ÜBER DIESE EPISODE
In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel's massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you're a long time Marvel fan or curious about editing action, you won't want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema.
To hear more insightful conversations about editing join us for EditCon 2025! Here will be both virtual and in person events around Canada! Get your tickets here.
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WEITERE EPISODEN IN DIESEM PODCAST
Today's episode is a master series panel that took place on June 4, 2025 in Toronto.
Award winning editor Ricardo Acosta, CCE talks with Nick Hector, CCE, BFE about how the film PARADE: QUEER ACTS OF LOVE & RESISTANCE, captured the pivotal moments that sparked Canada's 2SLGBTQI+ movement, hono…
How do issues of representation and identity shape the art and craft of film editing? Join editors Lara Johnston (FELLOW TRAVELERS), Gloria Tong (BRIA MACK GETS A LIFE), and Fabiola Caraza (THE POPULARITY PAPERS) as they discuss the intersection of film editing and cinematic explorations of race, c…
Today's episode is a panel that took place on June 18th, 2025 in Toronto.
It was an in depth conversation with Sonia Godding Togobo and Tom Third. They discussed the documentary A MOTHER APART, a story about Jamaican-American poet and 2SLGBTQ+ activist Staceyann Chin and how she courageously recla…
Today's episode is a panel that took place virtually in June 2025.
Editor Xi Feng sits down with director and editor Catherine Legault about her second feature documentary, Larry (they/them).
Catherine is a prolific, award-winning editor and the host of the CCE's French podcast L'Art du Montage. …
If visual effects are the magic of movies, then the VFX editors are the ones making magic happen in the edit suite. But what does that entail? As the bridge between editorial and VFX artists, how do VFX editors support the storytelling process and what do they do? Where did they come from and how h…
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