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How do you get Gen Z to care about a 400-year-old art form?
Matthew Shilvock, General Director of San Francisco Opera, has spent his career finding out. The stories he shares reveal exactly why opera still matters.
In this episode, he talks about the moments that still give him chills, why staging Wagner’s Parsifal next to a brand-new Monkey King excites him, and what it feels like when 20,000 people cheer for opera at a baseball stadium.
From childhood awe to leading San Francisco Opera—one of America’s great cultural institutions—Shilvock shows why opera is still funny, intense, surprising, and maybe just exactly what Gen Z is looking for.
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قسمت های دیگر در این پادکست
There are some stories that time itself cannot bury. Composer Danaë Xanthe Vlasse transforms ancient Greek myths into music that feels both classical and cinematic, intimate and epic. Her Grammy-winning Mythologies and Grammy-nominated Mythologies II explore beauty, tension, and transcendence throu…
The internet rewards speed, volume, and constant stimulation. Claire Ritter makes music that does the opposite. Her album "Songs of Lumiere" feels like light painted with sound. Calm, spacious, and deeply intentional, it sits far outside the noise-driven logic of modern culture. In this e…
Oh, you definitely know the tunes. You can hum them right now:
Law & Order
The Rockford Files
Magnum P.I.
Hill Street Blues
The A-Team.
And that's not even all of them!
But you probably don't know the name of the man who wrote all of them.
Meet Mike Post. He's defined the so…
Mike Post has spent decades writing music to serve story.
Scenes. Characters. Picture lock. Timing. Emotion under constraint.
In this episode of Beyond the Notes with Vonn Vanier, the legendary Law & Order composer talks about what happened when, during COVID, that structure suddenly fell away…
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