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‘Tre Visi’ explores the sonic identity of Treviso, Italy, anchoring itself in a field recording of the city’s Fontana delle Tre Facce (Fountain of the Three Faces).
The piece explores the ambiguity of the city’s history and the debate between its potential ‘Three Hills’ Latin etymology and its Celtic origins.
The production includes processed samples from a Celtic-like vocal melody alongside the fountain's texture, creating a new space for three voices to navigate an expansive aural space of possibilities.
Sample credits:
’Chorus 1’ by Valerie-Vivegnis
Fontana dei Tre Visi, Treviso reimagined by Luca Nasciuti.
The piece explores the ambiguity of the city’s history and the debate between its potential ‘Three Hills’ Latin etymology and its Celtic origins.
The production includes processed samples from a Celtic-like vocal melody alongside the fountain's texture, creating a new space for three voices to navigate an expansive aural space of possibilities.
Sample credits:
’Chorus 1’ by Valerie-Vivegnis
Fontana dei Tre Visi, Treviso reimagined by Luca Nasciuti.
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