ÜBER DIESE EPISODE
Our 40th episode. Paul offers Tone Carter the Unstoppable Sex Machine's rip-roaring second album. Was the early 90s a strange musical hinterland between Madchester and Britpop? Or a period of rich and underrated music, occasionally reflecting the last days of Thatcherism? What was 'grebo' and why did it not become a movement? And what's the connection with Pop Will Eat Itself (the band and the phrase)?
To find out...please try listening.
Englisch
Großbritannien
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WEITERE EPISODEN IN DIESEM PODCAST
It's Episode 30, which means role reversal time. Paul offers up Portishead's Mercury Music Prize winner from 1994. The album is often credited with popularising trip hop, a term the band apparently hated. What will Tone make of the filmic soundscape, dense production and yearning vocals? …
Tone slips Kate Bush's 1980 LP on to the Turntable. How will Paul receive the Fairlight-inspired work? What schoolday memories will the album evoke for Tone? What will the pair of them make of Kate's legendary 1979 BBC special?
For the answers to these questions - and more besides - pleas…
Tone offers up Leonard Cohen's 1988 album. What will Paul make of Cohen's commitment to synth? What do the vocals of Jennifer Warnes bring to the party? Can we expect a call from the Jazz Police? And what's a persecuted Spanish poet got to do with all of this? For the answers to at l…
Tone brings Nick Lowe's 1978 box of tricks to the Turntable. Effortless pop sensibility. Biting criticism of the music industry. The occasional gruesome lyric. What will Paul make of this musical smorgasbord?
To find out, please try listening.
Tone brings Harry Nilsson's 1971 album to the Turntable. Why was he so friendly with the Beatles (Nilsson not Tone)? Which song invented the power ballad? And why does Paul keep getting future echoes of Rufus Wainwright?
For the answers to these - and possibly fewer - questions, please try lis…
Rechtliche Hinweise: Der auf dieser Seite eingebettete Podcast und das Bildmaterial stammen von Tony Harris and Paul Howarth, das Eigentum seines Eigentümers ist und nicht mit Listen Notes, Inc. verbunden ist oder von diesen unterstützt wird.
BEARBEITEN
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