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This week in the Cold, we talk about the necessity of high stakes in a story. How scenes of love and passion must mirror ones of violence and conflict in intensity and yes, sensuality, or else the story feels out of balance, and we shortchange the reader.
Become a Cold Member: Stories you never want to end; worlds you never want to leave. (ck.page)
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قسمت های دیگر در این پادکست
This week in the Cold, we address this the very issue of men and their tentative, at times contentious, and most of all secretive relationship to romance. I also have some surprises for you, and you're going to have to listen to find out about them.
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Form 5 | victoriadoug…
This week in the Cold, the title of the episode says it all. I've got ten really great reasons why men need to start reading fiction again. And I've got a link to a long list of great, high T novels for the guys out there to get started on.
This is a diverse list of novels offered by my writer fri…
This week in the Cold, we talk about the observers among us; those who never quite feel like they fit in. Outliers used to be a small, self-identified group of people, but increasingly, at least according to multiple media articles and my therapist friends, more and more people are turning inward.
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This week in the Cold, we're taking a deep dive into humor, particularly dark humor. We're discussing its limits - if there are any - its benefits, and the way humor is often perceived.
Relevant links:
#901 Victoria Dougherty: Creating a Story, Character Development, and the Limits of Art (youtub…
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