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What’s in a name? Sylvie and (Isa)dora tell you. Sylvie watches “Sylvie”, a 1973 German TV film about a doomed romance between a cab-driver-cum-sailor and a model, and Dora watches “Isadora, The Biggest Dancer in the World”, Ken Russell’s tribute to the Mother of Modern Dance. Following in the footsteps of their namesakes, Sylvie and Dora skip, twirl and leap through rival manifestos by German filmmakers, a Nietzschean theory of dance, an ashram brought down by a beautiful secretary, and the unjust treatment of aging female eccentrics.
P.s. Sorry from the bottom of our hearts for the intermittent mic interference. We still don’t fully understand how to use the mics.
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قسمت های دیگر در این پادکست
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A pas de deux, a podcast. Upon the lake of tears sit Oskar Schlemmer’s Triadisches Ballet, an experimental dancework conceived in pre-war Germany, and Truman Capote’s Swans, a group of high society women he befriended and betrayed. Pageantry, sorcery, Nazi characterology and robot ballerinas float …
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This episode is strictly confidential. Jeffrey Epstein’s little black book meets Peter Thiel’s 2004 essay ‘The Straussian Moment’ at an undisclosed location. Sylvie and Dora pick over a heap of discarded documents. Among the detritus they find the scapegoat, the Antichrist and the Man from O.R.G.Y.…
A female monarch, a boy writer, a podcast, numerologically united. In Purity & Danger’s sixteenth episode, Thomas Baty, alias Irene Clyde, dares to dream of gender utopia in Beatrice the Sixteenth’s desert dynasty, and a sixteen-year-old John Kennedy Toole begins The Neon Bible, his first work …
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