TUNGKOL SA EPISODE NA ITO
Archive is an essential tool in the documentarians' toolbox. In this masterclass from Sheffield Doc/Fest 2016 we hear from filmmakers from both film and television who have creatively used archive footage to tell their stories. Chaired by Katy McGahan from the BFI, the panel included Aaron Brookner (Director, Uncle Howard), Paul Bell (Archive Producer, Amy and Senna) and Simon Young (National Geographic). They discussed how archive can be used in storytelling, how to make archive footage resonate with an audience and explored the relationship between director and archive producer.
Supported by BAFTA and Creative Skillset.
Afar
Estados Unidos
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In 2018, socio-economic inequality in the television and film industry became National news, when the Panic! report revealed that the industry was becoming less welcoming to talent from working class backgrounds. Much lip-service was paid to improving access in the months that followed, but what ha…
In twenty years of directing documentaries for Channel 4 and the BBC, Paddy Wivell has made a name for himself for the seemingly effortless and compassionate way he connects with his subjects, from African tribes to Orthodox Jews and psychiatric inpatients in Bafta award-winning Bedlam. Described b…
Since forming the seminal hip-hop group London Posse in 1987, Rodney P has been widely regarded as the Godfather of British hip-hop, and has collaborated with a diverse range of artists including Omar, Roni Size, Nitin Sawhney and Björk.
More recently Rodney has authored a number of documentaries …
We explore the craft of directing through films that focus on a central character. Taking us deep into their films and filmic method, 2 directors explore approaches to character, the relationship at work, and what happens if it goes wrong? Chaired by Krishan Arora (SBS) and featuring Jeanie Finlay …
With everything solid melting into air, and the documentary landscape never more varied and complex, this panel asks leading commissioners, funders & distributors: how do independent filmmakers get creative feature length documentary work made and seen today? In a panel from Doc/Fest 2019 filmm…
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