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Title: Postcolonial Love Poem
Subtitle: Poems
Categories: Fiction, Poetry
Author: Natalie Diaz
Narrator: Natalie Diaz
Publisher: McClelland & Stewart
Release date: 07-13-2021
Language: English
Summary:
Winner of the 2021 Pulitzer Prize in Poetry Finalist for the 2020 National Book Award for Poetry Finalist for the 2020 Los Angeles Times Book Prize for Poetry Finalist for the 2020 Forward Prize for Best Collection Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples. When she states “Let me call my anxiety, desire, then. / Let me call it, a garden,” Diaz allows for the sensation of pleasure to be found in pain; in asserting the autonomy found within desire, the poet simultaneously enables the bodies of Indigenous, Latinx, black, and brown women to be both political and euphoric; and by forcing language to its limits, place is imbued with joy and grief, sensuality and destruction. In this collection, Natalie Diaz opens up and confronts the conditions from which she writes, embracing bodies like hers and those she loves which have been diminished and erased.
https://litupbook.com/free
Title: Postcolonial Love Poem
Subtitle: Poems
Categories: Fiction, Poetry
Author: Natalie Diaz
Narrator: Natalie Diaz
Publisher: McClelland & Stewart
Release date: 07-13-2021
Language: English
Summary:
Winner of the 2021 Pulitzer Prize in Poetry Finalist for the 2020 National Book Award for Poetry Finalist for the 2020 Los Angeles Times Book Prize for Poetry Finalist for the 2020 Forward Prize for Best Collection Postcolonial Love Poem, the brilliant second collection from Natalie Diaz, holds in its pages the urgent appeal for all bodies―bodies of lovers, family, enemies, as well as of language and rivers and land―to be held dearly. In her lyrical landscape, Diaz tenderly prods the wounds inflicted by America onto its Indigenous peoples. When she states “Let me call my anxiety, desire, then. / Let me call it, a garden,” Diaz allows for the sensation of pleasure to be found in pain; in asserting the autonomy found within desire, the poet simultaneously enables the bodies of Indigenous, Latinx, black, and brown women to be both political and euphoric; and by forcing language to its limits, place is imbued with joy and grief, sensuality and destruction. In this collection, Natalie Diaz opens up and confronts the conditions from which she writes, embracing bodies like hers and those she loves which have been diminished and erased.
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