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What do a Victorian priest praising a spotted cow and a wind-scoured Somerset hilltop have in common? Everything doesn't have to match to hold together. We begin in Wales, 1877, with Gerard Manley Hopkins's Pied Beauty—ten and a half lines praising the dappled, the "counter, original, spare, stran…
What do you do with the most mythologised hill in England, when your own poem refuses to mention the myth at all? We begin with the legend at full volume: Tennyson's Avalon, from The Passing of Arthur—an island where "falls not hail, or rain, or any snow," promised to a dying king who admits, in t…
What turns a ledger into a home? This week, we explore the space between a posting and a place—between empire's measurement and the small, unmeasured things that root us to somewhere for good. We begin with Rudyard Kipling's Roman Centurion's Song—a centurion recalled to Rome after forty years in …
What do you do with the ten thousand years underneath your feet, while half a million pairs of shoes wear the path above it smooth? We begin in 1858 with Christina Rossetti's Up-Hill—a poem built as pure dialogue, one voice growing more anxious with every question, the other never once changing it…
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