WEBVTT
1
00:00:00.640 --> 00:00:04.000
How sweet the moonlight sleeps upon this bank? From the
2
00:00:04.040 --> 00:00:09.480
Merchant of Venice by William Shakespeare read and English recorded
3
00:00:09.519 --> 00:00:16.879
for LibriVox dot Org by Winston Tharp. Sweet soul, let's
4
00:00:16.960 --> 00:00:21.920
in and there expect their coming. And yet no matter,
5
00:00:22.199 --> 00:00:26.160
why should we go in? My friend Stefano, signify, I
6
00:00:26.199 --> 00:00:28.480
pray you within the house. Your mistress is at hand,
7
00:00:28.839 --> 00:00:34.719
And bring your music forth into the air. How sweet
8
00:00:34.799 --> 00:00:39.119
the moonlight sleeps upon this bank. Here will we sit
9
00:00:39.200 --> 00:00:42.000
and let the sounds of music creep in our ears
10
00:00:43.000 --> 00:00:47.079
soft stillness, and the night become the touches of sweet harmony.
11
00:00:48.320 --> 00:00:52.399
Sit Jessica, Look how the floor of heaven is thick
12
00:00:52.479 --> 00:00:56.679
inlaid with patines of bright gold. Tis not the smallest
13
00:00:56.799 --> 00:00:59.679
orb which thou behold'st but in his motion like an angel,
14
00:00:59.759 --> 00:01:05.400
sings still quiring to the young eyed cherubins. Such harmony
15
00:01:05.560 --> 00:01:09.760
is in immortal souls. But whilst this muddy vesture of
16
00:01:09.840 --> 00:01:13.519
decay doth grossly close it in, we cannot hear it.
17
00:01:15.159 --> 00:01:19.439
Come ho and wake Diana with a hymn with sweetest touches,
18
00:01:19.519 --> 00:01:25.200
pierce your mistress ear, and draha home with music. I
19
00:01:25.239 --> 00:01:30.439
am never merry when I hear sweet music. The reason
20
00:01:30.560 --> 00:01:34.000
is your spirits are attentive. For do what note a
21
00:01:34.040 --> 00:01:38.040
wild and wanton herd, or race of youthful and unhandled colts,
22
00:01:38.359 --> 00:01:42.239
fetching mad bounds, bellowing and neighing loud, which is the
23
00:01:42.280 --> 00:01:45.480
hot condition of their blood. If they but hear, perchance
24
00:01:45.519 --> 00:01:49.359
a trumpet sound, or any air of music touched their ears,
25
00:01:49.680 --> 00:01:53.319
you shall perceive them make a mutual stand, their savage
26
00:01:53.359 --> 00:01:57.200
eyes turned to a modest gaze by the sweet power
27
00:01:57.359 --> 00:02:02.239
of music. Therefore the poet fain that Orpheus drew trees,
28
00:02:02.400 --> 00:02:06.959
stones and floods, since not so stockish, hard and full
29
00:02:07.000 --> 00:02:11.120
of rage, but music for the time doth change his nature.
30
00:02:12.439 --> 00:02:16.000
The man that hath no music in himself, nor is
31
00:02:16.080 --> 00:02:21.360
not moved with concord of sweet sounds, is fit for treasons, stratagems,
32
00:02:21.360 --> 00:02:25.840
and spoils. The motions of his spirit are dull as night,
33
00:02:26.319 --> 00:02:31.240
and his affections dark as erebus. Let no such man
34
00:02:31.319 --> 00:02:39.719
be trusted. Mark the music, and of how sweet the
35
00:02:39.759 --> 00:02:44.840
moonlight sleeps upon this bank. From the Merchant of Venice.
36
00:02:45.159 --> 00:02:49.000
This recording is in the public domain. For more information
37
00:02:49.280 --> 00:02:52.599
or to volunteer, please visit LibriVox dot org.
1
00:00:00.640 --> 00:00:04.000
How sweet the moonlight sleeps upon this bank? From the
2
00:00:04.040 --> 00:00:09.480
Merchant of Venice by William Shakespeare read and English recorded
3
00:00:09.519 --> 00:00:16.879
for LibriVox dot Org by Winston Tharp. Sweet soul, let's
4
00:00:16.960 --> 00:00:21.920
in and there expect their coming. And yet no matter,
5
00:00:22.199 --> 00:00:26.160
why should we go in? My friend Stefano, signify, I
6
00:00:26.199 --> 00:00:28.480
pray you within the house. Your mistress is at hand,
7
00:00:28.839 --> 00:00:34.719
And bring your music forth into the air. How sweet
8
00:00:34.799 --> 00:00:39.119
the moonlight sleeps upon this bank. Here will we sit
9
00:00:39.200 --> 00:00:42.000
and let the sounds of music creep in our ears
10
00:00:43.000 --> 00:00:47.079
soft stillness, and the night become the touches of sweet harmony.
11
00:00:48.320 --> 00:00:52.399
Sit Jessica, Look how the floor of heaven is thick
12
00:00:52.479 --> 00:00:56.679
inlaid with patines of bright gold. Tis not the smallest
13
00:00:56.799 --> 00:00:59.679
orb which thou behold'st but in his motion like an angel,
14
00:00:59.759 --> 00:01:05.400
sings still quiring to the young eyed cherubins. Such harmony
15
00:01:05.560 --> 00:01:09.760
is in immortal souls. But whilst this muddy vesture of
16
00:01:09.840 --> 00:01:13.519
decay doth grossly close it in, we cannot hear it.
17
00:01:15.159 --> 00:01:19.439
Come ho and wake Diana with a hymn with sweetest touches,
18
00:01:19.519 --> 00:01:25.200
pierce your mistress ear, and draha home with music. I
19
00:01:25.239 --> 00:01:30.439
am never merry when I hear sweet music. The reason
20
00:01:30.560 --> 00:01:34.000
is your spirits are attentive. For do what note a
21
00:01:34.040 --> 00:01:38.040
wild and wanton herd, or race of youthful and unhandled colts,
22
00:01:38.359 --> 00:01:42.239
fetching mad bounds, bellowing and neighing loud, which is the
23
00:01:42.280 --> 00:01:45.480
hot condition of their blood. If they but hear, perchance
24
00:01:45.519 --> 00:01:49.359
a trumpet sound, or any air of music touched their ears,
25
00:01:49.680 --> 00:01:53.319
you shall perceive them make a mutual stand, their savage
26
00:01:53.359 --> 00:01:57.200
eyes turned to a modest gaze by the sweet power
27
00:01:57.359 --> 00:02:02.239
of music. Therefore the poet fain that Orpheus drew trees,
28
00:02:02.400 --> 00:02:06.959
stones and floods, since not so stockish, hard and full
29
00:02:07.000 --> 00:02:11.120
of rage, but music for the time doth change his nature.
30
00:02:12.439 --> 00:02:16.000
The man that hath no music in himself, nor is
31
00:02:16.080 --> 00:02:21.360
not moved with concord of sweet sounds, is fit for treasons, stratagems,
32
00:02:21.360 --> 00:02:25.840
and spoils. The motions of his spirit are dull as night,
33
00:02:26.319 --> 00:02:31.240
and his affections dark as erebus. Let no such man
34
00:02:31.319 --> 00:02:39.719
be trusted. Mark the music, and of how sweet the
35
00:02:39.759 --> 00:02:44.840
moonlight sleeps upon this bank. From the Merchant of Venice.
36
00:02:45.159 --> 00:02:49.000
This recording is in the public domain. For more information
37
00:02:49.280 --> 00:02:52.599
or to volunteer, please visit LibriVox dot org.