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This is the first episode in a series that explores the intersections of science and the humanities in university life. In today’s conversation, Jeffrey Herlihy-Mera is joined by artists Yasmín Hernández and Baruch Vergara for a discussion about Herlihy-Mera's article “The humanities should r…
 “For Laplanche we are constantly and radically de-centered, always adrift so to speak in terms of a center.”  - Dominque Scarfone  “One of the very distinguishing things about Laplanche's work is that it is sort of topsy-turvy. It is this kind of free-floating thing where there's no…
The United States is an exceptionally violent country, increasingly unable or unwilling to stem violence in its many forms. A growing corporate crime wave has gone unprosecuted and unpunished, with those in the C-suites largely escaping accountability. Meanwhile, the country has doubled down on pur…
The realist novel, so the story goes, isn’t really an American genre but a European and British one. And what the realist novel does—again, according to conventional wisdom—is entrench a liberal model of the individual: the self as autonomous and perfectible. Pushing back against these and other re…
The French Médersa: Islamic Education and Empire in Northwest Africa (Cornell UP, 2026) explores how the French state pursued a century-long project of bicultural Franco-Muslim education in its northwest African colonies, resulting in a new type of school, the médersa, that combined French and…
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