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If the hold system did not exist or was not respected by motion design studios and freelancers, there would probably be complete chaos. Even with this system, finding and reserving talent can be a “challenge.” The hold system is a constantly moving puzzle that must be delicately managed by both studios and talent.
Today Austin and Erin are delving into the basic tenets of the hold system and giving you the inside scoop on how you as a freelancer are able and encouraged to work within this tenuous network. You are in control of your time and your fees, so be proactive, fair, and flexible. Your reputation will thank you.
Discussion Points:
- Definition of a hold first and second holds
- How studios use holds to manage resources
- Building your reputation, being fair re: studio holds
- Studios and freelancers need to respect the system
- Holds vs. bookings
- What is a booking?
- Communication with studios – its okay to reach out as a hold approaches
- Juggling multiple holds– dos and donts
- What is a challenge?
- The etiquette around holds, bookings, and challenges
- Kill fees and canceled bookings
- Check out the 2019 Motionographer article on holds by Josh Van Praag
- Recap
Resources:
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