ÜBER DIESE EPISODE
With DIANA (Abrams ComicArts), Nate Powell has completed his "accidental triptych" of Ozark horror & the punk scene. During SPX weekend, he returned to the show to talk about the creative leap he took with this book, the ways that DIANA fulfills but doesn't complete the stories of COME AGAIN and FALL THROUGH, why this book is set during the transitional period of the early '90s, and the challenge of writing characters in their early 20s while he's approaching his 50s (and what it meant for Frank Miller to write about 50-something Bruce Wayne when he was in his 20s). We get into his re-imagining of the punk music/art scene in Arkansas, the ways horror-genre gave him a framework on which to build story, his use of duotone and spot colors to get a midcentury color palette for the book, how he's making his art messier as an unconscious reaction to generative AI, and his lead character's self-identity and the importance of being your own canon. We also discuss how Bob Ross got him started on art, and what he got from rewatching Bob's show during lockdown, the joy of his annual pilgrimage to Small Press Expo and embrace of the comics community, his formative experiences at School of Visual Arts, the total lack of crossover between the readers of his John Lewis biography and his personal work, the right age to expose kids to the golden age of the X-Men, and more. Follow Nate on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter
