درباره این اپیزود
In response to what viewers like you have asked for, the Wasatch Team put a whole lot of miles on their boots, snowmobiles, and chairlifts to generate the hardest hitting episode yet. With locations varying from the streets of Ogden, to the 11,000 foot faces, Episode Four will leave you wishing the season were longer.
Principle Cinematography shot on Canon 5D Mark II by Parker Alec Cross
Colorist: Parker Alec Cross
Featuring the talents of Parker Cross, Andy Earl, Daryl Young, JP Sokolowski, Uriel Ruvalcaba, Derek Olthuis, Stain Reichman, Cooper Hoffmeister, Ben Millsaps, Jason Hindman and Stosh Lemberes.
Principle Cinematography shot on Canon 5D Mark II by Parker Alec Cross
Colorist: Parker Alec Cross
Featuring the talents of Parker Cross, Andy Earl, Daryl Young, JP Sokolowski, Uriel Ruvalcaba, Derek Olthuis, Stain Reichman, Cooper Hoffmeister, Ben Millsaps, Jason Hindman and Stosh Lemberes.
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جستجوی اپیزودهای گذشته
اپیزودهای قبلی Wasatch Mountain Podcast را جستجو کن.
قسمت های دیگر در این پادکست
Parker and the boys venture into the backcountry for the first time this season and do some man-boarding. Venturing into the relative safe zones of Cardiff Peak, Flagstaff Mountain, and Grizzly Gulch, the team gets a small sample of just how good the deep stuff is in the Central Wasatch. Jonesing f…
Provo Peak (11,068') marks the next summit on the hit list, when the boys discover alpine ice crust existing on all the summits above 10,500'. Leaving the peak-bagging for later in the season, the crew sessions the trees and couloirs of the mid-elevation slopes and ride the blower Utah powder in cl…
Another season starts off strong when the boys summit two peaks over 11,000', adding Superior and Monte Cristo to their list of mountains to climb for 2011. Featuring the talents of Parker Alec Cross, Andy Earl, Hayden Price, and Blake Nyman, episode one will keep you hungering for more.
Avalanche danger keeps the boys grounded, and they improvise in the best way they know how: With some bagels, some BK, and a good 'ole fashioned backflip jump. Filmed entirely on the Canon 5D Mark II by Parker Alec Cross, Episode Two calms things down, while simultaneously reminding us how serious …
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