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In this episode, Robert and guest Austin Train (a stand-up comedian and longtime friend) discuss Absolute Advantage, an economic theory concerning the superior productivity of individuals or nations in specific industries. The conversation shifts rapidly from Adam Smith’s "invisible hand" to the "mortal jealousy" inherent in the comedy world, exploring the dynamics of "fairy godmother" mentors and the struggle of the "door guy" hierarchy at The Comedy Store. They traverse the "grimy" underbelly of Los Angeles, recounting visceral memories ranging from Robert’s childhood walk past the scene of River Phoenix’s overdose to the surreal isolation of Austin’s pandemic lockdown, where he watched a homeless neighbor smoke meth in a recliner on Christmas Day. Topics range from the "performative" nature of Oscar-bait films like The Post and the decline of Joe Rogan from a supportive peer to a "gullible" cog in the "propaganda machine", to the personal toll of addiction, highlighted by Robert’s "sombrero" phase of cocaine use. They conclude by examining the "diminishing returns" of drug use and the tension between the "solitary" nature of the creative process and the demands of parenthood.
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