درباره این اپیزود
In this episode, I explore the themes of science, faith, and belief through the lens of the film Contact. The discussion looks at how the story challenges the divide between evidence and personal experience, particularly when the film’s scientist protagonist finds herself defending something she cannot prove. Along the way, the episode reflects on how people understand scientific knowledge, why debates about design and evolution persist, and how both believers and non-believers search for meaning in the universe.
انگلیسی
ایالات متحده آمریکا
رونوشت 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
جستجوی اپیزودهای گذشته
اپیزودهای قبلی The 24 Frames Cast را جستجو کن.
قسمت های دیگر در این پادکست
This episode explores Manon as both a tragic love story and a sharp portrait of postwar France. We examine how Henri-Georges Clouzot adapts an 18th-century novel into a study of moral ambiguity in the shadow of Liberation and the trial of Philippe Pétain.
The discussion focuses on Manon as a social…
In this episode, I explore An Ungentlemanly Act—the BBC’s understated dramatization of the opening hours of the Falklands War—and what it reveals about Britain at a turning point in its history. Moving beyond a simple retelling, I examine the political tensions in both Britain and Argentina in 1982…
What happens when the system designed to protect humanity decides it knows better than us?
In this episode, I dive into the chilling world of Colossus: The Forbin Project—a Cold War sci-fi that feels more relevant now than ever. From nuclear anxiety and early AI fears to questions about control and…
A new projector at home means it's time to buy Ben Hur and Lawrence of Arabia again. Are they worth the upgrade?
Subscribe
سلب مسئولیت: پادکست و آثار هنری تعبیه شده در این صفحه متعلق به Thomas Jennings است که متعلق به صاحب آن است و به Listen Notes، Inc وابسته یا تایید نشده است.
ویرایش
از کمک شما برای بروز نگهداشتن پایگاهدادههای پادکست سپاسگزاریم
