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Breath support, dynamics, tremulous notes, VIBRATO? How can we best sing the Church's chant with beauty, elegance, reverence, and good technique? Dr. Rosemary Heredos breaks it all down in the context of learning to sing through a semiological approach to chant, navigating working with different teachers, and transitioning to chant from singing opera.
Learn more about Dr. Heredos's class, "Advanced Seminar in Gregorian Chant: Vocal Technique and Semiological Performance Practice," June 29 to July 3 here: https://catholicinstituteofsacredmusic.org/summer-courses/
Applications for non-degree-seeking students remain open until May 1st.
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Dr. Charles joins us to bridge the gap between monophonic and polyphonic music through the practice of improvising choral music based on chant melodies. We talk about early techniques and how-to treatises from the 9th century, all the way through Baroque fauxbourdon, as well as the changes in notat…
Join Archbishop Cordileone for a Lenten reflection especially for church musicians and those who love the Church's sacred music. The reflection is followed by the recitation of a scriptural rosary.
For more information on other upcoming events at the Catholic Institute of Sacred Music, visit http…
Have you ever wondered how sacred music programs in America were run and what kind of music they sang in the 19th and pre-Vatican II 20th century?
Salvatore Basile, author of Fifth Avenue Famous: The Extraordinary Story of Music at St. Patrick's Cathedral, joins us to discuss how sacred music soun…
Martin Baker, a distinguished choral conductor and organist, joins us to share insights on his improvisation at the organ, from his time as a young child, through his winning of the Tournemire Prize at the St. Alban's Competition and his time at Westminster Cathedral, through his current work as a …
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