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Deanne Williams is professor in English at York University, a Fellow of the Centre for Renaissance and Reformation Studies and a member of the College of New Scholars, Artists, and Scientists of the Royal Society of Canada. She was dramaturge for our production of Comus, has written extensively on girl performers in the Early Modern Period and dedicates a chapter to Milton’s character of The Lady in her book Shakespeare and the Performance of Girlhood published by Palgrave. In this episode she discusses what she learned about Milton, Comus, The Lady and the Brothers in preparing our performance.
Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.
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Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.
Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.
Heather Davies w…
Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the original songs by Henry Lawes.
Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music …
Actor Bethany Jillard chats about playing the part of The Lady, a role first played by Alice Egerton, the teenaged daughter of the Earl of Bridgewater, and the similarities and differences between preparing for this role from John Milton's Comus and her experience playing Shakespeare’s women.
Vi…
Director Heather Davies and theorbo player and artistic director John Edwards chat about the music in John Milton's masque Comus and especially about the dance music of masques in general, and the dances of William Lawes which we used in our production.
Visit https://musiciansinordinary.ca/episode…
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