ÜBER DIESE EPISODE
Cinematographer Stuart Dryburgh explains how natural light, practical sources and an invisible camera shaped Netflix’s East of Eden, shot in New Zealand with director Garth Davis.
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VERGANGENE FOLGEN SUCHEN
Vorhandene Folgen von The Cinematography Podcast durchsuchen.
WEITERE EPISODEN IN DIESEM PODCAST
DP Michael Bauman, ASC on shooting Monster: The Ed Gein Story, building a visual language with period lenses, and lighting with just reflectors and flashlights.
Podcast highlights include:
-How Michael built a distinct visual language for each era with lensing shifting from period to period. Colo…
DP Brett Pawlak on grounding Spider-Man: Brand New Day in natural light, practical suit design, and 17 years collaborating with Destin Cretton.
Podcast highlights include:
-How Pawlak and Cretton’s input about the suit design kept Peter Parker feeling human. The mask allowed Tom Holland's jaw to m…
DP Julia Swain on faking the Golden Gate Bridge, rigging a real tour bus, and bringing indie instincts to Netflix's Voicemails for Isabelle
Podcast highlights include:
-How Julia shot the film's pivotal Golden Gate Bridge overlook scenes without using a stage. The team scouted the real Marin Head…
Cinematographer John Matysiak on shooting Motor City's nearly dialogue-free story, real in-camera stunts, and building its 1970s Detroit look from film tests.
Podcast highlights include:
-Why Motor City tells its story with almost no dialogue, and how that shaped everything from frame rate to nee…
DOP Gustav Danielsson, FSF on shooting HBO's A Knight of the Seven Kingdoms with naturalistic firelight, practical battlefield fog, and in-camera POV shots
Podcast highlights include:
-How Gustav and director Owen Harris planned the show's night time, fire-light-driven look.
-Beginning their sho…
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