Episode 9 - Slashing the Script — Horror’s Alternate Cuts

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[SPEAKER_01]: Hello and welcome to popcorn and perspective.
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[SPEAKER_01]: This is the place where you not only enjoy the list is popcorn, but also beat dive into the world of films.
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[SPEAKER_01]: We're your host, gentle and I'm Chris.
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[SPEAKER_01]: And we're here to share our insight on new releases in timeless classics.
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[SPEAKER_01]: Get ready to experience movies like my before as we offer you our competent perspective.
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[SPEAKER_01]: And welcome to today's show and it's a little, it's our y'all.
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[SPEAKER_01]: Welcome to today's show.
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[SPEAKER_01]: And for this one, we'll be talking about alternative Halloween edition, where we will rewrite the reimagined or put the script on films that needed a second chance, or just as a different take on any horror film of our choice.
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[SPEAKER_01]: But first, like always, when we start with movie trivia, and like always, it's just a quick simple game of testing, our knowledge, and showing if who is the actual book.
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[SPEAKER_01]: So, in this time around, horror style.
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[SPEAKER_01]: So, we're just going to do two questions.
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[SPEAKER_01]: Since I surprised you on the last one, brother, I do a polyguys.
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[SPEAKER_01]: Always like this little sweet piece.
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[SPEAKER_01]: That's my bag.
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[SPEAKER_01]: No words, no words.
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[SPEAKER_01]: So, on the first one, brother, give me your best bloody shot.
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[SPEAKER_05]: All right, my first trivia is because I am a huge fan of not only the movie, but the TV show in cycle, what's the name of Norman Bates mother?
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[SPEAKER_01]: His mom.
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[SPEAKER_01]: Oh, wait, put on.
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[SPEAKER_01]: Wait, is it normal?
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[SPEAKER_01]: Is it normal?
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[SPEAKER_01]: Yeah, I want to say yes.
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[SPEAKER_01]: Yeah, it's not.
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[SPEAKER_01]: Yeah, it's not.
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[SPEAKER_01]: It's not.
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[SPEAKER_05]: It's not.
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[SPEAKER_05]: Normal.
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[SPEAKER_05]: I was like, I can't give you a hint.
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[SPEAKER_05]: I can just keep saying his name.
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[SPEAKER_05]: Norman Vates.
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[SPEAKER_05]: But I can just like Norman.
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[SPEAKER_05]: But yes, it is, and the TV show is what really got me.
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[SPEAKER_05]: I don't know the guy's name on it who played Norman Bates on the show, but he is so phenomenal.
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[SPEAKER_05]: Yes, he is so phenomenal.
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[SPEAKER_05]: And he went on to do a TV show called The Good Doctor that completely blew my wife and I out of the water and everything that he's in, I watch now.
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[SPEAKER_05]: So yes, Norma is the right answer.
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[SPEAKER_01]: What do you do?
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[SPEAKER_01]: I like you do that Charlie from Charlie in the Trucker Phase.
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[SPEAKER_01]: Oh, you right.
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[SPEAKER_01]: You are right.
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[SPEAKER_01]: I think something.
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[SPEAKER_01]: I said that out there.
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[SPEAKER_05]: Yeah, when they come to movies, we everywhere, but I thought there is somebody else say that and I was like, no, it's not, but you are right.
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[SPEAKER_05]: Oh, that's that is crazy.
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[SPEAKER_05]: He is spectacular actor.
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[SPEAKER_05]: And he has his British or English.
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[SPEAKER_05]: He has that accent that I wouldn't like hearing them on the good doctor and didn't hear them talking to any girls like Why you walk is going up here?
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[SPEAKER_05]: Like no.
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[SPEAKER_05]: But yeah, okay.
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[SPEAKER_05]: Yeah, he is amazing.
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[SPEAKER_05]: All right.
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[SPEAKER_05]: Hit me with your best shot.
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[SPEAKER_01]: Okay, look.
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[SPEAKER_01]: I feel like this one should be easy to just everybody.
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[SPEAKER_01]: She knows that.
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[SPEAKER_05]: Every time you say that, it's like, hey, you should know this.
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[SPEAKER_01]: Like if you don't know this man, it's my turn to give you the adoption papers.
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[SPEAKER_01]: So, all right now, you better get this.
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[SPEAKER_01]: All right, what the number one rule on Randy's list for surviving a horror movie in the 96 film screen never say I'll be right back or never separate wait.
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[SPEAKER_05]: But that was on some of those rules on that room.
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[SPEAKER_05]: Oh my god, this is by basic horror movie like 101.
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[SPEAKER_05]: It really is like never go down to the alley never separate.
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[SPEAKER_05]: Never say I'll be right back.
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[SPEAKER_01]: Believe me, this is something you write down.
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[SPEAKER_05]: It is.
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[SPEAKER_05]: And I'm just picturing him in the movie when he's like, I'll be right back.
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[SPEAKER_01]: That was the last rule.
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[SPEAKER_01]: But what was the number one rule?
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[SPEAKER_05]: Number one rule.
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[SPEAKER_01]: Oh, don't be a virgin.
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[SPEAKER_01]: Oh, there's more to it.
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[SPEAKER_01]: Oh, no.
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[SPEAKER_01]: You said, but the first part, what did you say?
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[SPEAKER_01]: Don't be wrong.
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[SPEAKER_01]: Make it off.
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[SPEAKER_01]: Take it off.
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[SPEAKER_01]: Just take it off.
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[SPEAKER_01]: Take the first one off.
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[SPEAKER_01]: It's the same as you say it.
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[SPEAKER_01]: Oh, version.
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[SPEAKER_01]: Yes.
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[SPEAKER_01]: Oh, be a virgin.
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[SPEAKER_03]: You never have sex.
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[SPEAKER_03]: Oh, oh, two, okay.
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[SPEAKER_03]: You were like, I was like, take it off.
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[SPEAKER_03]: I was like, if you were a virgin, you don't take it off.
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[SPEAKER_03]: What are we doing?
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[SPEAKER_03]: I said, don't fart off.
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[SPEAKER_03]: Oh, hey, yes, I did.
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[SPEAKER_03]: Yeah, you were a virgin.
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[SPEAKER_01]: Be a virgin.
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[SPEAKER_01]: Rule is never have sex.
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[SPEAKER_05]: Yeah.
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[SPEAKER_05]: Yeah.
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[SPEAKER_05]: Yeah.
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[SPEAKER_05]: I get it.
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[SPEAKER_05]: I get it.
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[SPEAKER_05]: I don't think.
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[SPEAKER_05]: Oh my goodness.
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[SPEAKER_05]: All right.
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[SPEAKER_00]: That was great.
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[SPEAKER_05]: That was all right.
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[SPEAKER_05]: You got one more question for me, right?
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[SPEAKER_05]: Yes, I got one more for you.
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[SPEAKER_05]: Okay.
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[SPEAKER_05]: Oh Jesus.
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[SPEAKER_05]: Which horror film was filmed in just eight days and became one of the most profitable movies ever made.
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[SPEAKER_05]: And I didn't know it was one of the most ones.
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[SPEAKER_01]: Prophet wants ever made, but look, look, this is funny because that was going to be my course.
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[SPEAKER_01]: It's my own old life theory.
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[SPEAKER_01]: It is so funny.
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[SPEAKER_01]: Now look at that, be your my course.
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[SPEAKER_01]: You do it.
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[SPEAKER_01]: That is hilarious.
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[SPEAKER_03]: Yeah, I think that's that's cheating.
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[SPEAKER_03]: So I don't know how great brains think like.
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[SPEAKER_05]: Oh, because I thought the same thing too, I was like, I don't know those are the most albums that were because that weren't caught me because I was like, it took eight days of film and then I started thinking about it.
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[SPEAKER_05]: Okay, they they could have filmed that eight days but then one of the most profitable movies ever and I was like, yeah, how much did it make to how much did it cost to make it because it was a good movie but most profitable ever.
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[SPEAKER_01]: It's like yeah, I was looking at this up.
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[SPEAKER_01]: I saw the same thing.
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[SPEAKER_01]: I was like, oh, this is very interesting.
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[SPEAKER_01]: And I did the same thing.
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[SPEAKER_01]: I actually looked it up.
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[SPEAKER_01]: So what they did was that they shot the film for $15,000.
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[SPEAKER_01]: They went, they went and paramount acquired it and modified it with the, like, with a new ending that cost them $200,000.
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[SPEAKER_01]: So when the so the production it cost 15,000 and then post-reduction it was 20,000 $2,000 So you're looking at you're looking at two you're looking at over 200 you're looking over 200 Almost like half like not half a mill quarter of a mill like 210,000 dollars bank.
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[SPEAKER_01]: Yeah, that's all you're looking at and the movie made almost 200 million dollars
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[SPEAKER_05]: Oh my god.
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[SPEAKER_05]: Okay, that that I take it back.
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[SPEAKER_05]: That makes perfect sense.
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[SPEAKER_05]: I didn't know that I didn't know the when it was bought out by the big theater.
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[SPEAKER_05]: I didn't know that by the big production company.
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[SPEAKER_05]: I didn't know that for $200 million behind it.
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[SPEAKER_05]: So yeah, that I mean $200,000 behind it.
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[SPEAKER_01]: I love I love the first one like that.
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[SPEAKER_01]: Yeah, it's trippy.
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[SPEAKER_01]: That that one was trippy.
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[SPEAKER_05]: After a while we got a little like okay, we can stop.
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[SPEAKER_05]: We don't need to see it.
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[SPEAKER_00]: Yeah, it's like a stop.
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[SPEAKER_05]: We know people getting dragged out of being in downstairs and we don't understand.
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[SPEAKER_05]: We get it.
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[SPEAKER_05]: It's like a second one.
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[SPEAKER_01]: Yeah, the second one was decent.
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[SPEAKER_01]: I like the second one.
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[SPEAKER_01]: I think the second one was a little bit scary.
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[SPEAKER_01]: The third one.
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[SPEAKER_01]: They were starting to lose their momentum.
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[SPEAKER_01]: Then it was just like that fourth one.
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[SPEAKER_01]: I was just like.
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[SPEAKER_01]: All right, this movie is boring and it got to be ending the ending, that's what everything started happening and then it was just like, all right, cut the black.
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[SPEAKER_01]: I'm like, okay, so that's it.
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[SPEAKER_05]: Yeah, I had to do that.
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[SPEAKER_05]: Don't put me to sleep and didn't allow us 15 minutes.
07:53.982 --> 07:56.986
[SPEAKER_05]: Shank me a wake and didn't take it away from him.
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[SPEAKER_05]: He's like, oh, what's going on?
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[SPEAKER_01]: Yeah, but maybe you just like, oh,
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[SPEAKER_05]: It's like making me have to rewind stuff to the foreign parts if I missed anything.
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[SPEAKER_05]: You just take your way from.
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[SPEAKER_05]: But yeah, they definitely need to stop.
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[SPEAKER_05]: I hope they're not thinking about making me any more.
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[SPEAKER_05]: I don't really heard anything about it.
08:18.738 --> 08:22.683
[SPEAKER_01]: If I'm pretty sure they did do one, but I can't remember if he's, I don't think.
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[SPEAKER_01]: They did a fan tour.
08:24.239 --> 08:29.009
[SPEAKER_01]: I want to say yeah, I think they did if I'm not if I'm not wrong.
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[SPEAKER_01]: I think yeah, the last one was 2021.
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[SPEAKER_01]: So actually it's been seven seven seven seven and I thought that I thought that number four I was like I'm done
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[SPEAKER_05]: Yeah, I'll be high.
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[SPEAKER_05]: You said seven, I'll be high three, just like you.
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[SPEAKER_05]: They're fast enough years of the horror community I do.
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[SPEAKER_01]: Right, right.
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[SPEAKER_01]: It was like being a front panel four to they went to the Mark once.
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[SPEAKER_01]: Next to King in the ghost of the ghost of the ghost.
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[SPEAKER_05]: Ghost dimension.
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[SPEAKER_01]: What is it?
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[SPEAKER_01]: Hey, what is going on?
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[SPEAKER_01]: Anyway, yeah, that was not only watch the first four, that was it, like, anyway.
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[SPEAKER_04]: Yeah, let's go on to the name course.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: Now, this one, please.
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[SPEAKER_01]: I have faith in you.
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[SPEAKER_01]: There.
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[SPEAKER_05]: I got the last one after some time.
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[SPEAKER_01]: I have the ultimate faith.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: Here's my last question.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: What mother daughter pair?
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[SPEAKER_01]: That really starred in these two horror movies.
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[SPEAKER_01]: Psycho and Halloween H2O.
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[SPEAKER_05]: I don't know the mild name, which I'm just blanking on.
09:32.576 --> 09:32.856
[SPEAKER_05]: But.
09:33.376 --> 09:37.942
[SPEAKER_05]: she just had her chest all out in denim in the new in the friggin' uh, did you think?
09:38.383 --> 09:39.384
[SPEAKER_05]: Demi Lee Curtis.
09:39.784 --> 09:40.826
[SPEAKER_05]: What's her mom's name?
09:41.306 --> 09:41.907
[SPEAKER_05]: Denny Lee.
09:42.428 --> 09:44.451
[SPEAKER_05]: Denny, yeah, yeah, yeah.
09:44.471 --> 09:49.157
[SPEAKER_05]: I knew they both had Lee in their name, but yeah, Jamie Lee Curtis, uh, with little shoulders.
09:49.337 --> 09:51.920
[SPEAKER_05]: She had a little shoulder and chest all like that.
09:51.940 --> 09:52.742
[SPEAKER_05]: He's like, come on.
09:52.762 --> 09:53.783
[SPEAKER_05]: You see what he got to do that.
09:53.823 --> 09:56.767
[SPEAKER_05]: We know you, you are a team high-played actor.
09:56.787 --> 09:57.668
[SPEAKER_05]: She ain't got to do that.
09:58.069 --> 10:02.995
[SPEAKER_05]: You're not 20 anymore.
10:03.262 --> 10:04.646
[SPEAKER_05]: You look good up with them.
10:04.686 --> 10:06.490
[SPEAKER_05]: You know, this ain't playboy.
10:06.530 --> 10:07.794
[SPEAKER_05]: This is this is bad.
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[SPEAKER_05]: I know if we got alien resurrection and everything else on this on the Disney Plus app like just on it down a little bit.
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[SPEAKER_01]: It's a mess.
10:16.676 --> 10:19.680
[SPEAKER_01]: I hate going on there looking at stuff like this is a Disney.
10:20.200 --> 10:24.686
[SPEAKER_05]: I don't even know what I don't even know what I like because you know Disney who loom nerds.
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[SPEAKER_05]: So I don't even know why something that shouldn't be on Disney.
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[SPEAKER_05]: I just don't straight to who's who like that's that's the show.
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[SPEAKER_05]: God, for Tanger, that shouldn't be on Disney.
10:32.376 --> 10:40.086
[SPEAKER_05]: I'm not walking out on straight to who would like when I want to watch Marvel or some throwback why I think I don't know what I'm going to do, but
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[SPEAKER_01]: How dare I'm like, I'm not about to watch the prayer on busy.
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[SPEAKER_01]: I go back to watch it.
10:45.996 --> 10:46.638
[SPEAKER_00]: What is on?
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[SPEAKER_01]: It's like, let's walk on.
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[SPEAKER_01]: Disney on the plate the bear I'm not watching the bear I was alien I'm not I'm not watching always sunny like Exactly.
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[SPEAKER_05]: Oh, none of that they should have a set of a section where you can just click it like it should be like a Disney or Don't okay you click it, but don't have me going to Disney class and I just see it like I don't want to see And it's like I understand they have it all broken up at the top, but still yeah
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[SPEAKER_01]: It's Disney Plus.
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[SPEAKER_01]: I don't want to see everybody in a mama on on that page.
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[SPEAKER_01]: Like here we just
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[SPEAKER_05]: Yeah, because I got alien and then I got Disney, like, you know, a lot of things, so they're too close together.
11:27.440 --> 11:28.401
[SPEAKER_05]: They're too close.
11:28.501 --> 11:33.045
[SPEAKER_05]: It's just, it's just, it's just, it's just, it's like, right on the beef alien, like, look, just because they're too alien.
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[SPEAKER_05]: They don't mean that they don't mean to do that close.
11:35.327 --> 11:37.389
[SPEAKER_01]: Right, you got landing and it's always sunny.
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[SPEAKER_01]: Like, that's nothing in common.
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[SPEAKER_01]: Right.
11:40.172 --> 11:40.852
[SPEAKER_01]: We're doing this.
11:40.992 --> 11:41.813
[SPEAKER_01]: It's like, sorry, y'all.
11:41.833 --> 11:43.655
[SPEAKER_01]: We, we just got out track again.
11:43.775 --> 11:44.716
[SPEAKER_01]: Arby.
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[SPEAKER_00]: Oh, yeah, sorry.
11:45.977 --> 11:47.518
[SPEAKER_00]: We can do this all day, y'all.
11:47.619 --> 11:49.240
[SPEAKER_00]: As you can see, we can do this all day.
11:49.625 --> 11:57.516
[SPEAKER_01]: But before we do move on, I do believe I did ask you this before brother, but I'm going to ask you again, since this is October.
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[SPEAKER_01]: So one more time for what is your favorite scary movie.
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[SPEAKER_05]: All right, for this section, I have one clear cut favorite movie.
12:07.028 --> 12:10.774
[SPEAKER_05]: Then I have what have two, then I have two honorable mentions.
12:10.834 --> 12:14.719
[SPEAKER_05]: So my first favorite movie that's on the top of the horse 13 ghosts.
12:15.260 --> 12:16.341
[SPEAKER_05]: That's always going to be.
12:16.692 --> 12:18.675
[SPEAKER_05]: That is always going to be my favorite.
12:19.496 --> 12:22.419
[SPEAKER_05]: And my second is the exorcism of Emily Rose.
12:23.321 --> 12:24.022
[SPEAKER_05]: Have you seen that?
12:24.943 --> 12:25.463
[SPEAKER_05]: That's not.
12:25.664 --> 12:26.024
[SPEAKER_05]: I got it.
12:26.164 --> 12:26.805
[SPEAKER_05]: I got the physical.
12:26.945 --> 12:27.546
[SPEAKER_05]: I got the physical.
12:27.827 --> 12:28.788
[SPEAKER_05]: Man.
12:29.108 --> 12:30.750
[SPEAKER_05]: I remember watching that.
12:31.111 --> 12:32.292
[SPEAKER_05]: I watched it through once.
12:32.853 --> 12:36.478
[SPEAKER_05]: And then I had to watch it again because I was just like, like, literally, it ended.
12:36.798 --> 12:40.924
[SPEAKER_05]: I sat through the credits just thinking, damn, and I just watched it again.
12:40.944 --> 12:42.025
[SPEAKER_05]: Because it was just like,
12:42.629 --> 12:45.325
[SPEAKER_05]: The girl from Dexler, I'm so terrible with me.
12:45.345 --> 12:47.277
[SPEAKER_01]: Jennifer, oh my god, what's your last name?
12:47.297 --> 12:47.880
[SPEAKER_01]: It's Jennifer.
12:48.417 --> 12:49.819
[SPEAKER_01]: Jennifer Carpenter.
12:49.839 --> 12:51.601
[SPEAKER_05]: John Carpenter, no, I'm just on the show.
12:51.621 --> 12:52.823
[SPEAKER_01]: Jennifer Carpenter, I was right.
12:53.083 --> 12:55.366
[SPEAKER_01]: Oh, yeah, all right, I'm okay.
12:55.447 --> 12:57.630
[SPEAKER_05]: Like, of course, we knew her from Dexter already.
12:57.650 --> 13:01.795
[SPEAKER_05]: But when I saw her in this, I didn't know how sense of take up because in Dexter, she was good.
13:01.815 --> 13:03.558
[SPEAKER_05]: But she went, like, you know, a powerful role.
13:03.658 --> 13:04.899
[SPEAKER_05]: She murdered this role.
13:05.300 --> 13:07.163
[SPEAKER_05]: Nobody else could play Emily Rowan, but her.
13:07.423 --> 13:12.490
[SPEAKER_05]: Like, I was standing on the mountain top of the screen and that she killed that role.
13:12.630 --> 13:14.032
[SPEAKER_05]: I love that movie, someone.
13:14.312 --> 13:17.817
[SPEAKER_05]: And I'm a momentous.
13:17.797 --> 13:18.878
[SPEAKER_05]: You saw that.
13:18.958 --> 13:20.460
[SPEAKER_05]: That's crazy.
13:20.480 --> 13:21.502
[SPEAKER_05]: That's crazy.
13:21.522 --> 13:22.202
[SPEAKER_05]: That's crazy.
13:22.603 --> 13:27.769
[SPEAKER_05]: Like I that one is just like all right, I'm gonna be a virgin for life because that's right.
13:27.829 --> 13:38.202
[SPEAKER_05]: I'm not even saying it's like ever again like like I don't want to be just like and then my final one the autopsy of Jane Doe.
13:38.570 --> 13:39.673
[SPEAKER_05]: Wait, Chris, they're reaching.
13:40.034 --> 13:40.916
[SPEAKER_05]: I didn't see that one.
13:41.417 --> 13:43.903
[SPEAKER_05]: Oh, my sweet Jesus, you have to watch that one.
13:43.923 --> 13:45.627
[SPEAKER_01]: Oh, yeah, I can't see that one.
13:45.647 --> 13:47.291
[SPEAKER_05]: I can't even say, oh, my sweet Jesus.
13:47.311 --> 13:48.394
[SPEAKER_05]: Because I always saw it myself.
13:48.414 --> 13:51.000
[SPEAKER_05]: I thought much ago, but it's up here.
13:51.341 --> 13:52.183
[SPEAKER_05]: It is up there.
13:53.025 --> 13:53.406
[SPEAKER_05]: Now.
13:53.622 --> 14:10.016
[SPEAKER_05]: I'm sure a lot of y'all have saw that y'all you understand how great a movie that one is, but I'm just going to throw one more out there my the scares movie I've ever saw Because I watched it said dad sounds in Dix in miles eight years old not supposed to It made I was crying by the end of the movie.
14:10.237 --> 14:13.183
[SPEAKER_05]: I remember that and I was like how the hell why I'm going to sleep again?
14:13.163 --> 14:19.796
[SPEAKER_05]: Hell, Razor, he told that man you're so his mind and that box ripped him a piece what are we doing here?
14:19.976 --> 14:25.427
[SPEAKER_05]: I'm eight years old balling my eyes out and I can't go tell that cuz he gonna say why the hell was you watching it?
14:25.447 --> 14:31.138
[SPEAKER_05]: So I just I literally sat down upstairs crying in the dark just like I don't know what to do
14:31.338 --> 14:33.860
[SPEAKER_05]: I literally was like, I'm gonna die and I don't know what else to do.
14:33.940 --> 14:35.001
[SPEAKER_05]: It's just gonna be what it is.
14:35.762 --> 14:41.787
[SPEAKER_01]: And I was, I was balling like, oh, I was really like, I was like, I was like, I was like, I was like, have you seen a recent one?
14:41.988 --> 14:48.614
[SPEAKER_05]: I refuse to, I refuse, because one, if it's scarier than the other one, I was going to be in a theater.
14:48.634 --> 14:50.155
[SPEAKER_05]: I was going to be a home crying again.
14:50.215 --> 14:53.138
[SPEAKER_05]: I was going to be a grown man crying in my living room this time.
14:53.458 --> 15:01.345
[SPEAKER_05]: And if it's worse than if it's worse than the first one, then I'm going to be like, well, I shouldn't know why I shouldn't have did this.
15:01.325 --> 15:05.270
[SPEAKER_01]: Yeah, it's not, yeah, don't be judging me.
15:05.290 --> 15:09.155
[SPEAKER_05]: I've been for crying at eight years old, like my daughter's a child.
15:09.255 --> 15:15.142
[SPEAKER_05]: If I were to call her a baby, she'd not remember where I could have fled at the basement the where I was crying.
15:15.843 --> 15:16.263
[SPEAKER_01]: All right.
15:16.283 --> 15:18.947
[SPEAKER_05]: And what are yours or what is yours?
15:19.207 --> 15:20.529
[SPEAKER_05]: I gave two minutes outside.
15:20.549 --> 15:23.432
[SPEAKER_01]: But you know, you're not good, you're not.
15:23.492 --> 15:26.556
[SPEAKER_01]: Because I was like real surprised by the Emily Rose one.
15:26.576 --> 15:29.880
[SPEAKER_01]: Because I was like, I don't know how many people
15:30.434 --> 15:31.455
[SPEAKER_01]: Oh, no.
15:31.475 --> 15:31.575
[SPEAKER_01]: No.
15:31.975 --> 15:41.765
[SPEAKER_01]: Look, I'm like, I, you know, like, most of it, like, whoever knows me knows I come from a Christian background, like, we don't play with none of that kind of stuff.
15:41.785 --> 15:43.206
[SPEAKER_01]: It's like, we keep that outside.
15:43.266 --> 15:47.771
[SPEAKER_01]: But it's like, I know, I know what it's fiction, what is real?
15:48.451 --> 15:52.095
[SPEAKER_01]: This movie, yeah, I was just like, yeah, like, just turn on all the lights.
15:52.535 --> 15:53.817
[SPEAKER_05]: It's based on a true story.
15:54.197 --> 15:55.558
[SPEAKER_05]: Did you know I know you?
15:55.578 --> 15:56.239
[SPEAKER_01]: Yeah, yeah.
15:56.259 --> 15:57.780
[SPEAKER_05]: So the line of what's real.
15:57.800 --> 15:58.621
[SPEAKER_05]: Yeah, it's real.
15:58.942 --> 15:59.462
[SPEAKER_05]: Yeah.
15:59.442 --> 16:02.447
[SPEAKER_05]: It's like, okay, what did Hollywood put in and what actually happened?
16:02.547 --> 16:03.429
[SPEAKER_05]: It's terrible.
16:03.549 --> 16:04.711
[SPEAKER_05]: It's terrible.
16:04.831 --> 16:05.452
[SPEAKER_05]: It's good.
16:05.552 --> 16:06.173
[SPEAKER_05]: But terrifying.
16:06.213 --> 16:06.654
[SPEAKER_05]: Yeah.
16:06.855 --> 16:12.103
[SPEAKER_01]: Especially that one scene in the barn where she's like, or not the barn, it was church.
16:12.123 --> 16:15.068
[SPEAKER_01]: And it was like, you know how she was like, she was like building back.
16:15.589 --> 16:16.050
[SPEAKER_02]: Yeah.
16:16.267 --> 16:17.028
[SPEAKER_01]: That was all her.
16:17.269 --> 16:18.551
[SPEAKER_01]: Oh, yeah.
16:18.772 --> 16:20.214
[SPEAKER_01]: There was a thing that was like all her.
16:20.234 --> 16:23.159
[SPEAKER_01]: I was like, I was like, y'all sure he could have some free aid.
16:23.179 --> 16:23.841
[SPEAKER_01]: That was free.
16:23.861 --> 16:24.562
[SPEAKER_05]: That's a thing.
16:24.622 --> 16:25.383
[SPEAKER_05]: She would make a deal.
16:25.504 --> 16:26.626
[SPEAKER_05]: That's a member meal.
16:26.666 --> 16:28.509
[SPEAKER_05]: That's been both champion number one, right?
16:28.529 --> 16:30.773
[SPEAKER_05]: I think it's been like the first time work.
16:31.234 --> 16:31.895
[SPEAKER_05]: She got that right.
16:32.176 --> 16:34.059
[SPEAKER_05]: You can't get all the way back and just go.
16:34.079 --> 16:34.600
[SPEAKER_05]: Wow.
16:34.941 --> 16:38.527
[SPEAKER_05]: I thought that was purely just CGI or whatever you don't want to have.
16:38.547 --> 16:39.068
[SPEAKER_05]: Thank you.
16:39.166 --> 16:41.509
[SPEAKER_01]: I was thinking the same thing, but I'm like, I read it.
16:41.549 --> 16:43.091
[SPEAKER_01]: I'm like, okay, my girl's good.
16:43.231 --> 16:43.912
[SPEAKER_01]: I like her.
16:43.932 --> 16:44.673
[SPEAKER_01]: Her character.
16:44.693 --> 16:46.475
[SPEAKER_01]: Her character.
16:46.495 --> 17:08.683
[SPEAKER_01]: Okay, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so, so,
17:08.917 --> 17:15.144
[SPEAKER_01]: That scared me in my life, it was the Michael Jackson through the third.
17:15.164 --> 17:16.225
[SPEAKER_01]: Yeah, it was the short look.
17:16.285 --> 17:17.387
[SPEAKER_01]: It was a model call.
17:17.427 --> 17:18.128
[SPEAKER_01]: It was a short movie.
17:18.688 --> 17:20.991
[SPEAKER_01]: Yeah, yeah, like that right there.
17:21.031 --> 17:24.195
[SPEAKER_01]: Man, it was a TV screen doing Halloween.
17:24.475 --> 17:26.718
[SPEAKER_01]: I'm like, I'm that I'm not supposed to write me.
17:26.798 --> 17:27.619
[SPEAKER_01]: All right, I'ma head out.
17:28.139 --> 17:29.000
[SPEAKER_01]: Yeah, you are out.
17:29.140 --> 17:30.702
[SPEAKER_01]: Yeah, I remember all of that.
17:30.722 --> 17:34.747
[SPEAKER_01]: I remember man, I just, but now I'm okay.
17:34.847 --> 17:38.451
[SPEAKER_01]: Now, I think now that I've watched like the scary of the scary.
17:39.055 --> 17:40.397
[SPEAKER_04]: Oh, I don't know.
17:40.577 --> 17:45.565
[SPEAKER_01]: I can sit there and just watch that video, but no, that video to this day still scares the hell out of me.
17:46.126 --> 17:48.609
[SPEAKER_03]: Oh my god, I don't know what it is.
17:49.330 --> 17:50.352
[SPEAKER_01]: I don't know what it is.
17:50.532 --> 17:53.697
[SPEAKER_01]: It's like the makeup, just the everything it was shoot.
17:53.937 --> 17:54.859
[SPEAKER_01]: It moved.
17:54.879 --> 17:59.986
[SPEAKER_01]: It's that with me was like the best of the best when it comes to like being scared of the child.
18:00.988 --> 18:07.257
[SPEAKER_01]: But when I got older, I would have to say I think one of the main movies.
18:07.608 --> 18:09.930
[SPEAKER_01]: Look, now I was like, I was nine.
18:09.970 --> 18:14.395
[SPEAKER_01]: I had no business watching this movie, but for some reason I was watching it.
18:14.976 --> 18:16.137
[SPEAKER_01]: It was a few of my friends.
18:16.157 --> 18:17.719
[SPEAKER_01]: We were at my friend's house.
18:18.640 --> 18:19.340
[SPEAKER_01]: It was green.
18:19.981 --> 18:20.942
[SPEAKER_01]: I was nine years old.
18:21.402 --> 18:23.525
[SPEAKER_01]: And it was just me and a bunch of my girlfriends.
18:23.585 --> 18:25.367
[SPEAKER_01]: We were nine in my friends room.
18:25.527 --> 18:26.868
[SPEAKER_01]: We were just screaming at the TV.
18:27.529 --> 18:29.471
[SPEAKER_01]: It was just, it was a lot of fun.
18:29.811 --> 18:33.295
[SPEAKER_01]: That movie was scary because you were just screaming at like, don't do that.
18:33.315 --> 18:34.476
[SPEAKER_01]: Like, don't do that.
18:34.760 --> 18:56.110
[SPEAKER_01]: Like, don't have to look like it's that kind of stuff and I just remember that at the end of the night, I had to walk home, so I'm just like, you know, my house like down the street, I'm like, I'm mine, I'm like, why am I still outside, like, I'm going to house, but like, they're right there was like, my main, my scary movie, like the one that I remember the most.
18:56.495 --> 19:05.627
[SPEAKER_01]: Yeah, as a kid, it would be scream like scream was definitely one of those ones that I just fell in love with because it just wanted them to slash your films.
19:06.068 --> 19:22.890
[SPEAKER_01]: It kind of makes you feel like one of the, you know, like the 80s like your typical like slash and, you know, and it was just simple and that's what made it.
19:23.056 --> 19:23.958
[SPEAKER_01]: Thank you for for me.
19:24.078 --> 19:27.003
[SPEAKER_01]: I was like, bro, I was like, did they have a way to do it?
19:27.023 --> 19:30.408
[SPEAKER_01]: Like, it was like, it was a lot for a nine year old eyes to see.
19:30.609 --> 19:34.055
[SPEAKER_01]: Like, I'm like, I should not be watching, not a dude.
19:34.075 --> 19:36.759
[SPEAKER_01]: Like, my poor brain, you, what was funny?
19:36.799 --> 19:40.405
[SPEAKER_01]: It's just thinking about this through dancing something about this.
19:40.686 --> 19:43.611
[SPEAKER_01]: They're dead because it was something that I watched.
19:43.631 --> 19:47.197
[SPEAKER_01]: And he said, he's like, I can't believe that you'd be watching this stuff.
19:47.217 --> 19:48.279
[SPEAKER_01]: And it just be going to sleep.
19:48.299 --> 19:49.080
[SPEAKER_01]: Like,
19:49.060 --> 19:50.662
[SPEAKER_01]: was probably my child, like she did.
19:50.943 --> 19:52.585
[SPEAKER_01]: She don't have to be crying at all my dog.
19:52.705 --> 19:54.027
[SPEAKER_01]: I'm like, I just like horrible.
19:54.087 --> 19:55.669
[SPEAKER_01]: He's like, I don't walk at her home.
19:55.789 --> 19:56.790
[SPEAKER_01]: And we really go to sleep.
19:57.051 --> 20:00.415
[SPEAKER_05]: Like, yeah, we've been programmed past it now.
20:00.515 --> 20:02.878
[SPEAKER_05]: We got our trauma early, because I was eight.
20:02.918 --> 20:03.559
[SPEAKER_05]: You was nine.
20:03.619 --> 20:05.402
[SPEAKER_05]: We weren't working for two day or five.
20:05.502 --> 20:06.724
[SPEAKER_05]: That's not what I was doing.
20:06.804 --> 20:12.351
[SPEAKER_05]: You, you got, you were getting terrified by a person in a, you know, with a mask and a voice trainer.
20:12.331 --> 20:23.303
[SPEAKER_05]: I was getting terrified by a box, ripping somebody's skin in the face and so we were broke down just like that and that just didn't back not knowing I think he got too frustrated.
20:23.323 --> 20:26.867
[SPEAKER_05]: I think he got too psyched and we broke down shaking and crying.
20:27.148 --> 20:35.557
[SPEAKER_01]: People like the same thing because like I remember being like in my friends, candy's basement, watching horror flakes with hers.
20:35.597 --> 20:40.903
[SPEAKER_01]: So it was like I'm not, I'm like I'm not new to do.
20:41.120 --> 20:42.885
[SPEAKER_01]: It would be because I just thought about it.
20:42.905 --> 20:44.229
[SPEAKER_01]: I mean, I don't know, I'm sure you know, it was the go to sleep.
20:44.249 --> 20:44.991
[SPEAKER_01]: And then it's like, hey, guess what?
20:45.011 --> 20:45.974
[SPEAKER_01]: Someone's going to be no dreams and guess what?
20:46.074 --> 20:47.197
[SPEAKER_01]: If you die, no dreams, you're going to die in real life.
20:47.217 --> 20:56.142
[SPEAKER_01]: Like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like, like,
20:56.122 --> 20:56.583
[SPEAKER_05]: Right.
20:56.863 --> 21:01.489
[SPEAKER_05]: It's like, so what you're telling me is, if I don't go to sleep, the human body would just die.
21:01.670 --> 21:04.434
[SPEAKER_05]: Okay, but if I go to sleep, I'm going to die.
21:04.554 --> 21:05.755
[SPEAKER_05]: So what am I doing?
21:05.795 --> 21:06.416
[SPEAKER_05]: What are we doing?
21:06.496 --> 21:07.277
[SPEAKER_01]: So it's a catch 22.
21:07.358 --> 21:13.045
[SPEAKER_01]: It's like, you weren't you know, seeing it all is like, okay, so it's like, I can I can't take no sleep through.
21:13.486 --> 21:16.370
[SPEAKER_01]: Okay, I can't or not sleeping through.
21:16.390 --> 21:17.792
[SPEAKER_01]: I can't take caffeine through.
21:18.025 --> 21:19.908
[SPEAKER_01]: Like I can't drink coffee all my life.
21:19.928 --> 21:23.014
[SPEAKER_01]: Like it's like my body's going to be just shut off.
21:23.034 --> 21:28.002
[SPEAKER_05]: I'm just going to have to start taking firemen and knives and just hoping I can run fast enough of my dreams without firemen.
21:28.223 --> 21:29.705
[SPEAKER_05]: I'm like, I can fall asleep.
21:29.806 --> 21:30.908
[SPEAKER_01]: I have fallen asleep.
21:31.048 --> 21:31.789
[SPEAKER_01]: I have fallen asleep.
21:31.809 --> 21:32.891
[SPEAKER_01]: My eyes open.
21:32.911 --> 21:36.017
[SPEAKER_01]: I'm like, no, I'm like, I haven't even make it.
21:36.037 --> 21:36.878
[SPEAKER_01]: That's what it's like.
21:37.364 --> 21:39.287
[SPEAKER_05]: You get the whole 4th order thing going on.
21:39.307 --> 21:39.768
[SPEAKER_05]: He's just one.
21:39.788 --> 21:40.810
[SPEAKER_05]: Yeah, I'm just looking.
21:40.870 --> 21:42.633
[SPEAKER_05]: I'm going to wake on this.
21:42.653 --> 21:43.194
[SPEAKER_05]: I got there.
21:43.335 --> 21:43.916
[SPEAKER_05]: Let me alone.
21:43.956 --> 21:53.513
[SPEAKER_05]: Speaking of Fred and crew, we're like the scene of all the movies that stick with me is when he pulled.
21:53.533 --> 21:55.356
[SPEAKER_05]: Oh my god Johnny Depp.
21:55.977 --> 22:06.275
[SPEAKER_05]: to that man and all that bitch on the man I would never forget that scene and the same way he was eating that girl and he was long and he was in them too out of the house.
22:06.295 --> 22:08.038
[SPEAKER_05]: Like yep, the Freddy is the king.
22:08.279 --> 22:09.080
[SPEAKER_05]: He's a he went.
22:09.862 --> 22:15.792
[SPEAKER_01]: Like that part to me where he's Nancy is she's a bed and he's like coming through her wall.
22:16.295 --> 22:22.724
[SPEAKER_01]: That's what always stuck with me like I was just like like what is like recipes What's Raven it's like dog.
22:22.744 --> 22:38.505
[SPEAKER_01]: It's like what made you think of like the thief like especially the shot with her in the bathroom And it's water You're my mom on I'm like the just the thought like the thought process is just like I Issues in then of course, you know, you always got the you got the little
22:38.485 --> 22:44.532
[SPEAKER_01]: the little thing along one, two, three, four, three, four, four, like come on.
22:44.692 --> 22:46.254
[SPEAKER_01]: It's who's here that is like, yeah, I'm out.
22:46.915 --> 22:49.478
[SPEAKER_05]: Well, I hate to do it to the little kids, but that's so catchy.
22:49.498 --> 22:51.200
[SPEAKER_05]: That's how you need to teach them their numbers.
22:51.240 --> 22:52.702
[SPEAKER_05]: Like, that's how you never teach them about.
22:52.722 --> 22:53.803
[SPEAKER_05]: Because that is catchy.
22:54.164 --> 22:57.668
[SPEAKER_05]: But you do a little through your own saying that in the grocery store, you like, oh, that's good.
22:58.469 --> 23:00.011
[SPEAKER_05]: Not today's part of the devil.
23:00.652 --> 23:01.793
[SPEAKER_05]: But yeah, that is,
23:02.262 --> 23:24.540
[SPEAKER_05]: That like just like you said just the the process of the kills and imagination like nobody did it like those movies nobody did it like those movies And it's just like one there was there was a guy like you know whatever and he turned into a superhero in his dream and would you know fighting Freddy I mean Freddy of course real one, but you know that sounds like damn like yeah, they don't
23:24.875 --> 23:32.232
[SPEAKER_05]: The thought process behind it is just like, wow, you know, it's not just a big guy coming up, stabbing you or you know, someone like that.
23:32.693 --> 23:41.213
[SPEAKER_01]: Yeah, it's like you got to be sweet, but it's like, dog, it's like, you know, comfort you, it's like, but I'm just so, but I got two more.
23:41.547 --> 23:56.493
[SPEAKER_01]: So because it's like, why did I not think of this because it just popped in my brain and I literally recently watched it not like Do recent but I would say probably within the last year I watched it and it's like, how can I forget about this one?
23:56.533 --> 24:00.239
[SPEAKER_01]: Especially with us being from Illinois because this is where this being came from.
24:00.680 --> 24:03.505
[SPEAKER_01]: So if we never want to say this when it's made
24:03.923 --> 24:14.777
[SPEAKER_03]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
24:15.128 --> 24:16.230
[SPEAKER_01]: Just let one movie.
24:16.250 --> 24:24.847
[SPEAKER_01]: Thank you for knowing that I would never mention that man's name by times and we're like, look, and my big age, I will still not say that man's name.
24:25.488 --> 24:26.510
[SPEAKER_05]: I don't know stupid.
24:27.131 --> 24:30.898
[SPEAKER_05]: I don't even let the door close behind me in the bathroom before I turn the right on.
24:30.979 --> 24:34.285
[SPEAKER_05]: I will put my foot in the door and then turn the light on.
24:34.265 --> 24:38.415
[SPEAKER_05]: If I even think about that, why, because no, thank you.
24:38.536 --> 24:41.383
[SPEAKER_05]: That's the ultimate, keep my name out your mouth situation.
24:41.403 --> 24:43.468
[SPEAKER_05]: Because I mean, if you don't say it's name, you don't die.
24:43.929 --> 24:46.977
[SPEAKER_05]: So it was a bunch of people, just just talking about it.
24:47.378 --> 24:48.200
[SPEAKER_05]: What's my duty?
24:48.681 --> 24:50.004
[SPEAKER_01]: Like, we know a lot.
24:50.064 --> 24:51.548
[SPEAKER_01]: And you're not going to give me this, baby.
24:51.528 --> 25:09.859
[SPEAKER_05]: I'm not saying, I'm not saying, I don't even want any kind of candy with me in the bathroom, don't I don't care if I'm going into the wash my hands, you know, Mike and I ain't no judo bees and M&M ain't nothing in the candy related in the bathroom, no thank you.
25:09.879 --> 25:12.544
[SPEAKER_01]: No, no, because it's like it's silly.
25:12.664 --> 25:15.609
[SPEAKER_01]: Recently, it was like, yeah, I understand why.
25:15.629 --> 25:17.232
[SPEAKER_05]: You saw the original reason where you're
25:17.650 --> 25:20.998
[SPEAKER_01]: Yeah, so yeah, it was just it was just like man.
25:21.018 --> 25:33.988
[SPEAKER_01]: I'm like this movie like there's it was like there's no reason For this movie to be a scary as it was and it still is today like even the theme I had a theme at the beginning
25:34.508 --> 25:37.271
[SPEAKER_01]: Man, I was like, this movie is like so trippy.
25:37.291 --> 25:43.919
[SPEAKER_01]: And then when you get odd voice in there, like his voice is iconic, like you hear it, you know who it is.
25:44.540 --> 25:56.373
[SPEAKER_01]: So it's like this, you got this man that's over six week tall, but that kind of boy is stalking at you, who would have hooked for a hand, like, get that, get that, get that, get that anyway.
25:56.393 --> 26:02.040
[SPEAKER_05]: And the hook in his name, one like no prosthetic, nice little, looking for a little bit of a little bit disgusting.
26:02.460 --> 26:03.942
[SPEAKER_05]: And it don't make sense.
26:04.208 --> 26:07.113
[SPEAKER_05]: to combine two-tailed fire or three-tailed fire thing.
26:07.413 --> 26:10.458
[SPEAKER_05]: This man's voice, the hook in his hand, and then the bees.
26:10.538 --> 26:12.001
[SPEAKER_05]: Like, just tell me how he got it.
26:12.021 --> 26:13.543
[SPEAKER_05]: I don't need to see the bees all over.
26:13.623 --> 26:14.805
[SPEAKER_05]: We're coming out of his mouth, right?
26:14.825 --> 26:19.312
[SPEAKER_05]: It's the one, I don't need to see that fire like you can traumatize me now for no reason.
26:19.673 --> 26:20.354
[SPEAKER_01]: Maybe you're right.
26:20.514 --> 26:21.676
[SPEAKER_01]: It's just me with a lot.
26:21.696 --> 26:25.242
[SPEAKER_01]: And even with like the kills, too, it was just, yeah.
26:25.562 --> 26:28.427
[SPEAKER_01]: It was bloody, it was bloody, bloody, bloody, bloody, bloody.
26:28.610 --> 26:32.555
[SPEAKER_05]: Because he went in and tore up like he didn't just poke in the back.
26:32.595 --> 26:36.340
[SPEAKER_05]: He went in and tore up like he was slicing the dice and going to lose.
26:36.541 --> 26:39.625
[SPEAKER_01]: He was just telling you up from limb to limb on high, bro.
26:39.785 --> 26:43.890
[SPEAKER_01]: Like you think you can see a name that you've got.
26:44.792 --> 26:46.694
[SPEAKER_01]: He's like, we're off my own side.
26:46.955 --> 26:48.096
[SPEAKER_01]: This is what is on site.
26:48.196 --> 26:51.040
[SPEAKER_01]: Like you said his name five times.
26:51.526 --> 26:52.488
[SPEAKER_05]: Why, what did you make?
26:52.508 --> 26:54.210
[SPEAKER_01]: It's like you got to deal with the bruh.
26:54.230 --> 26:55.412
[SPEAKER_01]: Like this is so fun.
26:55.513 --> 26:57.295
[SPEAKER_05]: Units, you didn't call the bruh problem.
26:57.376 --> 26:58.457
[SPEAKER_05]: You call it over killing.
26:58.538 --> 27:00.240
[SPEAKER_05]: Now go ahead and get killed and ruin yourself.
27:00.320 --> 27:01.122
[SPEAKER_05]: I'm not saying it.
27:01.202 --> 27:01.883
[SPEAKER_05]: That's just you.
27:02.003 --> 27:03.926
[SPEAKER_05]: I like you had to deal with that.
27:03.946 --> 27:14.163
[SPEAKER_05]: And the another scary part that stick, like this really stick in my, when his voice, when he say hell and be my victim, like, no, I don't want you to know.
27:14.183 --> 27:15.846
[SPEAKER_05]: But you know, she was kind of like,
27:16.265 --> 27:31.337
[SPEAKER_01]: She was, you know, fascinated and was basically in love with him, but, right, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what, what,
27:31.317 --> 27:34.280
[SPEAKER_05]: Just run by no exactly.
27:34.300 --> 27:35.722
[SPEAKER_05]: Just go away drop the story.
27:35.742 --> 27:46.274
[SPEAKER_01]: You don't think about it no more It's like don't pass go like don't collect $100 just one go just go you follow the second one Yes, I saw the second one.
27:46.714 --> 27:48.496
[SPEAKER_05]: I wasn't that much of a fan of it.
27:48.636 --> 27:58.928
[SPEAKER_01]: It was it was okay Yeah, but I don't think it didn't match up at all to the first one right I because I see what they were like, you know I see what they were like trying to do oh yeah, I didn't have to do
27:59.431 --> 28:02.718
[SPEAKER_01]: and then they made it more elevated than anything with the horror.
28:02.779 --> 28:03.560
[SPEAKER_04]: Yeah.
28:03.901 --> 28:11.779
[SPEAKER_01]: I, I, I still, I enjoyed yaga, I enjoyed his performance when, when you find out that he's the little boy from the first movie.
28:11.899 --> 28:12.500
[SPEAKER_01]: From the first one.
28:12.520 --> 28:13.001
[SPEAKER_01]: Yeah.
28:13.122 --> 28:14.605
[SPEAKER_01]: That hell of, you know, save.
28:15.125 --> 28:19.714
[SPEAKER_01]: So it's like I love the fact that they kind of kept it with that story line.
28:20.094 --> 28:31.075
[SPEAKER_01]: It was I think you say it screwed on some two in the middle that they did they just know my straight to be just be whatever they're like screw we're just going to go with the first movie and then we just going to go with what happened.
28:31.561 --> 28:36.472
[SPEAKER_01]: So I love the fact that they like through like Chicago being in there and being like gentry for K. Oh yeah.
28:36.572 --> 28:38.577
[SPEAKER_01]: Chew and like with, could bring me green.
28:38.597 --> 28:42.245
[SPEAKER_01]: So it's like, I have family like move there and I used to go up there all the time.
28:42.365 --> 28:45.632
[SPEAKER_01]: So it's just like, I'm kind of nice to like kind of like see that part.
28:45.833 --> 28:48.158
[SPEAKER_01]: But it was just, I don't, but I do love them.
28:48.318 --> 28:49.241
[SPEAKER_01]: I do love the kills.
28:49.321 --> 28:50.363
[SPEAKER_01]: I do love those.
28:50.900 --> 28:52.141
[SPEAKER_01]: Especially the bathroom scene.
28:52.321 --> 28:53.523
[SPEAKER_01]: I was like, that's what I'm talking about.
28:53.543 --> 28:54.944
[SPEAKER_01]: That's what I'm talking about.
28:54.984 --> 28:56.626
[SPEAKER_01]: That's what I'm talking about.
28:56.646 --> 28:57.827
[SPEAKER_01]: That's what I'm talking about.
28:57.847 --> 29:17.667
[SPEAKER_01]: I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like,
29:18.136 --> 29:22.562
[SPEAKER_01]: And then it was like, oh, they're like nothing's happening in an old girl's like, oh, I forgot my baby.
29:22.722 --> 29:26.026
[SPEAKER_01]: Oh, I see this light you should never smell like nobody cares.
29:26.046 --> 29:27.408
[SPEAKER_01]: Like you should have just let that mess there.
29:27.708 --> 29:38.862
[SPEAKER_01]: And that's why she got cut, she got cut, she got cut, and it didn't like the next you know, it was just like, oh, it was just like, oh, in that in that bathroom, it was like,
29:38.977 --> 29:46.949
[SPEAKER_01]: Plus later and in and I just love like you can see the scene from in the compact mirror like you don't see it full of warmth.
29:46.970 --> 29:47.971
[SPEAKER_03]: Yeah, the whole thing.
29:48.352 --> 29:51.877
[SPEAKER_01]: Yeah, it's just attention of like seeing like bits of it.
29:52.618 --> 29:56.905
[SPEAKER_05]: It's the fear of the girl you're seeing it from the girls perspective that's in the style.
29:57.326 --> 29:59.449
[SPEAKER_05]: And you know, like she knows what's happening.
29:59.750 --> 30:01.472
[SPEAKER_05]: But she's not going to bother and help.
30:01.993 --> 30:03.815
[SPEAKER_05]: She's going to say what she has.
30:03.835 --> 30:05.176
[SPEAKER_05]: And she's terrified.
30:05.256 --> 30:08.240
[SPEAKER_05]: So that's the feeling like you are that girl.
30:08.280 --> 30:09.301
[SPEAKER_05]: The audience is that girl.
30:09.341 --> 30:13.085
[SPEAKER_05]: That's the feeling that they want to give any work because that was the best scene in the movie.
30:14.086 --> 30:14.907
[SPEAKER_01]: It really was.
30:15.508 --> 30:22.495
[SPEAKER_01]: And then I did the love the ending part where they were like showing like all like the different variations of candy, man.
30:22.536 --> 30:28.322
[SPEAKER_01]: Like this is how you can bring up something for something traumatic.
30:28.572 --> 30:37.880
[SPEAKER_01]: Yeah, and you know, and make it, I guess you could say horrifying in a sense, like, okay, it's like, you did this and this is basically like you read what you saw.
30:38.600 --> 30:38.841
[SPEAKER_04]: Yeah.
30:39.701 --> 30:58.377
[SPEAKER_01]: And so, and I just love how like at the end where we do see Tony Todd says, you know, it's like the aging or whatever, but I just love the fact that you see him and he's just basically saying like remember, you know, you know, like remember who we are.
30:58.576 --> 31:01.499
[SPEAKER_01]: I do, but that's kind of like what it is.
31:01.539 --> 31:17.758
[SPEAKER_01]: It's like, yeah, remember like what they did to us, like, because that basically what it is, like, remember the pain, like, you know, like the suffering, like the torment, like that kind of a thing, because that's what all those men lived through, was like some kind of suffering, some kind of pain, some kind of torment.
31:17.778 --> 31:18.800
[SPEAKER_01]: They all ended up there.
31:19.060 --> 31:23.165
[SPEAKER_05]: It's a friendly bad torment, like, they didn't just get caught.
31:23.185 --> 31:24.326
[SPEAKER_05]: And okay, that's how they died.
31:24.386 --> 31:27.790
[SPEAKER_05]: They grew some people with a painful.
31:28.124 --> 31:42.842
[SPEAKER_01]: And so, and I, and I be able to enjoy what they did for it, it's just that the first one is always the one that like, yeah, yeah, yeah, yeah, I'm never going to say that me as name ever.
31:43.042 --> 31:46.286
[SPEAKER_01]: And in the last one, the last one, it's the descent.
31:46.306 --> 31:47.648
[SPEAKER_01]: I don't know if you've seen this one.
31:47.988 --> 31:49.690
[SPEAKER_01]: Where's like, when they go down in the cabinet?
31:50.111 --> 31:50.671
[SPEAKER_01]: Yep.
31:50.692 --> 31:51.292
[SPEAKER_00]: Yeah.
31:51.412 --> 31:52.394
[SPEAKER_01]: I love that one.
31:52.494 --> 31:55.758
[SPEAKER_01]: I love it because it's real trippy because how it first starts out.
31:56.278 --> 31:58.001
[SPEAKER_01]: It starts off with like, I accident.
31:58.501 --> 32:05.770
[SPEAKER_01]: And then it's like, go into like all these women wanted to this cave and right then and there, when it's like, you see, he's only going into a cave.
32:05.810 --> 32:06.832
[SPEAKER_01]: That was their first mistake.
32:06.992 --> 32:08.113
[SPEAKER_01]: Why you going into a cave?
32:08.534 --> 32:10.416
[SPEAKER_01]: Like, okay, and we don't know what's down in there.
32:10.396 --> 32:12.218
[SPEAKER_01]: Like you know what I was down in there.
32:12.498 --> 32:16.441
[SPEAKER_01]: I'm not going down in there if I don't know what was down in there I'm not gonna go see it was down in there.
32:16.682 --> 32:17.462
[SPEAKER_01]: Why would I do it?
32:17.843 --> 32:21.746
[SPEAKER_01]: I don't like being down in dark places It's faces like I like to be at the top.
32:21.846 --> 32:22.707
[SPEAKER_01]: I think like ground.
32:22.807 --> 32:40.183
[SPEAKER_01]: I like to see my feet like I don't want to be in there with some some little light trying to see it was in front of me like that right there was like So worst of the worst like if more like the tension was like
32:40.636 --> 32:44.320
[SPEAKER_01]: And you don't know what it's like, you don't know what it's in this space.
32:44.840 --> 32:47.764
[SPEAKER_01]: And it's like, and they're just like, oh, we're us for walking.
32:47.984 --> 32:57.354
[SPEAKER_01]: I'm going to get you some walking to your death because it's like, they have like, what is it that it's like these weird, like, humanoid creatures, like, who got used to that dark?
32:57.374 --> 32:58.795
[SPEAKER_05]: And that's how they look.
32:59.076 --> 32:59.796
[SPEAKER_01]: Yeah, right.
32:59.817 --> 33:00.918
[SPEAKER_01]: And it was so crazy.
33:00.938 --> 33:04.301
[SPEAKER_01]: It's like, it almost kind of makes me think like, oh, these are vampires.
33:04.341 --> 33:06.844
[SPEAKER_01]: But they're not vampires because they're vampires.
33:06.904 --> 33:09.647
[SPEAKER_01]: I think they would have been able to like kill them like real quick.
33:09.982 --> 33:23.282
[SPEAKER_01]: Yeah, but instantly so it's like okay, so I'm thinking like if they're like humanoid creatures is like Are these like other people that got lost their stuff down here and they start changing like what are those things called like windows?
33:23.903 --> 33:25.044
[SPEAKER_04]: Oh, yep, yep.
33:25.064 --> 33:45.047
[SPEAKER_01]: I'm thinking like when to go, so that's what I'm thinking, like, oh, maybe these things are when to go, it's like they've been down you were so long and then it's like, they start, you know, they start changing and it's like they start turning a camel and then it's like their own body is like, it's like, this whole movie was trippy because it's like six women, they, they got to figure out a way to survive and it's like, and then they got to figure out how they're going to get out.
33:45.567 --> 33:52.695
[SPEAKER_01]: And then on top of that, you got two friends, one friend is like, it's crazy because there's like a twist in there with the two friends, because one
33:53.030 --> 33:57.717
[SPEAKER_01]: Like, I think it was like messing around with one of the friends husband in the prayer, but not about it.
33:57.837 --> 34:06.189
[SPEAKER_01]: It was like, okay, so y'all don't So dramatic stuff a year or two on property, which was nice because I'm like, so that automatically let me know that that friend was going to die.
34:06.249 --> 34:19.408
[SPEAKER_01]: Like, not because the wife or the husband, like, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team, out of the team
34:19.388 --> 34:27.161
[SPEAKER_01]: It's like, oh, it's like my girl made it, you know, it's like, oh, it's not what she made it, but then it's like, no, she didn't, I'm like, she's still down there.
34:27.281 --> 34:34.714
[SPEAKER_01]: It's like that to me was like the wildest thing that I love the fact that it's like, okay, there's no happy ending to this at all.
34:34.794 --> 34:44.350
[SPEAKER_05]: Like, that was an original, the original, yeah, and because I, because not that you said it, I remember that, because then I saw the,
34:44.667 --> 34:47.312
[SPEAKER_05]: You have to go in the car.
34:47.552 --> 34:51.720
[SPEAKER_05]: Yeah, I was like, I like the first one better because I have that.
34:51.841 --> 34:52.842
[SPEAKER_05]: I still have the original.
34:53.003 --> 34:54.025
[SPEAKER_05]: I have that from DVD.
34:54.566 --> 34:56.589
[SPEAKER_05]: I liked that because it was like, okay, I'm out.
34:56.670 --> 35:02.220
[SPEAKER_05]: I'm out, but then you snap and it's like, no, and then you realize I'm just going to die down here.
35:02.200 --> 35:03.544
[SPEAKER_01]: Exactly.
35:03.744 --> 35:05.329
[SPEAKER_01]: I love that so much.
35:05.529 --> 35:08.678
[SPEAKER_01]: That's the that's the ending that I love the most.
35:09.099 --> 35:16.480
[SPEAKER_01]: It's like how changed They're like no don't don't change stuff for the US just because they don't like something that's all Liam don't change that's right for you
35:16.730 --> 35:18.614
[SPEAKER_01]: Like, I like how y'all had it the first time.
35:18.635 --> 35:34.873
[SPEAKER_05]: Don't don't don't be like, especially if the first, if the original been out for a while, so we already, you know, you we already know that end it, but then you give us some news and did you got to the compare like you can change you can change up how to dance and, you know, to dance and so a little bit of the story, but
35:35.275 --> 35:46.431
[SPEAKER_01]: Don't change the pivotal plot twist that we all are like, oh, shoot just to make us happy, just to make people Yeah, because just like just because she got away, I'm like, does that make it a happy ending?
35:46.451 --> 35:47.613
[SPEAKER_01]: No, it doesn't.
35:48.034 --> 35:49.776
[SPEAKER_01]: She loves everybody in the DMK.
35:50.037 --> 35:52.440
[SPEAKER_01]: Herk's like, no, it's no happy ending.
35:52.420 --> 35:54.403
[SPEAKER_03]: And she's so happy to him.
35:54.704 --> 35:56.267
[SPEAKER_03]: She's so happy to her.
35:56.287 --> 35:57.709
[SPEAKER_01]: So it's traumatized.
35:58.030 --> 36:11.012
[SPEAKER_05]: But he's going to be there for the rupture because enough in the in the in the change up one didn't they show a picture of the dead body or she had it in her hands still like something like when she was she got away in the car with the picture or the the image of one of her friend dead.
36:11.153 --> 36:11.914
[SPEAKER_01]: She's
36:11.894 --> 36:21.593
[SPEAKER_01]: Yeah, because when she was in the car, yeah, because when she was in the car driving, they showed that scene where she's like, when she sits back, she elucidate seen her beside her.
36:21.794 --> 36:22.655
[SPEAKER_01]: That's what it was.
36:22.775 --> 36:26.142
[SPEAKER_01]: Oh, yeah, she wakes up and she wakes up and she's still in the cave.
36:26.503 --> 36:27.625
[SPEAKER_05]: Yes, come and see.
36:27.605 --> 36:29.467
[SPEAKER_05]: therapy worth of your life.
36:29.547 --> 36:34.751
[SPEAKER_05]: Just sleep on a therapist's couch live there because you can't go home.
36:34.771 --> 36:35.392
[SPEAKER_01]: You sure can't.
36:35.412 --> 36:37.894
[SPEAKER_01]: You might have to put her in a pattern room and call it a day.
36:37.914 --> 36:43.959
[SPEAKER_05]: It's not as I could go in and hug yourself for the rest of your life because it's a long, long, long, long, long.
36:43.979 --> 36:52.126
[SPEAKER_01]: Hey, you guys, so before we dive deeper into the movies, you can follow us on X or Twitter as I like to call it.
36:52.146 --> 36:57.510
[SPEAKER_01]: At Underscore, a Kira XO, and on
36:57.862 --> 37:03.889
[SPEAKER_05]: and you can find me over at Twitter and Letterbox under the Hazel Eye movie guide.
37:04.250 --> 37:08.495
[SPEAKER_05]: That's at X, Twitter and Letterbox, the Hazel Eye movie guide.
37:08.935 --> 37:13.521
[SPEAKER_01]: All right, and now we're coming back to another round for an alternate cut.
37:13.661 --> 37:15.724
[SPEAKER_01]: So this is the part where we take the film.
37:16.224 --> 37:19.808
[SPEAKER_01]: Do the bad or somewhere in between and offer up our alternate tape.
37:20.349 --> 37:26.957
[SPEAKER_01]: It could be a new indie or rewit or rewritten scene
37:27.258 --> 37:30.462
[SPEAKER_01]: So, brother, what is the film that you're going to be taking the rap into?
37:31.083 --> 37:31.444
[SPEAKER_05]: All right.
37:31.484 --> 37:33.186
[SPEAKER_05]: This is a 2018 film.
37:33.707 --> 37:34.568
[SPEAKER_05]: It was on Netflix.
37:34.648 --> 37:41.378
[SPEAKER_05]: It wasn't putting the theaters, but it probably would have did good and it did for theaters, the first theaters.
37:41.398 --> 37:42.459
[SPEAKER_05]: It was a good movie.
37:42.559 --> 37:49.109
[SPEAKER_05]: It had a killer premise, a strong lead, Sandra Bullock, and like I said, it was pretty good, but it wasn't great.
37:49.629 --> 37:55.898
[SPEAKER_05]: Like it could have been and it's bird box.
37:56.131 --> 38:18.730
[SPEAKER_05]: why it didn't work as well as it could, the premise, it stopped at the surface, like the central idea, the creatures that drive people insane if seen, is psychologically potent, like it's in your head, that, that, but it's an externalized, what's the word, metaphor, God, that's the word, for trauma, fear, and social collapse, societal collapse.
38:18.963 --> 38:33.746
[SPEAKER_05]: But the movie never really does anything with that, which that thought process, the metaphor that we never understand the nature of the creatures, which would have been fine if the handle that's the right way, but it feels like lazy world building.
38:33.906 --> 38:42.439
[SPEAKER_05]: And I'm a huge fan of world building, like you can draw me into a movie anything, but just if you build the world up around these characters, there was no emotional depth.
38:42.892 --> 38:58.977
[SPEAKER_05]: to how the people process the fear that they got going on, the creatures are just a plot device, too, if they're just throwing in the psychological states, like what it means to survive without sight, like, you know, are they never truly exploit.
38:59.530 --> 39:02.394
[SPEAKER_05]: Essentially, the concept is always like great.
39:02.515 --> 39:03.236
[SPEAKER_05]: It's huge.
39:03.256 --> 39:06.381
[SPEAKER_05]: But the execution, it was like, they made it like a gimmick.
39:06.401 --> 39:08.404
[SPEAKER_05]: There was uneven tones throughout the movie.
39:08.484 --> 39:10.667
[SPEAKER_05]: The film cuts between two timelines.
39:11.228 --> 39:15.615
[SPEAKER_05]: The survival threat down the river and the flashback to the initial outbreak.
39:15.635 --> 39:19.081
[SPEAKER_05]: And it takes away that tension that the audience needs to build.
39:19.461 --> 39:27.073
[SPEAKER_05]: Instead of bringing us the
39:27.357 --> 39:29.019
[SPEAKER_05]: They should be unbearable.
39:29.179 --> 39:36.265
[SPEAKER_05]: They should be having us on the edge of our seat, doing handstands in our bed and our couch or wherever we're watching that.
39:36.986 --> 39:44.993
[SPEAKER_05]: But it's not, it's just kind of chaotic and, like, not even over the top, just like chaotic and mid-born.
39:45.053 --> 39:56.824
[SPEAKER_05]: It's not, put you to sleep, born, but it's just like, OK. And then the flashbacks, they tell us a deeper story, but they never give us that.
39:57.108 --> 40:01.253
[SPEAKER_05]: It's like, okay, you promised me, you gave me a little glimpse of it.
40:01.414 --> 40:03.957
[SPEAKER_05]: We can go deeper, but you don't give me that depth.
40:03.977 --> 40:07.802
[SPEAKER_05]: The, and I watched it when I, because I watched, I re-watched it not so long ago.
40:07.922 --> 40:10.466
[SPEAKER_05]: It had many things in about the dual timeline.
40:10.506 --> 40:15.172
[SPEAKER_05]: Like, it works in a quiet place, but it did not work in this.
40:16.614 --> 40:20.859
[SPEAKER_05]: And I think because in a quiet place, it worked because it was so, like, contingent was there.
40:21.821 --> 40:23.823
[SPEAKER_05]: And they showed us the monsters.
40:23.883 --> 40:26.727
[SPEAKER_05]: Like, we saw what these people look like, what they look like,
40:27.027 --> 40:27.948
[SPEAKER_05]: Right.
40:27.968 --> 40:35.558
[SPEAKER_05]: There was weak characterization and the archetypes of the characters was completely weak.
40:35.578 --> 40:47.213
[SPEAKER_05]: John Malovitch, who I think is a brilliant actor, he was cynical, the kind helper, the young couple, the pregnant woman, they exist to feel the horror aspect.
40:47.750 --> 40:50.253
[SPEAKER_05]: But they don't really mean anything like right.
40:50.813 --> 40:55.479
[SPEAKER_05]: Mallory's art from code detachment to motherhood is emotionally.
40:56.119 --> 40:57.641
[SPEAKER_05]: It's a good theory to go to.
40:58.141 --> 41:00.824
[SPEAKER_05]: But it's telegraph and they don't really walk us through with enough.
41:00.844 --> 41:01.485
[SPEAKER_05]: It's like rush.
41:01.505 --> 41:02.666
[SPEAKER_05]: I don't think here it is.
41:03.207 --> 41:05.530
[SPEAKER_05]: Like she literally caught her boy and girl.
41:05.610 --> 41:08.192
[SPEAKER_05]: Like we need like, you know, and so.
41:08.633 --> 41:09.674
[SPEAKER_02]: But yeah, that's not bad.
41:09.774 --> 41:10.014
[SPEAKER_05]: Yeah.
41:10.555 --> 41:10.855
[SPEAKER_05]: Okay.
41:11.276 --> 41:11.636
[SPEAKER_05]: And all right.
41:11.716 --> 41:13.478
[SPEAKER_05]: This is how I would reimaginate.
41:13.959 --> 41:16.862
[SPEAKER_05]: We keep to premise as a psychological horror.
41:17.433 --> 41:36.377
[SPEAKER_05]: We make the creatures less of an external monster and more of a mirror like within and you rewrite the concept that entities don't just make you carry a cell, they reveal your deepest truth, your most unbearable life, what your guilty to most of what holds you down by guilt or self-hatred.
41:37.238 --> 41:42.865
[SPEAKER_05]: And some people like some people go mad because they can't face what they see, which is everyday occurrence anyway.
41:43.185 --> 41:47.170
[SPEAKER_05]: You don't need creatures to go mad about what's
41:47.639 --> 42:16.887
[SPEAKER_05]: others and then we have others who are going to be the worshipers, the believers who find peace with the creatures and stuff like that because there's always going to be two sides like in the midst when there was one side of people you know praise and it didn't so there's always it always needs to be that like human against human aspect but then all humans against the creature aspect too so it always needs to be that or yourself aspect this would tie the creatures directly to the film's theme what doesn't mean to see clearly in a broken world like the whole
42:17.238 --> 42:26.505
[SPEAKER_05]: And nobody has eyes focused the narrative one time line one journey no back at four of giving one structure keep it on a linear path and what's just focus on that.
42:27.245 --> 42:29.409
[SPEAKER_05]: start with the outbreak, which is common sense.
42:29.449 --> 42:35.580
[SPEAKER_05]: That's where you should start and then follow Natalie as she navigates survival and motherhood in real time.
42:35.640 --> 42:40.930
[SPEAKER_05]: Don't jump back and forth, just keep it, keep it steady because it, because that was enough to make the movie, right there.
42:40.950 --> 42:42.192
[SPEAKER_05]: You didn't have to jump back and forth.
42:42.693 --> 42:43.835
[SPEAKER_05]: I was already terrified.
42:43.996 --> 42:47.402
[SPEAKER_05]: Like, okay, what if somebody is eating and they open their eyes, are you going down?
42:47.482 --> 42:48.584
[SPEAKER_05]: Like, let's go over here, right?
42:48.824 --> 42:50.788
[SPEAKER_05]: Oh, it's not like that, but
42:51.325 --> 43:00.685
[SPEAKER_05]: the river and build the river secrets as a climax, not a midpoint of a midpoint of just like okay, just push like just to feel the story.
43:00.705 --> 43:01.327
[SPEAKER_05]: That's how I feel.
43:01.727 --> 43:09.925
[SPEAKER_05]: Make it the culmination of everything that she's learned, like being a mother, being a survival, because she has to teach these kids.
43:09.905 --> 43:12.530
[SPEAKER_05]: So she's trying to keep these kids alive.
43:12.550 --> 43:14.854
[SPEAKER_05]: So obviously she has garnered that love.
43:14.914 --> 43:22.047
[SPEAKER_05]: She became motherly like I understand her going from Codehearted not one to not one to food these kids to okay now they're in my position.
43:22.148 --> 43:22.709
[SPEAKER_05]: I have them.
43:22.729 --> 43:26.175
[SPEAKER_05]: I have to keep like and building that love but so just
43:26.611 --> 43:52.922
[SPEAKER_05]: make that would give the story the momentum and detention to just escalate naturally where you don't have to jump back and you can just let it flow and be in a Netflix movie like it should have just did that like it they try to do so much but and I would rebuild character relationships the emotional center of the movie should be malarized relationship with the two children who like I said because that's because she's grown with them who who could have
43:53.408 --> 43:56.595
[SPEAKER_05]: who could have different personality, symbolizing her own conflict.
43:56.655 --> 43:59.041
[SPEAKER_05]: Like, love and didn't anger.
43:59.141 --> 44:07.259
[SPEAKER_05]: Like, one, the boy could have been angry because no, the girl was the girl's who really wasn't hurt, one of them was, was a really hurt kid.
44:07.280 --> 44:07.941
[SPEAKER_05]: I can't remember.
44:08.343 --> 44:10.186
[SPEAKER_01]: I think any of them were kids.
44:10.206 --> 44:12.609
[SPEAKER_01]: I didn't think any of them were kids.
44:12.629 --> 44:14.452
[SPEAKER_01]: I think somebody was pregnant in the house.
44:14.492 --> 44:14.913
[SPEAKER_05]: Was it?
44:14.993 --> 44:15.794
[SPEAKER_05]: Oh, yeah, you're right.
44:15.894 --> 44:17.636
[SPEAKER_05]: And John Malibu has made a killer self.
44:17.657 --> 44:17.997
[SPEAKER_05]: You're right.
44:18.077 --> 44:18.358
[SPEAKER_05]: Okay.
44:18.658 --> 44:19.379
[SPEAKER_05]: I take that boy.
44:19.699 --> 44:23.225
[SPEAKER_05]: Like the boy, he could have been trusting emotional.
44:23.425 --> 44:24.546
[SPEAKER_05]: He wants to see the world.
44:24.607 --> 44:26.049
[SPEAKER_05]: Like, oh, I don't can't let me go.
44:26.089 --> 44:27.230
[SPEAKER_05]: Let me go play with these monsters.
44:27.611 --> 44:30.435
[SPEAKER_05]: But the girl, she could have been traumatized.
44:31.057 --> 44:37.503
[SPEAKER_05]: And she could mirror the fear that her not her mom, but Mallory, which is based on her mom, Mallory is given off.
44:37.523 --> 44:41.347
[SPEAKER_05]: So the boy could be like, you know, a normal boy, you know, I can go ahead and assume it is not.
44:41.367 --> 44:43.409
[SPEAKER_05]: And didn't a girl could be more cautious.
44:43.449 --> 44:49.576
[SPEAKER_05]: So throughout the story, Mallory has to choose between protecting them from from danger or letting them experience the world.
44:50.076 --> 44:55.481
[SPEAKER_05]: The final act forces her to decide whether to open her eyes, both literally and, you know, emotionally.
44:56.823 --> 44:59.005
[SPEAKER_05]: And the supporting character should represent.
44:59.407 --> 45:15.964
[SPEAKER_05]: still a soft the code positions on how to deal with the creatures like the skeptic he insists there's nothing supernatural going on it just you know no the believer know worship these creatures are guys we need to open our eyes and we is okay they're going to take us to a better place crazy basic
45:16.180 --> 45:36.163
[SPEAKER_05]: And the scientists, because there's always got to be a scientist who think they can put, you know, oh, well, maybe this is a anomaly made by asteroids in the third plane of Jupiter, you know, some crap like that that they always come up with that would create tension, not just physical conflict and my final with the ending, I have two options.
45:36.498 --> 45:43.787
[SPEAKER_05]: the tragic ending, Mallory opens her eyes at the end, not to see monsters, but to see her own memories, fears, and regrets.
45:43.807 --> 45:46.170
[SPEAKER_05]: The horror was always human conscious itself.
45:46.370 --> 45:52.278
[SPEAKER_05]: There was no monsters that the fear and the chaos was just you and what's going on with you.
45:52.458 --> 46:03.552
[SPEAKER_05]: And she realized the creatures are reflections of the human mind and that true survival means accepting that, but it also shows
46:04.207 --> 46:05.954
[SPEAKER_05]: and that's the realization she comes.
46:05.974 --> 46:12.799
[SPEAKER_05]: That's why we have to close our eyes and that's because we're blind to ours, our own problems and our own trauma is on everything.
46:13.336 --> 46:18.083
[SPEAKER_05]: which I thought would be the best ending, but as I was sitting there watching it, I thought of another ending.
46:18.283 --> 46:22.389
[SPEAKER_05]: Like we said, people love happy ending, so the hopeful ending.
46:22.789 --> 46:26.254
[SPEAKER_05]: He and the kids that reach the sanctuary, but it's not a safe haven.
46:26.454 --> 46:30.380
[SPEAKER_05]: It's a community that lives with the creatures, having accepted the madness.
46:30.700 --> 46:41.335
[SPEAKER_05]: So basically, a bunch of people with their eyes over crazy, just dead just living in it, and Mavilly has to decide whether to join them, and evolve or remain blind and human.
46:41.804 --> 47:09.212
[SPEAKER_05]: either way it should close the loop, you know, close the loop like site equal knowledge blindness equal survival who would make you clean like okay do I open my eyes and I learn what's going on and everything around me isn't so I mean everything around me is within our heads it's just us or do I keep my eyes closed and survive and I think that's that's a big big piece of the puzzle right there which do you choose now it's just survival so
47:09.682 --> 47:16.372
[SPEAKER_05]: a hunting psychological horror about a woman forced to navigate a world where sight reveals unbearable truth.
47:16.392 --> 47:24.604
[SPEAKER_05]: Instead of running from monsters, she learns that the creatures are reflections of human guilt, trauma, and denial, and to survive she must finally see herself.
47:25.065 --> 47:25.706
[SPEAKER_05]: That's the pitch.
47:26.367 --> 47:28.510
[SPEAKER_05]: That's what you put out the bottom of the movie puzzle.
47:28.530 --> 47:29.832
[SPEAKER_05]: Let's say you're brilliant up there.
47:30.072 --> 47:36.642
[SPEAKER_05]: The two little cute white kids put her little cute face up there, boom, tie a knot over, tie a bow around it, send it to a pair of mine.
47:36.662 --> 47:37.824
[SPEAKER_05]: Let's make, let's make it happen.
47:37.844 --> 47:38.625
[SPEAKER_05]: That's just it.
47:38.605 --> 47:43.357
[SPEAKER_01]: I mean, I mean, I mean, the poster is her and the two keys.
47:43.677 --> 47:45.061
[SPEAKER_05]: Yeah, yeah, I'm not that's what I'm saying.
47:45.101 --> 47:45.883
[SPEAKER_05]: Cheat the poster.
47:45.923 --> 47:46.765
[SPEAKER_05]: Yeah, okay.
47:46.905 --> 47:49.411
[SPEAKER_05]: I do not, I do not just make up that poster.
47:49.431 --> 47:50.434
[SPEAKER_05]: Oh, no.
47:50.875 --> 47:51.817
[SPEAKER_05]: There isn't a poster.
47:51.837 --> 47:53.762
[SPEAKER_05]: Just change the tagline at the bottom.
47:53.742 --> 47:55.525
[SPEAKER_05]: I don't want nobody's sending me no sooner.
47:55.665 --> 47:56.787
[SPEAKER_05]: Are you slowing my pills down?
47:56.847 --> 47:58.329
[SPEAKER_05]: I didn't know, no, no, no, no.
47:58.349 --> 47:59.271
[SPEAKER_05]: It was a great poster.
47:59.611 --> 48:02.916
[SPEAKER_01]: Yeah, because, like, literally, that's what the, sorry.
48:02.936 --> 48:04.719
[SPEAKER_01]: But that's what it says that the movie is.
48:04.880 --> 48:08.505
[SPEAKER_01]: It's supposed to follow her and her kind of protect herself in the two kids.
48:08.525 --> 48:14.174
[SPEAKER_01]: So, like, that's what they should have added on, like, first protecting herself in the two kids.
48:14.314 --> 48:14.755
[SPEAKER_01]: Like,
48:15.005 --> 48:41.653
[SPEAKER_01]: When you put all these other characters in there and like you said and it's just like it's just thin characterization and you got a thin script, it's just like you're throwing a lot of stuff in something that could have been just real simple and scary and it was just that mind you, I only see this when you want.
48:42.055 --> 48:58.560
[SPEAKER_01]: So like everything years ago and I definitely agree like like I totally forgot that they did the like they started it all first with like starting with the president and then they went back and then they went for it was just a lot of that back and forth kind of stuff.
48:58.580 --> 49:01.565
[SPEAKER_01]: And already like already of the week that's right.
49:01.765 --> 49:02.586
[SPEAKER_01]: She was pregnant.
49:02.606 --> 49:03.648
[SPEAKER_01]: I totally forgot about that.
49:03.808 --> 49:05.471
[SPEAKER_01]: Malry was pregnant now.
49:05.491 --> 49:06.372
[SPEAKER_01]: Yeah, because.
49:07.374 --> 49:08.215
[SPEAKER_01]: Yeah.
49:08.482 --> 49:15.662
[SPEAKER_01]: And, and there was another lady that ended up in the house with them was for that giant mountain which had made dark.
49:16.143 --> 49:16.383
[SPEAKER_01]: Right.
49:16.424 --> 49:19.893
[SPEAKER_01]: So, so she had the baby, so she had a baby.
49:19.933 --> 49:21.377
[SPEAKER_01]: And then
49:21.847 --> 49:23.610
[SPEAKER_02]: The other girls baby.
49:23.630 --> 49:24.671
[SPEAKER_01]: Yeah, that's what it was.
49:24.732 --> 49:27.536
[SPEAKER_01]: Okay, because I was like, right there, I don't know what can you come up.
49:27.556 --> 49:46.386
[SPEAKER_01]: Yeah, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was like, I was
49:46.585 --> 50:10.315
[SPEAKER_05]: it's a really weird it's an amazing concept like if you if you if you if you give this to Steven Spielberg and just say look this is the concept this is what we're trying to do with he would destroy it because the concept is like it's so much you can do the blind you you you go through all your life and now you just can't bring anything and like that's there right there
50:10.987 --> 50:18.443
[SPEAKER_05]: People can lose lose they sight every day just you've been human perfectly perfect every day Did you just lose your sight and that's terrifying in itself.
50:18.523 --> 50:31.290
[SPEAKER_05]: So yeah, but yeah, I definitely I've definitely I'm not Overland love with this movie, but it is a good like it's one out if I'm doing something I pop it on and I just watch it like that because it is like I do like it
50:32.030 --> 50:34.252
[SPEAKER_05]: But, and didn't it made another one that was just terrible?
50:34.313 --> 50:35.634
[SPEAKER_05]: I'm sure you haven't been to see that one.
50:36.135 --> 50:38.357
[SPEAKER_05]: Over and it was, they were burned laying in a brick.
50:38.377 --> 50:39.618
[SPEAKER_05]: They were somewhere out of knockout.
50:39.718 --> 50:42.461
[SPEAKER_05]: I don't know, watch half of that one.
50:42.481 --> 50:44.504
[SPEAKER_01]: I totally forgot there was a second one.
50:44.544 --> 50:45.805
[SPEAKER_01]: Like, yeah, I really did.
50:45.825 --> 50:47.607
[SPEAKER_01]: I went out there.
50:47.627 --> 50:50.210
[SPEAKER_01]: Because I was like, oh, yeah, I was like, what was it for?
50:50.230 --> 50:51.271
[SPEAKER_01]: So I won't know whatever.
50:51.431 --> 50:56.637
[SPEAKER_01]: Yeah, I totally forgot that there was even one because I was like, look, the first one was enough.
50:56.988 --> 50:59.451
[SPEAKER_01]: I didn't know what they needed me to make another one thing that first.
50:59.511 --> 51:01.053
[SPEAKER_01]: I was like, ooh, this sounds exciting.
51:01.073 --> 51:02.515
[SPEAKER_01]: And I was like, wait, I remember the first one.
51:02.876 --> 51:04.137
[SPEAKER_01]: Never mind, never mind.
51:04.157 --> 51:05.259
[SPEAKER_01]: Yeah, it wasn't at all.
51:05.439 --> 51:06.540
[SPEAKER_01]: It is cool.
51:07.241 --> 51:07.902
[SPEAKER_01]: Oh, man.
51:08.162 --> 51:12.548
[SPEAKER_01]: Yeah, I'm like, I don't, yeah, I was like, that wasn't really doing this one too much.
51:12.568 --> 51:14.170
[SPEAKER_05]: Yeah, like I said, I would watch half of it.
51:14.190 --> 51:15.011
[SPEAKER_05]: I couldn't finish it.
51:15.071 --> 51:21.279
[SPEAKER_05]: It was just because the first one, like I said, I liked it, even though I had this vlog, but the second one is just all over the place.
51:21.299 --> 51:23.502
[SPEAKER_05]: And it's just like, okay, we didn't, we didn't need this one.
51:24.005 --> 51:29.453
[SPEAKER_05]: This one is sucking the goodness out of the first one because like now I have to put these two together.
51:29.533 --> 51:39.327
[SPEAKER_05]: So, but yeah, that is my red pin X's and O's Bring it up, bring it for a second round redo and reimagining right there.
51:39.387 --> 51:42.912
[SPEAKER_05]: So now we move on to what is yours.
51:43.232 --> 51:53.927
[SPEAKER_01]: So my is also another 2018 film because at first when you said 2018, I was like starting to get nervous because I was like,
51:54.160 --> 51:56.604
[SPEAKER_01]: But then he started talking, I was like, okay, we're good, we're good.
51:56.764 --> 52:15.031
[SPEAKER_01]: But yeah, this was literally popped in my head because I was just like, I was upset with this when I was like, real, just turned off because when they brought it back, I was like, oh my god, this is not if you do it because I was just like, okay, but to get it all the way, the movie was Halloween Goals.
52:15.051 --> 52:23.543
[SPEAKER_01]: Oh, yeah, yeah, yeah, I was like, I said, I was looking forward to it because it was, you know,
52:23.810 --> 52:33.700
[SPEAKER_01]: When they did the first one, like, what was that, like, 2000, what was that, 16, 17, whenever that first one came out, I think it was 2018.
52:34.080 --> 52:34.661
[SPEAKER_01]: What's the 2018?
52:34.681 --> 52:36.563
[SPEAKER_05]: I don't want kills, 21.
52:36.843 --> 52:37.163
[SPEAKER_01]: Not that.
52:37.283 --> 52:37.844
[SPEAKER_01]: No, 21.
52:38.545 --> 52:39.465
[SPEAKER_01]: I know that one was 21.
52:39.946 --> 52:42.188
[SPEAKER_01]: But I was trying to think of the one that was the 2018.
52:43.269 --> 52:45.672
[SPEAKER_01]: The first one, yeah, the first one came on 2018.
52:45.832 --> 52:49.175
[SPEAKER_01]: This one, yeah, I don't know why I got 2018.
52:49.656 --> 52:51.117
[SPEAKER_01]: This one is 21.
52:51.232 --> 53:06.528
[SPEAKER_01]: But the 2018 one I actually enjoyed I liked it because that's when we got, you know, we got Lori back as, you know, trying to, you know, taking on Michael again, which that one was pretty damn simple.
53:06.548 --> 53:10.753
[SPEAKER_01]: It was really, you know, Lori trying to make sure her families are right.
53:12.715 --> 53:19.602
[SPEAKER_01]: And, and just keeping everybody safe, Michael gets out, goes back home, starts killing
53:20.138 --> 53:20.940
[SPEAKER_01]: Yeah, what she had to do?
53:21.180 --> 53:23.064
[SPEAKER_01]: She liked her brother, I thought he was dead.
53:23.224 --> 53:27.191
[SPEAKER_01]: No, he's not dead because I love that opening scene in Hong Kong.
53:28.093 --> 53:32.702
[SPEAKER_01]: When the house is on fire, you see Lori with her daughter.
53:32.722 --> 53:33.844
[SPEAKER_01]: And...
53:34.077 --> 53:46.244
[SPEAKER_01]: And her granddaughter, they're in a backward truck after they got saved and all the time you just see the fire trucks, the ambulance and you just see Lori just screaming freaking out because she already knows is getting ready to happen.
53:46.745 --> 53:50.213
[SPEAKER_01]: They're trying to say what they're trying to say what's left of this house.
53:50.783 --> 53:52.165
[SPEAKER_03]: Yeah, she was like, let it burn.
53:52.385 --> 53:55.549
[SPEAKER_01]: Yeah, she's just like, let it burn, let it burn.
53:55.570 --> 53:58.313
[SPEAKER_01]: And I was just like, you just, you can feel it.
53:58.473 --> 54:09.488
[SPEAKER_01]: It's so when you get to that scene where they're like, get into the house, he gets out and he's just taking everybody out with them, which I'm like, that whole scene, I like, I love it.
54:09.629 --> 54:14.275
[SPEAKER_01]: Like that whole scene to me was like, don't just watching him, just take everybody out.
54:15.016 --> 54:20.183
[SPEAKER_01]: Yeah.
54:20.517 --> 54:21.458
[SPEAKER_01]: town people.
54:21.878 --> 54:24.842
[SPEAKER_01]: I'm like, what does this have to do with anything?
54:24.982 --> 54:35.774
[SPEAKER_01]: Okay, they're doing a 40-year anniversary on a capturing of Michael with a residence of Ivers from what, a first one, from like a very first one from the 70s.
54:36.314 --> 54:38.677
[SPEAKER_01]: So it's like, to me, this is stupid.
54:39.057 --> 54:44.263
[SPEAKER_01]: I'm like, why are we, why are we going
54:44.952 --> 54:53.157
[SPEAKER_01]: I don't think many are going to remember because I'm like where they I don't remember them in the first in the first reboot that they did.
54:53.423 --> 54:54.965
[SPEAKER_05]: Like, yeah, and it was so long ago.
54:55.666 --> 54:57.749
[SPEAKER_01]: I'm like, I read, I'm like, who are these people?
54:58.310 --> 55:01.595
[SPEAKER_01]: Like, but I do remember what's your name scared there?
55:01.775 --> 55:05.100
[SPEAKER_01]: Kyle Richards, her character from the first movie.
55:05.120 --> 55:07.583
[SPEAKER_01]: Because he was the little girl that she babysat in the first one.
55:07.964 --> 55:20.882
[SPEAKER_01]: Like, I remember that much, but other than that, it was just like I said, and when you have the town people when they start figuring out about, you know, him, like Michael actually still being alive.
55:20.862 --> 55:24.795
[SPEAKER_01]: Maybe you got one of the surviving people who I think it was like Tommy.
55:25.176 --> 55:27.203
[SPEAKER_01]: He's like, oh, let's get a mom together.
55:27.223 --> 55:28.628
[SPEAKER_01]: So we can hunt down and kill Mike.
55:28.760 --> 55:29.120
[SPEAKER_01]: Yeah.
55:29.281 --> 55:30.702
[SPEAKER_01]: Like, what are we doing here?
55:30.863 --> 55:36.930
[SPEAKER_01]: I'm like, when I'm hearing how when we, I'm like, okay, Michael is just going to be slowly charging through somebody's house.
55:37.251 --> 55:42.457
[SPEAKER_01]: He sees him like, he grabs it, starts stabbing people up and then he moves on to the next house.
55:42.477 --> 55:44.780
[SPEAKER_01]: Like, this is what I'm thinking how I'm in it.
55:44.800 --> 55:46.803
[SPEAKER_01]: Because that's what I know where how we need it.
55:47.183 --> 55:52.090
[SPEAKER_01]: Like, Michael is just walking around in a suit and it's ziped up a little jumpsuit.
55:52.490 --> 55:55.594
[SPEAKER_01]: His William
55:55.574 --> 55:57.358
[SPEAKER_01]: Mads gone with a knife.
55:57.378 --> 55:58.521
[SPEAKER_01]: Yeah, stabbing people up.
55:59.022 --> 56:06.200
[SPEAKER_01]: No, you got these people at them like, oh, we're going to take down one of the, like, how are you going to take down a man that cannot be taken down.
56:06.440 --> 56:10.991
[SPEAKER_01]: Like, I was like, how many movies do we have a Michael keep coming back.
56:11.372 --> 56:11.693
[SPEAKER_01]: Like,
56:11.673 --> 56:37.039
[SPEAKER_01]: And they should know this, they live in the town, they, they, they, they, they, they, they, they, they, they, they, they, they, they, they, they, they do, they do, they do, they do, they do, they do, they do, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do it, they do
56:37.019 --> 56:44.246
[SPEAKER_01]: I was like, this is like the dumbest thing I have ever seen in my life, like it was just stupid.
56:44.886 --> 56:51.032
[SPEAKER_01]: And it was just all, it was just that whole scenario which is done.
56:51.652 --> 57:07.026
[SPEAKER_01]: And then when you have the people like showing up to the hospital because they're like, oh, they have somebody, it's like, it's Michael, it's Michael, all this like, bro,
57:07.006 --> 57:08.207
[SPEAKER_01]: That's not my brother.
57:08.448 --> 57:09.669
[SPEAKER_01]: Like I know my brother.
57:10.150 --> 57:11.191
[SPEAKER_01]: This is not my brother.
57:11.551 --> 57:26.809
[SPEAKER_01]: I'm like y'all are stupid and thinking like this is my brother I know who my brother is this is not my brother and and on top of that we all know Michael does not talk So when they had this man, it means man talking about help me help me.
57:27.190 --> 57:33.817
[SPEAKER_01]: I'm like, okay, so that should have been indicator right there like if this man is running for his life And he's he's talking to you.
57:33.877 --> 57:35.359
[SPEAKER_01]: That is not Michael
57:35.457 --> 57:38.063
[SPEAKER_04]: I'm not a kid to know that it's not Michael.
57:38.103 --> 57:40.068
[SPEAKER_01]: We don't know what this man looked like.
57:40.088 --> 57:41.350
[SPEAKER_01]: We not them.
57:41.411 --> 57:44.137
[SPEAKER_01]: This man was running and fearing for his life.
57:44.397 --> 57:48.848
[SPEAKER_05]: So I'm just like, and we're gonna find me to the story about Michael running.
57:49.549 --> 57:50.131
[SPEAKER_01]: Exactly.
57:50.171 --> 57:52.977
[SPEAKER_01]: This man saw we walks this man.
57:53.463 --> 57:57.447
[SPEAKER_01]: cases slow with a time to get to you, which is crazy.
57:57.747 --> 58:01.550
[SPEAKER_01]: It's like a victim could be running around the house, knocking everything over a trippin' already.
58:01.611 --> 58:03.833
[SPEAKER_01]: And he's still walking right behind you.
58:03.853 --> 58:05.094
[SPEAKER_01]: It's still in black.
58:05.514 --> 58:07.536
[SPEAKER_01]: I'm like, what are we doing here y'all?
58:07.676 --> 58:12.341
[SPEAKER_01]: I think that whole scene to me was the dumbest thing ever.
58:12.581 --> 58:15.023
[SPEAKER_01]: Like, I was like, it's so upset with that.
58:15.163 --> 58:20.248
[SPEAKER_01]: It was just, I'm kind of happy I got to see that at home because that was at the time of the night.
58:20.268 --> 58:21.529
[SPEAKER_01]: Like, ran it with
58:21.931 --> 58:25.214
[SPEAKER_01]: Yeah, I watched it from the cover of my house.
58:25.454 --> 58:32.080
[SPEAKER_01]: I was still mad because I was like, what, almost, yeah, almost a two, like a little bit under two hours of my time.
58:32.200 --> 58:36.223
[SPEAKER_01]: Like, I lost my, I have a, I know my life that I would never get back.
58:36.243 --> 58:37.284
[SPEAKER_05]: I want to move to see it.
58:37.324 --> 58:37.905
[SPEAKER_05]: I'm fortunate.
58:38.025 --> 58:39.166
[SPEAKER_05]: I remember sitting in the theater.
58:39.666 --> 58:40.687
[SPEAKER_05]: I'm sorry.
58:41.388 --> 58:41.988
[SPEAKER_05]: I'm sorry.
58:42.349 --> 58:42.709
[SPEAKER_00]: I'm sorry.
58:42.729 --> 58:43.470
[SPEAKER_00]: I'm sorry.
58:43.670 --> 58:44.170
[SPEAKER_00]: I'm sorry.
58:44.230 --> 58:47.854
[SPEAKER_05]: I've never seen a horror of Michael Maya's movie in the theater.
58:47.914 --> 58:49.455
[SPEAKER_05]: I always just wait to see it at home.
58:49.515 --> 58:51.837
[SPEAKER_05]: I was like,
58:52.188 --> 58:54.352
[SPEAKER_01]: I'm not doing a lot.
58:54.452 --> 58:59.240
[SPEAKER_01]: I think the very first home movie I think that's on theaters was probably H2O, right?
58:59.260 --> 59:00.221
[SPEAKER_01]: And that was 8.
59:01.463 --> 59:04.007
[SPEAKER_01]: Yeah, I'm surprised by that one.
59:04.829 --> 59:11.059
[SPEAKER_01]: But yeah, because I was just like, okay, I thought you had something going with the 2018 one.
59:11.340 --> 59:16.508
[SPEAKER_01]: So I'm thinking like, okay, I'm like, we're going to do good on this one.
59:17.062 --> 59:20.867
[SPEAKER_01]: It is, well, my thing is this, what they should it is.
59:21.168 --> 59:23.972
[SPEAKER_01]: I think what they should have done is lots of town people out.
59:24.292 --> 59:25.073
[SPEAKER_01]: We didn't need that.
59:26.095 --> 59:32.523
[SPEAKER_01]: Look, I don't care about them celebrating the 40 year anniversary of them cancer and my capturing Michael.
59:32.684 --> 59:34.286
[SPEAKER_01]: Like, I don't care about y'all.
59:34.626 --> 59:37.530
[SPEAKER_01]: Like, I have not cared about y'all for like the last 40 years.
59:37.931 --> 59:39.253
[SPEAKER_01]: It's like, why are y'all here?
59:39.673 --> 59:41.075
[SPEAKER_01]: Like, leave on out.
59:41.696 --> 59:44.520
[SPEAKER_01]: And the only thing is this because I remember,
59:45.209 --> 59:52.813
[SPEAKER_01]: In the movie, when they're taking Lori to the hospital, she has to get surgery because she got hurt.
59:53.315 --> 59:56.485
[SPEAKER_01]: What they should have did, they should have kept it right there in the hospital.
59:57.258 --> 59:59.461
[SPEAKER_01]: They could have had that right there in the hospital.
59:59.801 --> 01:00:01.804
[SPEAKER_01]: Like Michael could have made his way to the hospital.
01:00:02.385 --> 01:00:04.868
[SPEAKER_01]: We know he would have made his way somewhere in other.
01:00:05.188 --> 01:00:06.229
[SPEAKER_01]: He'd go make a way.
01:00:06.490 --> 01:00:08.753
[SPEAKER_01]: Michael always phone make a way to get somewhere.
01:00:09.253 --> 01:00:17.945
[SPEAKER_01]: So what they should have did is when they had Lori with her daughter in her granddaughter in the hospital, they should have came to the hospital and been like, yo, Michael got loose.
01:00:18.325 --> 01:00:19.907
[SPEAKER_01]: He is manning deep.
01:00:19.887 --> 01:00:22.532
[SPEAKER_01]: And no, it might go he gonna know where Lori it.
01:00:22.632 --> 01:00:31.108
[SPEAKER_01]: I don't know how does man be Yeah, somehow he always man be for you know, but I think they know they be like oh we're like connected or whatever blah, blah, blah But that man be figuring this way out.
01:00:31.329 --> 01:00:38.402
[SPEAKER_01]: He could have made his way to the hospital They could have been like let's shut down the hospital like let's keep everybody, you know like all the street whatever
01:00:38.568 --> 01:00:40.691
[SPEAKER_01]: They could have had that, like right there in the hospital.
01:00:41.072 --> 01:00:48.762
[SPEAKER_01]: Y'all can leave any kind of like any kind of kill in a hospital because you got every kind of tool in the hospital, anything you could think of.
01:00:49.203 --> 01:01:06.988
[SPEAKER_01]: Like, weirdly, it was true to be like Lori's daughter in her granddaughter, she'd have been like trying to keep Lori, you know, safe in like trying to keep, you know, a microwave in her, like they could have just made it in some kind of sense of just having it right there.
01:01:07.390 --> 01:01:09.233
[SPEAKER_01]: Because I think they kind of try to do it.
01:01:09.433 --> 01:01:16.725
[SPEAKER_01]: I think they try to do the same thing like a resurrection where like Lori and his up killing somebody else you thought was Michael, but it wasn't Michael.
01:01:17.146 --> 01:01:19.189
[SPEAKER_01]: They could have did something like that for this one.
01:01:19.209 --> 01:01:23.817
[SPEAKER_01]: But to keep the third one, you know, going like all they must take and we kill somebody else.
01:01:24.438 --> 01:01:25.720
[SPEAKER_01]: But it's not Michael.
01:01:26.020 --> 01:01:32.290
[SPEAKER_05]: You know, and you would have understood to like if they would have made it so that you could have you really could have thought it was Michael.
01:01:32.811 --> 01:01:37.279
[SPEAKER_05]: I don't understand it because I'm taking out anybody I think is Michael too, after all you did something.
01:01:37.299 --> 01:01:38.421
[SPEAKER_05]: Yeah, that would have made sense.
01:01:39.022 --> 01:01:48.838
[SPEAKER_01]: So instead of them just trying to make it like, all this is the time like, like, we didn't need like the pitch forks and all this other stuff trying to be like, we're going to keep art no like.
01:01:49.308 --> 01:01:53.073
[SPEAKER_01]: Like, this is not a slasher thing to me.
01:01:53.554 --> 01:01:55.356
[SPEAKER_01]: It becomes something completely different.
01:01:55.536 --> 01:01:57.419
[SPEAKER_01]: I don't think it's R anymore.
01:01:57.579 --> 01:01:59.121
[SPEAKER_01]: I don't even know what you want to call it.
01:01:59.922 --> 01:02:03.367
[SPEAKER_01]: It's because it's like, I don't know what this one is.
01:02:03.387 --> 01:02:06.511
[SPEAKER_01]: They kind of like took the fun out of a slashing bar.
01:02:06.531 --> 01:02:06.872
[SPEAKER_04]: Yeah.
01:02:07.613 --> 01:02:14.162
[SPEAKER_01]: Because they started out good now when they left out when they left out and they were trying to get him from being inside the house.
01:02:14.702 --> 01:02:16.665
[SPEAKER_01]: He gets out like that part was great.
01:02:16.915 --> 01:02:24.884
[SPEAKER_01]: But then after that, when you start throwing more bodies in there, just like for whatever a parent reason, we didn't need it.
01:02:25.004 --> 01:02:37.097
[SPEAKER_01]: Like, take the time people out, make it short and simple, keep them in the hospital, have them fight it out the hospital, get somebody mistakenly as Michael, kill him by accident, and then somehow Michael still is out there.
01:02:37.457 --> 01:02:42.703
[SPEAKER_01]: Because I know at the end of this one, Michael ends up killing his knees.
01:02:42.683 --> 01:02:43.565
[SPEAKER_01]: at the house.
01:02:44.647 --> 01:02:46.751
[SPEAKER_01]: It's like, so that's the thing too.
01:02:46.831 --> 01:02:49.356
[SPEAKER_01]: So it's like, yeah, somehow keep that still in there.
01:02:49.737 --> 01:02:53.725
[SPEAKER_01]: Because I mean, that was still like, if you were worried to be like, okay, I gotta take this man out.
01:02:54.066 --> 01:02:55.208
[SPEAKER_01]: You know, he took out my daughter.
01:02:55.778 --> 01:03:19.170
[SPEAKER_05]: And it draws the story line back to Laurie and Michael because you're not, you know, of course, nobody wants her daughter to be killed in a movie, but it's it's a additional character and it takes away from the main premise of Laurie Michael, that's it, and that draw to that anyway, like you said, if you ever even more so right, so I just love the fact that they did that, but yeah, just.
01:03:19.150 --> 01:03:31.709
[SPEAKER_01]: Just keep it simple because when you just start doing a bunch of onits in there that does not need to be in there Because when you think how we you're thinking slasher You're not thinking like oh, we have this spot over here.
01:03:31.729 --> 01:03:33.151
[SPEAKER_01]: We have this spot over there.
01:03:33.252 --> 01:03:40.062
[SPEAKER_01]: Oh, and then we still got the main spot right here But if you want you to focus on these other two things here, but it's like but why we don't need it
01:03:40.548 --> 01:03:46.959
[SPEAKER_01]: Just keep it simple as you're regular regular slasher make it, you know, still make it scary or fun.
01:03:46.999 --> 01:03:52.548
[SPEAKER_01]: You can do that in a hospital because there's a lot of ways like I said, there's a lot of ways to take someone out and ask.
01:03:53.209 --> 01:03:54.491
[SPEAKER_03]: Oh, and I'm pretty sure.
01:03:55.012 --> 01:03:55.553
[SPEAKER_01]: Exactly.
01:03:55.593 --> 01:04:04.648
[SPEAKER_01]: So it's like you can't you can't keep your eye on one person like in a big house with a like, it's like some way he could like, you know, like kill the light, something like that, you know, just.
01:04:04.628 --> 01:04:06.831
[SPEAKER_01]: make it, you know, like a horror flick.
01:04:07.412 --> 01:04:11.236
[SPEAKER_05]: And I had to say it, but a house girl has plenty of people from the kid throughout the movie.
01:04:11.317 --> 01:04:11.997
[SPEAKER_05]: So I mean, exactly.
01:04:12.017 --> 01:04:25.675
[SPEAKER_01]: You got, you got doctors, you got ashes, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you got, you
01:04:25.823 --> 01:04:36.198
[SPEAKER_01]: put it on a spoon just let him mess people up in the hospital while trying to get to his sister and his niece, his niece and granny's trying to, you know, trying to take him out.
01:04:36.959 --> 01:04:37.119
[SPEAKER_02]: Yeah.
01:04:37.360 --> 01:04:38.541
[SPEAKER_01]: That's how they should have did it.
01:04:39.523 --> 01:04:44.630
[SPEAKER_01]: There was no point of having a pound people be involved because all it did was get through to.
01:04:45.171 --> 01:04:49.958
[SPEAKER_05]: And what I what I remember it like, and I think I'm focusing and thinking about this moving more.
01:04:50.410 --> 01:04:57.475
[SPEAKER_05]: The fact that they added the town's people, Jamie Lee Curtis Lori, she didn't even fight in the main fight with him.
01:04:57.595 --> 01:04:59.863
[SPEAKER_05]: Like she wasn't involved, so they took her out of it.
01:05:00.350 --> 01:05:05.117
[SPEAKER_05]: And by adding the townspeople, they kept doing some of the dumbest stuff possible.
01:05:05.137 --> 01:05:06.198
[SPEAKER_05]: So there was no tension.
01:05:06.218 --> 01:05:08.301
[SPEAKER_05]: Like, oh, Michael might be able to hit her.
01:05:08.402 --> 01:05:09.163
[SPEAKER_05]: I'm a run over here.
01:05:09.343 --> 01:05:10.885
[SPEAKER_05]: And then you know what I'm talking about.
01:05:10.905 --> 01:05:12.167
[SPEAKER_05]: So that, okay, you do something stupid.
01:05:12.207 --> 01:05:12.648
[SPEAKER_05]: You don't.
01:05:12.688 --> 01:05:14.911
[SPEAKER_05]: I mean, that took away all of the tension of it.
01:05:15.752 --> 01:05:18.175
[SPEAKER_05]: Yeah, this one was a huge miss hat.
01:05:18.616 --> 01:05:29.732
[SPEAKER_01]: This one was a definitely miss fire for sure, for sure, because like like that whole scene with like when Michael goes back to his old home, and you got big
01:05:29.965 --> 01:05:32.449
[SPEAKER_04]: Yeah, yeah, like what is this?
01:05:32.570 --> 01:05:42.447
[SPEAKER_05]: Like I was just in some part, but I was like, did you like the writers, the directors, the producer, just haven't even seen the other movies?
01:05:42.848 --> 01:05:47.556
[SPEAKER_05]: Just try to watch all the other movies because before you sit down and say, you know what?
01:05:47.576 --> 01:05:48.978
[SPEAKER_05]: I want to make a new Halloween movie.
01:05:49.680 --> 01:05:51.062
[SPEAKER_05]: Watch the other movies.
01:05:51.481 --> 01:05:54.225
[SPEAKER_05]: They give you the clear cut blueprint of what to do.
01:05:54.265 --> 01:05:55.587
[SPEAKER_05]: They don't make it too complicated.
01:05:56.028 --> 01:05:57.109
[SPEAKER_05]: They don't make it stupid.
01:05:57.409 --> 01:06:05.721
[SPEAKER_05]: They just give you a man who cannot die A sister who he's trying to kill and a bunch of people in the 20 like you've got the blueprint just do work around.
01:06:05.741 --> 01:06:06.903
[SPEAKER_05]: They don't change everything.
01:06:07.163 --> 01:06:08.145
[SPEAKER_01]: Exactly.
01:06:08.586 --> 01:06:09.447
[SPEAKER_01]: And that's what they did.
01:06:09.487 --> 01:06:10.729
[SPEAKER_01]: They just try to I don't know.
01:06:10.789 --> 01:06:13.633
[SPEAKER_01]: They're trying to put the empty, but I'm like, I didn't up nothing.
01:06:13.653 --> 01:06:17.859
[SPEAKER_01]: I'm like, yeah, yeah, what are the It was stupid.
01:06:17.999 --> 01:06:18.720
[SPEAKER_01]: It was just
01:06:18.700 --> 01:06:43.138
[SPEAKER_01]: It was done because I think ain't this so I'm pretty sure is this the one where the girl yeah isn't it someone where the girl it was a boyfriend wasn't it her aunt's boyfriend is this the one where he gets he it was that gnarly aunt's kid where it was like I can't remember how he died though wasn't in this one where he got he was up the one where he in the sewer or whatever no that was the that was the third that's the third one that's
01:06:43.726 --> 01:06:44.527
[SPEAKER_04]: Okay, okay.
01:06:44.667 --> 01:06:45.528
[SPEAKER_04]: I'm getting a mixed up.
01:06:45.748 --> 01:06:59.241
[SPEAKER_01]: Yeah, I'm trying to remember because I know you're just seeing where her Grant her granddaughter's boyfriend gets killed and he's like, I think it's like in between the like I think it's like the chair or like though it I think it was like what was it like this?
01:06:59.582 --> 01:07:00.102
[SPEAKER_01]: The steps.
01:07:00.242 --> 01:07:03.946
[SPEAKER_01]: It was like his head got caught in something Oh, I'm just wearing the bars of the stairs.
01:07:04.106 --> 01:07:04.507
[SPEAKER_01]: Yeah.
01:07:04.747 --> 01:07:05.488
[SPEAKER_01]: Wasn't that him?
01:07:06.048 --> 01:07:07.069
[SPEAKER_01]: I believe so.
01:07:07.309 --> 01:07:11.634
[SPEAKER_01]: I'm pretty sure I can't remember how he did that because I'm pretty sure that's what it was.
01:07:11.794 --> 01:07:12.855
[SPEAKER_01]: It was at that house
01:07:13.156 --> 01:07:16.942
[SPEAKER_01]: He was at the old house because I'm trying to remember how he did it though.
01:07:17.222 --> 01:07:18.424
[SPEAKER_01]: How are you doing?
01:07:18.444 --> 01:07:19.967
[SPEAKER_01]: It was so how he did it.
01:07:20.007 --> 01:07:21.088
[SPEAKER_01]: That's what it was.
01:07:21.449 --> 01:07:24.754
[SPEAKER_01]: Yep, he smashed his head through the bannister and then he unveiled it.
01:07:24.794 --> 01:07:27.038
[SPEAKER_01]: That's what I know it's something that he did.
01:07:27.078 --> 01:07:29.982
[SPEAKER_01]: I was like, there was something that he didn't remember.
01:07:30.082 --> 01:07:31.044
[SPEAKER_01]: It was so stupid.
01:07:31.445 --> 01:07:36.472
[SPEAKER_01]: But yeah, but yeah, that was on that, that killed to me with nuts.
01:07:36.492 --> 01:07:40.058
[SPEAKER_01]: I think that was probably like my favorite one in that movie is when he did that.
01:07:40.747 --> 01:07:42.891
[SPEAKER_05]: always slammed his head and then he snapped his net.
01:07:43.071 --> 01:07:43.512
[SPEAKER_01]: Yeah.
01:07:43.532 --> 01:07:43.632
[SPEAKER_01]: Yeah.
01:07:43.953 --> 01:07:48.521
[SPEAKER_01]: We thought, okay, I was like, I knew there was some death in there that I actually liked.
01:07:48.541 --> 01:07:50.744
[SPEAKER_01]: And then we see, I'm like, I hate that I had to have to do them.
01:07:51.486 --> 01:07:51.766
[SPEAKER_02]: Yeah.
01:07:52.247 --> 01:07:52.868
[SPEAKER_01]: Yeah.
01:07:52.888 --> 01:07:53.309
[SPEAKER_01]: I'm sorry.
01:07:53.329 --> 01:07:55.553
[SPEAKER_01]: But yeah, that one was pretty dope for me.
01:07:55.954 --> 01:07:56.815
[SPEAKER_01]: I thought it was.
01:07:57.487 --> 01:08:09.406
[SPEAKER_01]: But yeah, I just thought that that sort of was like, you said, I'm building a snap this neck because it's like, it's like, okay, but it's like some kills, it's like, I enjoy them, but then it's like, how can we get that in the movie?
01:08:09.426 --> 01:08:10.208
[SPEAKER_01]: You know what I mean?
01:08:10.228 --> 01:08:12.932
[SPEAKER_01]: If it's like, I was like, I want this in the hospital.
01:08:12.972 --> 01:08:16.558
[SPEAKER_01]: It's like, I mean, I guess you can do it like in the hall, like in.
01:08:16.758 --> 01:08:19.521
[SPEAKER_01]: You know, the stairwell, I guess that could have been a way to do it.
01:08:19.601 --> 01:08:21.063
[SPEAKER_01]: Yeah, I get a way or whatever.
01:08:21.744 --> 01:08:23.246
[SPEAKER_01]: Okay, because I was like, how could that work?
01:08:23.286 --> 01:08:24.407
[SPEAKER_01]: We'd actually like that, too.
01:08:24.888 --> 01:08:31.055
[SPEAKER_01]: But I just wish that they would have just kept this simple like 90 minutes, but 90 minutes would have been alright.
01:08:31.656 --> 01:08:32.277
[SPEAKER_02]: Yeah.
01:08:32.397 --> 01:08:36.742
[SPEAKER_01]: 30, like just an hour and a half, just keep it, keep it short and simple.
01:08:37.263 --> 01:08:39.205
[SPEAKER_01]: But like I said, I just,
01:08:39.472 --> 01:08:42.315
[SPEAKER_01]: There's no turning back, which is kind of disappointing.
01:08:43.197 --> 01:08:52.668
[SPEAKER_01]: I wish I could have said they tried a little bit better with the third one, but that one's still kind of fell short for me too, even though it was the ending for it.
01:08:52.888 --> 01:08:54.530
[SPEAKER_01]: Yeah, I wish it's, yeah.
01:08:54.631 --> 01:08:59.677
[SPEAKER_05]: Yeah, because this was an hour and 45 minutes of just, what are we doing?
01:08:59.717 --> 01:09:00.998
[SPEAKER_05]: Like you're ruining Michael.
01:09:01.359 --> 01:09:02.280
[SPEAKER_05]: You're ruining it.
01:09:02.300 --> 01:09:06.485
[SPEAKER_01]: Yeah, because I was like everything, but I don't think Lori was like her character.
01:09:06.545 --> 01:09:08.027
[SPEAKER_01]: I don't think she was in it that much.
01:09:08.193 --> 01:09:14.906
[SPEAKER_01]: And that's what drove me nuts is like, this is about Lori and Michael, like you said, keep it that way.
01:09:15.668 --> 01:09:22.000
[SPEAKER_01]: Yeah, don't a little people throw a little more people in between, but those are the two main characters right there.
01:09:22.040 --> 01:09:25.487
[SPEAKER_01]: They are always the main characters, just those two.
01:09:25.908 --> 01:09:27.130
[SPEAKER_01]: Nobody else has said it.
01:09:27.413 --> 01:09:55.834
[SPEAKER_01]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:09:56.354 --> 01:10:02.339
[SPEAKER_01]: That's how people go back back to you, which is, it does take you out of the movie.
01:10:02.479 --> 01:10:03.240
[SPEAKER_01]: It really does.
01:10:03.440 --> 01:10:10.186
[SPEAKER_01]: It's like when you're expecting something to happen and you don't get it, it's upsetting.
01:10:10.346 --> 01:10:11.927
[SPEAKER_01]: It's like a weird real setting.
01:10:12.267 --> 01:10:14.609
[SPEAKER_05]: Especially when you're used to having something done one way.
01:10:14.649 --> 01:10:16.251
[SPEAKER_05]: And that's what you be like you say.
01:10:16.271 --> 01:10:17.392
[SPEAKER_05]: You come in expecting.
01:10:17.452 --> 01:10:20.514
[SPEAKER_05]: And they just not only do they not give you what you expect.
01:10:20.655 --> 01:10:25.939
[SPEAKER_05]: They give you something that you never even would think could happen.
01:10:26.240 --> 01:10:36.900
[SPEAKER_05]: The townspeople were terrified, shouldn't they do us lockin' no trigger treated, shouldn't they do us lockin' they windows, closing the curtains, you know, just like a hurricane was comin' to tornado, just battin' down.
01:10:36.960 --> 01:10:42.992
[SPEAKER_05]: We're sayin' here, but this one they out, skipping the road, bringing items to a knife fight, like, it's just crazy.
01:10:43.072 --> 01:10:48.282
[SPEAKER_01]: Talking about what's going to take on Michael, like, he got all needed to take on nothing, just keep him as an house.
01:10:48.262 --> 01:11:16.260
[SPEAKER_05]: Exactly, like he didn't even have to you just go somewhere where he won't interact just where he won't crush you But if he crush you Yeah, he won't die, but if you Yeah, just go out to the hotel at your house locked up and he walked around the town He's not just gonna randomly say, I don't want to And not going to your door So I mean, yeah, this one was pretty Because it's like if you want to see him, he'd be looking for like a door open A window being open Yeah, trying to find a way like, okay, maybe that makes sense
01:11:16.510 --> 01:11:19.835
[SPEAKER_01]: Oh, Joe Hitler, walk up, like why, like what are we doing?
01:11:19.915 --> 01:11:20.656
[SPEAKER_01]: Like you should know.
01:11:20.676 --> 01:11:27.185
[SPEAKER_05]: Yeah, you're never seeing Michael kick down on the random door that don't have Lord behind it, or you know, somebody like that.
01:11:27.626 --> 01:11:32.053
[SPEAKER_05]: But he ain't just, oh, that looked like a nice, how kick it over and just kills a random people for no reason.
01:11:32.393 --> 01:11:37.400
[SPEAKER_01]: Just, man, it was like I say, it's just too much going on in a simple sledge of film.
01:11:37.460 --> 01:11:43.429
[SPEAKER_01]: Like, like I said, too, just too many components, too many components, just too, too many.
01:11:44.000 --> 01:11:48.447
[SPEAKER_05]: And I'm sure I'm sure they're going to make another one and I hope they go back to their original format.
01:11:48.887 --> 01:11:49.448
[SPEAKER_01]: What do you did?
01:11:49.488 --> 01:11:50.169
[SPEAKER_01]: They ended it.
01:11:50.570 --> 01:11:52.112
[SPEAKER_01]: They ended it with Halloween ends.
01:11:52.893 --> 01:11:54.555
[SPEAKER_05]: I mean, but I'm sure they're going to make another one.
01:11:54.816 --> 01:11:55.156
[SPEAKER_05]: Yeah.
01:11:55.216 --> 01:11:55.917
[SPEAKER_05]: I know they made.
01:11:55.978 --> 01:11:58.762
[SPEAKER_05]: I didn't like her hands, you know, but I don't like that one either way.
01:11:58.782 --> 01:11:59.543
[SPEAKER_01]: I didn't like it either.
01:11:59.563 --> 01:12:00.024
[SPEAKER_01]: It was dumb.
01:12:00.885 --> 01:12:08.556
[SPEAKER_05]: I try not to think about hands and kills because it's just yeah, but I hope they I'm not going to make another one because it's it's a it's a, uh,
01:12:08.992 --> 01:12:15.864
[SPEAKER_05]: financial, you know, a financial come up for anybody that does it because people still want these horror movies.
01:12:15.884 --> 01:12:18.529
[SPEAKER_01]: So well, they called it, they said it's the final film.
01:12:18.609 --> 01:12:26.342
[SPEAKER_01]: So a debt trilogy, hopefully they just ended with her and just like, like, you know, just like, let's stop being a debt horse.
01:12:26.402 --> 01:12:27.665
[SPEAKER_01]: Let's let's move on.
01:12:28.165 --> 01:12:29.648
[SPEAKER_01]: Let's, let's march forward.
01:12:30.109 --> 01:12:31.371
[SPEAKER_01]: He is a bitch tire.
01:12:31.705 --> 01:12:33.588
[SPEAKER_05]: And I know Gemini Curtis ain't going to keep being in it.
01:12:33.608 --> 01:12:34.910
[SPEAKER_05]: I don't know if they do make a novel.
01:12:35.691 --> 01:12:37.314
[SPEAKER_01]: I think she's an idiot.
01:12:37.394 --> 01:12:39.036
[SPEAKER_05]: I think she already said.
01:12:39.076 --> 01:12:42.582
[SPEAKER_05]: I think she already said that she won't be in a novel if it happens again.
01:12:43.383 --> 01:12:44.865
[SPEAKER_01]: No, I understand it.
01:12:44.905 --> 01:12:46.207
[SPEAKER_01]: Like I really understand it.
01:12:46.488 --> 01:12:48.571
[SPEAKER_01]: But yeah, this is, this is.
01:12:48.651 --> 01:12:55.622
[SPEAKER_05]: Oh, yeah, it's saying the franchise is set to continue with the release of Halloween a new chapter in 2025.
01:12:57.044 --> 01:12:59.147
[SPEAKER_05]: But we are more diverse.
01:12:59.684 --> 01:13:04.593
[SPEAKER_05]: We almost know we're twenty twenty five so I don't so that's not even right or maybe next year.
01:13:04.974 --> 01:13:18.079
[SPEAKER_01]: No, they said no, they said in March 2024 they revealed that the series with service to create a reset completely and spending out of the original film as opposed to continue the storyline from the most recent film.
01:13:18.520 --> 01:13:23.008
[SPEAKER_01]: So they're just going to start the whole thing completely and do so everything from the beginning.
01:13:23.731 --> 01:13:31.123
[SPEAKER_01]: do a whole another story I should just do a home of a more because they just said that then necessarily is not the final film in the feet in the franchise.
01:13:31.704 --> 01:13:38.294
[SPEAKER_01]: Yeah, so the last three that just came out that that was the last how we filmed under blue house.
01:13:38.314 --> 01:13:38.795
[SPEAKER_05]: Oh, okay.
01:13:39.436 --> 01:13:42.201
[SPEAKER_05]: So yeah, we definitely not going to get another glory in everything.
01:13:42.381 --> 01:13:44.504
[SPEAKER_01]: But no, I'm sure there will be a story.
01:13:44.965 --> 01:13:45.947
[SPEAKER_01]: Yeah, Lori stories.
01:13:46.668 --> 01:13:46.768
[SPEAKER_01]: Don't
01:13:47.423 --> 01:13:55.932
[SPEAKER_05]: I'm sure they're going to give us the same like art type of that kind of the with that kind of feel behind it can chase and after somebody that means something to him.
01:13:56.832 --> 01:14:06.002
[SPEAKER_00]: I don't want to who's going to take it over next, but it don't say I didn't see it.
01:14:07.824 --> 01:14:14.190
[SPEAKER_00]: Just call it a day.
01:14:14.710 --> 01:14:17.380
[SPEAKER_01]: Was there anything else that you wanted to add, brother?
01:14:17.420 --> 01:14:22.037
[SPEAKER_05]: Nope, we have given how we would our pitches and they can.
01:14:22.372 --> 01:14:23.374
[SPEAKER_05]: They got our emails.
01:14:23.434 --> 01:14:26.018
[SPEAKER_05]: They can call us and tell us to come on over and get them crazy.
01:14:26.038 --> 01:14:27.039
[SPEAKER_05]: They like what we say it.
01:14:27.079 --> 01:14:28.401
[SPEAKER_05]: So we will just wait.
01:14:28.942 --> 01:14:30.024
[SPEAKER_05]: Why do come to you to screen.
01:14:31.066 --> 01:14:31.466
[SPEAKER_01]: All right.
01:14:31.486 --> 01:14:36.274
[SPEAKER_01]: So, and that is another episode of Power and Perspective.
01:14:36.795 --> 01:14:39.599
[SPEAKER_01]: We're glad that you took the time out of your day to chill with us.
01:14:40.140 --> 01:14:43.866
[SPEAKER_01]: If you got questions, topic ideas are one of your guests on the show.
01:14:43.906 --> 01:14:44.667
[SPEAKER_01]: Don't be shy.
01:14:44.707 --> 01:14:49.054
[SPEAKER_01]: You can email us at chantel at hotmail.com.
01:14:49.388 --> 01:14:53.053
[SPEAKER_01]: for the Hazelide Movie Guy at Yahoo.com.
01:14:53.694 --> 01:15:00.184
[SPEAKER_01]: And reach out to us on our Twitter page as well at popcorn and the letter in perspective.
01:15:00.584 --> 01:15:01.005
[SPEAKER_05]: Yes.
01:15:01.606 --> 01:15:10.098
[SPEAKER_05]: And for the next episode, drum roll please, but a lot of times we will discuss the most rewatchable movies ever for us.
01:15:10.879 --> 01:15:14.765
[SPEAKER_05]: And another topic will be the movies that we caught some of these on.
01:15:14.825 --> 01:15:16.627
[SPEAKER_05]: The movies that we fell asleep on.
01:15:16.768 --> 01:15:18.450
[SPEAKER_05]: And I tell you there are a few.
01:15:18.515 --> 01:15:19.397
[SPEAKER_01]: That we are a few.
01:15:19.457 --> 01:15:21.320
[SPEAKER_01]: I can't wait to hear what you got to say.
01:15:22.122 --> 01:15:34.785
[SPEAKER_01]: So and as always, we say here at popcorn and perspective watch the movies love the movies and always keep on with you that you next time.