TIETOJA TÄSTÄ JAKSOSTA
Infrastructures of abnormous scale are the materialisation of neocolonialism. Megabridges, power plants, military bases are means of dispossession, invasion, extraction perpetrated by bigger countries upon smaller sovereign states. Media artists and interdisciplinary researchers Anna Engelhardt and Mark Cinkevich have developed a method called “applied demonology”, which combines CGI, mediaeval demonology and satellite investigation to interrogate the spectre of colonial violence. They have used this approach to shed light on the way Russia has possessed Ukraine, Belarus and Syria like a demon that parasites its host and always breaks its promises.
COLOPHON
Host: Neja Berger
Guest: Anna Engelhardt, Mark Cinkevich
Recording and editing: Neja Berger
Audio Mix: Staš Kramar
Music: Gašper Torkar
Scale podcast series
Curated by Janez Fakin Janša
Produced by Marcela Okretič
for Tactics&Practice#14: Scale
Production:
Aksioma | Institute for Contemporary Art
Ljubljana, 2023
Part of
Tactics&Practice
konS – Platform for Contemporary Investigative Art
COLOPHON
Host: Neja Berger
Guest: Anna Engelhardt, Mark Cinkevich
Recording and editing: Neja Berger
Audio Mix: Staš Kramar
Music: Gašper Torkar
Scale podcast series
Curated by Janez Fakin Janša
Produced by Marcela Okretič
for Tactics&Practice#14: Scale
Production:
Aksioma | Institute for Contemporary Art
Ljubljana, 2023
Part of
Tactics&Practice
konS – Platform for Contemporary Investigative Art
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Is there a way to define memes without implicitly memifying everything? We move through the definitional morass of memetics and meme studies towards researcher Sophie Publig’s critical posthumanist account of memes as sympoietic agents. From in-group jokes and troll hoaxes on early image-boards to …
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Online is not a place we go: it is a place we cannot leave. In an increasingly hegemonic internet ecosystem, where do we find temporary spaces for refuge? The answer to this growing need to escape the Clearnet might be Dark Forest…
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Can everything – including vision, flexibility, imagination and other skills often associated with creative practices – be turned into data? Should artists feel threatened by AIs that compose music, make animation movies or write novels? Or is there something intrinsically uncomputable in the artis…
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