TIETOJA TÄSTÄ JAKSOSTA
Multi-award winning comedian Adele Cliff has brought a WIP to the Fringe this year. She joins host Ollie Horn to discuss.
They talk about:
- Ever-decreasing Fringe attendance, including the huge amount of shows this year that have been heavily impacted by low attendance
- The importance of brand consistency as a comedian, and building a recognisable identity
- Growing and changing over 12 years of the Fringe - from student sketches to international solo shows
- How to build a joke that'll win you a 'Best Joke of the Fringe' award
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HAE EDELLISIÄ EPISODEJA
Hae kanavan The Edinburgh Fringe Comedy Podcast vanhoja jaksoja.
MUITA jaksoja TÄSSÄ PODCASTISSA
In this episode Ollie Horn is joined by Amos Gill. Amos is a New York-based Australian stand-up comedian known for his unfiltered, high-energy comedy.
They talk about:
How the Edinburgh Fringe compares to Australian and American comedy circuits.
The financial realities and creative freedom of per…
Bennett Aaron is a stand-up comedian presenting his show I Regret This Already at this year's festival.
They talk about:
How the comedy circuit was in the olden days
Becoming the UK's first major victim of identity theft and how that show skyrocketed his career
Writing and teaching sitcom structur…
Abbie Carter Simpson is a stand-up comedian, singer, and actor presenting her Edinburgh Fringe show Stand-up Couple alongside her partner Joe McTernan.
They talk about:
Performing a joint double-act show as a romantic couple, delegating show management duties, and navigating trust on stage.
Writin…
Ollie Horn is joined by Tom Little. Tom is a stand-up comedian and actor presenting his Edinburgh Fringe show Tom Little in His Comfort Zone.
They talk about:
The rising financial costs and changing landscape of the Edinburgh Fringe.
The differences between performing a 20-minute comedy club set a…
Ollie Horn Horn is joined by Kate Hammer, a stand-up comedian, writer, and director presenting her debut Edinburgh Fringe show Kate Hammer: Government Approved Comedian.
They talk about:
The definition and industry pressure of an official Edinburgh Fringe "debut" hour compared to work-in-progress …
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