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Élisabeth Jacquet de la Guerre isn’t a name many will recognise — despite an opera that reached the Paris stage in 1694, two books of biblical cantatas published three years apart, in 1708 and 1711, and a career that ran for decades either side of those dates.  The point this episode seeks to highl…
Composer Laura Bowler on leading the Cheltenham Music Festival's Composer Academy, recorded on-site during the week of workshops in Gloucestershire. She talks about what conservatoire didn't teach her — pitching, funding applications, resilience — plus a look back at Houses Slide, her 2021 piece fo…
Cellist Adrian Brendel on Tree of Strings, his new Dorset festival — the Harrison Birtwistle story behind its name, genre-mixing, and watching his father Alfred's final tour from the audience, occasionally incognito.
Beatrice Nicholas is a British concert pianist and composer. She performs the traditional classical canon, and she composes and arranges, fusing classical and jazz together. She's also a member of the Chineke! Chamber Ensemble, drawn from principal players of the Chineke! Orchestra. On the seventee…
This episode is being republished during this year's Aldeburgh Festiva. This episode was first published 1 June. Fifty years after Britten's death, Aldeburgh and Snape still carry his fingerprints — and still provoke the same question: what is this place actually for? In this special episode, contr…
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