ÜBER DIESE EPISODE
We're back! Not for Season 2, which is currently in production, but rather, a short mini-season that emerged out of a writers group that I ran back in the early days of the lockdown in 2020. Every week, around 30 filmmakers would gather on zoom as I interviewed writers, directors, actors, and cinematographers about their own experiences with writing, reading, or breaking down scripts for production. Then our guest would leave and we would split into smaller groups to each work on our own screenplays. It was an incredible few months and each week, those conversations about writing became something we all looked forward to. We spent our time observing, from all directions, the multidimensional effort it takes to write a compelling screenplay.
Then, years later, the writer's strike. And suddenly these interviews intended for this smaller group feel relevant in a new way. They're conversations full of affection for the process of *writing* a screenplay as well as admiration for the efforts that writers bring to their work and to our business. I can't think of a better time to focus our attention on the core component of narrative storytelling.
So, in a small act of solidarity with the (currently-striking) WGA, I wanted to release a few conversations from that writers group. Some names may be familiar to you if you listened to Season One of the Process Dispatch. Others are new. But each brings a unique perspective to the process of writing screenplays. My STAGES co-writers, Dan Steele and Bradley Jackson. Bassam Tariq. Morgan Cooper. Nikyatu Jusu. Anthony Ramos, Marc Menchaca, and Natalie Kingston. It's going to be great.
First episode drops Thursday 6/29/23.
Then, years later, the writer's strike. And suddenly these interviews intended for this smaller group feel relevant in a new way. They're conversations full of affection for the process of *writing* a screenplay as well as admiration for the efforts that writers bring to their work and to our business. I can't think of a better time to focus our attention on the core component of narrative storytelling.
So, in a small act of solidarity with the (currently-striking) WGA, I wanted to release a few conversations from that writers group. Some names may be familiar to you if you listened to Season One of the Process Dispatch. Others are new. But each brings a unique perspective to the process of writing screenplays. My STAGES co-writers, Dan Steele and Bradley Jackson. Bassam Tariq. Morgan Cooper. Nikyatu Jusu. Anthony Ramos, Marc Menchaca, and Natalie Kingston. It's going to be great.
First episode drops Thursday 6/29/23.
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WEITERE EPISODEN IN DIESEM PODCAST
A conversation with directing duo, TWIN. Jonathan and Josh Baker are Australian-born identical twins who have been creating incredible work across both film and commercials. Their first feature, KIN, was a studio feature based on their short film, Bag Man. It is an amazing debut - ambitious and ori…
Nikyatu Jusu is on the most compelling and dynamic filmmakers that I've had the pleasure of meeting in the past few years. We were introduced by a mutual actor/friend and after seeing her enigmatic short, SUICIDE BY SUNLIGHT, I knew she was destined for massive projects.
When I began the process …
This episode is a continuation of my conversation with Bassam Tariq. We pick it up where we left off last week, specifically beginning with the production of his first narrative feature, MOGUL MOWGLI. I would *highly* recommend watching that film as context for this episode. We dive quite deeply in…
This episode is a continuation of my conversation with Jonathan & Josh Baker [TWIN]. Specifically, we dive into some of the hard-won learnings that they discovered while making their first feature film, KIN. Making films is trial by fire and the debrief after the dust settles is such a critic…
For the next conversation in this series, I couldn't think of a director I was more eager to speak with than Bassam Tariq. Bassam is on of the most thoughtful, truthful, and talented directors that I've had the chance to meet. We speak about his journey into filmmaking as a Muslim kid in post 9-11 …
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