheets I mean those
00:09:59.039 --> 00:10:00.919
guys were icons to me because they were out there
00:10:00.919 --> 00:10:04.539
making indie films on Very low budgets and getting
00:10:04.539 --> 00:10:07.159
their films out there. So I idolized like a lot
00:10:07.159 --> 00:10:09.320
of indie filmmakers from back in the day So,
00:10:09.320 --> 00:10:12.100
you know, they were big inspiration to me back
00:10:12.100 --> 00:10:14.940
then it's still to this day. I mean it's it's
00:10:15.230 --> 00:10:18.250
I mean filmmaking is kind of growing so much
00:10:18.250 --> 00:10:19.850
and everyone with the camera is making a movie
00:10:19.850 --> 00:10:23.090
but the old school guys it really came from nothing
00:10:23.090 --> 00:10:25.309
making these movies and getting them out there
00:10:25.309 --> 00:10:27.169
that was just a huge inspiration right there.
00:10:27.289 --> 00:10:32.149
Oh yeah those are my favorite movies. Absolutely
00:10:32.149 --> 00:10:34.769
they don't they don't make them like that anymore
00:10:34.769 --> 00:10:40.289
do they? No not at all. No not at all. No no
00:10:40.289 --> 00:10:43.720
even Yeah, I mean we shot a lot of horror movies
00:10:43.720 --> 00:10:46.840
over the years, but like round I want to say
00:10:46.840 --> 00:10:49.419
like 2009 2010 I kind of took a break from horror
00:10:49.419 --> 00:10:52.720
movies and got into documentary filmmaking And
00:10:52.720 --> 00:10:54.759
but it was still horror related with me when
00:10:54.759 --> 00:10:58.059
we did a few bigfoot films and we did one on
00:10:58.059 --> 00:11:01.179
exorcisms and and we even continued to make some
00:11:01.179 --> 00:11:03.559
documentaries like about ghosts investigating
00:11:03.559 --> 00:11:07.559
what have you so My always my two cents the filmmakers
00:11:07.559 --> 00:11:10.679
is to try to have as many projects going as once
00:11:10.679 --> 00:11:13.440
at once because you might find that you like
00:11:13.440 --> 00:11:16.059
doing one more than the other you know and uh
00:11:16.059 --> 00:11:18.940
one might pay out better than the other so you
00:11:18.940 --> 00:11:20.799
know always have an open mind of you know doing
00:11:20.799 --> 00:11:22.440
different projects don't put yourself in that
00:11:22.440 --> 00:11:25.639
box yeah so tell me more about the um the big
00:11:25.639 --> 00:11:29.440
club and uh and the haunting movies and the haunting
00:11:29.440 --> 00:11:36.440
movies you uh it was about she's 2000 2010 around
00:11:36.440 --> 00:11:38.899
there. Like I said, I was getting burnt out doing
00:11:38.899 --> 00:11:40.820
horror movies and I'm like, it just seemed like
00:11:40.820 --> 00:11:43.080
everything had been done under the sun and I'm
00:11:43.080 --> 00:11:45.779
like, let's try something else. So I was really
00:11:45.779 --> 00:11:48.960
interested in documentary stuff. So I was doing
00:11:48.960 --> 00:11:50.919
research on the internet one night about Bigfoot.
00:11:51.100 --> 00:11:53.460
And I always thought Bigfoot was this West Coast
00:11:53.460 --> 00:11:55.700
phenomena or a thing that happened. But here
00:11:55.700 --> 00:11:57.899
in Pennsylvania, there was Bigfoot sightings.
00:11:58.679 --> 00:12:01.159
So I got really into it and I contacted all these
00:12:01.159 --> 00:12:03.539
bigfoot groups in the area and met with a few
00:12:03.539 --> 00:12:06.320
and got to know everyone and to this day I'm
00:12:06.320 --> 00:12:08.559
good friends with a lot of them and I spent almost
00:12:08.559 --> 00:12:11.220
two years with them kind of going out in the
00:12:11.220 --> 00:12:15.179
woods and squatching and doing all these bigfoot
00:12:15.179 --> 00:12:18.379
investigations and I'm like this is a great story
00:12:18.379 --> 00:12:20.960
right here about these people doing it and then
00:12:20.960 --> 00:12:22.440
there was a couple of stories I came along that
00:12:22.440 --> 00:12:26.470
were very intriguing so um I ended up making
00:12:26.470 --> 00:12:28.490
Mountain Devil which took about three years to
00:12:28.490 --> 00:12:32.950
make that and It did really well. I mean they
00:12:32.950 --> 00:12:35.690
did extremely well in streaming for us So I ended
00:12:35.690 --> 00:12:37.470
up making two more Mountain Devil movies which
00:12:37.470 --> 00:12:39.970
were based on different stories and other Bigfoot
00:12:39.970 --> 00:12:43.190
investigators and That's a really great avenue
00:12:43.190 --> 00:12:45.549
for other if you're a filmmaker I mean if you
00:12:45.549 --> 00:12:47.090
don't have a lot of money I mean documentary
00:12:47.090 --> 00:12:48.990
filmmaking is pretty cheap all you need is a
00:12:48.990 --> 00:12:51.730
camera and someone to interview you can fill
00:12:51.730 --> 00:12:56.549
in the other spots later, but I really like enjoyed
00:12:56.549 --> 00:12:58.389
doing it was just a different type of filmmaking
00:12:58.389 --> 00:13:01.389
So after we finished kind of some of the Mountain
00:13:01.389 --> 00:13:04.649
Devil stuff A few of us were just really into
00:13:04.649 --> 00:13:06.549
ghost hunting so I'm like well we should shoot
00:13:06.549 --> 00:13:09.730
it and dock and enter it and That one took a
00:13:09.730 --> 00:13:11.649
lot longer for some reason I would work on it
00:13:11.649 --> 00:13:14.710
when we had time or had a really cool Investigation
00:13:14.710 --> 00:13:16.230
because a lot of times you go on ghost hunts
00:13:16.230 --> 00:13:18.769
and nothing happens So it was just like do we
00:13:18.769 --> 00:13:20.450
have enough material to make a dock and entery
00:13:20.450 --> 00:13:23.360
so that took almost Almost 10 years really make
00:13:23.360 --> 00:13:26.120
because it was like on and off and Finally last
00:13:26.120 --> 00:13:27.740
year. I was just kind of fed up I'm like we got
00:13:27.740 --> 00:13:29.879
to finish this movie and put it out because I'm
00:13:29.879 --> 00:13:33.159
tired of dealing with it and We finally got it
00:13:33.159 --> 00:13:34.860
done and the funny part is you know as soon as
00:13:34.860 --> 00:13:36.700
we were done with it everyone's like are we gonna
00:13:36.700 --> 00:13:39.460
make a part two? So we've actually been shooting
00:13:39.460 --> 00:13:42.600
part two here pretty quickly this past year But
00:13:42.600 --> 00:13:45.360
like I said, like I think you know the macabre
00:13:45.360 --> 00:13:49.019
and weird stuff or great material one of our
00:13:49.019 --> 00:13:51.159
other films myths and mutants is kind of like
00:13:51.159 --> 00:13:55.740
a documentary slash mockumentary it's about folklore
00:13:55.740 --> 00:13:58.659
in Pennsylvania but then you know we tell what
00:13:58.659 --> 00:14:00.600
the folklore is and then we twist it into this
00:14:00.600 --> 00:14:03.679
little fictional story which is kind of fun and
00:14:03.679 --> 00:14:05.799
that's what even myths and means too was it's
00:14:05.799 --> 00:14:08.919
just these mythical stories out of Pennsylvania
00:14:08.919 --> 00:14:12.600
and New York and we just you know tell the story
00:14:12.600 --> 00:14:14.159
of what they are and then just twist them into
00:14:14.159 --> 00:14:16.360
this fun horror movie for a little bit. Wow that
00:14:16.360 --> 00:14:19.559
sounds cool. Wow that sounds cool. We stay busy.
00:14:20.250 --> 00:14:25.090
Oh, yeah, it sounds like it Yeah, I started following
00:14:25.090 --> 00:14:33.350
Yeah, we really that's something I've learned
00:14:33.350 --> 00:14:35.669
over is the marketing part of things especially
00:14:35.669 --> 00:14:37.850
with micro budget stuff It's almost like another
00:14:37.850 --> 00:14:40.350
full -time job. You got to constantly put in
00:14:40.350 --> 00:14:42.710
material out so people are following or interested
00:14:42.710 --> 00:14:47.000
and just I mean, we really don't have much of
00:14:47.000 --> 00:14:48.960
a budget once the film is done is like how do
00:14:48.960 --> 00:14:50.820
we let people know what's out there and social
00:14:50.820 --> 00:14:53.480
media is the only way to go and you really have
00:14:53.480 --> 00:14:55.320
to pound the pavement with it and constantly
00:14:55.320 --> 00:14:58.220
be updating and putting stuff out there just
00:14:58.220 --> 00:15:00.799
to hopefully someone sees it or watches it or
00:15:00.799 --> 00:15:02.779
remembers that movie when they're surfing through
00:15:02.779 --> 00:15:07.639
tube or something. Oh, yeah. Do you think um,
00:15:07.639 --> 00:15:10.539
do you think um, Christmas 4th floor or Holland
00:15:10.539 --> 00:15:16.509
football is more terrifying? Christmas is dark,
00:15:16.669 --> 00:15:18.909
man. If you look into some of the folklore of
00:15:18.909 --> 00:15:22.490
Christmas, there's some really crazy stories
00:15:22.490 --> 00:15:24.850
out there. I mean, I fell in love with the Hans
00:15:24.850 --> 00:15:28.230
Trap story. That's just creepy as hell with the
00:15:28.230 --> 00:15:31.909
whole scarecrow and eating kids. But there's
00:15:31.909 --> 00:15:34.450
other folklore from Christmas. It's deeper than
00:15:34.450 --> 00:15:36.909
Krampus. There's some really worse stuff than
00:15:36.909 --> 00:15:39.090
Krampus out there, but everyone knows what Krampus
00:15:39.090 --> 00:15:42.730
is. But yeah, you could you could do all kinds
00:15:42.730 --> 00:15:45.350
of films on Christmas folklore. It's it's a never
00:15:45.350 --> 00:15:48.769
-ending rabbit hole really. Yeah. Yeah, I definitely
00:15:48.769 --> 00:15:57.669
definitely. Yeah. Yeah. What is your model? Be
00:15:57.669 --> 00:16:05.610
grateful You know, I made these movies on on
00:16:05.610 --> 00:16:09.549
very little budgets to love people's time energy
00:16:10.080 --> 00:16:15.960
Vision listen to me all day and I have a great
00:16:15.960 --> 00:16:18.820
crew that works really well together and with
00:16:18.820 --> 00:16:22.899
me and so Anytime you're doing something where
00:16:22.899 --> 00:16:25.240
you're barely paying people anything or they're
00:16:25.240 --> 00:16:28.620
just volunteering their time and be extremely
00:16:28.620 --> 00:16:33.860
humble and grateful always because These people
00:16:33.860 --> 00:16:37.840
are here for you for the day. So just just be
00:16:37.840 --> 00:16:40.120
grateful to the film gods that they that they
00:16:40.120 --> 00:16:42.059
give you this opportunity I believe in the film
00:16:42.059 --> 00:16:45.779
gods it's a very it's a real thing I believe
00:16:45.779 --> 00:16:49.200
I think they look down upon us and watch how
00:16:49.200 --> 00:16:51.639
you're making a movie and they'll guide you through
00:16:51.639 --> 00:16:55.919
it and the crazy thing is you know people in
00:16:55.919 --> 00:16:58.240
our group here will make fun of me because I
00:16:58.240 --> 00:17:01.080
always say about film gods but literally a week
00:17:01.080 --> 00:17:04.279
ago we were shooting in Pittsburgh and an actor
00:17:04.279 --> 00:17:07.259
I had that was coming fell through like that
00:17:07.259 --> 00:17:09.660
day so we still went to the location which was
00:17:09.660 --> 00:17:12.579
this uh creepy house with a lot of oddities and
00:17:12.579 --> 00:17:14.940
weird stuff and the people that ran the place
00:17:14.940 --> 00:17:18.579
or run the place were very care they were very
00:17:18.579 --> 00:17:21.099
characters themselves and we ended up using them
00:17:21.099 --> 00:17:23.539
as like a host part for this other for the part
00:17:23.539 --> 00:17:25.180
of this document or part of this movie we're
00:17:25.180 --> 00:17:28.279
shooting so in that moment i sit to myself the
00:17:28.279 --> 00:17:32.359
film gods have answered us so one door closes
00:17:32.359 --> 00:17:35.250
another opens and the film gods will tell you
00:17:35.250 --> 00:17:38.390
how this is going to play out. So be grateful
00:17:38.390 --> 00:17:42.309
with the film gods. Yeah, very interesting. Yeah,
00:17:42.549 --> 00:17:45.029
I mean, things fall through all the time, but
00:17:45.029 --> 00:17:46.730
there's a reason, you know, especially the micro
00:17:46.730 --> 00:17:49.529
budget. I mean, it's just, you don't know how
00:17:49.529 --> 00:17:52.029
the day is going to go. Just because you know,
00:17:52.289 --> 00:17:53.690
a lot of people aren't getting paid. They're
00:17:53.690 --> 00:17:56.210
just there because they want to be there. But
00:17:56.210 --> 00:17:58.049
life happens, you know, things happen all the
00:17:58.049 --> 00:18:01.109
time. So, so be grateful. Just be humble and
00:18:01.109 --> 00:18:03.690
grateful as much as you can be. Is there anything
00:18:03.690 --> 00:18:05.789
else you want to talk about like in particular?
00:18:07.289 --> 00:18:10.549
You know, I've been filmmaking for a long time
00:18:10.549 --> 00:18:13.390
and it's changed so much over the years. I mean,
00:18:13.430 --> 00:18:19.650
I started off on VHS tape and film and the scenery
00:18:19.650 --> 00:18:22.490
of the independent film world has just evolved
00:18:22.490 --> 00:18:25.569
so much over the years. And I wish I could go
00:18:25.569 --> 00:18:28.190
back to be a younger Ryan at this point in life
00:18:28.190 --> 00:18:30.920
with the Everything that these filmmakers have
00:18:30.920 --> 00:18:33.119
their access they have such an access to you
00:18:33.119 --> 00:18:35.039
can make a movie on your phone I mean that's
00:18:35.039 --> 00:18:38.279
just crazy to me, but I think There's a lot of
00:18:38.279 --> 00:18:42.140
hate out there for like AI and there's I just
00:18:42.140 --> 00:18:44.400
don't think filmmakers understand how good they
00:18:44.400 --> 00:18:48.799
have it I Mean even using AI now I'm not a big
00:18:48.799 --> 00:18:51.759
huge fan of a whole AI movie, but I think AI
00:18:51.759 --> 00:18:55.109
has its place to manipulate and make your make
00:18:55.109 --> 00:18:57.410
your vision. I mean, I've used AI just for certain
00:18:57.410 --> 00:19:02.170
shots, but I just think filmmakers should be,
00:19:02.509 --> 00:19:04.529
they just don't understand. I wish like a new
00:19:04.529 --> 00:19:06.049
filmmaker, like you give them an eight millimeter
00:19:06.049 --> 00:19:09.829
camera and be like, go make a short. They would
00:19:09.829 --> 00:19:12.569
be so grateful after that, you know, and I talked
00:19:12.569 --> 00:19:14.490
to a lot of young filmmakers that are doing stuff.
00:19:14.490 --> 00:19:16.029
And you know, they'll ask me, you know, what,
00:19:16.190 --> 00:19:19.029
what do you think? My biggest motto to them is
00:19:19.029 --> 00:19:21.170
tell me your story, you know, come up with something
00:19:21.170 --> 00:19:23.650
new, something I had never heard of or something
00:19:24.710 --> 00:19:28.470
Just different it just seems like a lot of Filmmakers
00:19:28.470 --> 00:19:32.750
will want to reshoot stuff or Make a fan base
00:19:32.750 --> 00:19:34.690
film, which I don't understand that stuff one
00:19:34.690 --> 00:19:38.029
bit and Like I always tell them just tell me
00:19:38.029 --> 00:19:41.009
your story You know horrors the most macabre
00:19:41.009 --> 00:19:43.509
thing you can go anywhere with it You know what
00:19:43.509 --> 00:19:45.809
what do you have to say? You know show me something
00:19:45.809 --> 00:19:47.789
or tell me something now granted I'm a victim
00:19:47.789 --> 00:19:51.150
of that too like I a lot of my stuff is You could
00:19:51.150 --> 00:19:54.250
probably you know Look back and say you were
00:19:54.250 --> 00:19:56.210
influenced by Evil Dead or Texas Chainsaw. Well,
00:19:56.250 --> 00:19:58.430
yeah, they're the films I grew up on but you
00:19:58.430 --> 00:20:00.509
know, this is me telling my version of it or
00:20:00.509 --> 00:20:03.349
a story and maybe no one's heard and I think
00:20:03.349 --> 00:20:06.920
with the Legend Hunter films the whole idea is
00:20:06.920 --> 00:20:10.079
to tell myths and legends and folklore that are
00:20:10.079 --> 00:20:13.799
in in our state or local states and things people
00:20:13.799 --> 00:20:15.799
never really heard of and I think that's fresh
00:20:15.799 --> 00:20:18.099
and new and that's what I really pinpoint to
00:20:18.099 --> 00:20:20.420
a lot of younger filmmakers is you know tell
00:20:20.420 --> 00:20:22.619
me your story find something fresh new something
00:20:22.619 --> 00:20:25.799
no one's ever heard of and uh you know do your
00:20:25.799 --> 00:20:27.700
best you know you don't need a million dollars
00:20:27.700 --> 00:20:31.660
to go make a movie that'd be nice but you know
00:20:32.659 --> 00:20:35.900
take what you can and do your best and you know
00:20:35.900 --> 00:20:37.880
it's gonna suck so you're gonna make the next
00:20:37.880 --> 00:20:40.180
one do a little better learn from it I mean every
00:20:40.180 --> 00:20:42.140
every film we make I learn something new I'm
00:20:42.140 --> 00:20:44.640
far from perfect and it's you know lack of budget
00:20:44.640 --> 00:20:47.740
lack of you know we're a crew but you know do
00:20:47.740 --> 00:20:50.180
your best and be grateful to the film gods right
00:21:03.279 --> 00:21:05.720
I've been around a block for a while and you
00:21:05.720 --> 00:21:09.339
know it's the things are They're easier for filmmakers,
00:21:09.400 --> 00:21:13.339
but it's also very difficult I mean you can make
00:21:13.339 --> 00:21:15.200
a horror film and they could get lost in the
00:21:15.200 --> 00:21:17.839
sea of horror movies that are out there You know,
00:21:17.839 --> 00:21:20.460
how do you make your movie stand out? You just
00:21:20.460 --> 00:21:22.920
got to get creative and tell me something I've
00:21:22.920 --> 00:21:32.789
never heard You know, maybe other people are
00:21:32.789 --> 00:21:37.230
afraid to do. Sure. You just gotta believe in
00:21:37.230 --> 00:21:40.430
the podcast gods and they'll direct you in the
00:21:40.430 --> 00:21:45.210
right way. Yes, I can. But yeah, that's my two
00:21:45.210 --> 00:21:51.009
cents on filmmaking. You wanna stay your socials
00:21:51.009 --> 00:21:54.329
and stuff like that? That way people can go check
00:21:54.329 --> 00:21:57.569
out your paid. Sure, I mean, you know, of course
00:21:57.569 --> 00:21:59.990
to the old Facebook, you know, it's all Ryan
00:21:59.990 --> 00:22:03.829
Cavalini or legendary films We have a website,
00:22:04.009 --> 00:22:06.329
which is legendary films .com. We're on Instagram
00:22:06.329 --> 00:22:10.069
Jesus, where else are we all most are most all
00:22:10.069 --> 00:22:14.170
the movies are streaming somewhere to be Amazon
00:22:14.170 --> 00:22:17.329
them are the two hotspots, of course. Oh boy
00:22:17.329 --> 00:22:23.190
blood screen TV Paraplex Uh, you know, just if
00:22:23.190 --> 00:22:25.509
there's a film we have that you want to see just,
00:22:25.589 --> 00:22:28.170
you know, Google it on him and you should find
00:22:28.170 --> 00:22:30.609
it on streaming somewhere. Um, we're out there.
00:22:30.690 --> 00:22:32.650
It's just, you know, put our name and buzzer
00:22:32.650 --> 00:22:35.329
in our films and you should find us. Also be
00:22:35.329 --> 00:22:40.329
listing all your socials and people on the podcast.
00:22:41.650 --> 00:22:43.730
Sweet, sweet. I appreciate it. All right, so
00:22:43.730 --> 00:22:46.869
unless you have anything else to say, it might
00:22:46.869 --> 00:22:52.329
work. I'm good if you're good unless you're something
00:22:52.329 --> 00:22:54.849
you want to talk about specific and I don't know
00:22:54.849 --> 00:22:56.930
how long you usually run your shows here. I don't
00:22:56.930 --> 00:23:00.289
know usually roughly 20 minutes. Yeah, yeah,
00:23:00.309 --> 00:23:03.170
we hit 23. That's pretty good. Yeah, that's pretty
00:23:03.170 --> 00:23:08.029
good. It's pretty good. It's my first one since
00:23:08.029 --> 00:23:12.009
a year or so. Oh, okay. It's been a while. Yeah,
00:23:12.329 --> 00:23:15.170
because I was sick like a year ago. So I took
00:23:15.170 --> 00:23:17.970
a little bit of a vacation. You know, absolutely.
00:23:18.519 --> 00:23:20.920
it can uh stuff can wear you down absolutely
00:23:20.920 --> 00:23:24.579
but uh all right all i hope you have a great
00:23:24.579 --> 00:23:29.619
day or night or night absolutely i appreciate
00:23:29.619 --> 00:23:31.660
a thousand thank yous for having me on and uh
00:23:31.660 --> 00:23:33.579
just you know send me the goodies when they're
00:23:33.579 --> 00:23:35.960
when you have it ready and i'll post on my end
00:23:35.960 --> 00:23:40.740
and definitely won't absolutely a thousand thank
00:23:40.740 --> 00:23:42.660
yous you're welcome you're welcome