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Using jazz educator David Bloom's metaphor, musicians need to look in the rearview mirror and remember the theme if they wish to move forward. But when you look back, you are not just remembering what you played at the beginning of an improvisation—you're remembering all of that music that got you to the point of even being able to look back in the first place.
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After I finished recording this episode, I remembered that I had already done one early laster season on the same subject. Thus the "again". I didn't go back and listen to that because I gotta believe this one's completely different. Or is it? Powered by Firstory Hosting
Season Two is finally here but it’s not at all was I was planning. Befitting the title of the podcast, Improvisations on the Ledge, in fact, resists any serious planning. And yet, for this premiere episode of season two, I can’t avoid the elephant in the world-sized room: CoVid-19. The central them…
In this episode, I do battle with Philip Glass and, by extension, the entire genre of minimalism. To my surprise, though, I found that even while I reject the aesthetic as a whole, there’s plenty I can take from it creatively—but only by adapting some of its techniques in ways never intended by it…
I was watching Jerry Seinfeld's new standup release on Netflix the other night and it put me in the mind of nothing. Specifically, how we build music out of essentially meaningless sound events that end up adding up to...something? Powered by Firstory Hosting
Math, science, and logic can explain a lot but not everything about how music works. The strange thing, though, is that great music almost always has a perfect logic to it. How is that possible? Powered by Firstory Hosting
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