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Hi, I'm Mark David Gerson. Welcome to Stories and Reflections,
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where my stories are also yours. It was my birthday
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last week, another turn around the sun, and another opportunity
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to reflect on the year just passed and the new
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year I'm moving into. I talked a few weeks ago
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in Stories and Reflections 38 about many of the birthdays
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that changed my life. That's because so many of my birthdays,
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all the way back to my 13th, which is really
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the only one I sort of remember, have changed my life,
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have been portals of a sort, thresholds I've crossed, not
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only in terms of chronological numbers, but in terms of
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life changes. Some of those life changes have been radical
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and dramatic. Take my 43rd, for example, which was a
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portal not only into fatherhood and a new family, but
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to a new country. And if my 43rd was a
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portal into marriage, my 50th was a portal out of
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that same marriage. Again, I talk about those and many
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other birthdays in Stories and Reflections 38. I couldn't know,
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of course, when I recorded Stories and Reflections 38, the
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full import and impact of this birthday significance. And in
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this moment of this story, of my story, I still don't.
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Yet I've had hints. My sudden and miraculous return to
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Sedona a month ago, for example. Sedona, as I've noted
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in several episodes in recent months, notably in Stories and
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Reflections 27 and Stories and Reflections 37, has played a
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hugely significant role in my life, particularly around my birthdays.
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I've probably experienced more life changes here than anywhere else
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I've lived. and I've lived in lots of places. Not
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to mention all those open-ended road odysseys, blacktop spiritual journeys,
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I sometimes call them, that have carried me to and
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through so many, many, many more in both Canada and
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the U.S. Another hint, which also kicked in around four
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weeks ago, and equally unexpectedly, was the urgent call to
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return to regular work on the fifth book in my
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Legend of Katana fantasy series. I've been working on the
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Lost Horse of Brindoon for nearly six years. I began
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it on February 2nd, 2022. That's 2-2-22. How's that for
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a cosmic number? But until that urgent call, I've been
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working on it only sporadically. Now I'm working on it
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almost every day, and along with this podcast, it's become
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my top priority. The thing about birthday portals, at least
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in my life, is that they don't necessarily kick in
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on the day. In my world, they can begin to
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show up four to six weeks before the big day,
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and they can continue to echo in my life in
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the weeks after. That's why I said a bit ago
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that the full import and impact of this most recent
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birthday hasn't fully revealed itself. But here's one way that
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it has, or at least that it has forced me
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to rethink some things. And that's what I want to
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share with you today, because I think that for many
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of you, whether you have an imminent birthday or not,
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my story is, in some ways, also yours. When I
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talked about my birthdays in Stories and Reflections 38, I
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mentioned that with only two notable exceptions, my 13th and
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my 50th, my birthdays have been more about introspection than celebration.
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Over the past 30-plus years, I've tended to spend at
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least part of my birthday days doing things that are
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important to me, so as to anchor them into my
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life for the year ahead. I generally do something similar
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on New Year's Day for the same reason. More often
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than not, I've spent time writing on a current project
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and getting out into nature. And nearly always, I've reserved
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the day for myself, scheduling birthday dinners and coffee meetups
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for the days just before or just after. But something
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shifted this year. I knew my daughter and son-in-law would
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be driving up to Sedona from Phoenix for my birthday
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weekend to spend time with me and with my daughter's mom.
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But I wasn't expecting anything more than a birthday dinner
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and maybe a brunch. That's how it's largely been in
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years past, at least when we've all been within easy
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driving distance of each other. Then a week before my birthday,
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my daughter texted me and her mom. What's the expected
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itinerary for the weekend, she asked. I figured it was
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a joke. Like I said, we've never done much more
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than a dinner or a brunch, or maybe both, for
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my birthday. It was no joke 90 minutes later, though,
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when her mom texted both of us a detailed, jam-packed
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schedule of events and activities, all built around my birthday.
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All built around me. This was my 72nd birthday day,
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birthday weekend, and as far as I can remember, no
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one has ever built a weekend of events, celebrations, and
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activities for me around my birthday. Until now. Now maybe
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it happened when I was a kid, but I don't
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remember any birthdays before my 13th, and my family was
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never big on big celebrations for any occasion, so I
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doubt it. And although my 13th was a big deal,
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it was a big deal only because it was my
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bar mitzvah. And bar mitzvahs are nearly always big deals.
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Even so, mine probably wasn't as big a deal as most,
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if only because family finances were tight. With my father
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in a long-term care facility, and this was in the
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days before universal Medicare in Canada, the mother was virtually
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a single mom with only a not particularly generously paying
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job to support two kids, me and my older sister,
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along with the mortgage. I'm pretty sure she got some
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help from my grandfather, my father's father. But even so,
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my bar mitzvah was hardly an extravaganza. And whatever the
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scale of the celebration, I didn't really feel like the
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center of all that hubbub and commotion. I may have
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been the reason for it, but I sure didn't feel
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like the star. My only real input then was the
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handful of friends I got to invite. Not even close friends,
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because I only had one close friend, and the rest
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of the invites were filler. all of which to say
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that after seven decades of birthdays, this birthday's jam-packed schedule
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of events and activities was a first. So how did
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I react when I first saw that itinerary and the
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days that followed? Where do I begin? I had a
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full catalogue of emotions and reactions. First, surprise and disbelief.
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My daughter's initial question had been a joke, hadn't it?
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Was her mom's detailed response also just a bit of fun? Next,
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when I realized it wasn't a joke, I was deeply touched.
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As I said, no one had ever planned this kind
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of birthday extravaganza for me. And like I also said,
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my bar mitzvah doesn't count. And even my 50th birthday party,
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planned for me by my daughter's mom when we were
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still married, felt a bit off. Maybe because I never
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seem to do well at parties where mingling and small
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talk are the rules. Maybe, too, because I was already
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sensing the impending end of my marriage. My wife would
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call it quits about a month later. Even so, that
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was an evening affair, just one night. This was going
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to be a whole weekend. And unlike a big party,
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birthday or 50th, this would be intimate, involving only a
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few of the most important people in my life, my daughter,
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her husband, and her mom. And it would be for me,
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just for me, all about me. And that's when the
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buttons started getting pushed. My buttons. All this fuss, for me,
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just for me. Why? a part of me asked. I
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can't possibly merit it. I can't possibly deserve it. I
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can't possibly be that loved. Wow, who knew I was
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still that self-doubting, still that insecure, still feeling that unworthy.
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Still so reluctant to be pushed into the limelight. Still
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so reluctant to be noticed. To be that fussed over.
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To have a bunch of money spent on me by
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people who don't have huge amounts of money to spend.
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To be that loved. To take up so much space
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in every sense of that phrase. I'll come back to
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the space thing in a minute, but first I want
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to talk about something else. About being open to love.
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But being open to being loved. You know, many people
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mocked Sally Field in 1979 when she exclaimed during her
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Oscar speech for her Norma Rae Best Actress win, You
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like me? You really like me? I had a professional
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experience of that back in 2011 when I found myself
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on a film set where fundraising trailers were being shot
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for the Quintana Trilogy film project. My Quintana fantasy series
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was still only a three-book trilogy back then. It didn't
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morph into a four-book series, The Legend of Quintana, until
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a decade later when I began writing The Bard of Brindoon.
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And I tell that unlikely story, the story of the
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book's birth, in Stories and Reflections 35. I experienced countless
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Sally Field moments of my own while those trailers were
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being shot. It was hard to conceive that everyone present
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on that film set was there because of me, because
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of my words, because of my vision. for large chunks
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of those four coffee-fueled twelve-hour days, my mind struggled to
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accept that fact. I would hear my dialogue spoken by
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costumed in-character actors and messengers be able to connect the
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experience with the words I had penned, with the scenes
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I had envisioned. There were flashes, of course, moments when
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I did recognize that I had written what I was
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seeing and hearing. Those moments were indescribable validations of the
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power of my dreams and imagination, a power that I realized,
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I still didn't fully trust. I'd experienced similar moments during
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our casting calls and rehearsals when actors proved to my
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doubting mind that my dialogue did work and my stories
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were sound. I even cried during particularly powerful readings. Now,
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with recreations of my characters interacting in recreations of my worlds,
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the proof was incontrovertible. I was gratified, stunned, and scared.
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Like a Sally Field surprised by the depth of her gifts,
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I didn't know what to do with that proof. And
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like a Sally Field overcome by the praise of her peers,
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I didn't know what to say when, at the end
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of each shooting day, actors thanked me for my stories
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and for the privilege of playing my characters. Unfortunately, the
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feature films those trailers were designed to help get financed
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have still not been made. Well, not yet. That's the
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movie business. But those two weekends of filming were powerful
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and undeniable validations of my professional worth, my creative worth.
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They still are. And just as I can still so
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easily turn the clock back to a May afternoon in 2007,
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when sitting in my car in the parking lot of
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the UPS store in Santa Fe, I burst into tears
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when I opened the FedEx envelope containing an advanced copy
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of the first edition of The Moon Quest, my first book.
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so I can still place myself just off set four
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and a half years later, when the second assistant camera
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operator clicked her slate in front of the camera and
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called out, Scene 10, take 1, marker. It was Saturday morning,
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the first take of the first trailer scene to be shot,
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and again I burst into tears. That was professional notice,
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professional recognition, professional love even, and it was amazing. This birthday, though,
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has taken me to a deeper place of being open
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to love, to a deeper place of being loved, not
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for what I do or what I can create, but
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for who I am. Who knew I was still carrying
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those childhood echoes of not being good enough, of not
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being good enough to be loved, all those decades later,
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all these decades later? Of course I'm not that scared
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child anymore, the one who doubted his value, the one
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who questioned, however unconsciously, whether he was worthy of being loved,
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worthy even of being alive. But some part of that
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child must still live inside me. As one of my
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favorite writers, Madeline L'Engle, wrote in her 1972 memoir, A
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Circle of Quiet, I am still every age that I
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have been. so that child part of me is still
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somewhat present and still needs some attention. And some convincing.
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Which brings me back to the notion of space. Of
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taking up space. Of deserving to take up space. Of
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being more noticed, more seen when we take up space.
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Physical space, but also energetic space. Because in the end,
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they're the same. Although during the years of my spiritual
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blacktop journeying, those open-ended road artsies I mentioned earlier and
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have mentioned often in these podcasts, I stayed mostly in
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hotels and motels. Every once in a while, I was
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invited to crash for a few days in someone's home. Sometimes,
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the invitation came from someone I knew, someone I'd known
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for a while, someone I'd actually met in person. Sometimes, though,
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the invitation came from someone I'd met only virtually. a
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Facebook friend who had been following my journeying, for example,
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or someone who had read one or several of my books,
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I have to explain something. Traveling on an open-ended road
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trip with everything you own packed into your car is
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not the same as going away for a weekend with
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an overnight bag. Through those months-long or years-long journeys, pretty
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much all my clothes were packed into one large suitcase.
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Pretty much all my toiletries were packed into a duffel bag.
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Then there was the cooler, which held my perishable food,
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and the backpack that held my laptop and related gear.
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And because I'd travel with a dog, there was also
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his food, his food dishes, his toys, and his medication.
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And let's not forget my pillows, two of them for
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some home-away-from-home comfort. Whether I was spending a single night
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in a hotel or a weekend in someone's home, all
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that stuff needed to be offloaded from my car. As well,
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My perishables needed fridge space, and my ice packs needed
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freezer space. In short, I took up a lot of space.
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And sometimes that embarrassed me. It also embarrassed me sometimes
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when I wheeled all that from my car past the
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hotel's front desk and toward the elevator in my room.
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Then it was less about space and more about standing out,
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about not being able to be invisible. After all, it's
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hard to ignore a guy in his 60s or 70s
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pushing a nearly overflowing luggage cart while trying to control
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a hyperactive dog that expects a treat every time he
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passes any kind of a counter, including every hotel's front desk.
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For someone who owned so little, it was quite the
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moving job. Often it was quite the daily moving job.
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But it was worse, in a way, when I stayed
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in someone's home. No one had to make space for
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me in a hotel, regardless of how much stuff I
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hauled into my room. In a hotel, I didn't disrupt anything.
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It was different in a private home, where space had
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to be carved out for me and my stuff. And
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in the fridge and freezer, too. So yes, I often
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felt embarrassed. But I didn't really think about the root
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cause of all that, until now, till I started talking
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about birthdays, about this latest birthday in particular. and about
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the unexpected portal energy of this one. This birthday, and
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it isn't even a milestone birthday unless you consider every
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birthday from 70 on be milestone, this birthday, because of
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its unusually extensive celebratory activities, is forcing me to see
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myself as worthy and worthwhile, of deserving to take up
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space in the world, of not only deserving to be loved,
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but of giving myself permission to let that love in.
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It's forcing me to leave that 1979 version of Sally
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Field behind, so I'm no longer surprised and uncomfortable when
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I discover that people like, love, and value me. And
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more importantly, to not be embarrassed or ashamed to let
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that love in. It's funny how the universe, or God,
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or my higher self, or whatever you choose to call
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that infinite indwelling presence that is simultaneously my wisest aspect
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and the ineffable universality that is the sum of all
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that is. It's funny how that force that transcends the
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limits of our conscious mind's ability to explain or understand,
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a force that is at the same time part of
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me and of which I'm a part. It's funny how
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that force sends messages of confirmation and validation to us
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when we most need them and least expect them. I'd
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taken a break from writing this episode the other night,
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the taking up too much space part of the episode,
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and I was listening to an audiobook, Murder at the
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Grand Alpine Hotel, suspense writer Lucy Foley's take on an
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Agatha Christie, Miss Marple story. And one of the first
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lines I heard as soon as I clicked play went
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like this. I have spent too much of my life
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already trying not to take up too much space. Indeed.
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I spoke way back at the beginning of this podcast
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about how I always spend at least part of my
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birthday and New Year's Day in activities whose underlying energy
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is important to me for the coming year. The idea
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is to anchor that energy so that it infuses the
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year ahead. This birthday, the higher powers that be conspired
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to break my decades-long pattern of largely quiet solo time. Instead,
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those same higher powers that be challenged me in ways
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that haven't been entirely comfortable. Too open to seeing myself
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as valued and valuable. Too open to pushing myself out
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of the comfort zone of my solitary cocoon. To let
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myself be surrounded by expressions of value and recognition. by
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demonstrations that I matter, just because of who I am.
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To open to letting myself be loved and to let
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myself receive that love, unashamedly, unapologetically, and unconditionally. And to
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make sure I got the message, those same higher powers
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that be dispatched all that to me not only on
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the day of my birthday, but all through the weekend. No,
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I still spent some time on my birthday morning writing,
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because that's still an important energy and activity for me
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to anchor into my new year. But even more important
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for me to anchor into this next year is the
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energy of belonging, the energy of letting myself be seen,
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the energy of letting myself take up space, the energy
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of letting myself be loved. I'm pretty sure I've never
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anchored those energies into my year on any birthday ever before.
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And now, having done it, I know that this is
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truly going to be an amazing, outstanding, expansive year. I'm
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so ready. Thanks for joining me for Stories and Reflections today.
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I hope you found moments in my stories that touched
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something in yours. If you haven't already, be sure to
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subscribe so you don't miss future episodes. And for more
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of my stories and help telling yours, check out my
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books at markdavidgerson.com or from online booksellers worldwide. Until next time,
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don't forget that you're a storyteller too. And keep telling
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your stories. The intro and outro music for today's episode
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is Heartwarming by Kevin MacLeod from incompetech.com, licensed under Creative Commons.
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Hi, I'm Mark David Gerson. Welcome to Stories and Reflections,
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where my stories are also yours. It was my birthday
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last week, another turn around the sun, and another opportunity
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to reflect on the year just passed and the new
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year I'm moving into. I talked a few weeks ago
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in Stories and Reflections 38 about many of the birthdays
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that changed my life. That's because so many of my birthdays,
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all the way back to my 13th, which is really
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the only one I sort of remember, have changed my life,
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have been portals of a sort, thresholds I've crossed, not
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only in terms of chronological numbers, but in terms of
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life changes. Some of those life changes have been radical
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and dramatic. Take my 43rd, for example, which was a
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portal not only into fatherhood and a new family, but
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to a new country. And if my 43rd was a
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portal into marriage, my 50th was a portal out of
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that same marriage. Again, I talk about those and many
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other birthdays in Stories and Reflections 38. I couldn't know,
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of course, when I recorded Stories and Reflections 38, the
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full import and impact of this birthday significance. And in
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this moment of this story, of my story, I still don't.
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Yet I've had hints. My sudden and miraculous return to
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Sedona a month ago, for example. Sedona, as I've noted
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in several episodes in recent months, notably in Stories and
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Reflections 27 and Stories and Reflections 37, has played a
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hugely significant role in my life, particularly around my birthdays.
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I've probably experienced more life changes here than anywhere else
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I've lived. and I've lived in lots of places. Not
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to mention all those open-ended road odysseys, blacktop spiritual journeys,
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I sometimes call them, that have carried me to and
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through so many, many, many more in both Canada and
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the U.S. Another hint, which also kicked in around four
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weeks ago, and equally unexpectedly, was the urgent call to
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return to regular work on the fifth book in my
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Legend of Katana fantasy series. I've been working on the
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Lost Horse of Brindoon for nearly six years. I began
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it on February 2nd, 2022. That's 2-2-22. How's that for
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a cosmic number? But until that urgent call, I've been
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working on it only sporadically. Now I'm working on it
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almost every day, and along with this podcast, it's become
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my top priority. The thing about birthday portals, at least
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in my life, is that they don't necessarily kick in
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on the day. In my world, they can begin to
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show up four to six weeks before the big day,
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and they can continue to echo in my life in
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the weeks after. That's why I said a bit ago
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that the full import and impact of this most recent
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birthday hasn't fully revealed itself. But here's one way that
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it has, or at least that it has forced me
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to rethink some things. And that's what I want to
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share with you today, because I think that for many
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of you, whether you have an imminent birthday or not,
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my story is, in some ways, also yours. When I
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talked about my birthdays in Stories and Reflections 38, I
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mentioned that with only two notable exceptions, my 13th and
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my 50th, my birthdays have been more about introspection than celebration.
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Over the past 30-plus years, I've tended to spend at
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least part of my birthday days doing things that are
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important to me, so as to anchor them into my
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life for the year ahead. I generally do something similar
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on New Year's Day for the same reason. More often
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than not, I've spent time writing on a current project
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and getting out into nature. And nearly always, I've reserved
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the day for myself, scheduling birthday dinners and coffee meetups
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for the days just before or just after. But something
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shifted this year. I knew my daughter and son-in-law would
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be driving up to Sedona from Phoenix for my birthday
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weekend to spend time with me and with my daughter's mom.
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But I wasn't expecting anything more than a birthday dinner
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and maybe a brunch. That's how it's largely been in
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years past, at least when we've all been within easy
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driving distance of each other. Then a week before my birthday,
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my daughter texted me and her mom. What's the expected
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itinerary for the weekend, she asked. I figured it was
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a joke. Like I said, we've never done much more
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than a dinner or a brunch, or maybe both, for
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my birthday. It was no joke 90 minutes later, though,
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when her mom texted both of us a detailed, jam-packed
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schedule of events and activities, all built around my birthday.
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All built around me. This was my 72nd birthday day,
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birthday weekend, and as far as I can remember, no
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one has ever built a weekend of events, celebrations, and
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activities for me around my birthday. Until now. Now maybe
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it happened when I was a kid, but I don't
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remember any birthdays before my 13th, and my family was
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never big on big celebrations for any occasion, so I
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doubt it. And although my 13th was a big deal,
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it was a big deal only because it was my
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bar mitzvah. And bar mitzvahs are nearly always big deals.
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Even so, mine probably wasn't as big a deal as most,
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if only because family finances were tight. With my father
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in a long-term care facility, and this was in the
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days before universal Medicare in Canada, the mother was virtually
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a single mom with only a not particularly generously paying
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job to support two kids, me and my older sister,
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along with the mortgage. I'm pretty sure she got some
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help from my grandfather, my father's father. But even so,
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my bar mitzvah was hardly an extravaganza. And whatever the
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scale of the celebration, I didn't really feel like the
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center of all that hubbub and commotion. I may have
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been the reason for it, but I sure didn't feel
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like the star. My only real input then was the
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handful of friends I got to invite. Not even close friends,
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because I only had one close friend, and the rest
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of the invites were filler. all of which to say
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that after seven decades of birthdays, this birthday's jam-packed schedule
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of events and activities was a first. So how did
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I react when I first saw that itinerary and the
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days that followed? Where do I begin? I had a
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full catalogue of emotions and reactions. First, surprise and disbelief.
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My daughter's initial question had been a joke, hadn't it?
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Was her mom's detailed response also just a bit of fun? Next,
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when I realized it wasn't a joke, I was deeply touched.
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As I said, no one had ever planned this kind
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of birthday extravaganza for me. And like I also said,
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my bar mitzvah doesn't count. And even my 50th birthday party,
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planned for me by my daughter's mom when we were
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still married, felt a bit off. Maybe because I never
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seem to do well at parties where mingling and small
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talk are the rules. Maybe, too, because I was already
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sensing the impending end of my marriage. My wife would
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call it quits about a month later. Even so, that
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was an evening affair, just one night. This was going
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to be a whole weekend. And unlike a big party,
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birthday or 50th, this would be intimate, involving only a
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few of the most important people in my life, my daughter,
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her husband, and her mom. And it would be for me,
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just for me, all about me. And that's when the
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buttons started getting pushed. My buttons. All this fuss, for me,
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just for me. Why? a part of me asked. I
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can't possibly merit it. I can't possibly deserve it. I
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can't possibly be that loved. Wow, who knew I was
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still that self-doubting, still that insecure, still feeling that unworthy.
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Still so reluctant to be pushed into the limelight. Still
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so reluctant to be noticed. To be that fussed over.
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To have a bunch of money spent on me by
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people who don't have huge amounts of money to spend.
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To be that loved. To take up so much space
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in every sense of that phrase. I'll come back to
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the space thing in a minute, but first I want
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to talk about something else. About being open to love.
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But being open to being loved. You know, many people
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mocked Sally Field in 1979 when she exclaimed during her
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Oscar speech for her Norma Rae Best Actress win, You
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like me? You really like me? I had a professional
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experience of that back in 2011 when I found myself
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on a film set where fundraising trailers were being shot
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for the Quintana Trilogy film project. My Quintana fantasy series
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was still only a three-book trilogy back then. It didn't
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morph into a four-book series, The Legend of Quintana, until
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a decade later when I began writing The Bard of Brindoon.
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And I tell that unlikely story, the story of the
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book's birth, in Stories and Reflections 35. I experienced countless
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Sally Field moments of my own while those trailers were
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being shot. It was hard to conceive that everyone present
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on that film set was there because of me, because
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of my words, because of my vision. for large chunks
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of those four coffee-fueled twelve-hour days, my mind struggled to
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accept that fact. I would hear my dialogue spoken by
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costumed in-character actors and messengers be able to connect the
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experience with the words I had penned, with the scenes
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I had envisioned. There were flashes, of course, moments when
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I did recognize that I had written what I was
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seeing and hearing. Those moments were indescribable validations of the
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power of my dreams and imagination, a power that I realized,
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I still didn't fully trust. I'd experienced similar moments during
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our casting calls and rehearsals when actors proved to my
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doubting mind that my dialogue did work and my stories
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were sound. I even cried during particularly powerful readings. Now,
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with recreations of my characters interacting in recreations of my worlds,
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the proof was incontrovertible. I was gratified, stunned, and scared.
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Like a Sally Field surprised by the depth of her gifts,
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I didn't know what to do with that proof. And
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like a Sally Field overcome by the praise of her peers,
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I didn't know what to say when, at the end
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of each shooting day, actors thanked me for my stories
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and for the privilege of playing my characters. Unfortunately, the
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feature films those trailers were designed to help get financed
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have still not been made. Well, not yet. That's the
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movie business. But those two weekends of filming were powerful
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and undeniable validations of my professional worth, my creative worth.
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They still are. And just as I can still so
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easily turn the clock back to a May afternoon in 2007,
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when sitting in my car in the parking lot of
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the UPS store in Santa Fe, I burst into tears
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when I opened the FedEx envelope containing an advanced copy
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of the first edition of The Moon Quest, my first book.
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so I can still place myself just off set four
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and a half years later, when the second assistant camera
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operator clicked her slate in front of the camera and
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called out, Scene 10, take 1, marker. It was Saturday morning,
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the first take of the first trailer scene to be shot,
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and again I burst into tears. That was professional notice,
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professional recognition, professional love even, and it was amazing. This birthday, though,
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has taken me to a deeper place of being open
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to love, to a deeper place of being loved, not
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for what I do or what I can create, but
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for who I am. Who knew I was still carrying
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those childhood echoes of not being good enough, of not
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being good enough to be loved, all those decades later,
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all these decades later? Of course I'm not that scared
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child anymore, the one who doubted his value, the one
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who questioned, however unconsciously, whether he was worthy of being loved,
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worthy even of being alive. But some part of that
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child must still live inside me. As one of my
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favorite writers, Madeline L'Engle, wrote in her 1972 memoir, A
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Circle of Quiet, I am still every age that I
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have been. so that child part of me is still
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somewhat present and still needs some attention. And some convincing.
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Which brings me back to the notion of space. Of
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taking up space. Of deserving to take up space. Of
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being more noticed, more seen when we take up space.
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Physical space, but also energetic space. Because in the end,
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they're the same. Although during the years of my spiritual
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blacktop journeying, those open-ended road artsies I mentioned earlier and
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have mentioned often in these podcasts, I stayed mostly in
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hotels and motels. Every once in a while, I was
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invited to crash for a few days in someone's home. Sometimes,
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the invitation came from someone I knew, someone I'd known
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for a while, someone I'd actually met in person. Sometimes, though,
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the invitation came from someone I'd met only virtually. a
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Facebook friend who had been following my journeying, for example,
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or someone who had read one or several of my books,
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I have to explain something. Traveling on an open-ended road
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trip with everything you own packed into your car is
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not the same as going away for a weekend with
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an overnight bag. Through those months-long or years-long journeys, pretty
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much all my clothes were packed into one large suitcase.
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Pretty much all my toiletries were packed into a duffel bag.
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Then there was the cooler, which held my perishable food,
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and the backpack that held my laptop and related gear.
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And because I'd travel with a dog, there was also
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his food, his food dishes, his toys, and his medication.
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And let's not forget my pillows, two of them for
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some home-away-from-home comfort. Whether I was spending a single night
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in a hotel or a weekend in someone's home, all
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that stuff needed to be offloaded from my car. As well,
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My perishables needed fridge space, and my ice packs needed
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freezer space. In short, I took up a lot of space.
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And sometimes that embarrassed me. It also embarrassed me sometimes
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when I wheeled all that from my car past the
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hotel's front desk and toward the elevator in my room.
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Then it was less about space and more about standing out,
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about not being able to be invisible. After all, it's
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hard to ignore a guy in his 60s or 70s
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pushing a nearly overflowing luggage cart while trying to control
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a hyperactive dog that expects a treat every time he
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passes any kind of a counter, including every hotel's front desk.
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For someone who owned so little, it was quite the
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moving job. Often it was quite the daily moving job.
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But it was worse, in a way, when I stayed
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in someone's home. No one had to make space for
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me in a hotel, regardless of how much stuff I
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hauled into my room. In a hotel, I didn't disrupt anything.
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It was different in a private home, where space had
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to be carved out for me and my stuff. And
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in the fridge and freezer, too. So yes, I often
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felt embarrassed. But I didn't really think about the root
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cause of all that, until now, till I started talking
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about birthdays, about this latest birthday in particular. and about
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the unexpected portal energy of this one. This birthday, and
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it isn't even a milestone birthday unless you consider every
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birthday from 70 on be milestone, this birthday, because of
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its unusually extensive celebratory activities, is forcing me to see
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myself as worthy and worthwhile, of deserving to take up
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space in the world, of not only deserving to be loved,
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but of giving myself permission to let that love in.
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It's forcing me to leave that 1979 version of Sally
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Field behind, so I'm no longer surprised and uncomfortable when
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I discover that people like, love, and value me. And
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more importantly, to not be embarrassed or ashamed to let
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that love in. It's funny how the universe, or God,
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or my higher self, or whatever you choose to call
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that infinite indwelling presence that is simultaneously my wisest aspect
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and the ineffable universality that is the sum of all
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that is. It's funny how that force that transcends the
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limits of our conscious mind's ability to explain or understand,
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a force that is at the same time part of
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me and of which I'm a part. It's funny how
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that force sends messages of confirmation and validation to us
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when we most need them and least expect them. I'd
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taken a break from writing this episode the other night,
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the taking up too much space part of the episode,
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and I was listening to an audiobook, Murder at the
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Grand Alpine Hotel, suspense writer Lucy Foley's take on an
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Agatha Christie, Miss Marple story. And one of the first
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lines I heard as soon as I clicked play went
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like this. I have spent too much of my life
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already trying not to take up too much space. Indeed.
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I spoke way back at the beginning of this podcast
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about how I always spend at least part of my
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birthday and New Year's Day in activities whose underlying energy
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is important to me for the coming year. The idea
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is to anchor that energy so that it infuses the
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year ahead. This birthday, the higher powers that be conspired
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to break my decades-long pattern of largely quiet solo time. Instead,
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those same higher powers that be challenged me in ways
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that haven't been entirely comfortable. Too open to seeing myself
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as valued and valuable. Too open to pushing myself out
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of the comfort zone of my solitary cocoon. To let
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myself be surrounded by expressions of value and recognition. by
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demonstrations that I matter, just because of who I am.
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To open to letting myself be loved and to let
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myself receive that love, unashamedly, unapologetically, and unconditionally. And to
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make sure I got the message, those same higher powers
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that be dispatched all that to me not only on
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the day of my birthday, but all through the weekend. No,
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I still spent some time on my birthday morning writing,
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because that's still an important energy and activity for me
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to anchor into my new year. But even more important
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for me to anchor into this next year is the
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energy of belonging, the energy of letting myself be seen,
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the energy of letting myself take up space, the energy
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of letting myself be loved. I'm pretty sure I've never
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anchored those energies into my year on any birthday ever before.
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And now, having done it, I know that this is
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truly going to be an amazing, outstanding, expansive year. I'm
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so ready. Thanks for joining me for Stories and Reflections today.
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I hope you found moments in my stories that touched
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something in yours. If you haven't already, be sure to
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subscribe so you don't miss future episodes. And for more
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of my stories and help telling yours, check out my
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books at markdavidgerson.com or from online booksellers worldwide. Until next time,
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don't forget that you're a storyteller too. And keep telling
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your stories. The intro and outro music for today's episode
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is Heartwarming by Kevin MacLeod from incompetech.com, licensed under Creative Commons.