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Writer/showrunner/rapper/poet Phil Augusta Jackson (Grand Crew, Key and Peele) sits down with Suzi to discuss his path from advertiser to improviser, the ingredients for a perfect improv space, his outside-the-box New York improv shows, improv’s relationship to audience, how he makes voice of reason characters fun, the problem with over-justification, why he loves breakup scenes, improv as therapy, and more!
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Lilan Bowden (UCB, Asian AF) talks about early acting experiences, vulnerability, plot vs. game, removing conflict, kicking scenes into gear, callibrating differences in style, starting an indie show, generational hierarchy, different effects of career success, Asian AF, and more!
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Karen Graci (Second City Tourco) talks about choosing a creative life, formative improv lessons from Chicago, shifting a show's momentum, scenic safety levers, craft vs. art, the best approach to auditions, sketch writing, intelligence vs. logic, revealing a character's humanity, helpful exercises,…
Billy Merritt (UCB, WGIS) talks about midform, gift-giving, removing scenic blinders, subversive comedy, pirate / robot / ninja, gravitas plus absurdity, French scene Harolds, accessing specifics, game shift, improv + Alzheimer's, and more!
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Marshall Givens (UCB, Second City) talks about the gift of neurodivergence, doing tech for improv shows, letting go of doing it "right", applying notes into shows, imposter syndrome, learning how to coach, comparing curriculums, his new favorite exercise, filling out a world, and more!
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Hillary Anne Matthews (Sentimental Lady, Queen George) talks about character lenses, curing perfectionism, the Harold rollercoaster, offstage connection, Slacker, dissolving ego, a sense of drama, non-laugh reactions, texture, revealing character through object work, and more!
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