Seven

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There are the Seven Deadly Sins.
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The Seven Wonders of the World.
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The winning role of the dice when it comes up seven.
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And now, there are Sevano's Seven.
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The seven paid professionals who take pleasure in making a killing.
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Because if we're going to get this thing done, we're going to get it done quick.
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Seven.
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When the going gets rough, send for Sevano and his playmates.
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Death is their way of living and they're deadlier than any sin.
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Seven.
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From American International, rated R under 17 not admitted without parent.
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We're not talking about actors.
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We mean a real monster.
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I brought her back.
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She'll live and I'll get her another body.
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I know they're going to catch me, but don't let anyone see me like that! Please, Doctor, help me!
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Biologically speaking, it's a primary importance that man should want to mate.
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Hey, that's right!
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You don't get all your kicks from surfing, do you?
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We want to be free to ride our machines without being hassled by the man.
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And we want to get loaded.
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You think you're going to make a slave of the world?
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I'll see you in Hell first!
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The American International Podcast.
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Are you ready?
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Hey, welcome to the American International Podcast.
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I'm Cheryl Lightfoot.
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And I'm Jeff Markin.
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And this week on the podcast, we're reviewing Seven.
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Not that Seven, but Seven from 1979.
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Seven, from 1979, was directed by Andy Sundaris.
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From a screenplay by William Driscoll and Robert Baird, which in reality is William Edgar.
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From a story by Andy Sundaris and produced by Andy Sundaris for Melbourne's Simon Productions.
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Seven stars William Smith is Drew Sevano, Barbara Leigh as Alexa,
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Guich Koock as the Cowboy, Christipher Joy as TK, Art Metrano as Kinsella, Ed Parker as himself,
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Richard LePore as the Professor, Reggie Nalder as the Hermit,
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Seth Sakai as Keoki McDowell, Kwan Hi Lim as Mr. Chen,
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Tino Tuiolosega as Mr. Lee, Lenny Montana as the Kahuna.
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Also appearing our Martin Kove as Skip, Susan Kiger as Jennie, Peter Knecht as Kimo Maderos,
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Terry Kiser as Senator, Robert Relyea as Harris, Nicholas Georgiade as Niko,
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Tadashi Yamashita as Swordsman, and Andy Sedaris as White Hat Man.
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And we also should mention, though he's uncredited, Russell Howe as Skater because he steals every scene he's in.
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He does and we know him from Record City from 1978, which we covered on this podcast.
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That's right, he played one of the shoplifting skateboarders in that film.
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He's kind of typecast.
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Seven opens, fading up on the Sukamut bar in Hawaii, tonight's entertainment, Hula Dancing.
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Three dancers are shaking it for the paying customers.
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None of them look to be native Hawaiian.
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Nope, they do not.
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At a table, Martin Cova skip, and his boss, Kimo, are waiting for the main dancer to put a yellow lay on someone marking them for whatever happens next.
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Skip is wearing a tracksuit and drinking a pineapple, and Kimo has a really, really bad haircut.
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He looks like a hissitic too.
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He may be, that may be just his natural hair, I don't know.
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Anyway, Kimo asks if the Hula dancer has dropped the yellow lay on anyone yet, and not to bother him until she does.
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And then, she does.
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She puts the flowery garland on a man who is enthusiastically lusting after her while his wife looks on all smiles.
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When Skip and Kimo see this, Kimo says it's time to move.
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And next we see them pulling into a parking lot.
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The laid couple are nearby, walking to their car.
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The woman says that this is some night, and she's glad the department assigned them here to Hawaii.
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Then they both go to the passenger side of their car, and the man gets the door for her.
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And then nearby car, Skip is waiting, and as the man in the yellow lay goes around toward the driver's side, Skip fires a gun, and the man goes down.
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The woman screams and runs out, and she too is shot in the back.
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But she's not happy that he got transferred there now.
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Skip says, "Okay, let's go. It's time to go get Nico."
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And the car pulls out, leaving the two dead bodies laying behind the car.
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Then the title sequence begins, interspersed with the action by a type-ridden messages.
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This is how all the credits, film information, and such are given to us the audience.
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It's an obnoxious and lengthy process.
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In our next scene, we see another dancer, this time a man.
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He has two double-sided flaming torches during the fire dance.
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He's writhing on the ground, passing the torch underneath his body without sending his underpants on fire somehow.
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And then the title seven is typed in.
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That one's typed in slowly.
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One letter at a time with a space between each letter, four emphasis.
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Skip asked one of the club workers to give this yellow light to the third fellow from the end, the one of the pink shirt and beard.
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He also hands her some money.
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She says, "Sure," and places the leg on the fellow with the third from the end, with some pink on his shirt and a beard.
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I said she toothily agrees. She has a big teeth.
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The man has a ridiculous head of pearls.
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He didn't really have a pink shirt.
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He had flowers on it with some pink on it.
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He was the only one with the beard, so maybe that's... that was all she needed.
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And then our Hawaiian dancer hurls one of his flaming torches in the grass in front of the folding chairs arranged for the audience.
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The second torch is hurled straight into the bearded guy's chest and he falls over backwards.
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The fire dancer takes off running as the crowd screams and reacts to the horror they just witnessed as the credits continue.
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The fire dancer runs to the car where skip is waiting.
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Skip asked how it went and fire dancer says nothing to it.
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And they get in the car and take off as the credits still continue.
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So this fire dancer is the Nico that Skip went back to collect.
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Yeah, and after he takes off his mask that he was wearing for the performance, we can see he's definitely not Hawaiian.
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Now it's daylight.
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A short, blonde skateboarder with a handlebar mustache and a crossbow is skating through a tunnel.
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A man is waiting by his car and one of the hula dancers we recognized from that day before comes up.
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The man asks her, "Mildly, why did you want to see me here at 5 in the morning?"
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She says it's really important that Harris wanted her to fill him in on a few things.
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But then he's distracted by the sounds of a skateboard.
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The man less says, "What's going on? What's that noise?"
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As the weirdly gyrating skateboarder skates by.
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As he does so, the skater shoots the crossbow into less a stomach.
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As less falls to the ground moaning, mildly smiles and walks away.
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The cast credits are still being typed up by the way.
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Now it's time for some star power.
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The press are gathering to listen to Senator Terry Kaiser, aka Bernie.
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In a feathered dew and a high-collar dress shirt.
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His media manager is at his side, is striking the press on how to conduct their interviews.
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I don't think that really happens, but it does for the purpose of this movie.
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Senator Bernie says the state crime committee will not be intimidated by this brutal act of violence that took place last night.
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He lost three of his investigators and says,
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"It would dishonor their memory if he were in any way to waver in his commitment to catching those murderers."
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When members of the press asked for verification that these murders are related to their current investigations,
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then the senator replies that he is meeting with the governor to decide how best to proceed.
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At this point, Paul the media manager decides that the press conference is over and drags the senator towards his car.
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Skip and Nico pull up in a nearby parking lot.
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In a neighboring car, Lucabrazi, or the Kahuna, decides to enact the Grey Pupon commercial.
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Not really. What he is doing is telling Skip and Nico that all communications have been checked out.
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He says, "Electronically, all communications have been checked out. Do you think you can handle it?"
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The senator gets in his car and Paul the aide tells the driver to go to the governor's mansion.
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As the senator's car pulls out to go to the governor's mansion,
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Nico's car pulls in front of them and Skip jumps out, wearing a police uniform, and tells them,
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"Follow us, we'll lead you to the traffic."
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In the back of the limo, Paul thinks Jim, the senator, should loosen up and share more with the voters.
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The senator thinks that if they broadcast their intentions, all their leads will evaporate before their eyes.
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Senator Jim asks Paul to be patient.
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If the Kahuna is their man, they both need to be careful if they want to stay alive.
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Further on down the road, Skater Guy is doing tricks at the side of the road.
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Nico pulls this car over and radios to Skater Guy that they're on the highway coming towards him and it's time for him to make his move.
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Skater Guy smiles as the credit's still pour in.
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So Skater Guy pulls out in front of the senator's car, slowing him down considerably.
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Paul climbs over the senator and rolls down his window and yells at the skater to get the hell out of the way.
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When the skater finally lets them pass, Paul sits back down with the window still open,
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and the Skater Guy fires two shots into the back of the car, hitting both of them.
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The limo driver pulls over, shocked.
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The director of photography is named Hito. Credits are still rolling.
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The driver pulls over and looks at the mess they'll probably have to clean up in the back seat.
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Nico and Skip still dress as police officers pull up.
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The driver starts to explain about the guy on the skateboard and Nico and Skip both shoot the driver.
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Then Skater Guy skates up, jumps in the trunk of the faux police car, and the credits are still coming in.
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He seems really happy to be tucked into that trunk.
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Nico says the Skater Guy is too much, and now we have a brand new protagonist,
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since everyone that previously we thought was the main character in the movie is now dead.
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This is Harris, he's an investigator, police of some kind.
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He strolls into the police data center.
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A flaky describes to whoever is on the other end of a phone call,
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how Harris left London, etc., etc. and should be there any second, and low, there he is.
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He comes in, guns blazing.
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He actually starts by calling this case a real bastard.
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They've got a crime organization that won't quit, and he's got a green light to go.
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He reiterates that in the past 24 hours, a senator, his aide, three of their best agents,
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and one of their wives have all been killed.
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So he wants to know where they're at in this investigation.
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They're consulting the computer.
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It's a top loader.
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The screen's on top.
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They're looking for the baddest individual they can find to help them on their case.
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The computer is spits out six names.
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To the names belong to men in jail, one was killed only last night.
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And the other three are clean, but flaky as hell.
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Harris says only a flake would do this.
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Two-thirds of the options are presented, but Harris needs a real stud
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who can put together a real hard-ass mean unit.
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The last option is Drew.
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Savano finishes Harris.
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He knows him.
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He's killed everyone he's ever dealt with.
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Really, like his doctors and his neighbors and his insurance agent, etc., etc.?
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Harris, please, that Savano will be their best bet on this operation, provided they can find him.
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Another man says they have a lockdown on his location, so Harris goes to meet with Drew Savano.
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He'll go alone because Drew would eat the others for lunch.
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I thought you said he'd eat their lunch.
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He'll eat your lunch.
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I thought it was a dumb ass line, so I wrote it down.
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So Harris drives a loan down the highway, as the producer directed by Andy Siddharis credit goes by.
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Harris's car pulls up to a house, and inside the house we see Drew, who we recognize
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because the computer spat out that picture of him back at the headquarters.
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He's holding up a cat so they could both enjoy watching the fish in his aquarium.
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He's telling the cat though he can only watch and not eat them.
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Doorbell rings, and a woman in a bikini opens the door.
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Mr. Harris, she says, "Come in, Drew's been expecting you."
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I can't believe you understood her. Her accent is so bizarre.
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It's British.
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I know, but it's...
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She's got marbles in her mouth.
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She holds his hand and walks him to the living room.
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Drew tells us her name is Sibble, and tells her to get in the sauna.
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This interview won't take long.
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She takes off her bikini top and complains that she's going to be a prune by midnight.
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She was in the jacuzzi all morning.
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Drew invites Harris to sit.
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Harris pays him the compliment, I guess, of having the whole damn animal kingdom by the ass.
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And then Harris gets down to business.
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Harris asked Drew if he's heard about the killings in Hawaii.
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And Harris hands him some notes and says, "Read this, but Drew doesn't need to read it.
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Here he knows all about it."
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And Drew says that Harris doesn't need him. He needs the US Marines.
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But Harris says what he needs is a tight group with a lot of imagination.
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And that would be Drew and whoever he chooses to work with on this.
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They don't want any arrests.
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They just want them to take the bad guys out.
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Lean on them and walk away.
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Is that all Drew asks?
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Nope.
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Harris also wants complete secrecy.
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Harris says, "Watch my mouth.
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These are the worst mothers we've ever dealt with.
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Contract murderers, extortionists, guerrilla fighters, weapons experts, you name it."
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Drew asks how he was picked for this job, and Harris told him that the computer picked him.
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And Drew hopes that the computer knows that he has a lifestyle to maintain.
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They need to come up with the right numbers for Drew to take this job.
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And then he gives an example, seven, comma, three zeros, comma, and three more zeros.
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Harris is sure to have some health care of things on his end as long as Drew takes care of his.
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And so it seems we have a deal.
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And then Drew joins Sybil in the sauna.
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And Skolter for flashing the company.
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With an Irish accent.
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Sybil me last.
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Then she flashes him and all as well.
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He looks down and says that he thinks she needs a nose job.
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I didn't even notice her nose.
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So after his sauna time, Drew changes his clothes, puts on a pair of glasses, and drives to the marina.
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He's got to put together a team for this job.
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And I think we should mention that we're not in Hawaii at the moment.
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We're in Los Angeles.
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This is back on the mainland.
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Right.
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We'll go back to Hawaii soon.
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Drew walks down the dock and climbs onto a boat where Alexa is receiving an massage from a blind woman.
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Drew knows that she's living a hard life and says he'd like to talk to her alone.
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Alexa introduces her masseuse.
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This is Jenny, she says.
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She's a pro and she goes wherever I go.
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But then Jenny goes to get drinks.
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Drew kisses Alexa and asks her if she wants some bucks.
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Alexa says yes.
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And then looks at Drew and says, enough to keep you for a while.
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He answers a slip of paper.
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It's a toughy, he says.
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She glances at it and slides it into her top.
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And then she says, I'm in.
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Then are we getting more credits?
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No, the credits have finished, but the typewriter continues to give us information.
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If it's the profile on Alexa's target, the hermit.
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The hermit lives in Hawaii.
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As Drew describes him, extortion, loan shark, and gambling, we see the hermit at work.
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Drew describes him as being as mean as he is ugly.
246
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And he likes to do his own killing.
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And so he does.
248
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We see him kill a guy.
249
00:14:11,000 --> 00:14:14,000
His back story is that he was on a plane that got hijacked.
250
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There was a fire.
251
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Obviously that's what scarred his face.
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His wife died in his arms and then he joined the terrorists and from there, it became a hitman.
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Drew says that the hermit's one possible weakness is girls.
254
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So Alexa is best suited to take on this hit.
255
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And we know his weakness are women because we see him whipping, torturing two of them.
256
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And probably the most gratuitously violent scene in the movie.
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Alexa finishes reading her notes and burns them with her cigarette and they go up in flames instantly.
258
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What kind of paper does that flash paper?
259
00:14:43,000 --> 00:14:44,000
Yeah.
260
00:14:44,000 --> 00:14:46,000
So he prints it out on flash paper.
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Maybe the credits were typed on flash paper.
262
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And they'll all burn up at the end.
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Next we meet Cowboy.
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He's a cowboy.
265
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Drew and Cowboy greet each other and talk real estate.
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Drew asks if Cowboy is still hanging on to that 100 acres.
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Tooth and nail says Cowboy.
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But he has dreams of extending that to a thousand acres.
269
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But the problem is condominiums are already moving in.
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He's hoping he can scrape together enough money to buy the land and hold them off.
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Which brings Drew to the point of his visit.
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He's got a job for the Cowboy.
273
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He gives Cowboy the second ticket.
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His target is Butterfly, a pusher.
275
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He's into everything, drug-related on the island.
276
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He's a first hits-free kind of guy.
277
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You see him shooting up some hippie chick.
278
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As a first timer, he helps her with her first dose of heroin, even using his teeth to tie the hose around her arms.
279
00:15:29,000 --> 00:15:31,000
So they show them how to do it by yourself in the future.
280
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Butterfly is responsible for all of the OD deaths on the rise.
281
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Drew notices that Cowboy is wearing a shooting metal around his neck.
282
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Cowboy won that a long time ago.
283
00:15:40,000 --> 00:15:43,000
Are you still any good, Drew asks?
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Cowboy says, "Sure." Then fails to shoot a tossed-up beer bottle.
285
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Once it lands though, Cowboy gets it with no problems.
286
00:15:49,000 --> 00:15:52,000
So as long as the target isn't moving, Cowboy's a good shot.
287
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Uh-oh.
288
00:15:53,000 --> 00:15:55,000
And now it's off to the races.
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That's what I wrote.
290
00:15:57,000 --> 00:16:00,000
Funny cars are blowing smoke.
291
00:16:00,000 --> 00:16:01,000
We meet TK.
292
00:16:01,000 --> 00:16:07,000
He's coaxing an older woman and her son, as his pit crew, to finish shining up his car so he can get out on the track.
293
00:16:07,000 --> 00:16:10,000
We notice Drew's white corvette pull up nearby.
294
00:16:10,000 --> 00:16:15,000
TK is screaming at them to hurry, but the woman and her idiot son only do stick.
295
00:16:15,000 --> 00:16:19,000
Drew comes over and he and TK enthusiastically shake hands in greeting.
296
00:16:19,000 --> 00:16:22,000
TK explains that his pit crew got drunk the night before and they were thrown in the slammer,
297
00:16:22,000 --> 00:16:26,000
so he stuck with the track owner's secretary and her four-eyed half-with-son to get his car ready.
298
00:16:26,000 --> 00:16:29,000
The woman tells TK not to talk about her son that way.
299
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He tells her to just go clean the windshield, but she reminds him that she doesn't do windows.
300
00:16:33,000 --> 00:16:36,000
But then she relents and goes to do that.
301
00:16:36,000 --> 00:16:39,000
TK asks how long is it going to be as the car ready?
302
00:16:39,000 --> 00:16:43,000
And the man replies, "Is Helen ready? Get it! Helen ready?"
303
00:16:43,000 --> 00:16:46,000
Drew asks if the car has any hope of winning this race.
304
00:16:46,000 --> 00:16:48,000
The woman says, "Is the pub Catholic?"
305
00:16:48,000 --> 00:16:50,000
And the guy says, "Is Ben Gay?"
306
00:16:50,000 --> 00:16:52,000
"Ha! When she says, "Is the pub Catholic?"
307
00:16:52,000 --> 00:16:53,000
I say, "Is Ben Gay?"
308
00:16:53,000 --> 00:16:56,000
Drew rolls his eyes and says, "Give me a break."
309
00:16:56,000 --> 00:16:58,000
They should be in Vegas.
310
00:16:58,000 --> 00:17:01,000
Drew wishes TK luck on his race, but TK shakes it off.
311
00:17:01,000 --> 00:17:04,000
He says, "You don't say good luck before a race. Say stand on it or something."
312
00:17:04,000 --> 00:17:06,000
So Drew revised his sentiments.
313
00:17:06,000 --> 00:17:08,000
The time trials begin.
314
00:17:08,000 --> 00:17:12,000
TK suits up, and an answer says, "This is TK's last chance to qualify."
315
00:17:12,000 --> 00:17:14,000
He's had trouble with his crew earlier that day.
316
00:17:14,000 --> 00:17:18,000
But TK misses qualifying by one one-hother of a second.
317
00:17:18,000 --> 00:17:20,000
Aw, so close.
318
00:17:20,000 --> 00:17:23,000
But I guess now he's free to become one of the seven.
319
00:17:23,000 --> 00:17:26,000
Later, at a free-standing orange Julius,
320
00:17:26,000 --> 00:17:29,000
I wrote, "Wow, here, because I've only ever seen them in the mall,
321
00:17:29,000 --> 00:17:33,000
a customer orders one of everything they have on the menu."
322
00:17:33,000 --> 00:17:35,000
And the credits, he is rotund man at the counter.
323
00:17:35,000 --> 00:17:38,000
Well, that's what you get for ordering everything on the menu.
324
00:17:38,000 --> 00:17:40,000
TK enters with some arm candy,
325
00:17:40,000 --> 00:17:42,000
and Drew's already there drinking his drink.
326
00:17:42,000 --> 00:17:46,000
TK tells his girl to go get them some drinks, and she does.
327
00:17:46,000 --> 00:17:50,000
Coming back and handing it to TK, he's gripping about Drew not calling first.
328
00:17:50,000 --> 00:17:53,000
His trackside visit wasn't good for his performance.
329
00:17:53,000 --> 00:17:57,000
Drew says he just showed up because he wouldn't get TK's attention.
330
00:17:57,000 --> 00:17:59,000
TK says he's got it, so now what's up?
331
00:17:59,000 --> 00:18:01,000
And Drew says he's got something for TK,
332
00:18:01,000 --> 00:18:04,000
but TK is pretty sure he doesn't want it, whatever it is.
333
00:18:04,000 --> 00:18:07,000
He says just doing Drew could be enough to get a person killed.
334
00:18:07,000 --> 00:18:10,000
But Drew says that TK can run faster and jump higher than anyone he knows,
335
00:18:10,000 --> 00:18:11,000
and he needs that.
336
00:18:11,000 --> 00:18:13,000
TK's target is Mr. Chin.
337
00:18:13,000 --> 00:18:15,000
He's the king of the shipyards.
338
00:18:15,000 --> 00:18:18,000
You see, Mr. Chin instructing a lackey to shoot the kneecap
339
00:18:18,000 --> 00:18:21,000
of a school-aged kid whose dad owes him money.
340
00:18:21,000 --> 00:18:23,000
So, not a good guy.
341
00:18:23,000 --> 00:18:26,000
But Mr. Chin has a regular golf game every Saturday,
342
00:18:26,000 --> 00:18:27,000
where he does his business.
343
00:18:27,000 --> 00:18:30,000
Drew says this man off to boatload of refugees,
344
00:18:30,000 --> 00:18:32,000
so he wouldn't mind seeing him explode.
345
00:18:32,000 --> 00:18:34,000
So, we'll foreshadowing.
346
00:18:34,000 --> 00:18:36,000
Next, Drew visits Malibu Colony,
347
00:18:36,000 --> 00:18:38,000
where he's meeting with the professor.
348
00:18:38,000 --> 00:18:41,000
The professor has access to a short-range target missile launcher
349
00:18:41,000 --> 00:18:43,000
that was developed by the Russians,
350
00:18:43,000 --> 00:18:45,000
but with it, he can shoot a target up to eight miles away.
351
00:18:45,000 --> 00:18:47,000
The trick is to time it right,
352
00:18:47,000 --> 00:18:50,000
so that the missile strikes where the target will be at the point of impact.
353
00:18:50,000 --> 00:18:53,000
That's tricky, because you can't see eight miles away,
354
00:18:53,000 --> 00:18:56,000
so you have to trust that you're not just going to hit some mom
355
00:18:56,000 --> 00:18:58,000
pushing your baby around in a stroller,
356
00:18:58,000 --> 00:19:00,000
some other collateral damage.
357
00:19:00,000 --> 00:19:03,000
The professor also practices badge-stick.
358
00:19:03,000 --> 00:19:06,000
Yes, Drew, what is the result when crossing an onion with a donkey?
359
00:19:06,000 --> 00:19:09,000
Drew says, "Why don't you just tell me?"
360
00:19:09,000 --> 00:19:11,000
Most of the time, you'll get an onion with long cloppy ears,
361
00:19:11,000 --> 00:19:14,000
but on rare occasion, you'll get a piece of ass that will bring tears to your eyes.
362
00:19:14,000 --> 00:19:16,000
But um, boom.
363
00:19:16,000 --> 00:19:18,000
The professor's target is Kyokimik Dauel.
364
00:19:18,000 --> 00:19:20,000
He uses stocks and bond fraudster.
365
00:19:20,000 --> 00:19:24,000
His command of finances has many officials in debt to him.
366
00:19:24,000 --> 00:19:26,000
He also has a strict routine.
367
00:19:26,000 --> 00:19:28,000
This seems pretty unwise for bad guys
368
00:19:28,000 --> 00:19:30,000
to have a strict routine.
369
00:19:30,000 --> 00:19:32,000
The golf guy and now this guy,
370
00:19:32,000 --> 00:19:35,000
he eats lunch at the same time in the same restaurant every day.
371
00:19:35,000 --> 00:19:40,000
Drew tells the professor that McDauel's way of doing things is direct and brutal.
372
00:19:40,000 --> 00:19:44,000
And what we see is him threatening a man by placing a knife near his eye,
373
00:19:44,000 --> 00:19:48,000
telling him that if the escrow documents aren't ready by Tuesday,
374
00:19:48,000 --> 00:19:50,000
he'll be taking his eye home in a bag.
375
00:19:50,000 --> 00:19:52,000
And he, like many of the other bit players on this movie,
376
00:19:52,000 --> 00:19:54,000
are terrible amateur actors.
377
00:19:54,000 --> 00:19:57,000
Next time we see Drew, he's flying from the mainland to Hawaii,
378
00:19:57,000 --> 00:20:00,000
where the rest of his team are already located.
379
00:20:00,000 --> 00:20:03,000
He cautions us, I guess, in this voiceover,
380
00:20:03,000 --> 00:20:07,000
that unless they move fast, Hawaii is not going to be paradise much longer.
381
00:20:07,000 --> 00:20:11,000
The criminals plan to destabilize the economy by scaring off the tours,
382
00:20:11,000 --> 00:20:15,000
then pouncing on the opportunity provided by a collapsing economy,
383
00:20:15,000 --> 00:20:17,000
so I guess buy up all the real estate.
384
00:20:17,000 --> 00:20:22,000
That seems like a really bad idea if you ruin the tourist economy.
385
00:20:22,000 --> 00:20:25,000
That's kind of like one of their major industries, isn't it?
386
00:20:25,000 --> 00:20:28,000
Well, I think it plans to rebuild it then, but this time they own it all.
387
00:20:28,000 --> 00:20:30,000
Now we're safe.
388
00:20:30,000 --> 00:20:33,000
So next Drew pays a visit to Ed Parker, who is played by Ed Parker.
389
00:20:33,000 --> 00:20:34,000
He's a karate expert.
390
00:20:34,000 --> 00:20:36,000
Ed is chopping wood with his bare hands,
391
00:20:36,000 --> 00:20:39,000
and he wonders what might have brought Drew to the islands.
392
00:20:39,000 --> 00:20:41,000
Drew isn't really the tourist type.
393
00:20:41,000 --> 00:20:44,000
Drew asked Ed how his hands are, because he's going to need them.
394
00:20:44,000 --> 00:20:47,000
Ed says he's not playing that game anymore.
395
00:20:47,000 --> 00:20:49,000
Drew goes down the list of names on his hit list,
396
00:20:49,000 --> 00:20:51,000
and asks Ed if he's ever heard of any of them.
397
00:20:51,000 --> 00:20:54,000
Ed interrupts them and asks if Drew is casting a Hawaiian horror story.
398
00:20:54,000 --> 00:20:59,000
Ed's target is Mr. Lee, who has a penthouse office in the Hawaii building.
399
00:20:59,000 --> 00:21:03,000
That's full of smuggled and stolen art, and that's his game, I guess.
400
00:21:03,000 --> 00:21:06,000
When he's not practicing Kung Fu, that is.
401
00:21:06,000 --> 00:21:08,000
He does four hours of practice daily.
402
00:21:08,000 --> 00:21:10,000
But that's all Ed needs to hear.
403
00:21:10,000 --> 00:21:16,000
He's going to do this job to revenge all the Hawaiians who recently died of, well, not natural causes.
404
00:21:16,000 --> 00:21:21,000
Drew's voiceover tells us that there's one more contact to make on the island of Kauaii.
405
00:21:21,000 --> 00:21:25,000
This one requires more stealth, so Drew goes as Charles Howard from Vermont.
406
00:21:25,000 --> 00:21:29,000
He picks up his rental car and goes to a Tiki bar run by Kinsella.
407
00:21:29,000 --> 00:21:36,000
So Drew takes a seat at the bar, Kinsella is on the stage, entertaining the crowd by blowing into a trumpet.
408
00:21:36,000 --> 00:21:39,000
He's not making music, he's just blowing into a trumpet.
409
00:21:39,000 --> 00:21:44,000
He finishes to light applause, and Drew tells him that he's set music back 150 years.
410
00:21:44,000 --> 00:21:47,000
Drew and Kinsella take a seat at a table.
411
00:21:47,000 --> 00:21:49,000
It's time to get down to business.
412
00:21:49,000 --> 00:21:54,000
Do we ask Kinsella who he would consider to be the biggest hitman on the islands and Kinsella quickly answers Kimo Mederos?
413
00:21:54,000 --> 00:21:57,000
Wanna go to work, ask Drew? Kimo Mederos?
414
00:21:57,000 --> 00:22:00,000
The bartender is eavesdropping on them from behind the bar.
415
00:22:00,000 --> 00:22:02,000
Then Kinsella says, "Yeah, why not?"
416
00:22:02,000 --> 00:22:06,000
Drew comments that the bartender is nothing but ears, but Kinsella tells him he's alright.
417
00:22:06,000 --> 00:22:07,000
He's a pineapple.
418
00:22:07,000 --> 00:22:09,000
Whatever that means.
419
00:22:09,000 --> 00:22:12,000
Kimo keeps his hands clean by hiring out his dirty work.
420
00:22:12,000 --> 00:22:16,000
He was responsible for the agent's death and the one agent's wife's death.
421
00:22:16,000 --> 00:22:20,000
Drew wants Kinsella to take the bastard out.
422
00:22:20,000 --> 00:22:22,000
But Kimo has a legitimate front.
423
00:22:22,000 --> 00:22:24,000
It's booking talents in nightclubs.
424
00:22:24,000 --> 00:22:27,000
That's why Kinsella is perfect for this job.
425
00:22:27,000 --> 00:22:29,000
Kinsella wants to sell his nightclub.
426
00:22:29,000 --> 00:22:33,000
It's very possible that Kimo might want to buy it.
427
00:22:33,000 --> 00:22:39,000
This is the perfect opportunity for them to have a business arrangement, at least as a cover.
428
00:22:39,000 --> 00:22:45,000
Kinsella looks over the paper, Drew hands to him, crumbles it up and touches a cigarette to it, and ignites him, burns up instantly.
429
00:22:45,000 --> 00:22:48,000
Well, he's only got one kind of paper, obviously.
430
00:22:48,000 --> 00:22:50,000
But we still have Drew's target to learn about.
431
00:22:50,000 --> 00:22:54,000
That's the Kahuna, aka Daniels Akuro, Carmine Hoffman.
432
00:22:54,000 --> 00:22:57,000
He's an information specialist like government leaks.
433
00:22:57,000 --> 00:23:02,000
He owns an unassuming electronics store, but he can wiretap anyone.
434
00:23:02,000 --> 00:23:04,000
The Kahuna is kind of the kingpin.
435
00:23:04,000 --> 00:23:12,000
We know he's the boss of the skateboard guy who works with Nico and Skip, so he's the boss of them too, and must be Kimo's boss as well.
436
00:23:12,000 --> 00:23:17,000
As for the rest of them, possibly. They're all connected.
437
00:23:17,000 --> 00:23:22,000
As Drew is telling us the lowdown on the Kahuna, we get to see clips of the Kahuna at work.
438
00:23:22,000 --> 00:23:24,000
His car pulls up to a building.
439
00:23:24,000 --> 00:23:26,000
Skater guy is there doing tricks in the parking lot.
440
00:23:26,000 --> 00:23:31,000
He opens the door for Kahuna says you call yourself a bodyguard, and the Skater guy says, "Hey, you want to try me sometime?"
441
00:23:31,000 --> 00:23:35,000
And one of the other goons ruffles his hair. He's a cute little guy.
442
00:23:35,000 --> 00:23:39,000
Definitely a little guy. Drew says that they have to move fast.
443
00:23:39,000 --> 00:23:42,000
They'll all meet at Ed Parker's house tomorrow.
444
00:23:42,000 --> 00:23:45,000
But first, he wants to have sex with Alexa.
445
00:23:45,000 --> 00:23:47,000
So he does. He goes through her hotel room.
446
00:23:47,000 --> 00:23:51,000
She's posed seductively in front of a sliding glass door.
447
00:23:51,000 --> 00:23:54,000
And then they get it on. Mission accomplished.
448
00:23:54,000 --> 00:23:56,000
Later, the two of them are relaxing in bed.
449
00:23:56,000 --> 00:24:02,000
Drew is smoking a cigarette when the phone rings. Alexa picks it up and hands it to Drew. It's Harris.
450
00:24:02,000 --> 00:24:08,000
Harris says the department has gotten wind of Drew's presentation and wants him to pursue a more conventional approach.
451
00:24:08,000 --> 00:24:12,000
They're only interested in taking out the big fish. He's talking in code.
452
00:24:12,000 --> 00:24:14,000
It means the Kahuna.
453
00:24:14,000 --> 00:24:17,000
They believe the others will start faltering without his leadership.
454
00:24:17,000 --> 00:24:20,000
Harris informs Drew that a representative will be sent to give instructions.
455
00:24:20,000 --> 00:24:25,000
The SFAll personnel are on the island and Drew says all but the professor and he should be alongside him.
456
00:24:25,000 --> 00:24:28,000
Professors at the airport in LA right now.
457
00:24:28,000 --> 00:24:32,000
As a professor goes through security, a agent asks him to open up his bag.
458
00:24:32,000 --> 00:24:34,000
I don't think he wants his bag searched.
459
00:24:34,000 --> 00:24:39,000
So when he opens his bag, a blow up doll starts inflating. This sufficiently distracts everyone.
460
00:24:39,000 --> 00:24:45,000
This blow up doll starts quite a scene. The agent starts laughing and calls over all of her colleagues to laugh along with her.
461
00:24:45,000 --> 00:24:52,000
One says he's seen some reverted things, but this and another woman appears to step deep into the professor's personal space just to mock him.
462
00:24:52,000 --> 00:24:56,000
Remember how casual airport security used to be?
463
00:24:56,000 --> 00:24:58,000
Not really.
464
00:24:58,000 --> 00:25:01,000
The professor tells him he's on the next plane to Hawaii and to check the doll.
465
00:25:01,000 --> 00:25:04,000
That's going to be fine. It's going to have a luggage tag.
466
00:25:04,000 --> 00:25:09,000
The close talking security agent says this is too much.
467
00:25:09,000 --> 00:25:12,000
The next day, everyone has gathered at Parker's house as planned.
468
00:25:12,000 --> 00:25:17,000
KaBoi and TK haven't seen each other in a while. They don't seem to be on the best of terms.
469
00:25:17,000 --> 00:25:23,000
KaBoi says he thinks about TK every once in a while when that TV program comes on that showcases his people.
470
00:25:23,000 --> 00:25:26,000
The show bowling for watermelon.
471
00:25:26,000 --> 00:25:31,000
And Parker is helping Alexa practice her hitting. KaBoi is still laughing at his own watermelon joke.
472
00:25:31,000 --> 00:25:36,000
TK strikes back at the cowboy with one more IQ point and you'd be a tree.
473
00:25:36,000 --> 00:25:39,000
There's no other talents between them than they both laugh and hug it out.
474
00:25:39,000 --> 00:25:42,000
Meanwhile, the professor is there hitting on Jenny.
475
00:25:42,000 --> 00:25:46,000
KaBoi comes in and brings her a drink and asks how long Jenny's been a masseuse.
476
00:25:46,000 --> 00:25:49,000
She answers ever since she gave her first massage.
477
00:25:49,000 --> 00:25:53,000
The professor wants her to be careful because KaBoi has been down on everything but the Titanic.
478
00:25:53,000 --> 00:26:00,000
And for some reason, Jenny picks up her vibrator and says that she's not getting much pleasure out of it.
479
00:26:00,000 --> 00:26:01,000
It keeps shipping your teeth.
480
00:26:01,000 --> 00:26:04,000
The professor and KaBoi look at each other in amazement.
481
00:26:04,000 --> 00:26:06,000
But they seem to like her better for all that.
482
00:26:06,000 --> 00:26:08,000
Drew finally arrives a little late.
483
00:26:08,000 --> 00:26:12,000
You see, Kinsella is enjoying the pool so the seven is all in one place.
484
00:26:12,000 --> 00:26:14,000
Plus one, Jenny.
485
00:26:14,000 --> 00:26:19,000
Drew looks over his crew and the seven of them, plus Jenny, might work together well enough to pull off this caper.
486
00:26:19,000 --> 00:26:31,000
So Drew's Savannah 7, plus Jenny, gather around to go over their details for this operation.
487
00:26:31,000 --> 00:26:37,000
The first thing we need to know is that everyone of the seven have a plan they're going to implement soon.
488
00:26:37,000 --> 00:26:44,000
The Kahuna is running the whole show with six of Kimeu's hired goons, Skip, Niko, Skateboard Guy and the others.
489
00:26:44,000 --> 00:26:46,000
They're all part of this big job.
490
00:26:46,000 --> 00:26:51,000
They're going to grab an outlying hotel and kill enough hostages to make the headline of the decade.
491
00:26:51,000 --> 00:26:56,000
Also, Harris has an agent babysitting them, but they don't know who it is.
492
00:26:56,000 --> 00:26:59,000
So this is the last time they're all going to meet as a unit.
493
00:26:59,000 --> 00:27:00,000
Today is Thursday.
494
00:27:00,000 --> 00:27:04,000
Their mission will end at 12.30 Sunday and it's going to start at noon that same Sunday.
495
00:27:04,000 --> 00:27:07,000
So they have exactly 30 minutes to pull this off.
496
00:27:07,000 --> 00:27:11,000
The group they're going after is an intricate operation where each piece works for another.
497
00:27:11,000 --> 00:27:16,000
The first seven will have to work quickly to shut it all down before they can realize what's going on and strategize a defense.
498
00:27:16,000 --> 00:27:20,000
Drew says that Alexa, TK, Kancella and the fester will be going to Kwaei.
499
00:27:20,000 --> 00:27:22,000
And then the professor takes over the meeting.
500
00:27:22,000 --> 00:27:29,000
The professor lays out the strategy for the next two days, which works as a voiceover as the days progress and we see the action happening.
501
00:27:29,000 --> 00:27:34,000
On Friday, Jenny buys a convertible, paints it and gets it ready for Drew.
502
00:27:34,000 --> 00:27:37,000
Alexa will outfit an office maintenance truck for Ed Parker.
503
00:27:37,000 --> 00:27:41,000
And the professor will finish his work on his gas gun missile launcher.
504
00:27:41,000 --> 00:27:44,000
The professor says every step has been calculated for precise.
505
00:27:44,000 --> 00:27:48,000
So as long as each step is followed in the correct order, the plan should be virtually foolproof.
506
00:27:48,000 --> 00:27:53,000
And now, Kabo and Jenny are our first participants in the plan that we see.
507
00:27:53,000 --> 00:27:56,000
Their job is to take out Kimu's bodyguards.
508
00:27:56,000 --> 00:27:58,000
And they find them at a small gas station.
509
00:27:58,000 --> 00:28:05,000
Jenny gets out of their Subaru bread and poses seductively near where they can see her to distract the foreman in the car.
510
00:28:05,000 --> 00:28:09,000
The gas station attendant, wearing headphones, fills up Kimu's tank and accepts payment.
511
00:28:09,000 --> 00:28:12,000
As the car drives off, Kabo asked the attendant about the car.
512
00:28:12,000 --> 00:28:16,000
The attendant says that's Kimu's car and he's been taken care of personally since he got it.
513
00:28:16,000 --> 00:28:18,000
It's bulletproof the works.
514
00:28:18,000 --> 00:28:21,000
The attendant replaces his headphones and struts his way back inside.
515
00:28:21,000 --> 00:28:24,000
So now, Kabo has a problem.
516
00:28:24,000 --> 00:28:27,000
He has to think about this bulletproof car and retool his plan.
517
00:28:27,000 --> 00:28:33,000
He gives Jenny some change for the payphone and tells her to check in with Drew because that's going to affect his part of the plan too.
518
00:28:33,000 --> 00:28:37,000
So they want to learn about the bulletproof automobiles in this organization.
519
00:28:37,000 --> 00:28:43,000
So Jenny goes to the payphone and calls the hotel where Drew had been registered under the name Charles Howard.
520
00:28:43,000 --> 00:28:45,000
But finds that he's already checked out.
521
00:28:45,000 --> 00:28:49,000
Kabo thinks it's too bad they won't be able to warn Drew about the bulletproofing of the cars.
522
00:28:49,000 --> 00:28:54,000
And as he pulls out, he stops to ask the attendant if he wants to come along and watch him make love to this little heifer.
523
00:28:54,000 --> 00:28:59,000
Jenny says Kabo is a pervert and Kabo leaves before the poor attendant even has a chance to answer the question.
524
00:28:59,000 --> 00:29:02,000
Actually, he has his headphones on so he never heard it anyway.
525
00:29:02,000 --> 00:29:05,000
We briefly see the professor following a car.
526
00:29:05,000 --> 00:29:09,000
And then we go over to Cancel's club where Cancel's meeting with Skip.
527
00:29:09,000 --> 00:29:12,000
The bartender looks on suspiciously.
528
00:29:12,000 --> 00:29:22,000
Cancel tells Skip that he's selling his club and he thought Kimu would be interested and Skip could collect a finder's fee.
529
00:29:22,000 --> 00:29:27,000
Art only wants to get gigs in one of Kimu's Las Vegas clubs in return.
530
00:29:27,000 --> 00:29:30,000
So Skip needs to bring Kimu to see his audition.
531
00:29:30,000 --> 00:29:32,000
Pick a day says Skip.
532
00:29:32,000 --> 00:29:34,000
Sunday at noon says Cancel.
533
00:29:34,000 --> 00:29:37,000
And what was Friday then turns to Saturday.
534
00:29:37,000 --> 00:29:41,000
Alexa is taking pictures while waiting to bump into the Hermit.
535
00:29:41,000 --> 00:29:44,000
When the Hermit comes by, she does literally bump into him.
536
00:29:44,000 --> 00:29:47,000
And he doesn't mind being bumped into by an attractive woman.
537
00:29:47,000 --> 00:29:49,000
He asks if he can walk with her and she says yes.
538
00:29:49,000 --> 00:29:52,000
Then he asks what she's doing there so early this morning.
539
00:29:52,000 --> 00:29:54,000
Alexa replies it's to avoid the tourists.
540
00:29:54,000 --> 00:29:55,000
She likes to be alone.
541
00:29:55,000 --> 00:29:58,000
And this is certainly something that Hermit can relate to.
542
00:29:58,000 --> 00:30:00,000
And now we see who the professor was following.
543
00:30:00,000 --> 00:30:04,000
He's scoping out the restaurant where Kyoki Dal eats everyday like clockwork.
544
00:30:04,000 --> 00:30:07,000
Same time, same meal, everything.
545
00:30:07,000 --> 00:30:09,000
The professor is also checking out the waitress.
546
00:30:09,000 --> 00:30:12,000
He's flirting with her, asked when she gets off work.
547
00:30:12,000 --> 00:30:15,000
She says at 11, but she has a rule against dating customers.
548
00:30:15,000 --> 00:30:18,000
But he has a way to get her to think about breaking that rule.
549
00:30:18,000 --> 00:30:20,000
She tells them she'll think about it.
550
00:30:20,000 --> 00:30:23,000
Now the professor is down side of the restaurant by his car.
551
00:30:23,000 --> 00:30:27,000
He's taking pictures and making notes when McDowell and his driver come out.
552
00:30:27,000 --> 00:30:29,000
There is the only other car in the parking lot.
553
00:30:29,000 --> 00:30:33,000
And as they come over, the professor tosses his camera into his car and opens his car door,
554
00:30:33,000 --> 00:30:35,000
thinking McDowell's car in the process.
555
00:30:35,000 --> 00:30:38,000
McDowell's driver grabs hold of the professor and pins him on the hood of his car.
556
00:30:38,000 --> 00:30:40,000
McDowell says he'll handle this.
557
00:30:40,000 --> 00:30:44,000
He tells the professor that he's noticed him hanging around an awful lot and he'd better stay out of his way.
558
00:30:44,000 --> 00:30:47,000
McDowell glares it and as they drive off and the professor smiles,
559
00:30:47,000 --> 00:30:50,000
chatting down a few more notes into his book.
560
00:30:50,000 --> 00:30:52,000
It was very neat handwriting.
561
00:30:52,000 --> 00:30:53,000
Now we're with TK.
562
00:30:53,000 --> 00:30:58,000
He's scoping out the golf course where Mr. Chin is putting currently.
563
00:30:58,000 --> 00:31:05,000
And then the cowboy and Jenny are parking their Subaru brat somewhere in town to ponder their problem, the bulletproof car.
564
00:31:05,000 --> 00:31:10,000
Back with TK, he sees his target go into some kind of shed on the fairway.
565
00:31:10,000 --> 00:31:12,000
Hmm, wonder what's going on in there.
566
00:31:12,000 --> 00:31:15,000
TK looks like he's processing this information, then smiles.
567
00:31:15,000 --> 00:31:17,000
He has a plan.
568
00:31:17,000 --> 00:31:21,000
Back with cowboy and Jenny, they're not sure how they're going to dispatch to everyone's bodyguards.
569
00:31:21,000 --> 00:31:24,000
The bulletproof car is complicating the plan.
570
00:31:24,000 --> 00:31:26,000
Suddenly, cowboy has an idea.
571
00:31:26,000 --> 00:31:27,000
Or shoes.
572
00:31:27,000 --> 00:31:29,000
Jenny's confused by this.
573
00:31:29,000 --> 00:31:31,000
But we'll figure out what's happening later.
574
00:31:31,000 --> 00:31:32,000
Now we're with Alexa.
575
00:31:32,000 --> 00:31:34,000
She's renting a helicopter from a skeptical man.
576
00:31:34,000 --> 00:31:38,000
But he's got to believe that her qualifications are legit, even if he doesn't want to.
577
00:31:38,000 --> 00:31:40,000
She's renting it for one night only.
578
00:31:40,000 --> 00:31:43,000
She has to propriet her when he lasts, got it up.
579
00:31:43,000 --> 00:31:45,000
Repriber says summer of 72.
580
00:31:45,000 --> 00:31:50,000
Then she tells him he ought to get a transplant and she kisses him, telling him that he's a cute old thing.
581
00:31:50,000 --> 00:31:55,000
She takes the helicopter up, then we get a bit of a travelogue of Kauai as she flies around.
582
00:31:55,000 --> 00:31:58,000
On the ground, the hermit notices the helicopter flying around as well.
583
00:31:58,000 --> 00:32:00,000
Eventually, Alexa lands the helicopter on the beach.
584
00:32:00,000 --> 00:32:02,000
She hikes off.
585
00:32:02,000 --> 00:32:05,000
And we see TK carrying something over shoulders in a canvas bag.
586
00:32:05,000 --> 00:32:08,000
It's long and thin, but heavy.
587
00:32:08,000 --> 00:32:11,000
We're showing a sunset, and the next we know it must be after 11 p.m.
588
00:32:11,000 --> 00:32:14,000
because the professor is returning to his room with the waitress in tow.
589
00:32:14,000 --> 00:32:17,000
Then we make our first return visit to the second-up Hawaii club.
590
00:32:17,000 --> 00:32:19,000
And Drew enters and takes a seat.
591
00:32:19,000 --> 00:32:21,000
Kauai is sitting at another table with Skater Guy.
592
00:32:21,000 --> 00:32:24,000
Skater Guy isn't taking his eyes off the dancers.
593
00:32:24,000 --> 00:32:27,000
But Kauai sees Drew sit down and scowls in his direction.
594
00:32:27,000 --> 00:32:31,000
Now a very drunk and delighted professor watches the waitress take off her top
595
00:32:31,000 --> 00:32:34,000
by sliding it down her body and then stepping out of it.
596
00:32:34,000 --> 00:32:37,000
Back in the club, Drew is watching Miley dance.
597
00:32:37,000 --> 00:32:39,000
And he wonders what her game is.
598
00:32:39,000 --> 00:32:44,000
You also notice that the Kauai will be difficult to take out if the Skater Guy is sticking to him like glue.
599
00:32:44,000 --> 00:32:46,000
We go back to the professor and the waitress fooling around.
600
00:32:46,000 --> 00:32:52,000
And then back at the Suck 'Em Up Club, Kauai sends Skater Guy after Drew who is left.
601
00:32:52,000 --> 00:32:56,000
Miley comes over to the Kauai's table and tries but fails to engage him.
602
00:32:56,000 --> 00:33:00,000
Now the professor and the waitress are stripped down to only their underpants.
603
00:33:00,000 --> 00:33:03,000
They're kneeling on the bed and the waitress says she's got something for him.
604
00:33:03,000 --> 00:33:05,000
Then she squirts him with silly string.
605
00:33:05,000 --> 00:33:08,000
The professor freaks out a little bit and she says it won't hurt him.
606
00:33:08,000 --> 00:33:10,000
It says on the can it he can eat it.
607
00:33:10,000 --> 00:33:11,000
Really?
608
00:33:11,000 --> 00:33:12,000
You can't.
609
00:33:12,000 --> 00:33:13,000
No.
610
00:33:13,000 --> 00:33:14,000
I don't recommend to our listeners that you eat silly string.
611
00:33:14,000 --> 00:33:15,000
It's plastic.
612
00:33:15,000 --> 00:33:18,000
The professor grabs the can from her to check it out for himself.
613
00:33:18,000 --> 00:33:20,000
The skateboard guy is following Drew back to his hotel.
614
00:33:20,000 --> 00:33:25,000
He takes the seat in the lobby and camps out there for the time being, pretending to read.
615
00:33:25,000 --> 00:33:27,000
The professor is into the silly string stuff now.
616
00:33:27,000 --> 00:33:29,000
He and the waitress take turns spraying each other.
617
00:33:29,000 --> 00:33:33,000
And back at the hotel, Skater Guy sees Drew come back down to the front desk.
618
00:33:33,000 --> 00:33:37,000
But Drew recognizes Skater Guy is sitting there and takes the elevator back upstairs.
619
00:33:37,000 --> 00:33:41,000
So Skater Guy has nothing else to do but continue thurming through his magazine.
620
00:33:41,000 --> 00:33:43,000
And now it's Sunday.
621
00:33:43,000 --> 00:33:44,000
Wow, this week's going fast.
622
00:33:44,000 --> 00:33:48,000
We get some basically pointless footage of a surfing competition.
623
00:33:48,000 --> 00:33:50,000
Intercut with girls and bikinis on the beach.
624
00:33:50,000 --> 00:33:52,000
Intercut with a cock radio.
625
00:33:52,000 --> 00:33:55,000
It's like the transition in this film has trouble happening.
626
00:33:55,000 --> 00:33:56,000
It's not just a dissolve.
627
00:33:56,000 --> 00:33:59,000
It's kind of like a hard bump but it keeps clashing back and forth.
628
00:33:59,000 --> 00:34:00,000
It's to the music.
629
00:34:00,000 --> 00:34:01,000
So it's kind of cool.
630
00:34:01,000 --> 00:34:07,000
But it's a shot of a alarm clock going back with surf footage until it finally rests on the alarm clock and the scene continues.
631
00:34:07,000 --> 00:34:10,000
Yeah, we're with cowboy and Jenny in their bungalow.
632
00:34:10,000 --> 00:34:13,000
The alarm goes off at 8 a.m. but they're both awake already.
633
00:34:13,000 --> 00:34:17,000
Cowboy is loading up a six-shooter and Jenny tells cowboy that he shouldn't put his hat on the bed.
634
00:34:17,000 --> 00:34:18,000
It's bad luck.
635
00:34:18,000 --> 00:34:21,000
Jenny goes to the kitchen to make them both some instant copy.
636
00:34:21,000 --> 00:34:22,000
Topless.
637
00:34:22,000 --> 00:34:25,000
Jenny says to cowboy, she doesn't really understand what they're doing there.
638
00:34:25,000 --> 00:34:28,000
All she knows is that she likes cowboy a lot.
639
00:34:28,000 --> 00:34:31,000
Then cowboy helps her into her top and tries to explain the bad guys to her.
640
00:34:31,000 --> 00:34:36,000
He talks about how he himself was killing complete strangers in NAMM for a few bucks a month.
641
00:34:36,000 --> 00:34:40,000
And here just last week, these guys kill a senator and three of his aides and one of their wives.
642
00:34:40,000 --> 00:34:41,000
Who knows will be next.
643
00:34:41,000 --> 00:34:44,000
Life don't mean much to them. They're tumblebugs. He says.
644
00:34:44,000 --> 00:34:46,000
Cowboy tells Jenny she's just a decoy.
645
00:34:46,000 --> 00:34:49,000
If she does what he says, she won't get hurt.
646
00:34:49,000 --> 00:34:52,000
Back at the hotel, scared guy has been sitting in the hotel lobby all night.
647
00:34:52,000 --> 00:34:57,000
He's too tired to notice when Drew comes down, wearing a bad grey wig and a mustache and glasses.
648
00:34:57,000 --> 00:34:58,000
It's not until scared.
649
00:34:58,000 --> 00:35:02,000
A guy notices Drew's car leaving that he realizes that he's missed his mark.
650
00:35:02,000 --> 00:35:05,000
He runs wide out the door and after him, he doesn't have a skateboard with him.
651
00:35:05,000 --> 00:35:07,000
No, he must have driven.
652
00:35:07,000 --> 00:35:10,000
No, he parked it outside, I guess, because he'll have it when he comes back.
653
00:35:10,000 --> 00:35:12,000
And the next time we see him.
654
00:35:12,000 --> 00:35:15,000
It's not very efficient to chase a guy in a car when you're on a skateboard.
655
00:35:15,000 --> 00:35:17,000
Even less so on foot.
656
00:35:17,000 --> 00:35:18,000
Yeah.
657
00:35:18,000 --> 00:35:20,000
Now we visit the waitress and the professor.
658
00:35:20,000 --> 00:35:22,000
She's getting ready for work.
659
00:35:22,000 --> 00:35:25,000
She's got her pompodora on, which is necessary in her line of work.
660
00:35:25,000 --> 00:35:30,000
And she's brought her uniform with her, her long, flower dress that she wears for the job.
661
00:35:30,000 --> 00:35:34,000
The professor asks why she has to put that thing on her head and she says it's part of the job.
662
00:35:34,000 --> 00:35:37,000
She really wants to be a waitress in a fancy club.
663
00:35:37,000 --> 00:35:42,000
The waitress says that she had a lot of fun and the professor says that he wants to take you out again tonight.
664
00:35:42,000 --> 00:35:45,000
And he's going to call her every hour on the hour until then.
665
00:35:45,000 --> 00:35:48,000
She says, "I hope so," and sprays him in the face with silly string.
666
00:35:48,000 --> 00:35:50,000
"That's the last," she says.
667
00:35:50,000 --> 00:35:52,000
Now we're back with cowboy and Jenny.
668
00:35:52,000 --> 00:35:54,000
They're at the airport waiting for Kimo to arrive.
669
00:35:54,000 --> 00:35:59,000
He scheduled to be flying over to Kawaii for his 12 o'clock meeting with Kinsella about buying his Tiki bar.
670
00:35:59,000 --> 00:36:01,000
Kimo shows up right on time.
671
00:36:01,000 --> 00:36:04,000
He and the others skip in Nico, etc. walk him to the plane.
672
00:36:04,000 --> 00:36:09,000
Kappai runs over to their car, sticks his knife in the bottom, causing the gas to lean to leak.
673
00:36:09,000 --> 00:36:12,000
As Kimo boards the plane, he has skipped to come along.
674
00:36:12,000 --> 00:36:13,000
Just like this?
675
00:36:13,000 --> 00:36:17,000
From their vantage point, cowboy and Jenny see this, this is going to be a problem.
676
00:36:17,000 --> 00:36:23,000
They were supposed to take out skip in Nico, but if skip goes to Kawaii, Kinsella will have to deal with him as well as Kimo.
677
00:36:23,000 --> 00:36:26,000
Kappai starts off the brat and he and Jenny drive away in a hurry.
678
00:36:26,000 --> 00:36:29,000
The other two'd bodyguards drive off in their leaky car.
679
00:36:29,000 --> 00:36:33,000
Now we're with the professor who's setting up his gas gun from his bungalow.
680
00:36:33,000 --> 00:36:38,000
With an 8 mile range, all he needs is a clear shot when Kiyoki Mktawa gets in his sights.
681
00:36:38,000 --> 00:36:40,000
Now we're back with Alexa.
682
00:36:40,000 --> 00:36:46,000
She's contrived to run into the hermit, and he's delighted to find her trespassing and invites her to see his garden.
683
00:36:46,000 --> 00:36:49,000
She thinks him except his hand and follows him.
684
00:36:49,000 --> 00:36:52,000
For the first time since Thursday, we see Ed Parker.
685
00:36:52,000 --> 00:36:56,000
He's wearing a jumpsuit and driving a truck labeled Aloha Office Maintenance.
686
00:36:56,000 --> 00:37:00,000
Ed looks up at the Kawaii building and heads inside, carrying a feather duster.
687
00:37:00,000 --> 00:37:04,000
By the time he reaches the penthouse, Ed is armed himself with a whole cart of leaning supplies.
688
00:37:04,000 --> 00:37:09,000
For those who come from, inside Mr. Lee's office, he's having a meeting with some of his distributors.
689
00:37:09,000 --> 00:37:13,000
They aren't making him happy, especially Carl.
690
00:37:13,000 --> 00:37:15,000
Carl's been stealing from Mr. Lee.
691
00:37:15,000 --> 00:37:22,000
Carl protests, but Lee's going to make an example of him by having his swordsmen slice a pineapple on his throat.
692
00:37:22,000 --> 00:37:26,000
Doesn't go all the way through though. Well, it goes all the way through the pineapple, but not the throat.
693
00:37:26,000 --> 00:37:32,000
Mr. Lee tells everyone assembled that there'll be a real funeral next time. Then he orders everyone to get away.
694
00:37:32,000 --> 00:37:35,000
And I'll leave except for his personal bodyguards, who stay behind.
695
00:37:35,000 --> 00:37:36,000
Of course, goes without saying.
696
00:37:36,000 --> 00:37:39,000
The rest head toward the elevator, not paying any attention to Ed Parker,
697
00:37:39,000 --> 00:37:42,000
who is spending an inordinate amount of time dusting a lamp.
698
00:37:42,000 --> 00:37:46,000
Drew, still in his weird disguise, gets into the convertible that Jenny painted for him.
699
00:37:46,000 --> 00:37:51,000
He reminds us, via voiceover, that the hotel job is going to happen today.
700
00:37:51,000 --> 00:37:54,000
They don't know where, so they have to stop it before it starts.
701
00:37:54,000 --> 00:38:00,000
He also explains to us that the car swap was because the Kahuna and his gang have never seen this yellow convertible,
702
00:38:00,000 --> 00:38:02,000
so they'll have an easier time sneaking up on them.
703
00:38:02,000 --> 00:38:06,000
He doesn't really sneak up on him, though. It makes himself extremely obvious.
704
00:38:06,000 --> 00:38:09,000
But he has to be not Drew at that point.
705
00:38:09,000 --> 00:38:10,000
Or with Kinsella.
706
00:38:10,000 --> 00:38:15,000
He's got his trumpet, and he's telling his bartender to give his guest good service.
707
00:38:15,000 --> 00:38:19,000
The bartender knows that Mr. Kimo is coming. He used to work for him.
708
00:38:19,000 --> 00:38:23,000
Uh-oh. Kinsella is not happy to hear this, as you can imagine.
709
00:38:23,000 --> 00:38:28,000
The black bulletproof car is still leaking gas, still they stop at the same service station that we read on Friday.
710
00:38:28,000 --> 00:38:31,000
Only this time they find the cowboy running the place.
711
00:38:31,000 --> 00:38:32,000
What happened to the other guy?
712
00:38:32,000 --> 00:38:35,000
Cowboy explains that his brother-in-law's sick so Cowboy's filling in for him.
713
00:38:35,000 --> 00:38:40,000
He also discreetly places a horse shoe through the car's door handles, thereby attracting the men in the car.
714
00:38:40,000 --> 00:38:44,000
If through the front handle and the back handle, which are close enough to accomplish this.
715
00:38:44,000 --> 00:38:50,000
As Cowboy fills up their tank, Jenny does her job by stripping down to her bikini and distracting the car's occupants.
716
00:38:50,000 --> 00:38:52,000
And boy are they distracted.
717
00:38:52,000 --> 00:38:57,000
This gives Cowboy the opportunity to place a horse shoe to the driver's side door handles as well.
718
00:38:57,000 --> 00:38:59,000
Cowboy asked them to pop the hood so he could check the oil.
719
00:38:59,000 --> 00:39:01,000
But instead he cuts the power to the battery.
720
00:39:01,000 --> 00:39:04,000
The men in the car notice right away that the air conditioner starts working.
721
00:39:04,000 --> 00:39:06,000
Then the power windows don't work either.
722
00:39:06,000 --> 00:39:08,000
And then they notice that the doors won't open.
723
00:39:08,000 --> 00:39:13,000
Cowboy is now pumping gasoline all over the top of the car as the men struggle to release themselves.
724
00:39:13,000 --> 00:39:16,000
Yeah, they're pretty frantic, but they try to kick out the windows, but that's not working.
725
00:39:16,000 --> 00:39:18,000
Probably because they're bulletproof.
726
00:39:18,000 --> 00:39:22,000
Jenny hops in the breath and pulls out a little bit. Cowboy jumps in the back of the breath.
727
00:39:22,000 --> 00:39:26,000
And then he shoots the goons car, which explodes in a very satisfying way.
728
00:39:26,000 --> 00:39:28,000
First the trunk lid blows up.
729
00:39:28,000 --> 00:39:29,000
Then the car blows up.
730
00:39:29,000 --> 00:39:31,000
And then the gas station blows up.
731
00:39:31,000 --> 00:39:33,000
Jenny and the cowboy aren't done yet, though.
732
00:39:33,000 --> 00:39:35,000
They've got someone else to take care of.
733
00:39:35,000 --> 00:39:39,000
Drew is parked near and staking out Kahuna's electronics office.
734
00:39:39,000 --> 00:39:43,000
Drew goes to the trunk of his car and pulls out that inflatable doll from earlier.
735
00:39:43,000 --> 00:39:44,000
That was part of the plan.
736
00:39:44,000 --> 00:39:48,000
It's fully inflated and dressed and he places it in the passenger seat.
737
00:39:48,000 --> 00:39:51,000
As he's doing this, Kahuna comes out and greets his six bodyguards.
738
00:39:51,000 --> 00:39:52,000
Good morning.
739
00:39:52,000 --> 00:39:54,000
He tells them to remember their goal today.
740
00:39:54,000 --> 00:39:56,000
Attack and survive.
741
00:39:56,000 --> 00:39:58,000
This will be one of the biggest heists in history.
742
00:39:58,000 --> 00:40:00,000
So there'll be plenty of money to go around for everyone.
743
00:40:00,000 --> 00:40:04,000
And he also warns them to wear their deck shoes because there's going to be a lot of blood on the floors.
744
00:40:04,000 --> 00:40:07,000
They're going to get airlifted to a boat after the heist.
745
00:40:07,000 --> 00:40:08,000
Thus the deck shoes.
746
00:40:08,000 --> 00:40:11,000
And then skater guy skates over to confess that he's lost track of his mark.
747
00:40:11,000 --> 00:40:13,000
Kahuna asks how?
748
00:40:13,000 --> 00:40:16,000
And skater says that he couldn't cover all the exits.
749
00:40:16,000 --> 00:40:19,000
We're the men mutters somebody guard, but there's business to attend to.
750
00:40:19,000 --> 00:40:21,000
So Kahuna gathers everyone into his car.
751
00:40:21,000 --> 00:40:24,000
Back at Mr. Lee's office, Mr. Lee would like some tea.
752
00:40:24,000 --> 00:40:28,000
Ed is still there barely cleaning anything.
753
00:40:28,000 --> 00:40:32,000
One flunky gets the tea while the other with the sword hits the head.
754
00:40:32,000 --> 00:40:34,000
This is Ed's moment.
755
00:40:34,000 --> 00:40:37,000
He goes into Mr. Lee's office and locks the door.
756
00:40:37,000 --> 00:40:39,000
Mr. Lee says, what the hell do you want?
757
00:40:39,000 --> 00:40:41,000
And Ed says, you, Mr. Lee.
758
00:40:41,000 --> 00:40:44,000
And then the two start to spar.
759
00:40:44,000 --> 00:40:46,000
And do a little kung fu on each other.
760
00:40:46,000 --> 00:40:47,000
Pretty evenly matched.
761
00:40:47,000 --> 00:40:50,000
The bodyguard returns with Mr. Lee's tea, but finds the door locked.
762
00:40:50,000 --> 00:40:54,000
Hearing the struggle going on through the door, he sets about breaking it down.
763
00:40:54,000 --> 00:41:00,000
The fight continues, but Ed Parker has a secret weapon, a plate glass window in a penthouse office.
764
00:41:00,000 --> 00:41:05,000
He pushes Mr. Lee through his head first and his dummy falls to the ground.
765
00:41:05,000 --> 00:41:06,000
It's pretty funny.
766
00:41:06,000 --> 00:41:09,000
And so this moment that the bodyguard manages to break down the door.
767
00:41:09,000 --> 00:41:12,000
But he hasn't had the hours of training that Mr. Lee has had.
768
00:41:12,000 --> 00:41:14,000
So Ed dispatched him quickly by snapping his neck.
769
00:41:14,000 --> 00:41:17,000
And by this time the swordsman has returned.
770
00:41:17,000 --> 00:41:19,000
He draws his sword shouting, hi, yeah.
771
00:41:19,000 --> 00:41:23,000
But then Ed Parker pulls a Indiana Jones two years before the fact.
772
00:41:23,000 --> 00:41:24,000
He just shoots him.
773
00:41:24,000 --> 00:41:26,000
Hi, yeah, my ass. He says.
774
00:41:26,000 --> 00:41:29,000
And I thought this was hilarious when this happened.
775
00:41:29,000 --> 00:41:32,000
I said he should shoot him Indiana Jones style and he did.
776
00:41:32,000 --> 00:41:34,000
But this was two years before that.
777
00:41:34,000 --> 00:41:35,000
Now we're back at the beach.
778
00:41:35,000 --> 00:41:37,000
The surf competition is still in progress.
779
00:41:37,000 --> 00:41:40,000
Cowboy and Jenny pull in and park nearby.
780
00:41:40,000 --> 00:41:43,000
Cowboy looks out onto the beach and sees butterfly the target right away.
781
00:41:43,000 --> 00:41:45,000
Jenny wants to change into something fit to kill.
782
00:41:45,000 --> 00:41:47,000
And Cowboy would like to watch her do just that.
783
00:41:47,000 --> 00:41:49,000
So she does then they go down to the beach.
784
00:41:49,000 --> 00:41:52,000
Butterfly is talking to a group of people.
785
00:41:52,000 --> 00:41:56,000
The woman that he was shooting up in his introductory scene is there.
786
00:41:56,000 --> 00:41:57,000
She's kind of angry.
787
00:41:57,000 --> 00:41:59,000
She wants her fix.
788
00:41:59,000 --> 00:42:00,000
Help.
789
00:42:00,000 --> 00:42:01,000
I'm not sure.
790
00:42:01,000 --> 00:42:03,000
Cowboy comes up with a double bag full of t-shirts.
791
00:42:03,000 --> 00:42:04,000
He's giving away.
792
00:42:04,000 --> 00:42:07,000
The angry woman takes hers and throws it down on the beach.
793
00:42:07,000 --> 00:42:09,000
But everyone else seems pretty happy.
794
00:42:09,000 --> 00:42:12,000
Except for butterfly who receives one that appears to have a target on it.
795
00:42:12,000 --> 00:42:14,000
Cowboy says they should think of it as pop art.
796
00:42:14,000 --> 00:42:17,000
But yeah, it does kind of look like a target.
797
00:42:17,000 --> 00:42:18,000
Now that you mention it.
798
00:42:18,000 --> 00:42:20,000
And butterfly looks like he's a little disappointed.
799
00:42:20,000 --> 00:42:22,000
Everyone else got cooler shirts than he did.
800
00:42:22,000 --> 00:42:26,000
Now we're back briefly with the hermit who's taking Alexa for a stroll.
801
00:42:26,000 --> 00:42:28,000
He has taken over carrying her backpack for her.
802
00:42:28,000 --> 00:42:29,000
And she says you're right.
803
00:42:29,000 --> 00:42:30,000
It is paradise here.
804
00:42:30,000 --> 00:42:33,000
Then we're with a professor who's wielding a protractor
805
00:42:33,000 --> 00:42:36,000
in a compass to know exactly where to aim.
806
00:42:36,000 --> 00:42:38,000
We briefly go back with Alexa and hermit.
807
00:42:38,000 --> 00:42:41,000
They're still walking to the garden and she's a little giggly.
808
00:42:41,000 --> 00:42:43,000
She's putting on an act.
809
00:42:43,000 --> 00:42:47,000
Back with the cowboy, he offers butterfly $100 to let them take his picture
810
00:42:47,000 --> 00:42:51,000
in the target shirt on a surfboard in the ocean.
811
00:42:51,000 --> 00:42:53,000
Butterfly doesn't want the money, but he takes the money
812
00:42:53,000 --> 00:42:57,000
and gives it to the junkie who was bugging him for another fix.
813
00:42:57,000 --> 00:43:00,000
Jenny invites the whole gang to her place to enjoy a lit of Maui-Waui
814
00:43:00,000 --> 00:43:02,000
and then cowboy and butterfly are left alone.
815
00:43:02,000 --> 00:43:04,000
Butterfly puts on the shirt.
816
00:43:04,000 --> 00:43:06,000
Cowboy says he's going to go over to that hill to take the shot.
817
00:43:06,000 --> 00:43:09,000
And it says just butterfly takes some big waves.
818
00:43:09,000 --> 00:43:11,000
Butterfly says he'll probably take some small ones
819
00:43:11,000 --> 00:43:14,000
and cowboy tells him to make himself comfortable.
820
00:43:14,000 --> 00:43:17,000
So Butterfly takes out his board and cowboy heads for the hill
821
00:43:17,000 --> 00:43:18,000
but is stopped by Miley.
822
00:43:18,000 --> 00:43:19,000
Who would answer?
823
00:43:19,000 --> 00:43:21,000
Miley tells Cowboy that she works for Harris
824
00:43:21,000 --> 00:43:23,000
and she's been trying to find Drew.
825
00:43:23,000 --> 00:43:25,000
Cowboy pretends he doesn't know those guys.
826
00:43:25,000 --> 00:43:29,000
Then plot point radio details the two kill so far.
827
00:43:29,000 --> 00:43:31,000
And Miley bets Cowboy that he doesn't know anything about that.
828
00:43:31,000 --> 00:43:34,000
And then Cowboy bids her a loha.
829
00:43:34,000 --> 00:43:36,000
We're back with the professor and it must be the top of the hour
830
00:43:36,000 --> 00:43:39,000
because he's calling the restaurant and asking for Rhonda.
831
00:43:39,000 --> 00:43:42,000
At least he hasn't had to refer to him as the waitress this whole time.
832
00:43:42,000 --> 00:43:44,000
Yes, but time she gets off.
833
00:43:44,000 --> 00:43:47,000
It's once again at 11 and he says he'll meet her at the same place.
834
00:43:47,000 --> 00:43:51,000
But she has to go because Mr. Mokdala is just coming into the restaurant.
835
00:43:51,000 --> 00:43:53,000
Don't, don't, don't.
836
00:43:53,000 --> 00:43:56,000
Then we see T.K. putting together a hang glider.
837
00:43:56,000 --> 00:43:59,000
Now we're with Drew pulling up alongside the Kahunas car.
838
00:43:59,000 --> 00:44:02,000
And he's fondling that blow up Dowell's boob.
839
00:44:02,000 --> 00:44:06,000
Skateboard guy looks out and laughs thinking that he's pulling a real woman.
840
00:44:06,000 --> 00:44:09,000
But Kahunas not interested either way.
841
00:44:09,000 --> 00:44:15,000
Stick.
842
00:44:15,000 --> 00:44:19,000
He's pretty bad but Skip seems to think it's pretty funny or so bad that it's good.
843
00:44:19,000 --> 00:44:22,000
A brief shot of McDowell finishing his lunch.
844
00:44:22,000 --> 00:44:26,000
And then we're with T.K. who has strapped himself in a hang glider.
845
00:44:26,000 --> 00:44:27,000
He's ready to fly.
846
00:44:27,000 --> 00:44:30,000
Okay Mr. Cheney says I've got a shaft for your ass.
847
00:44:30,000 --> 00:44:33,000
He certainly knows how to pay the picture with words.
848
00:44:33,000 --> 00:44:37,000
Back with the hermit, he's starting to get grabby with Alexa.
849
00:44:37,000 --> 00:44:40,000
Back at the beach Butterfly is headed out to the surf, board and arm.
850
00:44:40,000 --> 00:44:45,000
Cowboy straps on his six shooter and then snaps a few pictures as Butterfly is paddling out.
851
00:44:45,000 --> 00:44:48,000
And now T.K. is in the air gliding over the golf course.
852
00:44:48,000 --> 00:44:50,000
And then the hermit attacks Alexa.
853
00:44:50,000 --> 00:44:54,000
He starts on zipping your shorts and then puts a knife to her throat.
854
00:44:54,000 --> 00:44:58,000
Yikes. At the T.K. bar, Consella is still bombing on the stage.
855
00:44:58,000 --> 00:45:01,000
Kimo was not amused at all but Skip suggests that he play along.
856
00:45:01,000 --> 00:45:03,000
And Kimo can pick up this place real cheap.
857
00:45:03,000 --> 00:45:07,000
The professor is getting a weather report, the wind speed, direction and all that.
858
00:45:07,000 --> 00:45:12,000
All this needs to be taken under careful consideration if he's to be successful in shooting his big gun.
859
00:45:12,000 --> 00:45:14,000
Back with T.K. and his target.
860
00:45:14,000 --> 00:45:16,000
He's a Mr. Cheney golfing.
861
00:45:16,000 --> 00:45:18,000
At the beach Butterfly is finally taking a wave.
862
00:45:18,000 --> 00:45:22,000
Cowboy says Adios has all and shoots the center of the target on Butterfly's shirt.
863
00:45:22,000 --> 00:45:25,000
Cowboy turns to see Miley pointing a gun at him.
864
00:45:25,000 --> 00:45:27,000
She shoots and he goes down.
865
00:45:27,000 --> 00:45:30,000
Then Miley goes to the glove box of her car and triggers an alarm.
866
00:45:30,000 --> 00:45:32,000
This will alert the network that there's trouble.
867
00:45:32,000 --> 00:45:35,000
Meanwhile Butterfly's body washes up on the shore.
868
00:45:35,000 --> 00:45:37,000
And the professor shoots his gun.
869
00:45:37,000 --> 00:45:39,000
But we don't know what happened yet.
870
00:45:39,000 --> 00:45:41,000
Back with the hermit, he's grinding on Alexa.
871
00:45:41,000 --> 00:45:45,000
It isn't appear to be penetration, but it's pretty gross.
872
00:45:45,000 --> 00:45:47,000
She seems only a little annoyed by this.
873
00:45:47,000 --> 00:45:50,000
It's really the knife at her throat that's concerning her at the moment.
874
00:45:50,000 --> 00:45:55,000
The alarm in hermit's pocket goes off, which distracts him long enough for her to push him off of her.
875
00:45:55,000 --> 00:45:59,000
He swipes at her leg with a knife, cutting her, and she smacks him back toward the water.
876
00:45:59,000 --> 00:46:00,000
His head hitting a rock.
877
00:46:00,000 --> 00:46:06,000
She limps over to her backpack, pulls out an oven timer bomb, and places it between hermit's legs.
878
00:46:06,000 --> 00:46:08,000
If you wanted to get your rocks off, she said this should do it.
879
00:46:08,000 --> 00:46:13,000
And she high tails it out of there before the bomb goes off, and the hermit is blown to pieces.
880
00:46:13,000 --> 00:46:15,000
That's our second dummy kill of the movie.
881
00:46:15,000 --> 00:46:18,000
In Kahun's car, his red alert thingy goes off too.
882
00:46:18,000 --> 00:46:21,000
He's confused by this, and just switches it off.
883
00:46:21,000 --> 00:46:24,000
But the driver of the car, Charlie, says that he shouldn't trust Miley.
884
00:46:24,000 --> 00:46:26,000
She's working both sides.
885
00:46:26,000 --> 00:46:28,000
Kahun is not concerned about her though.
886
00:46:28,000 --> 00:46:31,000
The driver, Charlie, notices Drew carrying on with his doll again.
887
00:46:31,000 --> 00:46:34,000
Take a look at that, Charlie says, and Kahun alines forward to take a look at that.
888
00:46:34,000 --> 00:46:36,000
And when he does, Drew takes his shot.
889
00:46:36,000 --> 00:46:37,000
It would have worked.
890
00:46:37,000 --> 00:46:38,000
Had the window not been bulletproof.
891
00:46:38,000 --> 00:46:41,000
Kahun alafs it. Drew's failed this hastenation attempt.
892
00:46:41,000 --> 00:46:42,000
So did I.
893
00:46:42,000 --> 00:46:47,000
Drew whips off his wig in frustration, and then has to duck as the skater guy leans out his window and shoots at him.
894
00:46:47,000 --> 00:46:50,000
But the blowup doll is the only casualty.
895
00:46:50,000 --> 00:46:54,000
Skater is a little nerve to see the woman in the passenger seat just explode when he shot her.
896
00:46:54,000 --> 00:46:57,000
And who rules down his window enough to take a few shots to Drew as well,
897
00:46:57,000 --> 00:47:01,000
but he can't put himself in a good position to hit him without risking being shot himself.
898
00:47:01,000 --> 00:47:05,000
And then Drew apologizes to his passenger for sustaining a fatal injury.
899
00:47:05,000 --> 00:47:11,000
We're back with TK, hang gliding over the golf course, and Mr. Shin sees him and wonders why there's a hang glider to play out here.
900
00:47:11,000 --> 00:47:12,000
Then he hears the red alert go off.
901
00:47:12,000 --> 00:47:18,000
And just then from the sky TK beds them a loha and drops a bomb on Mr. Shin and his associates.
902
00:47:18,000 --> 00:47:21,000
The Kahun al-Dapploys skateboard guy to get to Drew.
903
00:47:21,000 --> 00:47:27,000
But while skateboard guy is pure wedding in the road, Drew just slams into him and sends him flying.
904
00:47:27,000 --> 00:47:31,000
He flies up and somehow lands on Drew's trunk defying physics.
905
00:47:31,000 --> 00:47:36,000
Well, he backed up so that he like aimed it, but he probably wouldn't have had time to do that in real life.
906
00:47:36,000 --> 00:47:38,000
Yeah, it just doesn't look right to me.
907
00:47:38,000 --> 00:47:42,000
Skateboard guy lands on Drew's car, then falls on the ground.
908
00:47:42,000 --> 00:47:46,000
He's clearly breathing as his skateboard wheels roll to his outstretched hand.
909
00:47:46,000 --> 00:47:48,000
But I think we're supposed to take it that he's dead.
910
00:47:48,000 --> 00:47:51,000
Drew speeds off leaving Skater bleeding on the road.
911
00:47:51,000 --> 00:47:53,000
"You win or you lose or you lose a few skater," he says.
912
00:47:53,000 --> 00:47:59,000
Back at the TK club, Kinsella is still stinking up the stage, and Kimo looks like he'd rather be anywhere else.
913
00:47:59,000 --> 00:48:02,000
The bartender receives that red alert signal, so Kinsella has to act fast.
914
00:48:02,000 --> 00:48:06,000
He pulls on a shotgun yet hidden in the shadows, I guess, because it's suddenly in his hands.
915
00:48:06,000 --> 00:48:11,000
He points it at Kimo, but Skip throws himself in front of him and takes the shot in the back.
916
00:48:11,000 --> 00:48:13,000
Kinsella fires again and hits Kimo in the leg.
917
00:48:13,000 --> 00:48:17,000
Kinsella quickly reloads and shoots the bartender, who's reaching for his own gun.
918
00:48:17,000 --> 00:48:22,000
Then he shoots Kimo again, this time in the chest, the impact at which those Kimo threw the door.
919
00:48:22,000 --> 00:48:26,000
Kinsella reloads a third time, but by this time Skip has his gun ready.
920
00:48:26,000 --> 00:48:29,000
Skip would Kinsella fires simultaneously and they both go down.
921
00:48:29,000 --> 00:48:34,000
But Kinsella was really dying long before any shots were fired.
922
00:48:34,000 --> 00:48:37,000
He both killed and died on stage.
923
00:48:37,000 --> 00:48:40,000
He didn't kill. He died both stages.
924
00:48:40,000 --> 00:48:45,000
I'm at it with a gun he killed. His act was terrible and racist and stupid.
925
00:48:45,000 --> 00:48:47,000
Drew's still in pursuit of the Kuhuna's car.
926
00:48:47,000 --> 00:48:50,000
He traces it into a tunnel and back out again.
927
00:48:50,000 --> 00:48:55,000
Kuhuna makes it to an airfield. Drew pulls into the same airfield, but he's too late.
928
00:48:55,000 --> 00:48:58,000
The Kuhuna and Charlie have already taken off in their plane.
929
00:48:58,000 --> 00:49:02,000
Drew wants to a counter and tries to get a flight for himself.
930
00:49:02,000 --> 00:49:05,000
Holding a lot of cash, he says he needs a plane immediately.
931
00:49:05,000 --> 00:49:08,000
His wife had an accident and he needs to get to Kui ASAP.
932
00:49:08,000 --> 00:49:11,000
And woman leads him off toward a plane, I presume.
933
00:49:11,000 --> 00:49:14,000
Back at the restaurant, McDowell has finished his lunch.
934
00:49:14,000 --> 00:49:17,000
Right on schedule and he drives her head to their car.
935
00:49:17,000 --> 00:49:20,000
They break into a run when they hear the red alert sounding from their car.
936
00:49:20,000 --> 00:49:24,000
They reach at the same time as does the professor's missile, which takes them both out.
937
00:49:24,000 --> 00:49:29,000
The professor whistles, "Pap goes the weasel to himself" as he crosses the name off of his notes.
938
00:49:29,000 --> 00:49:32,000
But he doesn't even know if it hit or not.
939
00:49:32,000 --> 00:49:33,000
How could he know?
940
00:49:33,000 --> 00:49:35,000
He's just assuming that he's that good.
941
00:49:35,000 --> 00:49:38,000
I guess. Alexa limps back to where she had parked her helicopter.
942
00:49:38,000 --> 00:49:42,000
Kuhuna, now on the ground in Kui, is getting into a car,
943
00:49:42,000 --> 00:49:46,000
but he sends one of his flunkies on a motorbike in the direction of Drew's plane.
944
00:49:46,000 --> 00:49:49,000
The guy in the motorcycle gleefully complies.
945
00:49:49,000 --> 00:49:52,000
He's got a gun, he gets close to where Drew is walking,
946
00:49:52,000 --> 00:49:56,000
and he aims at Drew, but managed to hit a baggage car to tend it instead.
947
00:49:56,000 --> 00:49:59,000
Drew runs over to where some kid is getting on a bike,
948
00:49:59,000 --> 00:50:02,000
and gives the kid some money to say that he's going to rent the bike for a while,
949
00:50:02,000 --> 00:50:03,000
and the chase is on again.
950
00:50:03,000 --> 00:50:05,000
So Drew takes off after the bike or who shot at him,
951
00:50:05,000 --> 00:50:08,000
and it's not too long before police cars chasing them both,
952
00:50:08,000 --> 00:50:10,000
but the police car is, as it's saying, the chase for long
953
00:50:10,000 --> 00:50:13,000
because it's run off the road by an oncoming car as they're crossing a bridge.
954
00:50:13,000 --> 00:50:17,000
Bongo music plays at a furious pace as the motorbike chase continues.
955
00:50:17,000 --> 00:50:22,000
And now we're back at the beach, where a woman has stumbled on Cowboy's body,
956
00:50:22,000 --> 00:50:24,000
and she's very distressed.
957
00:50:24,000 --> 00:50:27,000
Someone checks and says that she thinks that this man is still braiding,
958
00:50:27,000 --> 00:50:28,000
and she gets a doctor in her hurry.
959
00:50:28,000 --> 00:50:32,000
And then a family who is standing nearby starts taking pictures.
960
00:50:32,000 --> 00:50:35,000
Now the motorcycle chase has turned into a foot chase.
961
00:50:35,000 --> 00:50:37,000
The motorbikeer takes refuge behind a junk truck
962
00:50:37,000 --> 00:50:39,000
and decides to try shooting at Drew again.
963
00:50:39,000 --> 00:50:42,000
Drew fires back, and his shot is true.
964
00:50:42,000 --> 00:50:45,000
Drew pulls off the guy's visor and asks where is he.
965
00:50:45,000 --> 00:50:47,000
The motorbikeer replies that he's hurt real bad,
966
00:50:47,000 --> 00:50:49,000
so Drew throws him on the ground and starts walking away.
967
00:50:49,000 --> 00:50:51,000
The guy picks up his gun again,
968
00:50:51,000 --> 00:50:53,000
so Drew spins around and shoots him one more time.
969
00:50:53,000 --> 00:50:55,000
Then as the guy falls to the ground, Drew grabs a card
970
00:50:55,000 --> 00:50:57,000
and starts rooting him Miranda, right?
971
00:50:57,000 --> 00:50:59,000
So there's really no reason for him to do this.
972
00:50:59,000 --> 00:51:01,000
He's not a cop and the guy's dead.
973
00:51:01,000 --> 00:51:03,000
So the coonist man have gotten him to the pier.
974
00:51:03,000 --> 00:51:06,000
You're going to even do a motorized inflatable boat
975
00:51:06,000 --> 00:51:09,000
to head off to his cabin cruiser located offshore.
976
00:51:09,000 --> 00:51:12,000
Charlie is left on the dock, and he's shot by Drew as Drew approaches.
977
00:51:12,000 --> 00:51:15,000
As for Alexa, she's flying around, keeping a lookout for something,
978
00:51:15,000 --> 00:51:18,000
but she has no idea of knowing which parts of the plan have gone amiss.
979
00:51:18,000 --> 00:51:20,000
Since the group has been in Communicado,
980
00:51:20,000 --> 00:51:23,000
so I don't know exactly what she thinks she's looking for.
981
00:51:23,000 --> 00:51:25,000
Well, a sign, obviously.
982
00:51:25,000 --> 00:51:29,000
And Drew gives her that sign by taking that kid's motorcycle to the beach
983
00:51:29,000 --> 00:51:31,000
and exploding it.
984
00:51:31,000 --> 00:51:33,000
That's a signal she can't ignore.
985
00:51:33,000 --> 00:51:35,000
The explosion gets Alexa's attention
986
00:51:35,000 --> 00:51:37,000
and she lands the helicopter nearby.
987
00:51:37,000 --> 00:51:40,000
Drew runs up and notices the injury to her leg.
988
00:51:40,000 --> 00:51:41,000
She says it's nothing.
989
00:51:41,000 --> 00:51:43,000
He tells her to take the helicopter up and out to sea
990
00:51:43,000 --> 00:51:45,000
as he hops in the back.
991
00:51:45,000 --> 00:51:48,000
On the cabin cruiser, a man in gray hair on the top deck
992
00:51:48,000 --> 00:51:49,000
starts shooting at the chopper.
993
00:51:49,000 --> 00:51:52,000
But eventually Drew shoots him.
994
00:51:52,000 --> 00:51:56,000
Then Drew commands Alexa to take them to the Luma High Point
995
00:51:56,000 --> 00:51:57,000
to get the professor.
996
00:51:57,000 --> 00:52:00,000
As the helicopter flies off, the Kahuna comes out from hiding.
997
00:52:00,000 --> 00:52:03,000
It was one of his men that drew its shot, not the Kahuna.
998
00:52:03,000 --> 00:52:06,000
The man says he's hurt real bad, and Kahuna props him up on the end of the boat
999
00:52:06,000 --> 00:52:08,000
and tells him to wait while they get first aid,
1000
00:52:08,000 --> 00:52:10,000
but instead he shoots him in the chest sending the man into the sea.
1001
00:52:10,000 --> 00:52:13,000
Then the Kahuna gets on the radio, telling whoever's left that there are six dead,
1002
00:52:13,000 --> 00:52:15,000
but the operation is still on.
1003
00:52:15,000 --> 00:52:17,000
And he will personally lead the assault tomorrow.
1004
00:52:17,000 --> 00:52:18,000
Tomorrow?
1005
00:52:18,000 --> 00:52:21,000
He says tomorrow, I think today has been delayed.
1006
00:52:21,000 --> 00:52:22,000
Okay.
1007
00:52:22,000 --> 00:52:23,000
Well, change the plan.
1008
00:52:23,000 --> 00:52:26,000
Now we're back with Drew and the professor in Alexa on the beach,
1009
00:52:26,000 --> 00:52:29,000
where the professor's gun is again operational.
1010
00:52:29,000 --> 00:52:33,000
Drew shoots the professor's gun at the Kahuna hitting him square in the chest.
1011
00:52:33,000 --> 00:52:36,000
Sadly, nothing blows up in the scene.
1012
00:52:36,000 --> 00:52:39,000
The professor asks Drew how he knew he killed the wrong man on the boat the first time,
1013
00:52:39,000 --> 00:52:43,000
and Drew says that he knows that everything the Kahuna did he did with his left hand.
1014
00:52:43,000 --> 00:52:46,000
The man Drew shot was shooting with his right hand.
1015
00:52:46,000 --> 00:52:49,000
The professor suggests they polished their helmets and get out of this business,
1016
00:52:49,000 --> 00:52:54,000
but Alexa calls out from the helicopter reminding them they've got one more stop on this tour.
1017
00:52:54,000 --> 00:52:56,000
The groups are united, except for Kinsella.
1018
00:52:56,000 --> 00:52:59,000
Everyone is at the Suck 'em Up Club, where we started.
1019
00:52:59,000 --> 00:53:02,000
It's time to deal with that sellout Miley.
1020
00:53:02,000 --> 00:53:07,000
Well, even Cowboys there, it turns out Cowboys Medallion stopped Miley's bullet saving his life.
1021
00:53:07,000 --> 00:53:12,000
Alexa hides her gun under Cowboys hat, but Jenny says that this kill is hers.
1022
00:53:12,000 --> 00:53:14,000
So Alexa pushes the hat towards Jenny.
1023
00:53:14,000 --> 00:53:19,000
Ed removes the L.A. he's been wearing and has it to T.K. who in turn has it to Drew.
1024
00:53:19,000 --> 00:53:23,000
Miley is dancing on stage and only now notices the group at the back table.
1025
00:53:23,000 --> 00:53:29,000
Drew tosses the delay to Miley as the professor lifts Cowboys hat off the table, and Jenny pulls the trigger.
1026
00:53:29,000 --> 00:53:33,000
The other dancers on stage scream as Miley goes down.
1027
00:53:33,000 --> 00:53:38,000
And then we see the plane take off as the credits are typed up for our pleasure.
1028
00:53:38,000 --> 00:53:42,000
But that's intercut with some of the greatest hits from the movie, meaning the kills.
1029
00:53:42,000 --> 00:53:44,000
And that's the end.
1030
00:53:44,000 --> 00:53:57,000
Welcome back to the American International Podcast, where we're talking about 7, not that 7, from 1979.
1031
00:53:57,000 --> 00:54:00,000
7 was filmed at Oahu and Kawaii in Hawaii.
1032
00:54:00,000 --> 00:54:06,000
According to production notes and Ampest Library files, director producer Andy Siddaris can see the story in action sequences
1033
00:54:06,000 --> 00:54:11,000
based on his experience covering outdoor athletic events in Hawaii for network television.
1034
00:54:11,000 --> 00:54:16,000
According to an article in the Indian Apple star, Siddaris spent four years writing the screenplay for 7.
1035
00:54:16,000 --> 00:54:28,000
That article, a profile on Barbara Lee, who was in town that June to promote the film, described how the real helicopter pilot for her stunts taught her how to fly the chopper, and even allowed her to take the controls and steer for some of her scenes in the film.
1036
00:54:28,000 --> 00:54:35,000
How he would report her budget of the film at $2 million, and noted that the film had just completed in their February 7, 1979 article.
1037
00:54:35,000 --> 00:54:37,000
Several members of the cast had never acted before.
1038
00:54:37,000 --> 00:54:38,000
No.
1039
00:54:38,000 --> 00:54:47,000
Three in particular were Robert Rell-Ya, who plays Harris, who was an executive at Melvin Simon Productions, and Peter Neck as Kimo Madero's.
1040
00:54:47,000 --> 00:54:50,000
He was a well-known criminal defense attorney in Los Angeles.
1041
00:54:50,000 --> 00:54:55,000
Henry Ayahu, in the role of Butterfly, was a noted sportsman and surfer in Hawaii.
1042
00:54:55,000 --> 00:55:01,000
Andy Siddaris was best known as a producer and director for live sporting events for which she won 6 Emmy Awards.
1043
00:55:01,000 --> 00:55:13,000
In addition to covering hundreds of football games and golf championships, he was in charge of the coverage of the 1964, '68 and 1976 Olympics, and two of Evil Camille's televised jumps prior to making 7.
1044
00:55:13,000 --> 00:55:21,000
Siddaris is credited with inventing the "honey shot," where the camera crew working sporting events locate pretty women in the stands for "cutaways during the games."
1045
00:55:21,000 --> 00:55:25,000
I don't know if I'd be proud of that, but it's still happening today.
1046
00:55:25,000 --> 00:55:36,000
Siddaris said about producer Mel Simon, "He was a very concerned sweet man. He placed absolutely no restrictions on me. I brought the picture in on time in 28 days and on a budget of $1.9 million."
1047
00:55:36,000 --> 00:55:42,000
At the Indianapolis event, Siddaris showed off the gold medallion he was wearing, given to him by the production staff for 7.
1048
00:55:42,000 --> 00:55:47,000
The back of the metal board, the inscription, "Rider, director, producer, tyrant."
1049
00:55:47,000 --> 00:55:52,000
I wonder if Cowboys' medallion was the inspiration for that, or maybe it was the same medallion.
1050
00:55:52,000 --> 00:55:56,000
Seven premiered in Los Angeles on September 21, 1979.
1051
00:55:56,000 --> 00:56:00,000
Taglines for seven include "Death is their way of life."
1052
00:56:00,000 --> 00:56:03,000
When the going gets rough, send for Sivano's seven.
1053
00:56:03,000 --> 00:56:06,000
Seven deadly sinners, seven ways to die.
1054
00:56:06,000 --> 00:56:10,000
Kevin Thompson and the LA Times wrote that neither Siddaris nor Driskill and Baird,
1055
00:56:10,000 --> 00:56:16,000
bothered to establish even minimal credibility for this paper, and they have come up with only the most superficial characterizations.
1056
00:56:16,000 --> 00:56:22,000
Yet they managed to waste 45 plotting minutes of this 100-minute movie, introducing the criminal victims and their higher assassins.
1057
00:56:22,000 --> 00:56:27,000
The pace then kicks up considerably with violence and elementary humor escalating proportionately.
1058
00:56:27,000 --> 00:56:33,000
In a largely unfamiliar mediocre cast, Smith carries the film "The Best You Can" with a welcome tongue-in-cheek attitude.
1059
00:56:33,000 --> 00:56:38,000
The Telso World Review of Seven was headlined, "Something for Everyone, Nothing Worth While."
1060
00:56:38,000 --> 00:56:42,000
Reviewer Laura Shamath wrote, "Directually, this picture is a mess."
1061
00:56:42,000 --> 00:56:47,000
Siddaris allows a TELX typewriter to be the key figure for most of the first hour of the film.
1062
00:56:47,000 --> 00:56:53,000
Going on to say that Siddaris uses very abrupt cuts, then resorts to the typewriter to clarify the muddled plot.
1063
00:56:53,000 --> 00:56:56,000
There's a lot of typing and little clarification.
1064
00:56:56,000 --> 00:56:59,000
But Shamath said nothing but praise for the cinematography.
1065
00:56:59,000 --> 00:57:03,000
Rich Detember of the Santa Cruz Sentinel opened his review with this line.
1066
00:57:03,000 --> 00:57:10,000
Did you know they're now breeding turkeys in the tropics before saying that Seven has got to be one of the worst films of this or any other year?
1067
00:57:10,000 --> 00:57:13,000
Ah, and continuing the bad review trend.
1068
00:57:13,000 --> 00:57:20,000
Skip Shuffield in the Boca Ratan News said, "Seven is so stupid, so clumsy and so inept. It is difficult to poke fun at.
1069
00:57:20,000 --> 00:57:29,000
If it were one of those cheap, redoved, Italian or Spanish action-flicks, it would be a certain amount of humor in the inevitable foreign misunderstandings of American cops and crooks.
1070
00:57:29,000 --> 00:57:36,000
But Seven was made by good old American international, home of beach blanket bingo, Frankie Avalan and Annette Funicello.
1071
00:57:36,000 --> 00:57:41,000
Shuffield also dinged William Smith for looking like Charles Bronson, only uglier.
1072
00:57:41,000 --> 00:57:56,000
Jim Wright in the record, Damm Day IP in his review, saying American international pictures for 25 years of leader-inch-lock films, the likes of I Was a Teenage Werewolf, Hell's Angels on Wheels, and the incredible melting man, took a step toward respectability of the past year with Love It First Bite and The Amateur of a Horror.
1073
00:57:56,000 --> 00:58:03,000
But with area openings of Jaguar lives in Seven this weekend, the studio has shown it hasn't abandoned its old, low-budget style altogether.
1074
00:58:03,000 --> 00:58:10,000
Maybe that was praise, we don't know. So let's talk about what we think about this movie. Did we hate it as much as all these 1979 critics?
1075
00:58:10,000 --> 00:58:15,000
I don't think I did. I thought this movie was a lot of fun. It's a very busy film.
1076
00:58:15,000 --> 00:58:18,000
There's a lot happening. Our notes are so long.
1077
00:58:18,000 --> 00:58:22,000
And the way it's cut, there's constant cutting, all the scenes are quick and short.
1078
00:58:22,000 --> 00:58:26,000
It's the director's sports production background, I think, that has him do that.
1079
00:58:26,000 --> 00:58:29,000
So the movie is, it's punchy, it really moves.
1080
00:58:29,000 --> 00:58:40,000
It's also funny. We laugh so much watching this movie. The kills are just over the top, stupid, especially at the beginning, where it's just like one after another.
1081
00:58:40,000 --> 00:58:46,000
It happens so fast. By five minutes I was already in love with this movie. It was so fun.
1082
00:58:46,000 --> 00:58:52,000
We've watched a lot of dogs lately, a lot of average movies lately. And for some reason this just tickled me.
1083
00:58:52,000 --> 00:59:00,000
Yeah, I don't think I really have a lot to say about this film in particular. I can make comments like what was up with Kimo's hairstyle and stuff like that.
1084
00:59:00,000 --> 00:59:11,000
What was up with the background people, like the guy who had his eyeball almost poked out or the pineapple net guy Carl Carl, yet they're just so amateurish.
1085
00:59:11,000 --> 00:59:21,000
The pit crew telling the bad jokes. None of these people can be actors. That's probably the worst part of this movie is the acting, not the seven and the seven, but the other people in the movie.
1086
00:59:21,000 --> 00:59:31,000
skateboard guy. Yeah, skateboard guy. As I said, he steals every scene he's in. He's a spunky little guy. And he'd really can skate.
1087
00:59:31,000 --> 00:59:38,000
Well, he was a championship skateboarder. Yeah. So they knew what they were getting who also wasn't credited for his part in record city.
1088
00:59:38,000 --> 00:59:48,000
So this guy has never gotten the credit due to him. But I wonder if he was so renowned in the world of skateboarding that it was kind of like a cameo where he didn't need to have his name.
1089
00:59:48,000 --> 00:59:56,000
45 years later, nobody remembers who was skateboarding 45 years ago. So if that's the case, it might have to his benefit to put his name in the credits.
1090
00:59:56,000 --> 01:00:00,000
I've forgotten his name already and you said it like an hour ago. It's Russell something.
1091
01:00:00,000 --> 01:00:11,000
I don't know. This movie, if you take it for what it is, yeah, it's a big dumb action movie with gratuitous nudity, lots of explosions.
1092
01:00:11,000 --> 01:00:23,000
Unnecessarily complicated plot spends a lot of time introducing the characters, the good guys, the bad guys, the seven guns for seven king pins or whatever you want to call it.
1093
01:00:23,000 --> 01:00:35,000
And there is a lot negative you could say about it. But I just think you have to approach it in the right spirit where you this is a movie that's just going to be kind of dumb fun for an hour and 40 minutes or however long it is.
1094
01:00:35,000 --> 01:00:43,000
What if you're familiar with Andy Siddharis's films, he's kind of create his own genre. So in a way, this film was the birth of that genre.
1095
01:00:43,000 --> 01:00:57,000
The Andy Siddharis film. Right. We did watch another one of his movies after we watched this one. Malibu Express. It wasn't that good. It wasn't this good anyways. So I don't know, did he peak with his first action, boob movie? I don't know.
1096
01:00:57,000 --> 01:01:13,000
We'll have to see more to judge for sure. But one thing I liked about this movie is that everything was done with a sense of fun. Yeah, there's nudity, but they're shooting silly string at each other. This isn't just gross sex for sex sake. They're having fun.
1097
01:01:13,000 --> 01:01:20,000
The women are beautiful. Yes, but they also have a lot to do with the plot. They're just there is arm candy.
1098
01:01:20,000 --> 01:01:35,000
And even the almost rap scene is very innocent in its execution. Well, it's I can't be and still be a rap scene. I don't think you can call it innocent, but we don't get penetration, which is the thing that everybody really dreads.
1099
01:01:35,000 --> 01:01:45,000
You know, you don't want to watch it. You don't want it to happen. So he's just rubbing on her. It's still gross, but we know she's going to be okay afterwards. She's might have to wash those shorts.
1100
01:01:45,000 --> 01:02:00,000
So it's almost innocent in a way, even though I mean, it's not, but it's just the spirit of fun is here. And I was really taken by that. I let it take me along and I just went with it. I didn't expect a smart movie.
1101
01:02:00,000 --> 01:02:08,000
By the time I watched 10 minutes of this, I knew this wasn't high brow. But I laughed. And honestly, I really like movies where things explode.
1102
01:02:08,000 --> 01:02:15,000
Yeah, explosion can go a long way to making a movie a lot better. I don't know what it is. It just does. It just works. It's very satisfying.
1103
01:02:15,000 --> 01:02:24,000
It is. It's what you want to see and it pays off. You don't have to be frustrated by the lack of anything blowing up because it's all there.
1104
01:02:24,000 --> 01:02:34,000
I'm surprised that gas gun didn't cause more damage, though. It's just basically a gun. It's not like a flame throw or missile. I thought maybe we'd see some bodies blown apart.
1105
01:02:34,000 --> 01:02:40,000
You see that having cruiser explode on the water, but it's just for killing people. That's all.
1106
01:02:40,000 --> 01:02:47,000
It's almost more like a flare gun with a better range and aim. Right. But it does launch kind of a rocket because we see it being loaded.
1107
01:02:47,000 --> 01:02:49,000
Yeah, it makes the sound.
1108
01:02:49,000 --> 01:02:52,000
As it launches.
1109
01:02:52,000 --> 01:02:59,000
Well, how would you rate seven based on our AIP scale where a is awesome, I as intermediate NP is pathetic.
1110
01:02:59,000 --> 01:03:06,000
Well, as I said, I had a lot of fun with this one. Is it a good movie? It depends by you to find a good movie. It's definitely an entertaining film.
1111
01:03:06,000 --> 01:03:10,000
And I enjoyed it enough that I'm going to give it an A. How do you rate it, Cheryl?
1112
01:03:10,000 --> 01:03:17,000
The same. I'm right there with you. This movie, because I said before, this isn't an Oscar winning movie, but you shouldn't expect it to be.
1113
01:03:17,000 --> 01:03:24,000
You should just expect to have big dumb fun and it delivers in every way. I couldn't give it any other rating than A.
1114
01:03:24,000 --> 01:03:30,000
What's funny is that when we equate our two A's to our letterbox rating, it's going to be a five star movie.
1115
01:03:30,000 --> 01:03:34,000
I don't think this is a five star movie, but that's how it's going to look when we do our review.
1116
01:03:34,000 --> 01:03:42,000
But what I always say is not as much about the quality of the film where you stack it up against every other movie and you see all the flaws.
1117
01:03:42,000 --> 01:03:46,000
It's about how it made you feel in the moment while you were watching it.
1118
01:03:46,000 --> 01:03:50,000
And this movie really made me laugh. I had a good time.
1119
01:03:50,000 --> 01:03:56,000
And that's what you want to go to the movies for. You want to have a good time. It delivers. You can't argue with that.
1120
01:03:56,000 --> 01:04:01,000
So it should be four stars in a heart, maybe, but it's going to be a five. That's how it works.
1121
01:04:01,000 --> 01:04:08,000
Can't argue with the math. Well, I think that's going to wrap up our mission today. I'm discussing seven.
1122
01:04:08,000 --> 01:04:11,000
For the American International Podcast, I'm Cheryl Lightfoot.
1123
01:04:11,000 --> 01:04:14,000
And I'm Jeff Markin. And we'll meet you at the drive-in.
1124
01:04:14,000 --> 01:04:26,000
Follow the American International Podcast on Instagram and Letterbox @AIP_Pod and on Facebook at facebook.com/AmericanInternationalPodcast
1125
01:04:26,000 --> 01:04:31,000
The American International Podcast is produced and edited by Jeff Markin.
1126
01:04:31,000 --> 01:04:34,000
A man whose mind is distorted by hatred.
1127
01:04:34,000 --> 01:04:35,000
And Cheryl Lightfoot.
1128
01:04:35,000 --> 01:04:38,000
A girl hungry for too many things.
1129
01:04:38,000 --> 01:04:52,000
The American International Podcast is part of the Pop Culture Entertainment Network.
1130
01:04:52,000 --> 01:04:55,000
[Music]