درباره این اپیزود
Our inaugural podcast sends our editor-in-chief Hrag Vartanian to Morocco to visit the 6th Marrakech Biennial curated by Reem Fadda. There are interviews with the curator and artists Haig Aivazian (Lebanon) and Dineo Seshee Bopape (South Africa), as well as discussions of Superflex’s “Kwassa Kwassa” and Khaled Malas’ "Windmill in Eastern Ghouta (Syria).”
انگلیسی
ایالات متحده آمریکا
در این اپیزود
رونوشت 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
جستجوی اپیزودهای گذشته
اپیزودهای قبلی Hyperallergic را جستجو کن.
قسمت های دیگر در این پادکست
In 1973, gallerist Tibor de Nagy gave Joyce Kozloff a call. His voice quivered as he told her that Clement Greenberg had just left the back room after giving a searing review of her latest work. Greenberg had scoffed at the artist’s “Three Facades” (1973), a painting based on the rich tapestry of i…
When Lucy Lippard left New York City for the tiny village of Galisteo, New Mexico, some were shocked: How could this giant of 20th-century art criticism, this leader in the fight for feminism and equitable representation in museums, leave the so-called “center of the art world” for such a rural are…
This August, journalist Moustafa Bayoumi broke the story that the first photo of a detainee in a Central Intelligence Agency (CIA) black site had been declassified. It shows an emaciated Ammar al-Baluchi, standing shackled and naked in a starkly white room. Subjected to years of torture, according …
In the late 1950s, a Manhattan-born college student was running from an art history course at Barnard to a George Balanchine ballet practice at the storied School of American Ballet on 82nd Street and Broadway. Soon, she began to make connections between the old-school Russian ballet instructors wh…
In 1915, Marcel Duchamp bought a snow shovel at a hardware store in New York City. He inscribed his signature and the date on its wooden handle. On the evening this episode is released, the fourth version of this classic “ready-made,” which he titled “In Advance of the Broken Arm,” will be auctione…
سلب مسئولیت: پادکست و آثار هنری تعبیه شده در این صفحه متعلق به Hyperallergic است که متعلق به صاحب آن است و به Listen Notes، Inc وابسته یا تایید نشده است.
ویرایش
از کمک شما برای بروز نگهداشتن پایگاهدادههای پادکست سپاسگزاریم
