درباره این اپیزود
This week, we're joined by Gabe (@daemoncorps), a cartoonist and letterer with "too many opinions on anime," for the first installment of our two-part cryable anime series.
Gabe shares his journey re-discovering himself as an artist—including an anime convention horror story that accidentally made him go viral on YouTube—and how he found his authentic voice publishing video essays online.
Nins then takes us through 5 Centimeters Per Second, Makoto Shinkai's heartbreaking animated film about first love, distance, timing, and the quiet grief of growing apart. Together, our hosts unpack Shinkai's melancholic storytelling, how nostalgia can become its own kind of heartbreak, and why longing for the past can stop us from living in the present.
Note: this is part 1 of 2. Next episode, Arns brings her own anime to sob over. :')
About our guest: Gabe is a Filipino American, Bay Area-based, self-taught artist. A talented writer, he draws us in with his compelling video essays: some hot takes, others deeply emotional, but all incredibly thoughtful. Visit Gabe's portfolio or follow along on Instagram to learn more about him and his work.
In this episode:
- creative careers & viral YouTube success
- anime as emotional storytelling
- Makoto Shinkai's 5cm/s
- longing, distance & missed timing
- growing up and accepting change
- finding happiness in moving forward
Chapters:
- 00:00:00 - Preview
- 00:01:58 - Introducing this week's guest
- 00:05:00 - Welcome, Gabe!
- 00:06:32 - COVID: some people made sourdough, Gabe made a YouTube Channel
- 00:09:03 - Gabe's journey toward making art again
- 00:11:03 - An anime convention horror story that accidentally went viral
- 00:16:21 - When art becomes performing vs. creating
- 00:19:26 - The point of art
- 00:25:43 - Nins' confession about anime
- 00:27:14 - About 5 Centimeters per Second
- 00:49:16 - How we choose to reminisce about the past
- 00:54:29 - Why the ending of 5 cm/s was so emotional
- 01:00:59 - When leaving the past behind *is* the happy ending
- 01:07:25 - Outro: stay tuned for part 2!
Referenced in this episode:
- Gabe's YouTube channel (@daemoncorps)
- Gabe's portfolio
- "Michael Brings Pam to Tears at Her Art Show - The Office"
- Gabe's "Making Art is Hard" YouTube essay
- Gabe's "Drew Pickles is Trash and I Can Prove Why" YouTube essay
- Makoto Shinkai's 2007 animated film 5 Centimeters Per Second
- Makoto Shinkai's Z Kai prep school commercial
- Makoto Shinkai's "She and Her Cat"
- Across Time and Space: The Films of Makoto Shinkai
Join the brb crying community—a heartfelt, cozy comedy podcast about friendship, vulnerability, emotional storytelling, and all the movies, books, music, and life experiences that leave us in tears.
Follow us:
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Have a sob story or cry recommendation that absolutely wrecked you? We'd love to be wrecked, too. Submit your story at brbcryingpodcast.com or email us at hello@brbcryingpodcast.com.
brb crying—hosted by longtime best friends Nins & Arns—is a podcast where we explore the songs, books, TV shows, films, pop culture moments, and personal stories that help us laugh, cry, heal, and feel a little less alone. Crying is our superpower, and by sharing what makes us cry in a way that makes us laugh, we show how crying helps us connect with ourselves and each other.
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رونوشت 🔗
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I gave them my business card and she like looks at it and she kind of glares at me and she threw it over her shoulder.
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Oh my god!
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People are so obsessed about like what the face of an artist should look like and the things that they're supposed to be into and the things they're supposed to make.
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Because everyone is obsessed over the same things, it kind of leads everything to become so samey over time.
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I stand before you both, a humble servant, a blithering idiot, because on this anime special, I have no fucking clue what I'm talking about.
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Okay?
00:00:34.960 --> 00:00:37.600
That was like my first video that really like made it big.
00:00:37.840 --> 00:00:38.719
So you went viral.
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Not COVID viral, but like you could still get like a a sneeze from it viral.
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Yeah.
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It's like kindergarten viral, you know?
00:00:51.039 --> 00:00:52.320
Oh, so super worse.
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This is BRB Crying.
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Hello everyone, and welcome back to BRB Crying.
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I'm Arnes.
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And I'm Ninz.
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And and Ooh, I thought about this.
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Okay, of course you did.
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Knock knock.
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Who's there?
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Boo.
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Boo-hoo.
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I wonder where this is gonna go.
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Gosh, Arns cried again?
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That's that was my joke.
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Really good.
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Thank you.
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Uh as you can tell, Arns cried again.
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Mm-hmm.
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So did I.
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So we're here to tell you about it.
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Yep.
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That's our pod.
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And if you don't already follow us on socials, what are you doing?
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We are at BRBCrying.podcast everywhere.
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And uh also if you're new here, welcome.
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If you're old here, welcome back, crybabies.
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I am so excited to announce we have a very special guest.
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He is an old friend, an old crybaby, as we found out recently.
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He reached out to us and he said he wanted to do a little collab.
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So we're gonna talk about him a little bit, warm you guys up, give you guys a reason to have a buy-in, you know, like why do why do we want to listen to this guy?
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So our dear friend today is named Gabe.
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So Gabe is an old friend from college because as you all might recall, Ninz and I went to grade school, middle school, high school together.
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We even went to college together.
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And here is where we met our our friend Gabe.
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And we were in, all three of us, our college's Filipino club.
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Shout the fuck out.
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Shout the fuck out.
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Or should I say bark the fuck out?
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Our club was called Barcada.
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Our club was called Barcada, which means Um, it means we were like the coolest club in the college.
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We were all Filipinos, we were all fucking lit.
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Okay.
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That's what Barcotta means.
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That is the direct translation from Tagalog to English of Barcotta.
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So we were all in Barcotta together.
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So we spent a lot of time together hanging out in our little, our little lounge area, and Gabe and I would talk about anime because it was a shared love of ours.
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So we were really excited when Gabe reached out.
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He was like, Hey, I don't know if you guys remember me.
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I'm like, hello! Yes, of course I remember you, Gabe.
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And he has a really cool channel on YouTube.
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He goes by what he says was his screen name when he was 12 years old.
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Which you know I had to out him.
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He goes by Demon Core, which is spelled D-A-E-M-O-N-C-O-R-P-S.
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And that's where you can find him on YouTube.
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But he does video essays.
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He calls himself an aging millennial who thinks too much about pop culture, which I feel like sums it all up.
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No one thinks about it enough.
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Let me just say that right off the bat.
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It's not possible.
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Don't think too much.
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Nope.
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Nope.
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We are all academics, as you can tell from our bachelor's degree that we received.
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From the Filipino university.
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Yeah, from Barcotta.
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Our bark chillers.
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Someone please stop her.
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Okay, so I think that while I would love to talk about Gabe's channel, I feel like maybe he should pipe himself up a little bit.
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You know what I mean?
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Hmm.
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If only there was a third chair in the studio.
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If only.
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So without further ado, here is our conversation with Damon Corpse.
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With Gabe.
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Okay.
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Hello, Gabe, and welcome.
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I'm glad to be here.
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Yeah?
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I'm like wondering how this is gonna look when it like in post where the chair will be empty and then it'll be like bewitched style, where it's just like a pair.
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Yeah, I guess we should explain.
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I guess we should explain.
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Gabe has a flourishing YouTube account.
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That was not on purpose.
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But he does like to keep his identity a secret, kind of like a superhero.
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So we actually decided to keep his face anonymous, which explains why you don't see him on our YouTube video, but trust.
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You gotta pay extra for the face review.
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Yeah.
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Handsome, incredible face, just chiseled jaw, just gorgeous shiny hair.
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Great hair.
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Great hair, I will say.
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I will say.
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I was told that my face is like stop sign-shaped from like other borcada members.
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Was that a compliment?
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I don't know.
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I think so.
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They never explained it to me fully.
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Yeah, because they're so like alluring, they go, stop, you know.
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That's what it is.
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That's what it is.
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Love it.
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I gotta pause myself.
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Yeah.
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I gotta collect all my emotions before I speak to this man.
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Yeah, my goodness.
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That's what it is.
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Yeah.
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Well, welcome, Gabe.
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I'm happy to be welcomed.
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Yeah, we're really excited to have you here.
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We really are.
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I was really excited when you reached out to us.
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No.
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No, I was because I was like, wait, I did not know you had your own YouTube channel.
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Yeah, well, I mean, like I hinted at before, it was just kind of by accident.
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Like, um, are we gonna like backstory everything?
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Yes.
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No.
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Perfect segue.
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Yeah.
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So I feel like it was my COVID activity.
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So when everyone was like making bread and having fun making bread.
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What else did people do?
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Animal crossing.
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Push-ups, Salgona coffees.
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Yeah.
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Um they drew fruit on Instagram stories.
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Why was that a thing?
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I don't know, but let's get back to you.
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I don't care about that.
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I want to only focus on my stop sign bow.
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Yeah, so I made a YouTube channel in uh early 2020 when everything was like, you know, going to hell.
00:07:14.000 --> 00:07:18.319
But I think before I even get to that, we need to go a little bit further.
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Um, a few years before The day you were born.
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I was I was actually born a few months after the earthquake.
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Oh the Loma Prieta earthquake.
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Okay.
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So I like to think that that was like the secret sauce that made me who I am.
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Ooh.
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Oh, yeah.
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I can see that.
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I love that.
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But like after that.
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Yeah, so after you're born, okay.
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So um a little bit after college.
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Well, during college, I keep going further back.
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I told you, just start at the beginning.
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Um during college, my my parents were very much the Filipino parents that were like, you need to either be a nurse or you need to be an engineer.
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And you're good at drawing, so I guess that's an engineer.
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They're like rounding up to the nearest like Filipino job that they're familiar with.
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Wait, what engineering majors were you?
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Civil engineer.
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Hello?
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So was I.
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Yeah.
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Oh.
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You didn't sense it when we went through the door.
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It's just weird.
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Like, I came in with my hard hat.
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I don't know why you didn't come in with your hard hat, but there's too many like silly asides that I can like go through this.
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So we need to like insane episodes.
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We need to lock into the backstory right now.
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I'm gonna shut the fuck up now.
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Please.
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So um my my parents were very much like, you need to be an engineer.
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Like, this is how it's done.
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This is how you get the job.
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You're not gonna get a job by talking about anime ulti or whatever.
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And so I was very much like, okay, but like once I graduate, I'm allowed to do whatever, right?
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And they were like, yes.
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And I I like melted that into my brain.
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I was like, okay, once I graduate, I'm just gonna do whatever.
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So I went just like um I started just making art again.
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I didn't make art at all in college.
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Like, never ever.
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I I stopped in high school.
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But you were into art.
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I was into art though, yeah.
00:09:13.279 --> 00:09:14.480
What do you mean by you made art?
00:09:14.559 --> 00:09:14.960
Like drawing?
00:09:16.000 --> 00:09:17.519
I would draw, I would like make comics.
00:09:17.759 --> 00:09:20.320
I was I was really into what is it, Dave Pilke, Mr.
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Captain Underpants, like stuff like that.
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Would like really inspire me to just like make ugly drawings and be like uh this is this is what the teacher looks like, guys.
00:09:29.440 --> 00:09:38.320
Um But then I had to stop all that in college and I had to pretend to be serious for like four whole years.
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Can you imagine all of that being pent up for four whole years?
00:09:41.759 --> 00:09:42.080
Yeah.
00:09:42.320 --> 00:09:46.799
Um so once once college ended, I was like, okay, I'm gonna make a ton of art.
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I'm and I made a ton over the course of like maybe two or three months because I knew that the convention season was starting up.
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Um so I made a ton and then I just started tabling for a few years, and that's just how it was.
00:09:59.679 --> 00:10:03.120
It'd just be like anime season again, I gotta go table again.
00:10:03.360 --> 00:10:21.360
And the whole time I was doing that experience, I was kind of like, oh man, this is this is gonna be like great, I'm doing what I like, I'm gonna find my community, I'm I'm gonna be embraced by my community, they're all gonna love me, I'm gonna be the best friend of all these cool artists.
00:10:21.759 --> 00:10:32.399
And the the funny thing about um being an artist at art conventions is that people don't tell you that artists are introverts.
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They don't like talking to people.
00:10:36.399 --> 00:10:45.600
So if you try to get in on their personal space, there's a lot of barriers that need to be knocked down before any of that happens.
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Yeah.
00:10:46.799 --> 00:10:56.080
And it was just a lot of work when it comes to that, where I'm just like, okay, like I don't want to put in, invest so much time talking to people if they don't want to talk to me.
00:10:56.320 --> 00:10:56.480
Yeah.
00:10:56.559 --> 00:10:56.720
Yeah.
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But who knows, you know, I'll give it one last shot and just see where this goes.
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So um there was one convention that I was not tabling at, but I was like, I should go anyways to try and network with people.
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And I I I made a ton of business cards, and just to sweeten the deal, I taped haichu candies on the back of every business card.
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Hell yeah, give me ten of them.
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And I was just like, surely people will be endeared by that, and that would be enough for them to like want to reach out to me or just you know lower their guard a little bit.
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And most people were like fine with it.
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Most people were like, Oh, thank you.
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You know, they're very gracious about it.
00:11:37.919 --> 00:11:42.879
Um but but one person, and I don't want to like blame them.
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Maybe they were having a bad day.
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Oh no, I'm nervous.
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I gave them my business card, and I was just like, oh yeah, like on the back it has like a candy and everything.
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And she like looks at it and she kind of glares at me, and she threw it over her shoulder.
00:11:59.200 --> 00:12:01.360
Oh my god! What?
00:12:01.679 --> 00:12:08.320
And I was so like, yeah, you know when someone is just like so rude to you that you don't know how to respond.
00:12:09.200 --> 00:12:09.679
Yeah, yeah.
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I I was just like flabbergasted.
00:12:12.240 --> 00:12:13.440
What the hell?
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It just like left a really bad taste in my mouth.
00:12:18.399 --> 00:12:25.120
And um yeah, I was super just like, oh man, like I don't yeah, I don't want to deal with this anymore.
00:12:25.200 --> 00:12:27.759
Like this is yeah, this is honestly awful.
00:12:28.639 --> 00:12:30.159
That's really traumatizing.
00:12:30.399 --> 00:12:40.960
Um I guess it was like a blessing in disguise because during COVID, a few years later, I made a video called uh Making Art is Hard.
00:12:41.679 --> 00:12:48.720
And I talked about how the whole convention scene here is just like a whole mess, you know.
00:12:49.039 --> 00:12:57.759
People make art that has like a shelf life of like two seconds, you know, they make fan art of whatever the new anime is that season.
00:12:58.000 --> 00:13:15.519
And then if it doesn't sell, then you know, they move on to the next big thing, and then you just they just gotta keep churning stuff out, and it it really just kind of like erases the image of what an artist is is supposed to be doing, which is like, you know, pursuing what makes them happy, not what makes other people happy, you know.
00:13:15.759 --> 00:13:16.000
Yeah.
00:13:16.240 --> 00:13:20.879
And I I brought up the person that threw my business card away.
00:13:21.519 --> 00:13:21.919
Yeah.
00:13:22.159 --> 00:13:28.000
And I think that was like enough like jiciness to attract people.
00:13:28.159 --> 00:13:28.399
Yeah.
00:13:28.639 --> 00:13:30.480
And people like drama in that sense.
00:13:30.639 --> 00:13:30.799
Yeah.
00:13:31.440 --> 00:13:34.080
That was like my first video that really like made it big.
00:13:34.399 --> 00:13:35.440
Oh, okay, okay.
00:13:35.600 --> 00:13:36.399
So you went viral.
00:13:36.639 --> 00:13:46.559
Uh like baby viral, like not COVID viral, but like, you know, you could still get like a a sneeze from it viral.
00:13:47.519 --> 00:13:48.159
Yeah.
00:13:50.399 --> 00:13:52.399
I'm so gonna steal that.
00:13:52.799 --> 00:13:53.840
Oh my god.
00:13:54.720 --> 00:13:56.799
It's like kindergarten viral, you know?
00:13:57.039 --> 00:14:00.320
Or it's just like oh, so super weird.
00:14:04.000 --> 00:14:05.120
Okay, okay, okay.
00:14:05.440 --> 00:14:08.639
So you had this baby viral video.
00:14:08.879 --> 00:14:12.080
Yeah, and it it kind of like gave me the confidence to keep making more.
00:14:12.320 --> 00:14:12.639
Yeah.
00:14:12.799 --> 00:14:20.799
Um, I mean, okay, I feel like I'd be remiss if I didn't like say that my first actual viral hit was a Rugrats themed video I made.
00:14:21.519 --> 00:14:24.399
I think the title is Drew Pickles is trash and I can prove why.
00:14:24.559 --> 00:14:25.360
I watched that one.
00:14:25.600 --> 00:14:27.120
I watched that one over dinner.
00:14:27.360 --> 00:14:28.480
I watched that one.
00:14:28.799 --> 00:14:29.759
He is trash.
00:14:30.000 --> 00:14:38.000
And part of me is just like, oh man, this is so embarrassing because I like I barely scripted it and I had like an awful microphone.
00:14:38.080 --> 00:14:40.080
You can tell when my mic peeks and all of that.
00:14:40.320 --> 00:14:42.080
Oh but people obviously connected with it.
00:14:42.240 --> 00:14:52.799
Well, like I feel like that's like that such is the way of creating things online where it's just like it's always gonna be the one you least expect that you put the least amount of effort into.
00:14:53.039 --> 00:14:59.200
Yeah, you know, it's just like you have like no makeup on, you're like in the middle of sneezing, and everyone's just a billion hits.
00:14:59.519 --> 00:15:01.600
And we're just like, but I look ugly in that one, you know?
00:15:02.080 --> 00:15:03.919
Okay, so that was technically my first hit.
00:15:04.000 --> 00:15:06.559
And then my my second hit was making art is hard.
00:15:06.799 --> 00:15:11.519
And after that, like it really all you need are like the two to kind of give you the confidence boost.
00:15:11.679 --> 00:15:11.919
Yeah.
00:15:12.159 --> 00:15:17.840
And then like every time after that, I'm just like, okay, this can do like whatever, and I'll still be like fine.
00:15:18.080 --> 00:15:18.320
Yes.
00:15:18.559 --> 00:15:29.279
Because yeah, because people still want to listen to me talk about the awkward interaction I had with a girl that threw the business cart away in front of me and made me feel bad.
00:15:29.519 --> 00:15:32.320
Yeah, first of all, just so it's very clear, fuck that girl.
00:15:32.480 --> 00:15:32.639
Yeah.
00:15:32.879 --> 00:15:37.519
But also, I so appreciate you opening up with that story because it's so true.
00:15:37.679 --> 00:15:52.720
It's like for people who are born to create art, it's such a burden to have to work on like all the marketing and all the like networking, and it takes away from the value of what the art is giving you and giving the world.
00:15:53.120 --> 00:15:54.559
There's so much that people don't see.
00:15:54.799 --> 00:15:55.840
Yes, yes, yes.
00:15:55.919 --> 00:16:05.440
So I'm glad that as much as that interaction sucked, it allowed you to explore other ways where you can still hold on to that.
00:16:05.600 --> 00:16:05.759
Yeah.
00:16:06.080 --> 00:16:07.039
Enter your YouTube channel.
00:16:07.519 --> 00:16:20.960
And it really was just like, oh my god, like I I feel like a a person again, you know, versus like I feel like even when I was like excited to make art, it always still felt like I was pretending to be a person.
00:16:21.200 --> 00:16:21.360
Yeah.
00:16:21.679 --> 00:16:31.679
There's a Flintstones comic that came out a few years ago, and I always like referencing it because I feel like it encapsulates the like artist strife so much.
00:16:32.080 --> 00:16:43.600
So in the issue, W Wilma, the the wife, she wants to pursue an um, you know, her interests in art, and she ends up going to a um an art convention.
00:16:43.679 --> 00:16:45.600
It's basically my experience.
00:16:47.679 --> 00:17:05.519
Or just like people kind of ignore her, and like everyone around her is kind of like fake artists, you know, they have the like the fancy hat and they have the like cheesy vests and stuff, and she just wants to make art, and she's like preparing for this art event, and she's like trying on all these different outfits, and it's just like not her.
00:17:05.599 --> 00:17:10.000
She doesn't want to like dress up who the person she thinks she needs to pretend to be is like.
00:17:10.640 --> 00:17:12.799
And she's so like defeated, too.
00:17:13.119 --> 00:17:22.000
She like tried on all these like clothes, like a supposedly like what a good artist is supposed to look like, and she's just exhausted after trying on all these outfits.
00:17:22.240 --> 00:17:28.720
And what she says after all of that is I feel like a shallow parody of the club I want to join.
00:17:29.039 --> 00:17:34.720
It seems like anytime I try to fit in, I only prove that I don't belong.
00:17:35.920 --> 00:17:45.680
And I honestly I think about that quote like often because it captures what being an artist is like in modern times so well.
00:17:46.160 --> 00:17:56.480
Because it's just like, oh my god, like people are so obsessed about like what the face of an artist should look like and the things that they're supposed to be into and the things they're supposed to make.
00:17:56.799 --> 00:17:57.440
The aesthetic.
00:17:57.680 --> 00:18:08.799
And the the aesthetic of it all, exactly, where it's just like it just kind of reaches the point where it's just like because everyone is obsessed over the same things, it kind of leads everything to become so same-y over time.
00:18:09.119 --> 00:18:21.519
And and you see that at conventions too, where it's just like everything is either like uh anime of the second fan art or like quirky plant mom stickers, or like crocheted tiny animals.
00:18:22.559 --> 00:18:22.720
Yeah.
00:18:22.960 --> 00:18:24.960
And it's just like those are those are adorable.
00:18:25.200 --> 00:18:27.039
Like, let's just be clear about that.
00:18:27.119 --> 00:18:33.839
I love that stuff, but it's just like when everyone thinks that's what the experience is solely about, it's kind of icky.
00:18:34.000 --> 00:18:34.160
Yeah.
00:18:34.480 --> 00:18:45.039
So when um when I started making my YouTube, I kind of kept that observation in mind and was just like, okay, like I'm not gonna make things because someone tells me to.
00:18:45.599 --> 00:18:46.319
Or it's trendy.
00:18:46.480 --> 00:18:47.839
Yeah, or because it's trendy.
00:18:47.920 --> 00:18:59.440
I'm gonna make something because I just binged like the entire series of IUs, K-drama, when life gives you tangent wounds.
00:18:59.680 --> 00:19:00.880
Oh my god, I haven't watched it, I'm scared.
00:19:01.119 --> 00:19:03.200
And it's so traumatizing, but so good.
00:19:03.839 --> 00:19:04.720
I don't want I don't think I want to.
00:19:05.039 --> 00:19:06.640
I think everyone needs to watch it.
00:19:07.039 --> 00:19:10.559
It was her birthday last Friday, you didn't do anything for her.
00:19:12.079 --> 00:19:16.799
But yeah, just like stuff like that, where it's just like this is gonna get like zero views, but I like it.
00:19:17.039 --> 00:19:19.279
Yeah, so you're gonna like this.
00:19:19.599 --> 00:19:25.759
I I absolutely love that because your art needs to feel authentic for it to be meaningful to you.
00:19:25.920 --> 00:19:31.519
And actually, the whole time that you were talking about the Flintstones comic, you know what I was thinking about?
00:19:32.160 --> 00:19:46.880
I was thinking about that episode of The Office where Pam displays her art at some show, and like no one from the office shows up to support her, or like I think like two people do, and then they like kind of like talk shit because it's not the best, right?
00:19:47.119 --> 00:19:53.920
But then after that really you know kind of awful night for her, Michael Scott ends up showing up.
00:19:54.319 --> 00:19:59.119
And like that one interaction where Pam sees, oh, one person.
00:19:59.759 --> 00:20:06.319
And it was so sincere, one person saw the value of this, and it like basically made the whole night worth it.
00:20:06.640 --> 00:20:12.480
And I think that's just like what I constantly have to go back to because sometimes it's so true.
00:20:12.640 --> 00:20:16.480
Like, we put this show out there, we're like so obsessed with the data.
00:20:16.640 --> 00:20:18.960
How many downloads, how many people are following, etc.
00:20:19.119 --> 00:20:19.359
etc.
00:20:19.920 --> 00:20:25.599
But then we get one person reaching out to us saying, Hey, I love what you're doing, we want to collab.
00:20:25.759 --> 00:20:28.240
And it's like you forget all of it, right?
00:20:28.400 --> 00:20:34.000
Because you realize, oh shoot, it doesn't matter that you know this is not viral, it's not trending or whatever.
00:20:34.480 --> 00:20:39.200
But what I'm doing, what I'm putting out there is affecting someone, it's making someone think.
00:20:39.359 --> 00:20:42.240
And that's like that's the whole point of you creating art.
00:20:42.319 --> 00:20:49.039
It's not to make sales or whatever, it's it's really just to like open up people's world a little bit.
00:20:49.359 --> 00:20:49.759
Yeah.
00:20:49.920 --> 00:20:55.519
And okay, this is kind of like a jaded way of putting everything that you so beautifully worded.
00:20:56.799 --> 00:21:04.960
But like, I really do feel like people are kind of like getting stupid when it comes to stuff like media literacy.
00:21:06.000 --> 00:21:08.480
Like, Superman's smiling, that means he's a good guy.
00:21:08.640 --> 00:21:11.839
And then all the comments are just like, oh my god, so true, so true, so true.
00:21:12.480 --> 00:21:15.759
It's just like so you're here to set the record straight.
00:21:16.079 --> 00:21:17.920
No, I I love that though, Gabe.
00:21:18.000 --> 00:21:24.480
Thank you, thank you so much for sharing because everything you're saying about feeling authentic, I just I feel like that same exact way.
00:21:24.559 --> 00:21:26.240
And exactly what Ninz was saying too.
00:21:26.400 --> 00:21:36.319
It's just like whatever feels good for you and helps you connect with yourself, and then that is what inevitably connects you with other people, which is why we were so excited.
00:21:36.400 --> 00:21:44.240
And you you think I kid when I say we were so excited when you reached out, but genuinely we were so so happy because like wow.
00:21:44.559 --> 00:21:47.119
Oh, that makes me that makes me happy.
00:21:47.599 --> 00:21:48.480
Happy and honored.
00:21:51.119 --> 00:21:59.759
Someone someone who already has this like well practiced muscle of diving into media and explaining it is.
00:22:00.480 --> 00:22:03.119
Seeing that, oh, that's what they're doing too.
00:22:03.359 --> 00:22:04.720
Let's join forces.
00:22:05.279 --> 00:22:14.000
Yeah, and and it really is like I don't want to be like real recognize real, but real recognized.
00:22:14.480 --> 00:22:16.400
But not gonna stop you from doing that.
00:22:16.559 --> 00:22:16.880
Please.
00:22:17.039 --> 00:22:18.240
Let's be very clear.
00:22:19.200 --> 00:22:28.480
Like it really is like so true though, because when I when I found out that the two of you were making a podcast, I was kind of like, well, okay, like let's see.
00:22:30.079 --> 00:22:36.880
And then I'm like, and I'm just like, I'm not even a mom, but like I relate to all of us.
00:22:39.200 --> 00:22:39.839
Wow.
00:22:40.400 --> 00:22:43.599
I was like, okay, they they got the juice, as they say.
00:22:43.839 --> 00:22:49.119
So I was like, uh, I gotta, I gotta reach out and see if they feel the same way.
00:22:49.440 --> 00:22:50.559
Yeah, we do.
00:22:50.720 --> 00:22:51.039
We do.
00:22:51.279 --> 00:22:52.480
And that's why you're here right now.
00:22:52.720 --> 00:22:53.200
Fantastic.
00:22:53.440 --> 00:22:54.480
On this middle chair.
00:22:55.359 --> 00:22:57.359
Thank you so much for that opening.
00:22:57.519 --> 00:22:57.920
Yeah.
00:22:58.160 --> 00:23:02.240
I think it's a good segue into what we have planned for this episode.
00:23:02.480 --> 00:23:02.880
Yes.
00:23:03.200 --> 00:23:07.440
So for this episode, Gabe gave us little homework assignments.
00:23:07.680 --> 00:23:15.119
He came up, he came up with this really honestly so comprehensive list of quote unquote cryable anime.
00:23:15.519 --> 00:23:17.519
And he gives little synopses of each one.
00:23:17.599 --> 00:23:21.519
He was like, okay, these are all the different things that like I think that would make you all cry.
00:23:21.759 --> 00:23:23.519
And we each picked one.
00:23:23.839 --> 00:23:32.640
And today we're gonna share just like we always do, except now we have a third voice to give some snarky remarks.
00:23:33.759 --> 00:23:35.039
An actual expert.
00:23:35.359 --> 00:23:35.680
Yes.
00:23:35.920 --> 00:23:37.119
I don't know about that.
00:23:38.160 --> 00:23:40.079
I would say much more than us.
00:23:40.319 --> 00:23:40.880
Much more than us.
00:23:41.119 --> 00:23:41.759
When it comes to anime.
00:23:41.920 --> 00:23:42.000
Yeah.
00:23:42.240 --> 00:23:44.240
It's a little like diploma in crayon.
00:23:44.640 --> 00:23:44.880
Yes.
00:23:45.680 --> 00:23:46.079
Yes.
00:23:46.640 --> 00:23:48.480
Graduated from here, guys, trust.
00:23:48.799 --> 00:23:50.240
So that's what we're gonna do today.
00:23:50.319 --> 00:23:52.079
I actually don't even know who's gonna go first.
00:23:52.240 --> 00:23:53.920
I don't think it matters who goes first.
00:23:54.160 --> 00:23:58.400
Alright, is yours like gonna fuck me up, fuck me up, or like?
00:23:58.720 --> 00:24:00.880
Um I mean it fucked me up.
00:24:01.680 --> 00:24:04.240
It was gonna fuck you up, but why?
00:24:04.400 --> 00:24:06.319
Is yours gonna fuck me up?
00:24:06.720 --> 00:24:10.640
I will say just like Yeah, who let's have Gabe.
00:24:10.960 --> 00:24:11.599
Let's have the expert.
00:24:11.920 --> 00:24:14.000
What have your first or whatever you think?
00:24:14.160 --> 00:24:14.640
What do you think?
00:24:15.039 --> 00:24:20.640
So before I before I even came here, I I feel like I crammed before a test.
00:24:20.880 --> 00:24:25.759
Um I I re-watched both of the movies that both of you watched.
00:24:26.079 --> 00:24:30.160
And I feel like one of them, my opinion of it went down a little bit.
00:24:30.559 --> 00:24:31.119
Oh fucking.
00:24:31.759 --> 00:24:35.440
And one of them, my opinion of it went up a little bit.
00:24:36.799 --> 00:24:39.599
And like I'm talking about this like I'm the one that made the movies.
00:24:39.759 --> 00:24:44.240
Like, if you don't, if either of you didn't enjoy them, feel free to just be like it was bad.
00:24:44.319 --> 00:24:45.839
That was a bad recommendation.
00:24:46.240 --> 00:24:46.480
No.
00:24:46.720 --> 00:24:48.400
That would never come out of my mouth.
00:24:48.559 --> 00:24:49.680
But yeah.
00:24:50.000 --> 00:24:51.920
So we'll do your least favorite one first.
00:24:52.160 --> 00:24:52.319
Okay.
00:24:52.559 --> 00:24:53.279
Oh, really?
00:24:53.680 --> 00:24:56.960
Wait, now I've got questions, but I feel like it's probably gonna be mine.
00:24:57.680 --> 00:25:00.559
Because I both of you didn't watch the other person yesterday.
00:25:01.279 --> 00:25:01.759
I did not.
00:25:01.920 --> 00:25:03.279
So should we start with the the shitty one?
00:25:03.440 --> 00:25:04.640
Yeah, we'll start with the shitty one.
00:25:04.880 --> 00:25:05.519
I'll go first.
00:25:05.680 --> 00:25:06.000
Fuck it.
00:25:06.079 --> 00:25:07.759
I'm gonna change your mind game.
00:25:09.200 --> 00:25:10.480
Persuasive writing.
00:25:11.039 --> 00:25:11.920
All right, all right.
00:25:13.039 --> 00:25:14.000
Have I been right?
00:25:14.240 --> 00:25:14.720
Was it mine?
00:25:14.799 --> 00:25:14.960
Okay.
00:25:15.359 --> 00:25:16.160
I'm sorry.
00:25:17.200 --> 00:25:20.000
I feel bad for like recommending it on the list now.
00:25:20.160 --> 00:25:24.880
Dude, I've been fucking writing this movie for like my entire life, not like two weeks ago.
00:25:25.119 --> 00:25:25.920
How dare you?
00:25:26.079 --> 00:25:26.400
Okay.
00:25:27.119 --> 00:25:29.039
So I'm wrong, and here's why.
00:25:29.200 --> 00:25:29.920
Is that why?
00:25:30.000 --> 00:25:30.079
Yeah.
00:25:30.240 --> 00:25:30.960
Or do you want to do it?
00:25:31.200 --> 00:25:31.920
No, no, no.
00:25:32.720 --> 00:25:34.480
Well, just do it.
00:25:34.720 --> 00:25:35.359
Let's just get into it.
00:25:35.759 --> 00:25:35.839
Okay.
00:25:42.480 --> 00:25:43.039
All right.
00:25:43.200 --> 00:25:46.559
Let me go cover this story that Gabe does not like anymore.
00:25:46.880 --> 00:25:53.359
So I pride myself on being a cultured academic of this world.
00:25:53.680 --> 00:26:02.640
One who is well traveled and well read, a decent cook, and so fucking smart and so knowledgeable.
00:26:02.960 --> 00:26:04.319
Yes, all true.
00:26:04.640 --> 00:26:13.119
But today I stand before you both, a humble servant, a blithering idiot to the nth degree.
00:26:13.440 --> 00:26:18.000
Because on this anime special, I have no fucking clue what I'm talking about.
00:26:18.240 --> 00:26:18.559
Okay?
00:26:19.279 --> 00:26:32.079
I am embarrassed to say that my anime education went as far as Sailor Moon, How's Moving Castle, oh yes, and my neighbor Totoro.
00:26:32.640 --> 00:26:33.759
I mean those count.
00:26:34.160 --> 00:26:34.960
But that's it.
00:26:35.279 --> 00:26:39.680
But it's not like you're watching, like, I don't know, Ninja Turtles or something.
00:26:39.920 --> 00:26:41.359
Or you're just like that's anime, right?
00:26:41.680 --> 00:26:42.799
No, but like that's it.
00:26:43.039 --> 00:26:43.279
Okay.
00:26:43.680 --> 00:26:44.559
Like that's really it.
00:26:44.880 --> 00:26:45.440
That's fine.
00:26:45.599 --> 00:26:46.319
We don't judge.
00:26:46.559 --> 00:26:56.079
But as much as this proves that I am, in fact, uncultured swine, I actually think it made this assignment really fun because I literally had no expectations.
00:26:56.559 --> 00:27:00.079
So it was cool because I was like, all right, let's just fucking press play.
00:27:00.640 --> 00:27:01.279
You know?
00:27:01.519 --> 00:27:08.319
So as we mentioned, Gabe put together this incredible and super helpful list of recommendations for us to watch.
00:27:08.559 --> 00:27:20.559
And on this list was a movie with the description that Gabe wrote: childhood friends that have lost contact with each other over time reminisce about the past.
00:27:21.200 --> 00:27:24.400
And I thought to myself, yeah, that'll hurt.
00:27:24.559 --> 00:27:25.599
That's gonna hurt.
00:27:26.319 --> 00:27:41.279
So today, the student becomes the master as I anime splain the 2007 film, Five Centimeters per second, written and directed by Makoto Shinkai.
00:27:41.680 --> 00:27:41.920
Okay.
00:27:42.160 --> 00:27:46.400
Gabe wrote a little kukuk-ka context of his own.
00:27:46.559 --> 00:27:52.240
So I'll let him read it before I fucking masterfully explain what the fuck this is about.
00:27:52.640 --> 00:28:02.960
Yeah, I mean you clearly outclassed everyone here with your anime knowledge now, so So for today's Kukaka Context of five centimeters per second.
00:28:03.519 --> 00:28:13.839
Uh Makoto Shinkai is one of those creators that is good at exactly one thing, but nobody cares because he's really, really good at it.
00:28:14.720 --> 00:28:32.880
Uh debuting in 1999 with his five-minute short film She and Her Cat, uh, it was clear even within those five minutes that Shinkai was a master of writing melancholic characters with a deep yearning for something they can't quite put their finger on.
00:28:33.680 --> 00:28:56.160
While modern audiences know him for his films Suzume, Weathering With You, and the infamously, infamously Oscar-snubbed Your Name, I would argue that none of these movies would be what they are if not for his 2007 movie 5 cm per second.
00:28:56.960 --> 00:29:04.400
I've lost contact with so many people over the years, over seemingly nothing in particular.
00:29:04.720 --> 00:29:18.880
So 5 centimeters per second scratches that very specific cry itch of lost loves that maybe could have worked out if only one tiny thing worked in their favor.
00:29:19.680 --> 00:29:29.039
And is a reminder of the domino effect of circumstances that have to hit just right in order for people to meet.
00:29:30.319 --> 00:29:30.640
Okay.
00:29:31.680 --> 00:29:36.480
Alright, I did write some context too that is kind of similar to what you just said.
00:29:36.640 --> 00:29:38.319
And I'm just gonna fucking reread it.
00:29:38.559 --> 00:29:38.799
Good.
00:29:38.960 --> 00:29:41.759
I don't have the capacity right now to rewrite on the spot.
00:29:42.000 --> 00:29:42.319
Nope.
00:29:42.480 --> 00:29:42.960
Fuck it.
00:29:43.119 --> 00:29:43.440
Alright.
00:29:43.519 --> 00:29:46.160
So here's my kuku conte kusuto.
00:29:46.480 --> 00:29:47.519
Here's the better context.
00:29:47.680 --> 00:29:47.839
Okay.
00:29:48.079 --> 00:29:48.799
I'll I'll judge.
00:29:48.960 --> 00:29:49.680
I'll be the judge.
00:29:51.200 --> 00:29:51.519
Okay.
00:29:52.400 --> 00:30:04.000
So the writer and director of five centimeters per second, as you mentioned, is a man named Makoto Shinkai, who is one of the most celebrated anime filmmakers in Japan.
00:30:04.400 --> 00:30:07.599
Born February 9th, 1973.
00:30:07.920 --> 00:30:08.400
Aquarius.
00:30:08.559 --> 00:30:10.079
My dude is full-blown Aquarius.
00:30:10.240 --> 00:30:10.640
Let's go.
00:30:10.720 --> 00:30:14.160
Okay, and as we say about all Aquaria living in his own world.
00:30:15.279 --> 00:30:21.200
But thank God he has the artistic genius to show us what that world looks like.
00:30:21.680 --> 00:30:32.079
His style of animation involves these beautiful, like hand-drawn backgrounds with these like saturated colors and light patterns.
00:30:32.319 --> 00:30:36.720
And in a lot of his shots, I noticed that he always emphasizes the sky.
00:30:37.119 --> 00:30:39.039
Like stunning sky.
00:30:39.279 --> 00:30:50.000
Whether it's a bright blue day with floating clouds or a pastel-filled sunset, or even like a snow blizzard at night, all visually stunning.
00:30:50.559 --> 00:30:50.880
Okay.
00:30:51.519 --> 00:30:54.799
Shinkai has created several movies over the course of his career.
00:30:55.039 --> 00:31:00.720
His first short film that Gabe mentioned, the 1995 short story called Her and Her Cat.
00:31:00.880 --> 00:31:02.319
I watched it because it was so short.
00:31:02.640 --> 00:31:03.599
It was like five minutes.
00:31:04.240 --> 00:31:11.279
Um it is the story of this boy cat who gets adopted by this woman in her 20s.
00:31:11.519 --> 00:31:13.759
And the whole story is from his perspective.
00:31:13.839 --> 00:31:22.000
It's like the first year of them living together, and it's like the cat is so obsessed with the woman.
00:31:22.240 --> 00:31:24.640
He's like, Yeah, I'm so in love with her.
00:31:26.000 --> 00:31:28.240
It's very much like a cohabitation.
00:31:28.799 --> 00:31:30.160
It's like it's cute though.
00:31:30.400 --> 00:31:30.559
Yeah.
00:31:30.960 --> 00:31:35.519
That's every anime where it's just like on paper, it's creepy, but you watch it and it's cute.
00:31:36.720 --> 00:31:48.960
But it is also moody, and there is this subtle undertone of longing and melancholy, which I think, as Gabe mentioned, again, is pretty consistent with a lot of his works.
00:31:49.279 --> 00:31:54.799
So yeah, granted, I've only watched two works from him: this short story and then this film that we're about to cover.
00:31:54.960 --> 00:32:05.279
But in my research, I do see that a lot of the stories that he shares centers around young people struggling to form and maintain interpersonal relationships.
00:32:05.519 --> 00:32:13.519
Again, that longing, that loneliness, and overthinking and second-guessing when it comes to love and friendship.
00:32:14.160 --> 00:32:15.599
It already hurts.
00:32:16.720 --> 00:32:19.119
And it's about to get a lot more painful.
00:32:20.160 --> 00:32:23.759
So, five centimeters per second, here we go.
00:32:24.400 --> 00:32:33.920
So, this story focuses on a boy named Takaki Tono and his friendship with a girl named Akari.
00:32:34.720 --> 00:32:37.839
Their tale is told in three parts.
00:32:38.160 --> 00:32:51.599
Part one, entitled Cherry Blossom, opens up with Takaki and Akari as children walking home from elementary school, while cherry blossom trees drop petals all around them.
00:32:51.920 --> 00:32:58.799
Akari gestures to the falling leaves and tells Takaki, look, it's five centimeters per second.
00:32:59.119 --> 00:33:00.319
Cherry blossoms.
00:33:00.559 --> 00:33:02.000
That's how fast they fall.
00:33:02.319 --> 00:33:04.000
Five centimeters per second.
00:33:04.960 --> 00:33:06.319
That's right, babes.
00:33:06.640 --> 00:33:09.119
Opening lines, fucking metaphor.
00:33:09.359 --> 00:33:09.680
Okay?
00:33:10.240 --> 00:33:11.759
Do we know what for yet?
00:33:15.119 --> 00:33:20.799
As they continue their walk home from school, Akari pulls ahead and runs down the street.
00:33:21.119 --> 00:33:27.119
Takaki can't keep up with her, and before you know it, the two are on either side of a train track.
00:33:27.359 --> 00:33:29.519
And then a train passes through.
00:33:29.839 --> 00:33:38.880
Akari and Takaki wait for it to pass, and over the train, Akari shouts, Wouldn't it be nice to watch cherry blossoms together next spring?
00:33:39.519 --> 00:33:41.759
So we're just gonna fucking watch this opening scene.
00:33:42.559 --> 00:33:43.200
You gotta do it.
00:33:43.519 --> 00:33:45.200
It's like the first, it's like two minutes long.
00:33:45.279 --> 00:33:45.920
You have to have to.
00:33:46.160 --> 00:33:48.079
It just sets the tone for the whole fucking story.
00:33:48.319 --> 00:33:48.480
Yep.
00:33:48.640 --> 00:33:48.880
You know?
00:33:48.960 --> 00:33:49.440
Mm-hmm.
00:33:49.680 --> 00:33:50.160
Alright.
00:33:50.400 --> 00:33:54.319
So if I forget to press stop and we just end up watching the whole fucking hour-long thing.
00:33:54.559 --> 00:33:54.799
That's fine.
00:33:55.039 --> 00:33:56.000
Oh no, you know?
00:33:56.240 --> 00:33:56.559
Okay.
00:34:00.559 --> 00:34:12.559
So after this intro, we then see scenes of Takaki living his life, going to school, hanging out with friends, playing sports, coming home.
00:34:12.880 --> 00:34:21.280
But in the background, we hear Akari's voiceover, and she's reading letters that she's wrote to him.
00:34:21.679 --> 00:34:31.840
You gather after that opening scene, at the end of their school year, Akari moved away, and she and Takaki are no longer classmates at the same school.
00:34:32.159 --> 00:34:40.960
So, to keep in touch, they send each other letters, updating each other about their lives, the weather, their new friends, their new hobbies.
00:34:41.280 --> 00:34:54.079
We don't know exactly what Takaki says in his replies, but as we watch him go about his days, we see how meaningful these letters are from Akari.
00:34:54.559 --> 00:35:00.320
He keeps them close and he spends so much time like drafting each reply.
00:35:00.639 --> 00:35:09.039
And even when he's around other people, he gets this kind of quiet, distant look in his eyes, and you know that he's thinking about her.
00:35:10.400 --> 00:35:18.719
Then we find out that Takaki's family will also be moving even further away at the end of the school year.
00:35:19.119 --> 00:35:29.840
Knowing that Takaki and Akari will most likely never see each other again because of the distance, the two make plans to meet up one more time before Takaki moves.
00:35:30.079 --> 00:35:38.800
So Takaki maps out this super long train journey he's going to make to meet Akari in her new home.
00:35:40.000 --> 00:35:49.199
But on the day of his trip, as Takaki boards that first train of many to meet up with his girl, it starts to snow.
00:35:50.719 --> 00:35:56.960
So, with all that time on the train, Takaki reminisces about his friendship with Akari.
00:35:57.440 --> 00:36:02.400
We see flashbacks of them meeting, becoming friends at school.
00:36:02.719 --> 00:36:07.199
We also see the day Akari first tells him that she's moving away.
00:36:07.760 --> 00:36:18.719
And as Takaki continues this voyage, each train stop brings on more and more delays as the snowfall gets heavier and heavier.
00:36:19.679 --> 00:36:24.320
Takaki then spends the next few hours just fucking quietly panicking.
00:36:24.639 --> 00:36:27.440
He and Akari agreed to meet at 7 p.m.
00:36:27.679 --> 00:36:28.400
I'm stressed.
00:36:28.559 --> 00:36:30.000
This is pre-cell phone days, too.
00:36:30.559 --> 00:36:32.800
It really is just like super stressful watching.
00:36:33.519 --> 00:36:34.639
Like my hands are sweaty.
00:36:34.880 --> 00:36:35.199
Okay.
00:36:35.599 --> 00:36:38.960
So this is he can't just like text her and be like, oh, I'm running late.
00:36:39.199 --> 00:36:46.880
So he has to just sit there and fucking pray that she's still waiting for him at the station once he finally arrives.
00:36:47.199 --> 00:36:55.920
The only thing he can do to pass the time while he waits is reread this letter that he's written to Akari confessing his love for her.
00:36:56.719 --> 00:37:01.440
But at this point, his transfer is delayed for hours.
00:37:01.840 --> 00:37:05.199
You just hear the overhead speaker, this train is delayed.
00:37:05.280 --> 00:37:06.960
You know, like I'm gonna throw up.
00:37:07.119 --> 00:37:07.440
Yeah.
00:37:07.760 --> 00:37:12.159
Meanwhile, the snowfall is coming down harder and harder.
00:37:12.639 --> 00:37:13.920
It's it's fucked.
00:37:14.079 --> 00:37:14.400
Okay.
00:37:14.800 --> 00:37:16.159
Also, I feel so bad.
00:37:16.239 --> 00:37:17.599
He's probably so hungry.
00:37:18.800 --> 00:37:22.000
And I'm like, you know, like when you're so hungry, your breath stinks.
00:37:23.760 --> 00:37:26.320
Like, oh my god, he's starving.
00:37:26.559 --> 00:37:27.440
Anyway.
00:37:30.719 --> 00:37:31.519
What the hell?
00:37:31.760 --> 00:37:33.119
And my socks are wet.
00:37:33.199 --> 00:37:35.360
It's just like a million different bad things.
00:37:35.679 --> 00:37:36.239
It's bad.
00:37:36.320 --> 00:37:36.800
It's bad.
00:37:36.960 --> 00:37:37.440
Yeah.
00:37:37.679 --> 00:37:48.480
So as Takaki runs to his last train transfer, the wind fucking picks up out of nowhere, and the letter that Takaki wrote, stop, flies out of his pocket.
00:37:48.639 --> 00:37:48.880
Stop.
00:37:49.199 --> 00:37:50.320
And is gone to the wind.
00:37:50.480 --> 00:37:51.519
I don't want to hear this.
00:37:51.840 --> 00:37:52.320
Bye.
00:37:52.480 --> 00:37:54.079
You know, like bye letter.
00:37:54.239 --> 00:37:54.400
Yeah.
00:37:54.639 --> 00:37:55.039
You know?
00:37:55.199 --> 00:37:57.440
Again, I'm fucking stressed, right?
00:37:57.679 --> 00:37:59.119
But what is he gonna fucking do?
00:37:59.280 --> 00:38:00.480
Like, write a new one.
00:38:00.559 --> 00:38:03.760
No, it took him like four months to write to the letter.
00:38:05.039 --> 00:38:05.920
Anyway.
00:38:07.119 --> 00:38:10.960
Finally, finally, finally, at 11 p.m.
00:38:11.199 --> 00:38:12.719
No! 11 p.m.
00:38:12.960 --> 00:38:15.119
Actually, I think it was like 11.15 p.m.
00:38:15.599 --> 00:38:16.639
Even worse.
00:38:17.119 --> 00:38:21.760
He arrives at the station four hours late.
00:38:22.079 --> 00:38:27.360
And yet, there is Akari waiting for him in the lobby.
00:38:28.159 --> 00:38:35.679
They tearfully reunite and then have a simple yet delicious dinner in the train station that she makes him.
00:38:36.320 --> 00:38:43.199
As they walk towards Akari's town in the dead of night, they pause in front of a huge cherry blossom tree.
00:38:43.679 --> 00:38:46.000
But it's winter, so the tree is bare.
00:38:46.880 --> 00:38:54.639
Under this tree, they share a sweet kiss as the snowflakes ball down on them.
00:38:55.519 --> 00:38:57.599
So let's watch this scene.
00:38:58.000 --> 00:39:02.000
And the scenes after, all the way till Takaki leaves the next morning.
00:39:02.159 --> 00:39:04.800
And this is at the 2153 mark.
00:39:08.639 --> 00:39:12.320
So I just played these scenes for RNC Gabe.
00:39:13.440 --> 00:39:23.360
And as they share this long-awaited magical kiss, all of these thoughts run through Takaki's mind.
00:39:23.599 --> 00:39:30.960
And his voiceover says, and right then it felt like I finally understood where everything was.
00:39:31.280 --> 00:39:33.920
Eternity, the heart, the soul.
00:39:34.079 --> 00:39:38.800
It was like I was sharing every experience I'd ever had in my 13 years.
00:39:39.039 --> 00:39:43.679
And then, the next moment, I became unbearably sad.
00:39:44.079 --> 00:39:48.480
I didn't know what to do with these feelings, her warmth, her soul.
00:39:48.800 --> 00:39:50.960
How was I supposed to treat them?
00:39:51.280 --> 00:39:53.039
That I did not know.
00:39:53.440 --> 00:39:58.639
And right then I clearly understood that we would never be together.
00:39:58.960 --> 00:40:07.199
Our lives not yet fully realized, the vast expanse of time, they lay before us, and there was nothing we could do.
00:40:07.679 --> 00:40:13.039
But then all my worries, all my doubt started melting away.
00:40:13.280 --> 00:40:17.039
All that was left were Akari's soft lips on mine.
00:40:19.280 --> 00:40:24.159
The two then share the night at a little shack they find down the road.
00:40:25.119 --> 00:40:32.719
Supposedly they talk and talk and talk and then fall asleep in each other's arms.
00:40:33.119 --> 00:40:35.760
And that is what I will choose to believe happened.
00:40:36.320 --> 00:40:36.639
Okay.
00:40:37.039 --> 00:40:37.679
Nothing else.
00:40:37.920 --> 00:40:38.639
Nothing else.
00:40:39.599 --> 00:40:43.039
And then Takaki heads home the next morning.
00:40:43.920 --> 00:40:55.599
Akari stands outside his train and she kind of hesitates and she says, Hey Takaki, I I think I think you're gonna be okay.
00:40:56.079 --> 00:40:56.960
I know you will.
00:40:57.039 --> 00:40:57.599
I know it.
00:40:58.079 --> 00:41:00.239
Which is like kind of weird.
00:41:00.960 --> 00:41:07.760
But as the train pulls away, we see her pull out a letter from her bone bag.
00:41:08.400 --> 00:41:15.280
A letter that she intended to give to Takaki, but then ultimately decided not to.
00:41:15.920 --> 00:41:21.440
Which I think is pretty telling because in Takaki's case, he didn't have a choice.
00:41:21.599 --> 00:41:27.840
The letter flew out of his hands, whereas Akari made the conscious decision not to give this letter.
00:41:28.880 --> 00:41:31.280
But that brings us to the end of part one.
00:41:32.159 --> 00:41:37.280
So then we start off with part two, which is called Cosmonaut.
00:41:38.000 --> 00:41:46.880
And it opens up a few years later, showing Takaki as a high school kid in his new town of Kagushima.
00:41:47.599 --> 00:41:59.519
We are introduced to a new character, a girl named Kanai, who is one of Takaki's classmates, and she has this huge fucking crush on him in Lerve.
00:42:00.239 --> 00:42:00.800
Massive.
00:42:01.280 --> 00:42:01.840
Massive.
00:42:02.079 --> 00:42:02.400
Okay.
00:42:02.880 --> 00:42:25.039
The two are friends, but no matter how many hints Kanai tries to give him and how much she tries to gain the courage to confess her feelings, Takaki is so fucking oblivious and so emotionally unavailable because his mind and heart are always somewhere else.
00:42:25.440 --> 00:42:28.159
Kanai is also really different from Akari.
00:42:28.719 --> 00:42:34.559
While Akari is thoughtful and straightforward, Kanai is kind of scattered.
00:42:34.800 --> 00:42:36.880
Like, almost like this free spirit.
00:42:37.760 --> 00:42:43.920
Even though they're seniors in high school, she has no idea what the fuck she wants to do after she graduates.
00:42:44.159 --> 00:42:51.599
She spends her days kind of with her head in the clouds, trying to learn how to surf and honestly just like trying to get Takaki's attention.
00:42:52.000 --> 00:42:58.800
Like one evening, she sees Takaki sitting atop a hill looking at his phone.
00:42:58.960 --> 00:43:05.920
She joins him and the two talk about their futures, what they're gonna do after graduation, blah, blah, blah, blah, blah.
00:43:06.159 --> 00:43:17.519
On their way home, they come across this huge cargo truck carrying pieces of a Japanese space shuttle that's being launched sometime that year.
00:43:17.840 --> 00:43:24.000
They look at it and wonder while Takaki tells her, it's going to the edge of the solar system.
00:43:24.400 --> 00:43:25.920
It will take years.
00:43:26.159 --> 00:43:30.079
Essentially, there's like this Japanese space shuttle that's going to be launched into the sky.
00:43:31.039 --> 00:43:36.079
That night, in his room, Takaki continues thinking about this spaceship.
00:43:36.480 --> 00:43:38.079
I can't even picture that.
00:43:38.239 --> 00:43:53.360
It must be an unimaginably lonely trip, cutting straight through the darkness of truth to the point where you can't even find a single hydrogen atom desperately reaching for the secrets of a world at the edge of all that blackness.
00:43:53.599 --> 00:43:56.719
How far will we go to find those answers?
00:43:56.960 --> 00:43:58.960
How far can we go?
00:44:00.320 --> 00:44:06.400
A few months go by, and Kanai tries to muster up the courage to again confess her feelings.
00:44:06.480 --> 00:44:09.599
She's like, today is the fucking day I have to do this.
00:44:10.079 --> 00:44:10.559
Every day.
00:44:10.800 --> 00:44:11.360
She wakes up.
00:44:12.719 --> 00:44:17.840
So on this day, Takaki and Kanai are walking home together from school.
00:44:18.400 --> 00:44:23.519
And Kanai just starts crying because she just can't do it.
00:44:24.079 --> 00:44:29.760
And in that moment, as Takaki tries to comfort her and ask her, like, yo, are you okay?
00:44:29.920 --> 00:44:30.719
What's wrong?
00:44:30.880 --> 00:44:33.119
Again, my guy's fucking clueless.
00:44:33.440 --> 00:44:34.480
No idea.
00:44:34.800 --> 00:44:37.360
Because he's hung up on this other chick.
00:44:38.320 --> 00:44:43.440
The rocket they talked about before launches up into space.
00:44:43.679 --> 00:44:49.599
And Takaki and Kanai stop their conversation and just stare at it and wonder.
00:44:50.559 --> 00:44:55.599
So let's watch this scene, which starts at the 44-minute mark.
00:44:55.920 --> 00:44:59.920
It feels like so much more meaningful when you say it versus when I watched it.
00:45:00.239 --> 00:45:02.239
Oh, not me convincing you.
00:45:02.480 --> 00:45:04.000
Yeah, but actually.
00:45:08.400 --> 00:45:09.519
Oh my god.
00:45:11.440 --> 00:45:17.039
Also, are we just like casually seeing like the northern lights constantly?
00:45:17.199 --> 00:45:17.599
What?
00:45:17.760 --> 00:45:21.599
No, literally, the sky in this movie, it's crazy.
00:45:21.920 --> 00:45:22.239
Stunning.
00:45:22.480 --> 00:45:23.760
I'm like, relax.
00:45:23.920 --> 00:45:24.480
Yeah, you know?
00:45:24.719 --> 00:45:27.280
And that's his like thing for all of his movies.
00:45:28.719 --> 00:45:29.039
Okay.
00:45:29.599 --> 00:45:39.360
So in this moment, watching Takaki stare up at the sky, Kanai has this epiphany, and we hear her voice over Sari.
00:45:40.480 --> 00:45:51.840
Desperately, recklessly, reaching our hands to the sky, launching something so massive, staring at something so far away you can't even imagine.
00:45:52.320 --> 00:45:57.199
I think I understood then why Takaki was so different from other people.
00:45:57.840 --> 00:46:05.440
And at the same time, I knew, without a doubt, that Takaki was definitely not looking at me.
00:46:06.079 --> 00:46:10.400
That's the reason I couldn't tell him all the things I wanted to that day.
00:46:10.719 --> 00:46:12.639
Takaki is kind to me.
00:46:12.880 --> 00:46:14.480
He's very nice to me.
00:46:14.719 --> 00:46:16.400
But he couldn't see me.
00:46:16.719 --> 00:46:22.400
He was always looking right past me at something very, very far away.
00:46:23.679 --> 00:46:30.800
And obviously, there is such a mirror to the way that part two and part one end, right?
00:46:30.960 --> 00:46:37.440
This realization that for whatever reason this coupling is not going to work.
00:46:38.159 --> 00:46:41.760
Even though they're the movie poster, that's the shot they use in the movie poster.
00:46:42.079 --> 00:46:42.480
Is it?
00:46:42.800 --> 00:46:43.599
Oh, I didn't realize that.
00:46:44.000 --> 00:46:44.880
Which is kind of like curious.
00:46:45.039 --> 00:46:53.840
I think actually I think they they make it a little bit vague on purpose, where it's like it's clearly the um the the like space thing being shot up.
00:46:54.079 --> 00:46:54.239
Yeah.
00:46:54.559 --> 00:46:57.760
But um the girl next to Takaki is holding an umbrella.
00:46:58.320 --> 00:47:02.320
So you're like, oh, is this the same scene or is it a different time?
00:47:02.639 --> 00:47:04.880
Like they make it as the on fire does.
00:47:05.280 --> 00:47:05.599
Yeah.
00:47:05.920 --> 00:47:06.800
I got you.
00:47:07.119 --> 00:47:17.599
Um, but it is interesting because the way that Kanai finishes this realization is a little bit more accepting.
00:47:17.840 --> 00:47:25.039
Whereas when Takaki had his realization, he was like, but at the end of it, all I feel are Akari slips on mine.
00:47:25.199 --> 00:47:29.039
There is still that hope at the end.
00:47:29.360 --> 00:47:30.559
It's like lingering hope.
00:47:31.199 --> 00:47:31.760
Exactly.
00:47:32.239 --> 00:47:35.199
Whereas part two, a little bit different.
00:47:35.440 --> 00:47:35.760
Okay.
00:47:36.079 --> 00:47:40.639
And thus begins part three, called five centimeters per second.
00:47:41.199 --> 00:47:46.800
Takaki is now a full-blown adult living in Tokyo.
00:47:47.360 --> 00:47:51.519
It's springtime again with the cherry blossoms at full bloom.
00:47:52.400 --> 00:48:01.360
One day, walking through the city, he passes by that same train track that he and Akari got separated at when they were kids.
00:48:01.920 --> 00:48:07.360
And as he walks across it, a woman walks past him in the opposite direction.
00:48:08.239 --> 00:48:13.519
Once over the tracks, Takaki pauses and he's like, Holy fucking shit.
00:48:14.639 --> 00:48:15.280
No way.
00:48:16.639 --> 00:48:17.280
Is that?
00:48:18.159 --> 00:48:24.000
But as he turns around to get a second look at the woman's face, a train passes through.
00:48:24.400 --> 00:48:26.960
Shut the fuck up and blocks his view.
00:48:28.400 --> 00:48:32.079
We then see snippets of Takaki's life in Tokyo.
00:48:32.400 --> 00:48:34.880
He works at his boring desk job.
00:48:35.440 --> 00:48:39.280
We see that he's in a relationship that he does not give a fuck about.
00:48:39.519 --> 00:48:41.840
He's like constantly ignoring her calls.
00:48:42.159 --> 00:48:44.159
And you see the girl too.
00:48:44.719 --> 00:48:46.159
She's like messed up.
00:48:46.719 --> 00:48:48.719
She's like homely, also.
00:48:49.199 --> 00:48:51.519
So you feel super bad.
00:48:52.000 --> 00:48:54.480
I'm like, why can't they make her cute?
00:48:54.719 --> 00:48:57.519
She's kind of like frumpy with glasses, girl.
00:48:58.000 --> 00:48:59.440
Just like the copy dude.
00:49:03.440 --> 00:49:05.679
She's sending these over like a flip phone, too.
00:49:05.760 --> 00:49:07.920
Do you know how difficult that is to type?
00:49:08.159 --> 00:49:09.360
And like how expensive.
00:49:09.840 --> 00:49:12.800
We were not unlimited messages in 2007.
00:49:13.119 --> 00:49:13.280
Okay.
00:49:14.480 --> 00:49:15.360
Anyway.
00:49:16.000 --> 00:49:23.599
His entire existence is tinged with this layer of sadness and unfulfillment.
00:49:24.159 --> 00:49:28.079
And then we abruptly cut to Akari.
00:49:29.360 --> 00:49:31.360
Beautiful, stunning woman.
00:49:31.440 --> 00:49:31.760
Of course.
00:49:32.000 --> 00:49:37.199
Who is so full of life and excitement, happy, healthy, whole.
00:49:37.519 --> 00:49:42.079
She's heading to Tokyo to see her fiance.
00:49:42.639 --> 00:49:43.440
No, I knew it.
00:49:43.760 --> 00:49:44.639
I know it.
00:49:45.760 --> 00:49:51.119
And as she sits on the train on her way to Tokyo, she reminisces about Takaki.
00:49:52.079 --> 00:49:56.559
The night before, she finds the letter that she meant to give him.
00:49:57.119 --> 00:50:01.920
So this makes her remember that one night that they spent together talking.
00:50:03.280 --> 00:50:09.840
But there is such a contrast in the way that she recalls these memories from the way that Takaki does.
00:50:10.079 --> 00:50:18.639
While Takaki feels longing and yearning, Akari looks back with fondness and lightness.
00:50:20.559 --> 00:50:24.079
We cut to Takaki, who's fucking down bad.
00:50:25.920 --> 00:50:27.199
This poor man.
00:50:27.760 --> 00:50:29.280
I hate my life.
00:50:29.440 --> 00:50:31.039
I'm sad, you know?
00:50:31.199 --> 00:50:31.760
Yeah.
00:50:32.320 --> 00:50:37.280
So straight up, let's just watch the last fucking seven minutes of this whole thing.
00:50:38.079 --> 00:50:38.800
Alright, fuck it.
00:50:38.880 --> 00:50:39.360
I don't care.
00:50:39.519 --> 00:50:40.960
We're just gonna watch this whole fucking thing.
00:50:41.360 --> 00:50:41.599
Sure.
00:50:41.760 --> 00:50:41.920
Okay.
00:50:47.679 --> 00:50:48.079
What?
00:50:52.159 --> 00:50:56.880
Okay, so we just fucking watched the entire ending.
00:50:57.039 --> 00:50:58.559
I did not give a fuck.
00:50:58.880 --> 00:51:02.960
And at the start of the ending, we see Takaki being all mopey.
00:51:03.599 --> 00:51:15.840
He says, as I went about my life, bits of sadness piled up here and there on the washed sheets, on the toothbrush by the sink, on the cell phone's call history.
00:51:16.480 --> 00:51:19.679
For the last few years, I wanted to move on.
00:51:19.920 --> 00:51:25.360
I was reaching for something I couldn't have, but I didn't know what I was reaching for.
00:51:25.599 --> 00:51:31.199
I couldn't figure out where these thoughts came from, why they were threatening me like this.
00:51:31.440 --> 00:51:33.440
So I just kept on working.
00:51:33.840 --> 00:51:38.639
It was hard, and I could feel my mind losing its edge day after day.
00:51:38.880 --> 00:51:43.119
One morning I realized I lost all the ambition I had.
00:51:43.280 --> 00:51:46.880
Whatever kept me going was now completely gone.
00:51:47.920 --> 00:51:52.880
So then we jumped to a fucking fire flame banger song.
00:51:53.119 --> 00:51:58.800
I actually did not, I should have taken down the name of the song, but um we basically watch a music video.
00:51:59.280 --> 00:52:04.000
And in the music video, we see snippets of every character in this whole movie.
00:52:04.079 --> 00:52:05.679
We see snippets of their life throughout the side.
00:52:05.840 --> 00:52:07.519
It's like an afterword type of thing.
00:52:07.920 --> 00:52:11.679
Basically, you kind of piece together what ended up happening to all these different characters.
00:52:12.320 --> 00:52:21.360
And the lyrics of the song, I didn't write them all down, but basically the message of the song is that no matter where I look, I'm basically looking for you.
00:52:21.920 --> 00:52:36.400
All of these things that have happened to Takaki and Akari since time and circumstance pulled them apart, and we see how differently each of them chose to respond to what life had to throw at them.
00:52:37.360 --> 00:52:53.199
This all culminates into the final scene where Takaki is once again standing in front of this moving train, wondering if he'll see who he thinks he'll see, waiting for him on the other side.
00:52:54.320 --> 00:52:59.599
The train rushes past him, cherry blossoms falling down all around him.
00:53:00.400 --> 00:53:06.239
And as the train finally clears, waiting on the other side is no one.
00:53:07.519 --> 00:53:09.119
Akari is not there.
00:53:09.840 --> 00:53:14.239
She kept on walking, no longer looking back at the past.
00:53:16.480 --> 00:53:23.519
On Takaki's face as he realizes that she's not there is a small grin.
00:53:24.800 --> 00:53:26.719
And then he keeps on walking.
00:53:27.519 --> 00:53:29.920
And then the story fucking ends.
00:53:33.440 --> 00:53:39.039
This is exactly the type of movie that does not click until you get to the very end.
00:53:39.360 --> 00:53:44.239
And even then, if you're kind of dumb like me, you kind of have to like re-watch it multiple times.
00:53:44.400 --> 00:53:47.199
Like the first time I watched it, I was like, huh! Right?
00:53:47.360 --> 00:53:50.159
And then I had to put the story together and I was like, wait.
00:53:51.440 --> 00:53:58.000
The first scene of this movie tells us the speed at which cherry blossoms fall.
00:53:58.559 --> 00:54:02.239
Five centimeters per second until they finally hit the ground.
00:54:03.039 --> 00:54:04.239
But that's the thing.
00:54:04.639 --> 00:54:06.000
It's always falling.
00:54:06.239 --> 00:54:07.599
It's always descending.
00:54:08.480 --> 00:54:13.920
The same way that distance will always pull Takaki and Akari apart.
00:54:14.719 --> 00:54:16.400
There is an ending to it.
00:54:16.960 --> 00:54:20.639
But Takaki refuses to see the cherry blossoms.
00:54:21.280 --> 00:54:27.280
He can only see the snowflakes that surrounded them that night that they kissed, frozen in time.
00:54:28.960 --> 00:54:37.840
We see how this obsession with the past, this longing for something he knows he can't have, stops him from fully living.
00:54:38.719 --> 00:54:40.880
He can't see what's right in front of him.
00:54:41.119 --> 00:54:46.159
He turns away from other loves, other means of connection, other sources of joy.
00:54:46.719 --> 00:54:48.239
And it ruins him.
00:54:48.559 --> 00:54:52.159
This endless, fruitless journey into the blackness.
00:54:53.679 --> 00:54:57.519
And I think that's why I was so overcome at this ending.
00:54:58.079 --> 00:55:07.280
Because you can feel your heart pounding in the same way that Takaki's must have been, just waiting and wondering if you're gonna see Akari on the other side.
00:55:08.480 --> 00:55:17.840
And when she's not there, and he smiles to himself, it's like you feel his relief.
00:55:18.880 --> 00:55:22.559
Like, oh my god, this can now end.
00:55:23.440 --> 00:55:30.719
All this yearning, all this longing and wondering and hoping, it's finally hit the ground and I can move on.
00:55:32.079 --> 00:55:38.239
I know that we're accustomed to thinking that happy endings only happen when the couple gets together at the end.
00:55:38.639 --> 00:55:42.159
But we all know that Makoto Shinkai is built different.
00:55:42.400 --> 00:55:51.440
Because at the end of this story of his, we see Takaki leave behind the past and instead walk towards a new beginning.
00:55:52.000 --> 00:55:57.360
And I like to think he walks towards it at five centimeters per second.
00:56:04.880 --> 00:56:07.440
This is the best movie, best Shinkai movie.
00:56:07.679 --> 00:56:08.559
Oh my god.
00:56:09.599 --> 00:56:19.199
It is so tragic, but hearing you bring it back full circle, like the smile at the end, the release.
00:56:19.599 --> 00:56:21.360
Fucking smile at the end.
00:56:22.480 --> 00:56:27.360
I feel like it's tragic the whole time until the end.
00:56:27.840 --> 00:56:28.400
That's true.
00:56:28.880 --> 00:56:33.519
There's never like a moment for you to breathe and be like, oh, they're happy again.
00:56:33.599 --> 00:56:38.480
Like it's always either like neutral or somebody is like bringing down the mood.
00:56:38.719 --> 00:56:39.199
Yeah.
00:56:39.440 --> 00:56:56.159
And also, can I just say that I feel like Akari, when she's looking at the letter again and thinking of Takaki, she thinks of Takaki the same way someone would think of a really good sandwich they ate in the past.
00:56:57.360 --> 00:57:03.760
There is an emotional like connection to it, but it's it's different from the initial when they were 13.
00:57:04.159 --> 00:57:04.800
No, exactly.
00:57:05.599 --> 00:57:22.079
But I feel like in the same way that Takaki had this realization while they kissed that they were never gonna be together, she probably also realized the same thing, but did not leave that open-endedness, which is why I think she didn't give him the letter.
00:57:22.159 --> 00:57:29.039
Yeah, she chose not to give the letter, but he he didn't have the chance to, so so he clings on to it.
00:57:29.280 --> 00:57:29.760
Oh my gosh.
00:57:30.000 --> 00:57:32.559
I just under you just explained the movie to me.
00:57:33.119 --> 00:57:35.760
It's like he didn't have the option to make that choice.
00:57:36.159 --> 00:57:37.199
10 out of 10 movie.
00:57:37.440 --> 00:57:39.440
I was being I was being dumb, guys.
00:57:39.679 --> 00:57:40.480
My bad.
00:57:40.800 --> 00:57:47.840
Oh, so he didn't have the closure the way she did, the way she so intentionally closed that chapter for herself.
00:57:48.000 --> 00:57:48.320
Yeah.
00:57:48.559 --> 00:57:54.639
He was not given the option to even Kanai had the option to be like, okay, like he doesn't love me anymore.
00:57:54.800 --> 00:58:00.079
I need to focus on me outside of who this person could be.
00:58:01.039 --> 00:58:05.679
But all those years later, he finally got what he needed to move on.
00:58:07.280 --> 00:58:08.400
Oh my god.
00:58:08.960 --> 00:58:24.960
I I that's fascinating the way you said it's like the different ways people respond to like these these events in their lives, the way some people cling and some people I mean, not like she didn't give him a second thought, Akari, but like clearly like it's a thing of the past.
00:58:25.280 --> 00:58:25.679
Wow.
00:58:27.360 --> 00:58:27.679
Right?
00:58:27.920 --> 00:58:38.800
But and it's it's just so it's so heartbreaking to see that this obsession with the past just stops him from realizing the now.
00:58:39.119 --> 00:58:39.440
Yeah.
00:58:39.599 --> 00:58:51.199
Look at all of these like people that were ready to be his love, and he couldn't see that because he was so fixed on this one thing that he knew he couldn't have.
00:58:52.400 --> 00:58:53.840
That's so real though.
00:58:54.000 --> 00:59:00.320
I mean, that is what stops us from living, like whether or not this is your situation, like the fixation on the past.
00:59:00.480 --> 00:59:00.960
Yeah.
00:59:01.360 --> 00:59:05.679
And I think it like hurts more too because you see them since they were like tiny, tiny.
00:59:06.079 --> 00:59:12.559
Because it's just like even before they kiss, you see that they were growing up together when they're like, I don't know, like eight or nine.
00:59:13.039 --> 00:59:18.480
So it's just like, oh my god, this this poor man has had this like longing so long.
00:59:18.800 --> 00:59:19.360
Yeah.
00:59:19.599 --> 00:59:28.239
That that he could never really like put a bookend to until like I don't want to say until it was too late, but yeah.
00:59:28.480 --> 00:59:32.639
Uh you don't like to see a life wasted like that, you know.
00:59:33.599 --> 00:59:38.719
That's why that's why I don't view it as like uh God, I can't believe it took this long.
00:59:38.880 --> 00:59:41.280
I'm just happy that it finally happened.
00:59:41.679 --> 00:59:45.599
Like, I think that's why that's small, and it's so subtle, it's so quick too.
00:59:45.920 --> 00:59:50.480
Like the last shot of Takaki's face as he's walking away from the stop where she's not there.
00:59:50.719 --> 01:00:04.719
It's just the subtlest smile, and it means so much because you can imagine, like, as frustrated as you are as an audience member, like watching him waste away, it's like, oh my god, we can finally be done.
01:00:04.800 --> 01:00:06.079
Yeah, you know, yeah.
01:00:06.239 --> 01:00:10.960
And I think he he realizes it in that moment, like it's over.
01:00:11.199 --> 01:00:19.599
And and like credit to Shinkai and the other animators for like injecting that amount of subtlety to the smile as well.
01:00:19.760 --> 01:00:19.920
Yeah.
01:00:20.159 --> 01:00:33.199
Where it's just like, I feel like a lot of this movie could be like an animation student's like submission for like a final or something, where it's just like, okay, this is a bird, this is the different angles that it can fly at, and it's really cool, and you should hire me.
01:00:33.360 --> 01:00:48.719
Yeah, but then you see the like the smaller moments as well, where it's just like, oh my god, this is a drawing, but for me, I process that as a person that almost smiled and he looked back and he he stopped himself from looking back at it after a certain point after so many years.
01:00:48.880 --> 01:00:56.239
It's just like, oh, that hurts, but I love the ending.
01:00:56.480 --> 01:00:56.800
Right?
01:00:56.960 --> 01:00:57.760
I love it.
01:00:57.920 --> 01:01:09.199
And I think that it's one of those endings that you are at first, you're like, oh, I don't like that, but then you sit with it and you go, No, that was gorgeous, that was brilliant.
01:01:09.440 --> 01:01:10.400
That was 500 days of summer.
01:01:10.639 --> 01:01:11.360
No, that's what I was thinking.
01:01:11.679 --> 01:01:12.320
That's what I was thinking.
01:01:12.480 --> 01:01:14.559
I kind of love when couples don't end up together.
01:01:14.639 --> 01:01:14.800
Yeah.
01:01:15.039 --> 01:01:21.840
I mean, I think there's also just this kind of pop culture understanding that the only happy ending has to end with a couple.
01:01:22.079 --> 01:01:22.559
Exactly.
01:01:22.960 --> 01:01:30.960
I was actually thinking about this the other day where it's just like, I feel like friends has ruined sitcom couples forever.
01:01:31.360 --> 01:01:41.840
Because before friends, the kind of power couple that people talked about on TV show sitcoms, at least in America, was um Cheers.
01:01:42.079 --> 01:01:42.400
Okay.
01:01:42.960 --> 01:01:46.800
And that couple doesn't get together at the end.
01:01:47.280 --> 01:01:56.400
And because Cheers did so well, the the spin-off Fraser came out, and you kind of get to see the dynamic explored even more.
01:01:56.719 --> 01:02:06.239
So it's just like literal like decades of American TV is just them kind of picking apart the idea of like you don't need to be a couple to have your happy ending.
01:02:06.400 --> 01:02:06.639
Right.
01:02:06.800 --> 01:02:09.280
There are other options that you can pick and choose.
01:02:09.519 --> 01:02:18.800
And then here comes friends, like thinking it's the most badass shit in the world, just because it's got five handsome white people.
01:02:19.360 --> 01:02:19.760
Six.
01:02:21.119 --> 01:02:25.599
Well, one of them's kind of homely.
01:02:25.920 --> 01:02:27.440
One of them's got a homely face.
01:02:27.840 --> 01:02:29.679
We'll let you decide who we're talking about.
01:02:30.880 --> 01:02:31.840
No, but I feel you.
01:02:32.000 --> 01:02:32.480
I feel you.
01:02:32.800 --> 01:02:38.000
Right, where it's just like, oh my god, like what other times do we see the couple not end up together?
01:02:38.079 --> 01:02:41.199
Like, it's like it's so rare that I remember 500 days of summer.
01:02:41.440 --> 01:02:41.679
Exactly.
01:02:41.760 --> 01:02:47.840
Like that's why I was so impactful because of how it changed the way that I realized movies could end.
01:02:48.079 --> 01:02:50.880
And the more I watched it, the more I watched the ending, the more I loved it.
01:02:51.119 --> 01:02:51.760
Right, exactly.
01:02:51.920 --> 01:02:53.440
This was the same exact.
01:02:54.800 --> 01:02:55.440
Ooh.
01:02:56.239 --> 01:02:56.960
Thank you for that.
01:02:57.119 --> 01:02:57.679
That was beautiful.
01:02:58.000 --> 01:02:59.519
Thank you, Gabe, for recommending it to me.
01:02:59.599 --> 01:03:00.559
It would never have crossed.
01:03:01.440 --> 01:03:03.440
Thank you for changing my mind on it.
01:03:03.679 --> 01:03:11.679
It I was absolutely ready to just have to film an apology video, like YouTube style, just like I made a mistake, everyone.
01:03:12.960 --> 01:03:14.400
No, I thought it was really great.
01:03:14.639 --> 01:03:15.119
I'm glad.
01:03:15.199 --> 01:03:15.679
I'm so glad.
01:03:16.639 --> 01:03:19.840
I think it it really is one of those things that you have to really sit with.
01:03:20.079 --> 01:03:20.239
Yeah.
01:03:20.400 --> 01:03:20.639
Yes.
01:03:20.880 --> 01:03:23.840
You can't just watch it one time and be like, yeah, I didn't get it.
01:03:24.000 --> 01:03:24.159
You know.
01:03:24.480 --> 01:03:32.559
You have to like and and I think that that's also kind of the thing that Shinkai has mastered over the years, where I don't want to say his movies have gotten shorter.
01:03:32.639 --> 01:03:35.199
If if anything, I'm pretty sure they've gotten longer.
01:03:35.599 --> 01:03:39.039
But he has also dabbled in doing commercial work.
01:03:39.199 --> 01:03:39.360
Yeah.
01:03:39.840 --> 01:03:41.599
It'll be like one minute or two minutes.
01:03:41.760 --> 01:03:49.519
And they even though they're like advertising something, you're essentially watching like a two-minute equivalent of five centimeters per second.
01:03:50.000 --> 01:03:54.960
And and that's actually what I wanted you guys to watch just now.
01:03:55.440 --> 01:04:00.000
Oh the the thing I texted, uh a mystery link.
01:04:00.320 --> 01:04:01.840
A mystery link, okay.
01:04:03.039 --> 01:04:03.920
A commercial?
01:04:04.159 --> 01:04:04.800
It's a commercial.
01:04:05.360 --> 01:04:05.519
What?
01:04:05.599 --> 01:04:07.519
It's a commercial for like cram schools.
01:04:07.679 --> 01:04:08.079
Oh my god.
01:04:08.400 --> 01:04:09.119
Oh my god.
01:04:09.599 --> 01:04:10.239
What?
01:04:10.960 --> 01:04:14.639
Oh my god, that was so like dramatic.
01:04:14.960 --> 01:04:15.519
Right?
01:04:16.079 --> 01:04:24.239
So so what I just convinced both of the Cry gals to watch just now was a a glorified commercial for Z Kai.
01:04:24.960 --> 01:04:30.159
A from the looks of it, it's like a cram school that you can take from home.
01:04:30.480 --> 01:04:31.280
Okay, got it.
01:04:31.440 --> 01:04:55.360
But it's basically a two-minute commercial for this service, and the entire animation is again done and written by Shinkai himself, the master of pitting two people that you think will never meet, having them meet, and having you question whether or not they'll get together, even though you know that he has a horrible track record of having them get together.
01:04:55.760 --> 01:04:56.400
Wow.
01:04:56.800 --> 01:05:10.320
Well, I wanted to ask you is that you having seen five centimeters per second, do you think his works have matured at all when comparing to the two-minute commercial?
01:05:10.800 --> 01:05:13.840
Wait, was that two-minute commercial afternoon?
01:05:13.920 --> 01:05:16.159
Yeah, it came out like very, very recently.
01:05:16.239 --> 01:05:19.920
Oh, like within the last five years, I want to say.
01:05:36.559 --> 01:05:44.079
Like when you say maturity, that makes me think that there needs to be some sort of growth.
01:05:44.639 --> 01:05:49.039
But I don't know if that necessarily makes you a bad or good storyteller.
01:05:49.360 --> 01:05:54.320
Because I think I think that was a trick.
01:05:54.480 --> 01:05:54.639
No.
01:05:55.119 --> 01:06:11.360
I think that no matter when or Where you watch this kind of story, it will always be a universal experience of like something not working out and feeling some sort of way about it.
01:06:11.840 --> 01:06:21.840
And I don't necessarily think that for an artist to feel drawn to tell stories about the same thing makes you like a hack.
01:06:22.480 --> 01:06:29.039
Yeah, it makes you because that is kind of the take that people keep kind of poking fun at Shane High.
01:06:32.320 --> 01:06:33.039
I see, I see.
01:06:33.280 --> 01:06:34.320
But I yeah, I don't know.
01:06:34.400 --> 01:06:41.840
I mean, I think from an audience perspective, I can get why that is a critique because it's like, oh, I know how this is gonna end.
01:06:42.079 --> 01:06:46.639
But I think from a feelings and meaning perspective, I think that's fine.
01:06:47.280 --> 01:06:49.440
Everything boils down to love anyway.
01:06:49.599 --> 01:06:50.480
So it doesn't really matter.
01:06:50.960 --> 01:06:52.079
That's what this podcast is all about.
01:06:52.159 --> 01:06:53.519
You know, good answer, good answer.
01:06:54.079 --> 01:06:56.159
I think I think I will let him be.
01:06:56.239 --> 01:07:00.639
If that's what he feels compelled to let him go care, please.
01:07:01.039 --> 01:07:04.880
Let him felt that's what I would say.
01:07:05.199 --> 01:07:06.239
That is a good answer.
01:07:06.400 --> 01:07:10.159
I wasn't expecting such once again.
01:07:10.320 --> 01:07:12.559
I am here being being mistaken.
01:07:13.119 --> 01:07:14.159
Fucking dumb as hell.
01:07:14.400 --> 01:07:17.280
So let's just prove him wrong over and over again.
01:07:17.679 --> 01:07:19.119
Time and time again.
01:07:25.199 --> 01:07:30.639
You guys, we just talked for like literally, we've been here for two plus hours now, and we've only covered one story.
01:07:30.880 --> 01:07:32.000
It's a tragedy.
01:07:32.320 --> 01:07:41.280
So, with that said, we have made the executive decision to actually break up this collab into two episodes.
01:07:41.440 --> 01:07:42.159
Lucky you.
01:07:42.400 --> 01:07:43.039
Lucky you.
01:07:43.920 --> 01:07:52.719
So we're gonna end it here for today, and we'll be back very, very soon with Arns' coverage of her anime.
01:07:52.880 --> 01:07:54.079
We're gonna keep the suspense.
01:07:54.159 --> 01:08:00.800
We won't tell you what it is yet, but before we wrap it up for today, Gabe, thank you so much for joining us.
01:08:01.199 --> 01:08:05.920
Thank you for accepting my self-invitation to be here.
01:08:06.880 --> 01:08:07.840
Showing up here.
01:08:08.000 --> 01:08:08.960
See you in two weeks.
01:08:09.360 --> 01:08:09.519
Okay.
01:08:10.079 --> 01:08:10.880
See you in two weeks.
01:08:11.119 --> 01:08:11.760
See you in two.
01:08:11.920 --> 01:08:12.159
Yep.
01:08:12.320 --> 01:08:18.159
Um, in the meantime, if people are curious about your page, where can people find you?
01:08:18.399 --> 01:08:19.039
Oh my gosh.
01:08:19.119 --> 01:08:22.720
You can find me on uh I'm the weirdo that doesn't have Twitter, guys.
01:08:22.800 --> 01:08:23.359
I'm sorry.
01:08:23.439 --> 01:08:25.760
It was fun for a little bit until it wasn't.
01:08:25.840 --> 01:08:31.520
Um I'm on Blue Sky now at uh at Demon Core, D-A-E-M-O-N-C-O-R-P-S.
01:08:31.920 --> 01:08:34.880
Alternatively, I'm on I'm on the gram.
01:08:35.279 --> 01:08:42.960
I'm also on a handful of other places, YouTube, um, I think a few more, but you're not allowed to look at those.
01:08:43.359 --> 01:08:46.319
If you find me elsewhere, no, you didn't.
01:08:47.199 --> 01:08:47.680
What?
01:08:47.840 --> 01:08:48.640
I like that.
01:08:48.880 --> 01:08:50.079
And keep the intrigue.
01:08:50.319 --> 01:08:51.279
Who is this guy?
01:08:51.439 --> 01:08:52.000
Who is he?
01:08:52.399 --> 01:08:54.880
But anyway, I think that's it for today.
01:08:55.039 --> 01:08:55.520
I think so.
01:08:55.760 --> 01:08:57.840
Thank you again for tuning in.
01:08:58.479 --> 01:09:05.920
We hope that you enjoyed today's episode and are looking forward to part two very, very soon.
01:09:06.159 --> 01:09:07.520
Very, very soon.
01:09:08.479 --> 01:09:10.239
But uh, that's what we got.
01:09:10.479 --> 01:09:12.960
So we will see you next time.
01:09:13.439 --> 01:09:17.279
But until then, BRB crying.