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30-some feature films. 24 plays. 3 tv miniseries. Many drugs, many relationships. Dead at 37. Rainer Werner Fassbinder was a chaser (in more ways than one), and remains among that rare class of film artists that turned cinema into a verb, into an ongoing process and processing of the world around h…
Though he was present in the heyday of Cahiers du Cinema, that contrarian film review mag where the biggest names in french new wave would ferment and develop their eclectic taste, Jacques Rivette had a lot more false starts on his way to directing films full time. Rather than endearing himself to …
Filmmaking genius or fraud provocateur? The work of John Cassavetes has been the subject of unending adoration and extensive dissection ever since the actor picked up a camera in NYC in the late ‘50s and joined the likes of Jonas Mekas and Shirley Clarke in the burgeoning independent film scene. Al…

Jeanne Dielman (1975)

The big question since the 2022 BFI Sight and Sound Top 250 List was published, that no one has answered satisfyingly, is simply: why Jeanne Dielman? We watched Chantal Akerman’s film for the first time, and now, we’re talking about whether it lives up to expectations, and trying to answer the big …

Nashville (1975)

A veteran of WWII and a veteran of film and television by the time the hays code was lifted, Robert Altman only became a director of note in 1970 when he took full advantage of the changing attitudes at the studios, the burgeoning ‘new hollywood’ era, and made the most cynical and degenerate comedy…
سلب مسئولیت: پادکست و آثار هنری تعبیه شده در این صفحه متعلق به Zachary Domes & J Brooks Young است که متعلق به صاحب آن است و به Listen Notes، Inc وابسته یا تایید نشده است.