ÜBER DIESE EPISODE
The idea of a return to something is very dangerous to me, because it's the something that got us where we are today. – Christopher Harris Who gets to decide what images mean, and why they have worth? For a documentary photograph to say something meaningful about the world, we have to believe that it's faithfully capturing that world. In this way, photography is a lot like another modern invention, paper money. In this episode, historian David McNally and filmmakers Christopher Harris and Jackie Goss talk about how the circulation of money and images influences what we trust, and who we mistrust. Featuring: Christopher Harris, David McNally, and Jackie Goss
Englisch
Vereinigte Staaten
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WEITERE EPISODEN IN DIESEM PODCAST
We often treat images of pain and suffering as if they have some intrinsic meaning that'll be immediately obvious to everyone. This episode focuses less on finding meaning in images of pain, and more about the struggle to give them meaning. Filmmaker Alex Juhasz has to decide what to do with a tape…
"The thing about finding consensus is that it depends on a shared reality." – Astra Taylor
Not too long ago, the phrase “my truth” would not only have meant very little to most people, but it would have sounded like the deepest of contradictions. But there are really good reasons why pe…
"You guys could do whatever you want after your presidency. Why did you decide to do this?" – Julia Reichert to Barack and Michelle Obama. What does the US Democratic Party share in common with observational documentary? The promise and the problem of transparency. This episode ex…
"Blackness is a lie, but it’s a true lie." - RaMell Ross. The boundaries between fiction and nonfiction have never been stable, neutral, or benign. What the work of photographer and filmmaker RaMell Ross, author and cultural historian Saidiya Hartman, and filmmaker Charles Burnett have in common is…
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