TUNGKOL SA EPISODE NA ITO
Peter Shear is an artist who lives and works in Bloomington, Indiana. His small-scale paintings can be found someplace between abstraction and representation. He is represented by BLUM.
Ingles
Estados Unidos
KOPYA NG SALIN 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
I-SEARCH ANG MGA NAKARAANG EPISODE
I-search ang mga nakaraang episode ng More Light.
IBA PANG MGA EPISOD SA PODCAST NA ITO
Deeply rooted in a conceptual framework, Tony Oursler conjures multimedia and immersive experiences which combine traditional art making tools with new technologies. Oursler is known for his work with moving images, installation and projection. He draws inspiration from wide ranging pop cultural ph…
Deeply rooted in a conceptual framework, Tony Oursler conjures multimedia and immersive experiences which combine traditional art making tools with new technologies. Oursler is known for his work with moving images, installation and projection. He draws inspiration from wide ranging pop cultural ph…
Informed by scientific research, biology, and perfumers, Anicka Yi has produced a unique body of work over the past decade at the intersection of politics and macrobiotics. Her practice questions the increasingly hazy taxonomic distinctions between what is human, animal, plant and machine, and is t…
Heidi Hahn is a painter who lives and works in Brooklyn, NY. She received a BFA at Cooper Union and MFA at Yale, and has shown her work extensively in NYC and beyond.
Claire Downes Whitehurst is a painter, printmaker, and ceramicist based in New Orleans, Louisiana. Her work explores the intersections of botanical form, religious iconography, and the abstract relationship between image and object.
Paunawa: Ang podcast at artwork na naka-embed sa page na ito ay mula sa Dan Gratz, na pag-aari ng may-ari nito at hindi kaakibat o ineendorso ng Listen Notes, Inc.
I-EDIT
Salamat sa pagtulong na mapanatiling naka-update ang database ng podcast.
