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I relentlessly attempt to force Louis Lopez to circumscribe his expansive musical identity only to be justifiably rebuffed. It’s akin to a very polite and effusive wrestling match. And why should he rein in an impressive collection of activities that span playing trumpet and electronics in projects like Grampus, scoring dance works by Szalt, and […]
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On the heels of the release of the Evil Genius album “Bitter Human,” Max Kutner talks about how the trio came together and how it fits into a stunningly wide musical landscape that, for him, includes folk, rock, jazz, improvisation, and general ass-kickery. Intro: “For Healthy Living” – Of He…
It’s a listener request! In a slight deviation from our usual format, we convene a panel of three composers and one writer to discuss how people write about music: the words they use to describe the sounds, the instruments, and the process of composition/performance itself. Listener and author Geof…
Following the (pre-)release of her first physical album, “Night Travels,” Stephanie Smith reveals how these tracks came together, starting from Bach chorales arranged on a Dark Energy Synth and then dipping into her musical mainstays of violin and voice. We touch on the role of boredom in the creat…
Communal music-making, stylistic extremes, the importance of song titles, and the relativity of musical time. On omni-present fixture of the LA chamber scene, Lauren joins me and Max for some, as she calls it, “mumbling outside of your brain,” or as most people call it – talking. Lauren and M…
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