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Brands have rightly diagnosed a desire for connection and romance, hosting “mixers,” posting personals, and even producing dating shows on social. But what role should they really be playing as matchmakers? We wanted to hear from someone with a real pulse on the dating scene and hit up Amy Rose Spi…
The creator economy has officially won, and periodic waves of influencer backlash have become a perennial feature of online discourse. Some recent examples include the “no influencers sign” in Nantucket, whether “hating influencers has become a socially acceptable way to hate women,” and talk of an…
Is it a fun new beverage? Fast food innovation? Celebrity wedding? A disdain for data centers? An underdog sports story? We’re living through a moment of seemingly calcified cynicism and alienation, but there are palpable signs that people are looking to involve themselves in something bigger than …
Recently, there’s been a lot of anxiety around the health of subcultures: “Subcultures aren’t dead, they’re just not where you’re looking,” “Teen Subcultures Are Fading. Pity the Poor Kids,” “Alt Erasure: Has TikTok Killed Alternative Subcultures?.”  Brands like to think of themselves as condu…
Phyllis Kao is a senior auctioneer at Sotheby’s. You might’ve recently seen clips of her taking bids for a 67-million-year-old T-Rex named Gus, which sold for a whopping $50.1 million to an unnamed buyer. Being an auctioneer (auctioneering is not a verb) has always sat at the intersection of perfor…
Vastutamatussäte: Sellele lehele manustatud taskuhäälingusaade ja kunstiteosed pärinevad with Clara Malley, Eli Williams, and Trey Taylor-lt, mis on selle omaniku omand ja ei ole seotud ettevõttega Listen Notes, Inc.