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Dug Dug

Dug Dug, the long-delayed satirical comedy from director Ritwik Pareek, doesn’t take its intriguing premise to the pinnacle. We discuss the film’s languid opening act that has little to do with the following hour. We also talk about its commentary on blind faith and superstition, and wonder why it …

Satluj

Satluj traces the long battle human rights activist Jaswant Singh Kalra fought to uncover the insidious violence embedded in ’90s Punjab—and just like its protagonist, the biopic too fought its own battle to release. We discuss Honey Trehan’s documentary-like realism, the film’s uncompromising, eer…

Samay Raina: Still Alive

Samay Raina reveals his opportunistic soul in the self-aggrandising comedy special Still Alive. We discuss his decision to portray himself as a victim, to conflate the suffering of his parents with his own, and the consequences of giving in to bullies while projecting himself as a martyr. We also c…

Mardaani 3

Mardaani 3 has the same flawed feminism as its predecessors, but a larger canvas to project it on.  We discuss the evolution of Rani Mukerji’s vanity project, which is coming up on nearly 15 years. We also talk about the film’s jarring third-act plot twists and Shivani Shivaji Roy’s Bond villain-es…

Apex

Apex—the new Netflix survival thriller starring Charlize Theron and Taron Egerton—is like an anti-Australia propaganda video paid for by people still traumatised by the 2003 Cricket World Cup final. We discuss Netflix’s dedication to making instantly forgettable movies, its digitally created natura…
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