TUNGKOL SA EPISODE NA ITO
In this episode, we talk about
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Sense and Sensibility
- Choosing 35mm film and how they achieved the softness, texture and richness of period paintings vs a modern, overly sharp look
- Creating naturalistic lighting within historic estates and the challenge of making sure that what the location brings — the textures of the walls, the colors, and the existing palette of the space — fits within the visual language that are working to build
- Using changes in camera movement, contrast and warmth to reflect the sisters’ emotional journey
- Photographing two contrasting dance sequences: using the film’s only Steadicam sequence to follow Marianne’s urgent search for Willoughby at the London ball
https://www.imdb.com/name/nm1062814/
https://www.instagram.com/losbosques/?hl=en
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Some technical specs and the look of How To Get to Heaven from Belfast.
Director of Photography: Ashley Barron, ACS
https://www.ashley-barron.com/
https://www.instagram.com/ashleybarrondop/?hl=en
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In this episode, we talk about
Why film school.
My experience at AFI
Cycle Films, Thesis Films, Visual Essays
Director of Photography: Les Gaddis
https://www.lesgaddis.com
https://www.instagram.com/lesgaddis
https://www.i…
In this episode, we talk about
Navigating the industry
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Using Sony Venice with Tribe 7 lenses
Director of Photography: Matt Sill
https://mattsill.com/
https://www.instagram.com/mattsill
https://www.linkedin.com/in/mattsill/
Check out The Links Below:
https://matts…
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Navigating the industry
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Tools used for Stop Motion
The importance of animators in stop motion.
Director of Photography: Lakmé Iyengar
https://lakmeiyengar.com/
https://www.instagram.com/sliye…
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