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In this episode percussionist, artistic director and documentarist Ross Karre talks about his education from the Oberlin Conservatory and the University of California San Diego; about his work with The International Contemporary Ensemble in NYC, about how the idea of musical taste is a social construct, about the lack of social awareness in his own education, and about issues that engages him as as a curator.
The musical excerpts are taken from his recording 10.67 cycles, which you may purchase here.
In an episode of Soundmaking Ross talks about the making of this recording.
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In this Episode Henrik talks with percussionist and performer Aiyun Huang. Aiyun enjoys a musical life as soloist, chamber musician, researcher, teacher, and producer, and is also the Head of the Percussion Program at the University of Toronto.An expert in Percussion Theatre, her work on the subje…
This episode features LA-based musician Jonathan Hepfer, who runs the concert series Monday Evening Concerts. In the first part of our talk, Jonathan speaks about his studies at the SUNY Buffalo, the Oberlin Conservatory, UCSD, and Musikhochschule Freiburg, and what his different mentors have meant…
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