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This episode of Spoleto Backstage showcases a 2012 chamber series program bookended by late Romantic American works. Opening with Arthur Foote’s A Night Piece, the concert also features Joseph Haydn’s Symphony No. 101 in D Major, “The Clock” (arr. Salomon) before concluding with Amy Beach’s Piano Quintet in F-sharp minor, Op. 67. Geoff Nuttall and Bradley Fuller talk about the selections and the backgrounds of those who wrote them ahead of the music itself.
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In this final episode of Spoleto Backstage for 2020, cohosts Geoff Nuttall and Bradley Fuller mark the 250th anniversary of Ludwig van Beethoven’s birth by taking a tour through the German composer’s three stylistic periods — early, middle, and late — with commentary and a listen to representative …
On this edition of Spoleto Backstage, we share a compilation of contemporary works performed as part of this year's Spoleto Chamber Music Series. We speak with Osvaldo Golijov about the world premiere of his piece "Milonga" as well as what Spoleto Festival USA means to him. Then, we chat with compo…
We end our 2021 season of Spoleto Backstage on a high note with a magnificent, sweeping piano quintet that has such an emotional and expressive range — Ludwig Thuille's Piano Quintet No. 2, op. 20. We also speak with the featured pianist in this performance, Gilles Vonsattel, about the piece and be…
On this episode of Spoleto Backstage, we take in selections from late Classical, early Romantic composer Franz Schubert. Pianist Pedja Muzijevic joins us to talk about the logistics of performing Schubert's Fantasie in F minor for four hands, D. 940 with fellow piano player Inon Barnatan at this ye…
On this ninth episode of Spoleto Backstage for 2021, we hear chamber music works for nine musicians — selections which may have you feeling like you're on cloud nine! We're also joined by cellist Arlen Hlusko, one of the performers featured in both concerts, to discuss making her Spoleto Festival U…
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