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What happens when a film is extremely music-forward?
Mike Turner and Jonathan Lane take us inside the music supervision process on a Netflix Christmas romcom carrying an unusually high number of needle drops in the working cut.
The conversation covers creative and clearance workload, division of responsibilities, maintaining a clear point of contact, production timelines and the wider pressures affecting film and television.
It is a practical look at what happens behind the scenes when music volume, creative ambition and production logistics all increase at once.
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