SELLEST OSAST
"The bells of Morelia Cathedral ring out from a beautiful baroque building of pink stone. The deep, rich sounds of these bells was the first inspiration for the piece. But, when I think of the Mexican Baroque, I immediately think of Sor Juana Inés de la Cruz, so this piece also takes inspiration from her poem Primero Sueño. The whispered text is excerpted from the poem itself, while the sung text is a dreamlike response – a last dream, rather than a first.
I’m drawn to bells because of their rich waves of overtones. To make the sonic bed for the piece, I took the original field recording of the bell and manipulated it to bring out the small details these overtones. The original bell is accompanied by my own recordings of smaller bells, the strings of a piano, and a low cello drone. I am singing my poetic response to Sor Juana in a style inspired by early chant. The piece concludes with the original field recording.
Cathedral bells at Morelia reimagined by Kamala Sankaram.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
I’m drawn to bells because of their rich waves of overtones. To make the sonic bed for the piece, I took the original field recording of the bell and manipulated it to bring out the small details these overtones. The original bell is accompanied by my own recordings of smaller bells, the strings of a piano, and a low cello drone. I am singing my poetic response to Sor Juana in a style inspired by early chant. The piece concludes with the original field recording.
Cathedral bells at Morelia reimagined by Kamala Sankaram.
———————
This sound is part of the Sonic Heritage project, exploring the sounds of the world’s most famous sights.
Find out more and explore the whole project: https://www.citiesandmemory.com/heritage
Inglise
Ameerika Ühendriigid
TRANSKRIBEERI 🔗
Are you the producer of this podcast?
Add a podcast transcript
Need Audio-to-Text?
Transcribe with Listen411 in Just 60 Seconds
OTSI VARASEMAID OSASID
Otsi kanali Cities and Memory - remixing the world viimaseid osasid.
MUUD EPISOOD SELLES PODCASTIS
"I always thought that the waves have their own grooves. My piece follows, complements and builds upon the rhythm of the waves in the recording I have chosen. It aims to be straightforward and slightly hypnotic like the waves of an ocean. Incantations is based on a live jam and it was recorded wi…
The sound of the ocean on the beaches of Cabo Frio, Brazil - a cloudy day with little wind.
Recorded by Patricio Lerma.
"The piece represents a busy few minutes on Track 9 of Oslo station. All the sounds are made up from sections of the original field recording - sampled, sequenced, pitched, grained, wave-tabled and just generally mashed up whilst the original recording runs in parallel."
Oslo train station sounds…
Platforms 9 and 10 at Oslo central station, waiting for a train to depart, we hear arrivals and departures, loud train sounds, trolley bags, announcements and the general hum of a major railway station.
Recorded in 2025 by Cities and Memory.
In Vilnius we were grateful that the Black Ceramics Centre welcomed us into their studio for a behind the scenes close recording session of their manufacturing processes. Here, Ieva Paukstyte is kneading together a blend of wet and dry clay until it becomes usable for moulding her work, with the …
Vastutamatussäte: Sellele lehele manustatud taskuhäälingusaade ja kunstiteosed pärinevad Cities and Memory-lt, mis on selle omaniku omand ja ei ole seotud ettevõttega Listen Notes, Inc.
MUUDA
Aitäh, et aitad hoida podcastide andmebaasi ajakohasena.