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In an attention-based economy, how do creatives honorably and effectively build an audience, platform, and artistic presence without resorting to sensationalism or grandstanding? Too many believe that the only path is making outlandish claims (you will get a gallery show if you do this…), market co…
James floats out a scenario for consideration: * You’re a midlevel creative * You get your “big break”--an opportunity that could transform your career * They want compromises you’re not comfortable making What do you do? Pat figures creatives can cross that bridge when they get to it and base thei…

Flow Hygiene: A Debrief

In a recent segment, Prepping for Crunch Time, we discussed ways to prepare for a period of intensive work, whether you’re an understudy called up to play the lead, a visual artist with an impending gallery show, or a writer on a deadline. Now we have a case study on Pat’s most recent “crunch time,…
As part of her pension project, Pat has been teaching courses online at the Editorial Arts Academy [https://editorialartsacademy.com/2020/12/22/tour-of-developmental-editing-for-fiction/] for quite a while. In one course, she demystifies the art of developmental editing by working with students on…
If you engage in creative-adjacent work or perform, submit, or sell creative services or pieces of any kind, you likely need a contract. As Pat says, contracts remove confusion, manage expectations, and help prevent scope creep. They are necessary, but what should you write into yours? How flexible…
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