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Five college friends. A remote cabin. Something terrible in the basement. You think you know exactly how this goes. You do not. Spilled Tea & Karen plus our friend Jake are entering Cabin in the Woods. 2012’s meta horror masterpiece that dismantled every horror trope it lovingly deployed, making Richard Jenkins and Bradley Whitford two of the scariest people in any horror film that year, and ended with the complete destruction of humanity as a narrative choice. They cover the structural brilliance of the two-track storytelling, what the film is really saying about horror audiences and our complicity in the genre, the extraordinary monster cube sequence, and why a horror film written in three days became one of the most taught and discussed genre films of the modern era.
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