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Hitchcock's singular achievement – his first film in color, his first independently produced Hollywood picture and a narrative composed exclusively of long takes – is also his boldest adventure with homosexual themes (which appear, as is obvious for 1948, in a coded form). “Rope” continues to be a fascinating, taut thriller with many secrets, unforgettable lines and an atmosphere of postwar nihilism. It also features James Stewart in what was his debut in a Hitchcock film. Join us as we explore “Rope” and ask ourselves if we would rather live in Brandon & Philip’s apartment or in the studio from “Rear Window”?
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اپیزودهای قبلی Foreign Correspondents: Deeper into Hitchcock را جستجو کن.
قسمت های دیگر در این پادکست
Alfred Hitchcock's last collaboration with David O. Selznick was not fondly remembered by the most important parties involved (Gregory Peck reportedly hated the film), but it is still a fascinating example of the power dynamics in classical Hollywood, embodying the tensions between the director and…
Both breezy and unexpectedly weird, "Stage Fright" features the famous "false flashback" sequence and takes us on a ride through post-war London. Jane Wyman stars as a naive young actress who spies on a diva (Marlene Dietrich at her juiciest) to clear her friend's name. We explo…
One of Hitchcock's finest and most beloved works, "Notorious" has a timeless appeal and is undoubtedly one of the best – and most disturbing – classical Hollywood movies ever made. Cary Grant, Claude Rains and an utterly brilliant Ingrid Bergman star in this mature Gothic noir about Americans spyin…
"Under Capricorn" is a true oddity: an old-fashioned Gothic melodrama which experiments with long takes; a movie set in Australia but visibly shot in a studio; a financial failure that is claimed by some to be one of the master's greatest works. Join us as we explore the film with our spe…
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